Continental Film Review ties modern cinema up in a tidy little package.
Above and below, the cover and assorted interior pages from Continental Film Review, with all the rare imagery and erudite commentary from the European cinema scene readers had come to expect. The cover features German actress Brigitte Skay bound with rope, and those of note inside include Anna Gaël, Romy Schneider, Alain Delon, Serge Gainsbourg, Jane Birkin, and Edwige Fenech. Skay and Gaël are featured because of their roles in the 1969 sci-fi film Zeta One, aka The Love Factor, which it happens we discussed way back in 2010. Shorter version: Barbarella it ain't. Continental Film Review had a secondary focus on non-performance visual arts. This issue looks at animation from Sweden and talks about some hot illustrators of the time, including Jan Lenica and Per Ahlin, drawing comparisons between them and famed painters like René Magritte. All of that and more in thirty-plus scans.
Hitchcock says no festival for you this year!
The 73rd edition of the Festival de Cannes, aka the Cannes Film Festival, would have kicked off today in the south of France, but was cancelled a while back. It's just one of a wave of event cancellations that will cascade through the year. Festivals as diverse as Burning Man and San Fermin, aka the Running of the Bulls, have also been shelved. But getting back to Cannes, we thought this would be a good moment to commemorate past fests with some historical photos. Above you see Alfred Hitchcock on a boat with the town in the background, in 1972, and below are about fifty pix from the 1940s through 1970s, documenting various iconic moments, and a few quieter ones. Maybe the Cannes Film Festival will back next year, maybe not. At this point, predicting anything is an exercise in futility. But at least we'll always have the memories.
Edith Piaf sings on the terrace of the Carlton Hotel on the iconic Boulevard de la Croisette at the first Festival de Cannes to be held under that name, in 1946. Back then the event took place in September and October, but would shift to May a bit later. Diana Dors and Ginger Rogers arrive at the fest the only way anyone should—breezing along the beachfront in a convertible, in 1956, with an unknown driver. Kirk Douglas holds court on the beach in 1953, and Brigitte Bardot soaks up rays in the foreground. Michele Morgan poses at the first Festival in 1946. Photo ops of this sort were essential sources of publicity for stars, and would soon become opportunities for non-stars seeking to be discovered. Case in point. Robert Mitchum poses with actress Simone Sylva in 1954. Sylva was allegedly not supposed to be there, but shucked her top and photo-bombed Douglas in an attempt to raise her profile. It didn't work. She made only a couple of credited movie appearances after her topless stunt. Romy Schneider and Alain Delon at the 1959 fest. An unidentified model or actress poses in the style of Anita Ekberg from La dolce vita in 1960. This looks like it was shot at Plage du Midi, which is a beach located a little ways west of the Cannes town center.
A unidentified partygoer is tossed into a swimming pool after La Dolce Vita won the the 1960 Palme d’Or. The Festival is almost as well known for legendary parties as for legendary film premieres. Another unidentified model or actress poses on the boardwalk in 1979. Generally, you don't have to be known to draw a crowd of photographers—you just have to be nearly bare. She's wearing lingerie, so that explains the interest, though this is modest garb for a Cannes publicity stunt. It's never a surprise to see a headline-seeking film hopeful strip all the way down to a string ficelle féminin, or thong, which is the limit of what is legal in Cannes Sidney Poitier and Jean Seberg have a laugh in 1961. This was the year Poitier's flick Paris Blues was released, so it's possible he had jetted down from the capital for the Festival. Philomène Toulouse relaxes on the sand in 1962 while a boy practices the classic French look of disgust he'll be using the rest of his life.
Actor Bernard Blier, 1975.
An unidentified bikini wearer boldly enjoys a lunch in a café on the Croisette, 1958.
Natalie Wood aboard a sailboat in 1962. Grace Kelly, 1955. Kelly times two—Grace Kelly and Gene Kelly, hanging out, also in 1955. Sammy Davis, Jr. poses in front of a billboard promoting his film A Man Called Adam, 1966.
