To be a sidewalk pancake or not to be a sidewalk pancake. That is the question.
We have a friend who once said that everyone's problems can be boiled down to, “Mommy and daddy didn't love me enough.” We don't agree, but 14 Hours, aka Fourteen Hours, takes that idea and runs with it as far and fast as it can, as Richard Basehart climbs onto a New York City hotel ledge and engages in the eternal existential wrestling match: To be or not to be? Most of the movie takes place on that ledge, as a beat cop played by Paul Douglas tries to talk Basehart out of splattering himself all over 55th Street.
The performances in this film were acclaimed at the time, and it also has an interesting collection of young, soon-to-be stars, including Debra Paget, pretty boy Jeffery Hunter, Barbara Bel Geddes, and the legendary Grace Kelly, who's twenty-two yet plays a mother of two about to be divorced. Yes, there are twenty-two-year-old mothers of two facing divorce, but it feels like a case of shoehorning her into the movie when her role was clearly written for an older actress. But hey, shoehorn away—she's Grace Kelly. She can play King Kong as far as we're concerned.
14 Hours is, on the whole, an involving and speedy flick. It is not a film noir, and we wish IMDB and Wikipedia didn't let their users label every vintage black and white drama a noir. This one is not even close to noir. It has almost none of that genre's standard iconography, and also lacks its required thematic underpinning. The American Film Institute officially calls it a suspense drama. Whatever its category, 14 Hours' ninety-two minutes are entertaining and technically proficient. To watch or not to watch? We say yes. It premiered in the U.S. today in 1951.
If you'd had sex with me I wouldn't be out here with the pigeons right now. Headquarters? Do not—I repeat do not—eat all the donuts. We'll get this nutjob off the ledge and be back there as quick as we can. I certainly don't want you to get desperate enough to climb onto a ledge. Let's go to your place and I'll show you what life is all about. Don't jump, son! Without you there'll be nobody around to listen to me complain about what a loser your father is! Hello, headquarters? Status check on those donuts. Just cooperate, mister! There are a lot of hungry cops up here!
I heard you the first time. I'm just choosing to ignore you.
We've been told that this low rent cover for Justin Kent's 1955 fetish cheapie Touch Me Not! is by sleaze art master Eric Stanton. If so, it's a mere sketch compared to his normal style, but we'll accept that it's him. Last time we checked, Touch Me Not! was selling for $155, which is outrageous for something that looks like it was stapled at a Kinko's. But in this case at least, the buyer would get something historically significant. This book was central to an obscenity case brought in 1959 by the state of New York against Times Square bookstore owner Edward Mishkin that after seven years went all the way to the U.S. Supreme Court in 1966. Mishkin lost the case, and Touch Me Not!, which had been confiscated with numerous other books, remained under wraps for fifty years. You can see plenty more Eric Stanton art by clicking his keywords below.
One motivated American outsmarts an entire cabal of communists in Spillane crime drama.
Mickey Spillane's 1951 red scare caper One Lonely Night is, on one hand, classic Spillane starring his franchise sociopath Mike Hammer, but on the other, silly, polemical, and painfully dated. Mike Hammer the insane killer is kind of likeable, but Mike Hammer the insane killer with a political agenda is a bit tedious. Hammer's anti-commie pronouncements usually come across like set-ups for punchlines, as if he might go, “Just kidding! If we're comparing body counts we capitalists are running neck and neck! Gen-o-cide! Sla-vuh-ree!” But nope—Hammer remains both privileged and aggrieved throughout. In that way he's a very modern character. Since Spillane clearly thought Soviet influence in America was a serious threat he at least should have populated this violent slog through NYC's leftist underground with canny commies. But when they're this sloppy, why worry? Oh well. We'll always have Kiss, Me Deadly.
Anthony Quinn and Yaphet Kotto give their all and then some in hard luck crime thriller.
Across 110th Street premiered today in 1972, which makes it one of the early arrivals in the blaxploitation wave that was sweeping American b-cinema. With its ample budget and its well established headliner in Anthony Quinn, you could make the case that it isn't fully part of the genre, but we think it fits, even if it's atypical. Outlier or not, you'll see several faces in this that would soon become well known in blaxploitation, and you'll also see Burt Young, later of Rocky and Chinatown.
