If you think being on the wrong side of the tracks is bad, trying being right in the middle of them.
This poster was made for Railroaded!, which is a competent b-noir about a gangster managing to steer cops into arresting a patsy for murder. These cops are damn easy to steer, and later they're really not at all concerned that they might have the wrong man. In fact, they're downright eager to usher this guy into the gas chamber. It's only because Ed Kelly as the innocent man sticks so doggedly to his story that the police start to have doubts. At that point the patsy's sister takes the reins and starts to steer the highly influenceable cops in the right direction, which brings gangster danger to her door. But the benefit of leading cops by the nose is that they tend to linger about.
On the whole, this is a surprisingly tidy little thriller. John Ireland is the gangster/puppetmaster, Hugh Beaumont, later of Leave It to Beaver, is one of the cops, and Sheila Ryan plays the sister of never-wavering faith. All of them are good. Railroaded man Ed Kelly is fine too, but he basically acted in only this movie. True, he appeared uncredited in a film in 1950, and had a bit part in 1970, but those barely count. We don't know why he vanished, but wherever he went we imagine he was pretty satisfied to have starred in what is generally remembered as a pretty good low budget crime thriller. Railroaded! (with an exclamation mark in its official title, though it doesn't appear on this poster) premiered in the U.S. today in 1947.
There are worse fates than being Shanghaied by Hayworth.
This beautiful poster was made for Argentina to promote the film noir The Lady from Shanghai, which starred Rita Hayworth and Orson Welles. There's no official Argentine premiere date, but since the movie reached Mexico in April 1948 and Uruguay in July 1948, it's a reasonable bet that it hit Argentina sometime during the summer of that year. Read a bit about the film here.
It was the beginning of a beautiful endship.
Above, a crop of a PRC (Producers Releasing Corporation) promo image made for the 1945 film noir Detour. It was directed by Edgar G. Ulmer and starred Tom Neal and Ann Savage as a pair thrown together by circumstance who soon bring each other to grief. Made for just $30,000, it was a bottom tier b-movie that transcended its bounds. It was generally lauded upon release, which is why the fact that it's in the public domain today is amazing. Detour recieved a 2015 restoration, so we recommend giving the movie a look. It shows what can be achieved with very little money but a lot of vision.
Live fast, die young, leave a good-looking corpse.
When we saw Jean Peters in 1953's Pickup on South Street, it was our first exposure to her, and we immediately knew we'd be seeking out more of her work later. Last night we watched another film of hers from 1953—the mystery Vicki, which is based on Steve Fisher's 1941 novel I Wake Up Screaming. Peters plays an up and coming New York City model and actress who's found murdered. The rest of the film, told partly in flashback, details her rise from obscurity to celebrated It girl, and the investigation that follows her killing. Jeanne Crain plays Peters' sister who's dedicated to finding the truth, and Richard Boone takes on the unusual role of an emotionally unstable lead detective whose assumptions affect his objectivity.
The movie plays like a partial retread of 1946's Laura, and like Gene Tierney's famed character Laura Hunt, Peters' aspiring superstar Vicki Reed has a profound effect on people even after her death, from broken hearts to poisonous resentment. But Vicki doesn't have the same atmosphere and narrative heft as Laura. Even though it's a mystery, there are no real surprises. Still, we've seen far worse films, and Peters' performance is fine, if not quite as enjoyable as her jaded working class beauty from Pickup on South Street. We recommend that film unreservedly, and Vicki cautiously. It premiered in New York City today in 1953 before going into national release on October 5.
You know what I love about you, Jane? You're as hot as me. It's like I switched my gender with FaceApp.
The promo poster for the classic film noir His Kind of Woman declares Jane Russell and Robert Mitchum the hottest combination ever to hit the screen. The windscreen? The screen door? We'll assume it means the silver screen. The movie was made by RKO Radio Pictures when it was run by Howard Hughes, so if you know anything about vintage cinema you already know this production was a mess. Hughes' micromanaging, meddling, and firings of actors led to heavy cost overruns and more than an hour of retakes. Despite these issues Mitchum and Russell do fine as the romantic leads, and support from Vincent Price, Jim Backus, and Raymond Burr helps them immensely. Are they the hottest whatever to hit the whatever? Well, of course. They'd be the hottest pushing a stalled car up a hill, or flossing their rearmost molars, or yakking in the toilet after an all night tequila binge. When you're hot, you're hot. We know quite well because—not to boast—people have said the same about us.
Anyway, Mitchum plays a classic film noir patsy who accepts a pile of money to go to Mexico for unknown purposes, only to discover that the sweet deal he thought he was getting isn't so sweet after all. Russell plays a rich girl idling down south with her lover, a famous actor, but when she gets a gander of Mitchum she starts rethinking her romantic priorities. Any smart woman would. We won't reveal the plot other than to say it's adequate, though not awe inspiring. The last few reels make a hard right turn into comedy, which some viewers hate, but the major problem for us is that the ineptness of the villains during the extended climax strains credulity. In the end His Kind of Woman may not be your kind of movie, but guys (or girls) get to see Russell dress slinkily and sing a couple of songs, and girls (or guys) get to see Mitchum go about twenty minutes with no shirt, so there's a silver lining for everyone here. The film premiered in the U.S. today in 1951. Do you have someplace I can store this suitcase filled with my excess masculine heat?
Sure, you can sit next to me. But first you have to sign a liability waiver in case you get scorched.
You'll love this next trick. I put my finger in this cognac and it catches fire.
Hot as this guy is, I don't know whether to keep beating on him or start beating on me.