Joan Scott gets sand between her toes in 1955. Scott is obscure. She isn't even the most famous Joan Scott anymore. The IMDB entry for the only Joan Scott near the appropriate age is for an actress born in 1920 who didn't begin acting until 1967. The Joan Scott above doesn't look thirty-five, though, and we doubt she would have been the subject of this somewhat well-known photo without parlaying it into a film appearance before twelve years had passed. So we don't think this is the Joan Scott referenced on IMDB.
Sharon Tate, with Roman Polanski, and solo, 1968. Marlene Dietrich brings glamour to a tiki themed bar in 1958. Tippi Hedren and Alfred Hitchcock release caged birds as a promo stunt for The Birds in 1963. Sophia Loren sits with husband Carlo Ponti, who was a member of the 1966 Festival jury. Raquel Welch poses on a motorcycle in 1966. Jane Birkin takes aim with one of her cameras in 1975.
Dorothy Dandridge frolics in 1955, when she was promoting her film Carmen Jones. Cinematic icon Catherine Deneuve and her sister Françoise Dorléac in 1965. Dorléac died in an automobile accident a couple of years later.
Robert Redford lounges on the beach in 1972. Based on his outfit you'd think he was in Cannes to promote The Sting, but he was actually there for his western Jeremiah Johnson, which screened May 7 of that year. Sophia Loren waves to well-wishers in 1964. Bogie and Bacall paired up and looking distinguished in 1957. John and Cynthia Lennon in 1965, and John with Yoko Ono in 1971. Every story John told on that second trip probably started with, “When I was here with the first love of my life...” until Yoko smacked him across the mouth. Rock Hudson and bicycle in 1966. Unidentified actresses pose on the beach in 1947. To the rear is the Hotel Carlton, mentioned in the Edith Piaf image, built on the Croisette and finished in 1910. George Baker, Bella Darvi (right—your right, not his), and an unknown acquaintance have a surfside run/photo op in 1956. Jayne Mansfield and Russian actress Tatiana Samoïlova enjoy a toast in 1958. Mansfield probably shared the story of how she once made Sophia Loren stare at her boobs, and Samoïlova said, “Cheers to you—well played, you provocative American minx.” French actor Fernandel, whose real name was Fernand Contandin, on his boat Atomic in 1956. Arlette Patrick figures out a different way to generate publicity—by walking her sheep on the Croisette in 1955. A pair of water skiers show perfect form in 1955, as a battleship floats in the background. Jeanne Moreau, for reasons that are unclear, poses on a banquet table in 1958. Most sources descibe this in such a way as to make it seem spontaneous, but we have our doubts. It's a great shot, though. Two unidentified women take in the scene from the terrace of the Hotel Carlton, 1958. This shot is usually said to portray two tourists, but the woman on the left is the same person as in the bikini lunch shot from earlier, which tells us she's a model or actress, and both photos are staged. Like we said, publicity is everything in Cannes.
Danielle Darrieux and Sophia Loren at the 11th Cannes Film Festival, 1958. Italian actress Monica Vitti chills on a boat in 1968. Aspiring stars catch some rays on the Croisette beach in 1955. The two large posters behind them are for The Country Girl with Grace Kelly, and Jules Dassin's Du rififi chez les hommes, both below. The renowned opera singer Maria Callas, 1960.
We'll have ours with everything, hold the gun.
Well, they say Bergers are bad for you and now we have proof. This photo of Austrian actress Senta Berger was made to promote the French 1967 thriller Diaboliquement vôtre, aka Diabolically Yours, in which she starred with Alain Delon. The movie was a bit of a flop when released, but Berger had numerous hits in her long career, and continues to act, appearing in the television series Under Suspicion through 2019. We last saw her as a Pulp Intl. femme fatale way back in 2013. You can see that shot here, and overindulge on Berger in general by clicking her keywords below.