Plotwise, the movie centers on odd couple cops—old school racist Quinn and college educated reformist Yaphet Kotto—thrown together à la In the Heat of the Night to solve an NYC murder/robbery. As familiar as this oil vs. water dynamic may be, the movie still comes together in exciting fashion thanks to the way it tracks the robbers' storylines. They're a trio of amateurs who ripped off the Mafia for $300,000 and now are being hunted by both crooks and cops. Quinn and Kotto must find these thieves before the Mafia turns Harlem into a war zone.
When the film was released it was criticized for its violence and bitter racial subtext, but upsetting the herd is one of the things it tries to achieve. And while it may not appeal to people's better angels, it's quite interesting, with the grit of Wally Ferris's otherwise radically altered source novel left intact, and the central metaphor embodied in the title—that of which lines will be crossed and what the consequences will be—deftly observed. Across 110th Street is rough stuff, but well worth a watch.
After seventy-three years she's finally lost her title.
We've seen this photo in numerous online spots, and why not? It's amazing. But none of those sites bother to explain the provenance of the image. We dug around, and it appears we're the first website to have done it. The Mystery Writers of America, which was founded in 1945 in New York City and soon expanded to other locations, in its early years used to throw what they called a Clues Party. In November 1947 the party was in Chicago, and the MWA awarded the title of Mystery Girl to the woman who performed best in a scream test—as opposed to screen test. Four contestants—Marybeth Prebis, Betty Rosboro, Bobby Jo Rodgers, and Portia Kubin—let fly with their most bloodcurdling screams, and the winner was Kubin, above. The MWA stopped throwing Clues Parties at some point, which seems a shame, but they established the coveted Edgar Award, so maybe that's an okay trade. Kubin was probably an aspiring actress but a glance at various online sources shows no film credits, which means this was her only shot at celebrity. But what a shot.
Never has a domestic employee done so little actual work.
It's Christina Lindberg again. Yes, eventually we're going to cover everything related to her. Thanks to the internet and some interest from modern filmmaker Quentin Tarantino, Lindberg rose from obscurity a while back and is now a staple on numerous blogs. She had become a journalist after her film career ended around 1982, and eventually ascended to the position of editor-in-chief of a Swedish aviation magazine called Flyrgevyn, but since 2000 she's been appearing in films again, and occasionally pops up at film festivals.
Her hit sexploitation flick Maid in Sweden premiered in the U.S. today in 1971, and you see the poster for that above. She plays a milkmaid, not a housemaid, by the way. Happy cows make tasty milk. There's nothing special about the promo poster, or the movie for that matter, but there's plenty special about Lindberg. We have proof below. We've had a lot of success locating promo shots of her that have never been seen online before, and this is another one. We have more, so you can bet we'll revisit her soon. Until then you can see a rare and pretty Japanese Maid in Sweden poster here, a sort of psychedelic Italian poster here
, and plenty more Lindberg all around the site.
Real love knows no limits. Not even death.
We're circling back to the classic film noir Laura today to share two more promo posters. Previously we showed you a Spanish promo that caught our eye because of its red and violet colors, and a dark Finnish poster that uses a photo of Gene Tierney, but the U.S. promos above are better known. If you haven't seen Laura, it's about a detective who falls in love with a murdered woman. Definitely watch it. It premiered in New York City today in 1944.
Don't look so smug, buster. I've had better.
Natalie Anderson Scott's 1955 novel Hotel Room was originally published in 1953 as The Little Stockade, and it's a tale set in New York City's infamous Hell's Kitchen, involving a woman named Marie who is made into a prostitute by a man she loves but shouldn't. This was Scott's follow up to her hit novel The Story of Mrs. Murphy, which instead of examining a woman stuck in the trap of vice examined a woman stuck in the trap of alcoholism. Unfortunately, this gritty follow-up wasn't as well received. But she still had a decent career, publishing several more books over the years.
Popular Library had the knack of getting artists who painted in the same general style—perhaps the company even required it. Sometimes that makes it hard to know who a cover artist is, but in this case it's Rafael DeSoto. Here he's painted a nimbus around the head of his female figure. We realized we'd seen the same effect before from him, for example here and here—and even here, if you look closely—so we had a scan around the internet to see how often that occurred. While DeSoto did it on some covers, we wouldn't go so far as to call it a trademark. Still, it's a cool effect on a very nice piece of art.
Photographer blinded. Says pearly gates opened and heavenly light struck him in the eyes.