And once I take your face off I'll be the hot one. I'll have it all! Respect, envy, women, excellent service wherever I go! The world will be mine! Mwahh hah hah! Haaaaaaaah haha hahah!
Robert Taylor plays the bad cop blues.
Here you see a nice blue promo poster for Sur la trace du crime, better known as Rogue Cop, with Robert Taylor, George Raft, and Janet Leigh. We talked about this last year. Shorter version: decent but not great. It opened in France yesterday in 1955.
Mansfield and her crew try to steal a million.
This fantastic Belgian poster with lettering in French and Dutch was made for the 1957 film noir L'Ange des mauvais garçons, better known as The Burglar. Well, better known is relative. The movie is somewhat obscure but it shouldn't be—it's a film noir clinic, and this great promo, which was made for its run at the Ciné Capitole in Antwerp, befits such an artful movie. It's unsigned, so the creator will have to remain unrecognized for now. Conversely, we think the movie will garner more recognition as time passes. Jayne Mansfield co-stars but don't get your hopes up—she doesn't wear a black jumpsuit. Not even close. You can read more about the movie here.
Bogart crime drama misses the bullseye but still scores a few points.
For us there's no such thing as a bad Bogart vehicle. Every movie we've seen from him in a starring role is at least decent. Above is a poster for The Big Shot, in which he co-starred with Irene Manning. Consensus is it's not one of his best. Bogart plays a career criminal who finds it incredibly difficult to go straight, and whose best efforts are confounded when he gets tangled up in an armored car robbery. We know from the beginning it went bad because the story is told in flashback as Bogie languishes in a hospital bed. Exactly how it went wrong is where the movie attempts to deliver the thrills. Despite its status as second tier Bogart, it has a couple of memorable sequences. The first is a prison break, and the second is a chase on icy roads as Bogart's car is pursued by motorcycle cops. This was Bogart's last gangster role for a while, because he was on the verge of becoming the cinematic leading man we all know and love. He had already proved all he needed to in gangster parts, and was thrilled to leave them behind. But this film showed that he would still need the help of a compelling story, an excellent script, and solid co-stars. From this point forward, he usually got the best of all those. The Big Shot premiered today in 1942. Humphrey, don't be rude. Look at me when I talk to you. Turn around and look at me, Irene. I said— Oh, you're doing me, aren't you? Nice. You've got that Bogart thing pretty much perfected, Irene. Irene?
Susan comes down with a case of the bends.
Above, an interesting promo image of U.S. actress Susan Harrison, known for her role as Susie Hunsecker in the iconic film noir Sweet Smell of Success, seen here putting her sacroiliac through its paces with a serpentine “S” posture we suspect is harder to strike than it looks. But that's what talent is for—making hard stuff look easy. The photo was made when Harrison was filming 1960's Key Witness. We haven't seen Sweet Smell of Success, but we have a copy, and its premiere date is this month, so we'll see if we can fit it into the queue and report back. Meanwhile Harrison proves below that she can make other symbols with her body—“Я” for example, which looks like a meaningless backwards “R” but which in actuality is, “I am” in Cyrillic. We have it on good authority that she finished the thought with the Cyrillic for “flexible”—Гибкий. We'll try to track down that shot for you.
Glenn Ford gets the picture and it isn't pretty.
This poster for the film noir Framed, which premiered in the U.S. today in 1947, is a bit different in style from what you'd normally see during the 1940s. It was a low budget movie, so we imagine this was the low budget solution to promo art. It's reasonably effective, enough so that we decided to watch the movie, and the premise is that pretty boy Glenn Ford is a down-on-his-luck job seeker who's been unwittingly selected by a couple of shady characters to take the fall for a bank embezzlement. We didn't give anything away there. Viewers know pretty much right away Ford is being set up, who's doing it, and why. It's the complications that make the movie, and those accumulate rather quickly. If being framed is defined as to be on the hook for a crime you didn't commit, then there's more than one framee in this film, which is where clever scripting comes in to rescue a bottom drawer budget. In the end you get a nice b-noir with a title that takes on more significance than you'd at first assume. We recommend it highly.
The headlines that mattered yesteryear.
1964—Warren Commission Issues Report
The Warren Commission, which had been convened to examine the circumstances of John F. Kennedy's assassination, releases its final report, which concludes that Lee Harvey Oswald, acting alone, killed Kennedy. Today, up to 81% of Americans are troubled
by the official account of the assassination.
1934—Queen Mary Launched
The RMS Queen Mary, three-and-a-half years in the making, launches from Clydebank, Scotland. The steamship enters passenger service in May 1936 and sails the North Atlantic Ocean until 1967. Today she is a museum and tourist attraction anchored in Long Beach, U.S.A.
1983—Nuclear Holocaust Averted
Soviet military officer Stanislav Petrov, whose job involves detection of enemy missiles, is warned by Soviet computers that the United States has launched a nuclear missile at Russia. Petrov deviates from procedure, and, instead of informing superiors, decides the detection is a glitch. When the computer warns of four more inbound missiles he decides, under much greater pressure this time, that the detections are also false. Soviet doctrine at the time dictates an immediate and full retaliatory strike, so Petrov's decision to leave his superiors out of the loop very possibly prevents humanity's obliteration. Petrov's actions remain a secret until 1988, but ultimately he is honored at the United Nations.
2002—Mystery Space Object Crashes in Russia
In an occurrence known as the Vitim Event, an object crashes to the Earth in Siberia and explodes with a force estimated at 4 to 5 kilotons by Russian scientists. An expedition to the site finds the landscape leveled and the soil contaminated by high levels of radioactivity. It is thought that the object was a comet nucleus with a diameter of 50 to 100 meters.
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