Feeling sleepy? Here's a little eye opener for you.
This photo came from a 1974 issue of the Italian edition of Playboy. It had a header in a cool custom font and a blurb below that, but we cleaned those off the image so you could focus on its star—the unusually lovely Brazilian model and actress Zula, who was aka Vera Lucia, and was born Vera de Oliveira. The text we wiped suggested Zula would be the next Zeudi Araya, but it never quite happened. Even so, the careers of the two Z's were similar. Both were afro-immigrants who played exotic fruit in Italo b-movies. Many women were tapped for roles of that type, regardless of ethnicity, because the 1970s were the heyday of gratuitous everything in Italian cinema. A few flicks transcended their genres to become well regarded, but unfortunately neither Zula nor Zeudi were in any of them. Zula transcended the hell out of photography in this shot, though, didn't she? She also rocked Alain Delon's world for a while, and if you've seen the young version of him, that's no surprise at all. For a look at the other Z check here.
Always beware of charming strangers.
Above, an Italian poster for René Clement's classic drama Delitto in pieno sole, which was originally made in France as Plein Soleil and is known is English as Purple Noon. The movie, you may already know, is based on a Patricia Highsmith novel and tells the sinister story of the psychopath Tom Ripley. The poster art is by Averardo Ciriello, a prolific illustrator of not only movie promos, but also paperback covers and comic books. Click his keywords below to see more, and you can see another brilliant poster for Plein Soleil here.
He looks nice but he's murder on his friends.
What's plein to see here is that the promo poster for the acclaimed French crime thriller Plein soleil is top quality. It was painted by Jean Mascii, who was born in Italy, but worked in France and became one of that country's most prolific and collected poster artists. We'll get back to him later. The movie is excellent. It's based on author Patricia Highsmith's The Talented Mr. Ripley and features her homicidal hustler character Tom Ripley, star of five novels, and one of literature's greatest psychopaths. Should you be inclined to give Plein soleil a screening you won't be disappointed. It premiered in France today in 1960.
Delon and company play cops and robbers in the City by the Bay.
Once a Thief opens with a San Francisco nightclub drummer playing a cracking solo, cymbal crashes synched to quick edits, and we immediately think we're in for some sort of revolutionary beat generation noir, with the edgy rhythms and nervous energy that idea entails. But the movie quickly subsides to conventional pacing, telling the story of a former thief gone straight suspected of a recent murder, and the cop determined to put him away—guilty or innocent. Alain Delon plays crook-turned-family man Eddie, and Ann-Margret is his wife Kristine. Even if the movie doesn't live up to its jazzy opening, getting Sweden's hottest actress and France's hottest actor together should be a can't-miss proposition.
Though Eddie is innocent of the murder, police harassment costs him his job. But when you're broke you can always count on family—to make things worse, that is. Eddie's criminal brother shows up and wants help with a bank robbery. After a few fraternal preliminaries, Eddie decides to partner up with his erratic bro, which is when his troubles really start, because his darker nature emerges and it isn't a pretty sight. Ann-Margret, working from the hysteria-as-acting playbook, is not pleased with these developments and over-emotes her displeasure at every opportunity. Even if criminal conspiracy doesn't do Eddie in, marital strife might.
Once a Thief oozes cool, but in the end it's a middling heist drama that asks a bit too much of its principals. It didn't do well in 1965, and we suspect it'll be the least liked offering at Noir City. Audiences may respond to a few aspects, though: there are some nice San Fran exteriors, Lalo Schifrin's soundtrack is top notch, and character actor John Davis Chandler knocks his role of the druggy hepcat villain Jimmy Sargatanas out of the park, over the promenade, and into McCovey Cove. His line, “I don't dig women,” paired with a sneer and a fatal gunshot, will probably bring the house down. As for Delon and Ann-Margret, well, at least they look good.
Which came first—the paroled convict or the escaped criminal?