Marilyn Monroe was possibly the most photographed person of her era, but we bet most of you have never seen this shot. The divine Miss M. accidentally flashed a photographer while socializing at a May 1962 Democratic Party fundraiser in New York City. It was a semi-formal affair, but formality only applies to one's outer layer, clearly. To make matters even more interesting, this was the night she famously sang “Happy Birthday” to President John F. Kennedy.
The Pulp Intl. girlfriends love this shot, but when we pointed out that it might not be distinct enough, they got the implication right away and begged us not to do a zoom. Well, we can add that vain hope to the many others they've expressed over the years. Look below. The really interesting part is pondering whether Monroe's sugar cookie was out of the oven from the get-go, or if it happened during the fundraiser. Hmm... Were Monroe and Kennedy ever simultaneously absent that night? There's nothing quite like eating an extra dessert.
Live fast, die young, leave a good-looking corpse.
When we saw Jean Peters in 1953's Pickup on South Street, it was our first exposure to her, and we immediately knew we'd be seeking out more of her work later. Last night we watched another film of hers from 1953—the mystery Vicki, which is based on Steve Fisher's 1941 novel I Wake Up Screaming. Peters plays an up and coming New York City model and actress who's found murdered. The rest of the film, told partly in flashback, details her rise from obscurity to celebrated It girl, and the investigation that follows her killing. Jeanne Crain plays Peters' sister who's dedicated to finding the truth, and Richard Boone takes on the unusual role of an emotionally unstable lead detective whose assumptions affect his objectivity.
The movie plays like a partial retread of 1946's Laura, and like Gene Tierney's famed character Laura Hunt, Peters' aspiring superstar Vicki Reed has a profound effect on people even after her death, from broken hearts to poisonous resentment. But Vicki doesn't have the same atmosphere and narrative heft as Laura. Even though it's a mystery, there are no real surprises. Still, we've seen far worse films, and Peters' performance is fine, if not quite as enjoyable as her jaded working class beauty from Pickup on South Street. We recommend that film unreservedly, and Vicki cautiously. It premiered in New York City today in 1953 before going into national release on October 5. |
The headlines that mattered yesteryear.
1959—Lou Costello Dies
American comedian Lou Costello, of the famous comedy team Abbott & Costello, dies of a heart attack at Doctors' Hospital in Beverly Hills, three days before his 53rd birthday. His career spanned radio and film, silent movies and talkies, vaudeville and cinema, and in his heyday he was, along with partner Abbott, one of the most beloved personalities in Hollywood.
1933—King Kong Opens
The first version of King Kong
, starring Bruce Cabot, Robert Armstrong and Fay Wray, and with the giant ape Kong brought to life with stop-action photography, opens at Radio City Music Hall in New York City. The film goes on to play worldwide to good reviews and huge crowds, and spawns numerous sequels and reworkings over the next eighty years.
1949—James Gallagher Completes Round-the-World Flight
Captain James Gallagher and a crew of fourteen land their B-50 Superfortress named Lucky Lady II in Fort Worth, Texas, thus completing the first non-stop around-the-world airplane flight. The entire trip from takeoff to touchdown took ninety-four hours and one minute.
1953—Oscars Are Shown on Television
The 26th Academy Awards are broadcast on television by NBC, the first time the awards have been shown on television. Audiences watch live as From Here to Eternity wins for Best Picture, and William Holden and Audrey Hepburn earn statues in the best acting categories for Stalag 17 and Roman Holiday.
1912—First Parachute Jump Takes Place
Albert Berry jumps from a biplane traveling at 1,500 feet and lands by parachute at Jefferson Barracks, Missouri. The 36 foot diameter chute was contained in a metal canister attached to the underside of the plane, and when Berry dropped from the plane his weight pulled the canopy from the canister. Rather than being secured into the chute by a harness, Berry was seated on a trapeze bar. It's possible he was only the second man to accomplish a parachute landing, as there are some accounts of someone accomplishing the feat in California several months earlier.
1932—Lindbergh Baby Is Kidnapped
The twenty-month-old son of aviator Charles Lindbergh, Charles Augustus Lindbergh III, is kidnapped from the family home in East Amwell, New Jersey. Over two months later the toddler's body is discovered in woods a short distance from the home. A medical examination determines that he had died of a massive skull fracture. A German carpenter named Bruno Hauptmann is arrested, tried, and convicted for the crime. He is sentenced to death and executed in April 1936.
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