Femmes Fatales Sep 14 2018
KEEPING THE FAITH
In L.A. you need all the help you can get staying afloat.


Hollywood can be so rough you sometimes need a life preserver even on dry land, which we assume is why model, vaudeville performer, and film actress Leila Hyams has a firm grip on one in this Warner Brothers promo image. She appeared in more than fifty films in a dozen years during a very successful career, including 1932's Island of Lost Souls, so the floatation device seems to have worked.

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Modern Pulp Mar 12 2018
VELVET UNDERGROUND
Getting into the place isn't the problem.


In Nikkatsu roman porno the question, as always, is exactly how the script will place the female lead under the control of men determined to use her. In Dan Oniroku kurokami nawa fujin, aka Black Hair Velvet Soul, it's alcoholism and debt. A gambling and philandering husband owes a pile to a slimy financier, so he puts up as collateral the restaurant he owns with his wife. Izumi Shima plays the wife. Because the place was founded by her father and succeeded because of his sweat and struggle, as she notes in a monologue, she sees no other choice but to agree to work off the debt in an S&M club run by the financier. She goes through the usual range of indignities, but in what has to be considered a bit of a twist, she at no point likes it, nor has some inner freak unleashed, nor somehow dies by ironic means. She does her bit, the restaurant is saved, and she leaves her shitty husband. Why watch the movie? Well, because Shima is a shimmering goddess and she's always worth watching. Sixty-six minutes including credits and you're done. Dan Oniroku kurokami nawa fujin premiered today in 1982.

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Femmes Fatales Jun 25 2015
BURKE LURKS
A face from the darkness.

We already did a little thing on Kathleen Burke in March, but then we found this photo and decided she needed to reappear. It’s a promo for her movie Island of Lost Souls and it dates from 1932.

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Vintage Pulp Mar 31 2015
THE CRUEL ZOO
The only real murders committed may have been of the animals.


Murders in the Zoo is a brisk little sixty-two-minute thriller for which you see two excellent promos above. A dealer in large animals uses the menagerie he’s recently procured in Asia to dispose of his wife’s suitors. The cast is good, especially Kathleen Burke as the straying spouse. You’ll notice she’s called The Panther Woman on the posters. That’s a reference to her role as a woman bred from a panther in the previous year’s hit thriller Island of Lost Souls, and here she retains a hint of animal cunning that makes her the most watchable cast member. Other aspects of the film are less watchable. Zoos are sad affairs even today, but during the 1930s they were tawdry places rife with choke collars and tiny cages. Watching Murders in the Zoo explains why today’s productions have the American Humane Association on set defending the animals’ wellbeing. 

Late in the proceedings, the villain tries to facilitate his escape from justice by (spoiler alert) releasing all the big cats from their cages, triggering a feline free-for-all of slashing claws and gnashing fangs. This is no special effect, folks. The sequence is brief and uses footage from two angles to extend the running time, but still, injuries surely resulted. At the least, the leopard that was held down and gnawed on by a lion probably had PTSD until the end of its days. Sometimes we point out scenes in vintage cinema that fall into the could-not-be-filmed-today category, and usually those exemplify the visionary artistry of the past. What is mostly exemplified by Murders in the Zoo’s cat scrum is the cruelty of the human species. But from a purely cinematic perspective it’s a powerful scene, and indeed, the entire zoo setting heightens the overarching dread. As 1930s movies go, Murders in the Zoo is an excellent one. It premiered in the U.S. today in 1933.

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Femmes Fatales Mar 9 2012
HAZEL EYES
A quick glance over the shoulder.

Our three week Stateside odyssey continues with the above find from the great Denver Book Fair. We uncovered this in a dusty back closet underneath a pile of old promotional posters. It’s a vintage photo of South African actress Hazel Brooks, never before seen online as far as we know, and we scored it for a pittance—three dollars. Can you believe that? No year on this, but she appears to be in her Body and Soul heyday, so we’re going to say 1947. More Stateside treasures upcoming.

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Vintage Pulp Nov 9 2011
LOST SOUL
All he had to give was everything he had.

Was boxing ever honest? We doubt it. How could a sport with the scoring done in secret be anything but a scam? Body and Soul tells the story of a champion boxer named Charley Davis whose rise has occurred under the thumb of organized crime and who is now required to lose his title to a brash, 20-year-old upstart. That doesn’t sit too well with Charley, who may be corrupt and mob-owned, and who has wrecked everything good in his life for money and a femme fatale, but whose talent is real. One of the first and best boxing movies, Body and Soul—with John Garfield as Charley, Hazel Brooks as the femme fatale Alice, and Lilli Palmer as his loyal girlfriend—is a nearly flawless classic. After his performance here, and in the previous year’s The Postman Always Rings Twice, Garfield’s film career should have been long and decorated, but in 1950 he was blacklisted during the Communist witch hunts that swept Hollywood, and by 1952 he was dead from a heart attack. Body and Soul premiered in the U.S. today in 1947. 

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Vintage Pulp Jan 20 2011
FOXY BROWN
Soul sister number 1.


Above, three covers of Soul, with the immortal Pam Grier, along with an inset of her boyfriend Richard Pryor,1973, 1976 and 1977. 

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Femmes Fatales Jan 13 2011
RARE BROOKS

Hazel Brooks was born in Cape Town, South Africa but emigrated to the U.S. and appeared in her first Hollywood production at the age of eighteen. She became a true star four years later in the 1947 noir Body and Soul, which for most critics remains one of the best boxing movies ever made. You see her above circa 1946. 

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History Rewind
The headlines that mattered yesteryear.
September 23
1952—Chaplin Returns to England
Silent movie star Charlie Chaplin returns to his native England for the first time in twenty-one years. At the time it is said to be for a Royal Society benefit, but in reality Chaplin knows he is about to be banned from the States because of his political views. He would not return to the U.S. for twenty years.
September 22
1910—Duke of York's Cinema Opens
The Duke of York's Cinema opens in Brighton, England, on the site of an old brewery. It is still operating today, mainly as a venue for art films, and is the oldest continually operating cinema in Britain.
1975—Gerald Ford Assassination Attempt
Sara Jane Moore, an FBI informant who had been evaluated and deemed harmless by the U.S. Secret Service, tries to assassinate U.S. President Gerald Ford. Moore fires one shot at Ford that misses, then is wrestled to the ground by a bystander named Oliver Sipple.
September 21
1937—The Hobbit is Published
J. R. R. Tolkien publishes his seminal fantasy novel The Hobbit, aka The Hobbit: There and Back Again. Marketed as a children's book, it is a hit with adults as well, and sells millions of copies, is translated into multiple languages, and spawns the sequel trilogy The Lord of Rings.
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