This Japanese poster was made for Le cercle rouge, a French heist movie starring Alain Delon, André Bourvil, Gian Maria Volontè, and Yves Montand. It's an excellent flick that uses a bizarre plot device—a newly paroled convict who's been talked into a jewel heist finds a criminal who's just escaped from custody hiding in the trunk of his car, and subsequently decides to team up with the guy on the jewel robbery.
There's more involved than just that, of course, but what are the odds of a criminal taking refuge in another criminal's car and turning out to be just the right partner for an upcoming robbery? We'd say it's possible only in writer-director Jean-Pierre Melville's imagination, but he makes this insane coincidence work. A third man completes the heist crew and off they go to make their big score. Or at least try. This is really good, hard-boiled stuff, with that French flair. Le cercle rouge opened in France in October 1970, and made it to Japan today the same year. The French poster above and right, by the way, looks mighty familiar. It's similar to one made for another very good Alain Delon crime movie, also centered around a jewel heist, 1969's Le clan des Siciliens. Well, don't mess with success.
Whisper dishes dirt from Sukarno to Lollobrigida.
Whisper features a political figure on this cover from March 1964, namely Indonesian ruler Kusno Sosrodihardjo, later known as Sukarno, who we’re told was offered twenty prostitutes while visiting his country’s embassy in Copenhagen in 1961. In fact, the magazine goes on to claim that the embassy housed a brothel. Though it sounds like a typical tabloid tall tale, it’s actually true. Time magazine had written about it in its October 1963 issue, stating: A diplomat may be only a cookie pusher, but the kind of cookies pushed by Indonesia’s charge d’affaires in Copenhagen tumbled, not crumbled. Last week Danish police announced that Gustin Santawirja not only ran his country’s embassy, [snip] but was also a procurer on the side. Santawirja got into the tart tradein 1961 when Indonesia's President Sukarno showed up in Copenhagen on an unofficial visit. Amiably, he rounded up some girls for the visiting entourage. So successful was the venture that he decided to supplement his entertainment allowance by running a fulltime poule hall. “Poule” is French for “hen,” by the way, and Whisper was correct, but it was also late to the party. We give no credit for publishing what was already widely known.
The magazine moves on to the subject of sexual shenanigans at Harvard University, Carol Lynley’s divorce, Sonny Liston’s world, Roland Gilbert’s bed hopping, and George Bernard Shaw’s love child. The latter is a curious story, since Shaw had died in 1950. But the woman in question, whose name was Patricia Joudry, claimed to have conceived spiritually. In addition to Shaw apparently transmitting his seed from the netherworld, Joudry claimed he transmitted a treasure trove of written material to her, explaining, “There are eighteen full length stage plays, a dozen TV plays, two full length novels and essays. At first George and I worked out an alphabet so we could speak, but now I am a clairvoyant and clairaudient. Now I can see him and hear him.” We actually believe this story because our entire website is transmitted to us by Rodney Dangerfield.
Lastly, Whisper offers up an exposé of Gina Lollobrigida’s complicated personal life. For years she had been protesting that she was not a sex symbol (as if she’s the one who actually gets to decide that), but rather a nice girl. She tells an interesting story from her early career about Howard Hughes’ efforts to romance her, which were fruitless but led to her being stuck in a hotel “for six weeks like a prisoner.” In the end,
she fled back to Italy and, because Hughes owned her American contract, she was unable to make movies in the U.S. She became an international star just the same, acting exclusively in Europe, but having attained celebrity claimed it was difficult for her. She complained: “When I am with people I am constantly watched, and I can’t get used to this sort of thing—that they look at me as a chimpanzee in a zoo.” Sounds bad, but she eventually learned to enjoy it. In 2000 she commented to Parade magazine, “I’ve had many lovers and still have romances. I am very spoiled.” So it seems even the worst parts of celebrities’ lives aren’t really all that bad. Assorted scans below.
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