Three may be a crowd, but it's also a lot of fun.
We rarely see promo posters of Japanese films from other countries that are visually interesting, but this one from the former Yugoslavia breaks the trend. It's for a film called in Croatian Hiljadu i jedna noć u Tokiju. The title in Japanese was 东京厄洛斯一千零一夜. In both languages you get a translation along the lines of “Tokyo One Thousand and One Nights,” referencing the famed collection of folk and erotic tales from the Islamic Golden Age. In romanized Japanese the title was Tokyo eros senya ichiya, and in English it was Eros Nights in Tokyo, which omits the Arabian Nights reference for some reason. We haven't seen the film, but it starred three of our favorite Japanese actresses—Izumi Shima, Megi Ayako, and Erina Miyai—which means we'll be looking for it. If we find it we'll revisit this subject. Tokyo eros senya ichiya opened in Japan today in 1979.
Please don't tease the animals.
Operating on the same level of explicitness as cable softcore doesn't mean roman porno flicks can't push the envelope. Japanese filmmakers working in this genre were solidly experienced by the time Dan Oniroku aoi onna came along, and it's amazing how adept they were at implying everything while showing little. Content-wise Dan Oniroku aoi onna gets pretty far out. The film had no U.S. release, but the title would be “Oniroku Dan,” after Japan's most famous author of sado-masochist fiction, and “blue girl.” The blue girl in question is Izumi Shima, one of roman porno's truly radiant actresses, who spends most of this film trapped in a perverted private sex club in bondage-related distress. We could describe how she ends up in this place, but why bother? We could also describe the various pokings, proddings, and probings the lovely Miss Zu endures, but there's no point. She's naked and helpless is all you need to know, and that—apparently—is what drew Japanese audiences to these films in droves. Most of the time we like to provide a set of stills or screen grabs to give you an idea what to expect. For this one we're giving you only a single production photo, below. That should about cover it. Dan Oniroku aoi onna premiered in Japan today 1982.
You can't keep a good girl down.
This dramatic poster was made for Nikutai no mon, aka Gate of Flesh, a movie based on a 1947 novel by Japanese author Taijirô Tamura. The book has been filmed five times. The most famous version was made in 1968 with Jo Shishido and Yumiko Nogawa earning acclaim for their lead roles in what was a serious and artistic film, but the above promo is for the 1977 roman porno version starring Reiko Kayama, Izumi Shima, and Junko Miyahsita. Needless to say, the two films diverge rather sharply. However, we need to point out, as we do periodically, that roman porno isn't porno—it's softcore. The “roman” in roman porno is short for “romantic,” and though the movies aren't typically romantic in the normal sense, they aren't explicit. Such depictions were illegal in Japan back then, and remain so today (though filmmakers use pixilation of sexual organs to skirt the law).
When the novel Nikutai no mon appeared in 1947 a different censorship regime existed called the Civil Censorship Detachment, which was under the authority of the Supreme Commander for the Allied Powers, aka Douglas MacArthur. Under SCAP CCD censorship, explicit accounts of fraternization between Japanese and whites were forbidden, as were detailed accounts of the atomic bombings, or anything that could generate distrust toward the American occupiers. Most Japanese authors obeyed. A few wrote obliquely about the forbidden subjects. And a very few broke the rules entirely to describe war horrors—e.g. flashburned nuclear victims walking naked and blind amongst the ruins, their hairless bodies so swollen their sex could not be determined. Tamura's novel falls in the middle. It tells the story of a group of Japanese women trying to survive in the rubble of Tokyo via prostitution.
Where the 1968 movie stuck pretty close to Tamura's fiction, the roman porno focuses more on the sexploitation angle, though it keeps the action set in 1947. A criminal syndicate known as Black Rose provides Japanese girls as prostitutes to the American military, and any who resist the various examinations, training, and indignities are punished with torture and death. When Reiko Kayama arrives on the scene, she eventually inspires the others to follow her as she leads a revolt against her enslavers. You get sex, girlfights, killings, and blood. If you're looking for standard roman porno fare—with perhaps a bit more visual piazazz than usual thanks to director Shôgorô Nishimura and cinematographer Yoshihiro Yamazaki—you've picked the right film. Nikutai no mon premiered in Japan today in 1977.
She's the light at the end of the tunnel.
Above, Japanese roman porno actress Izumi Shima, whose movies we've written about four times, and who we think is one of the more alluring stars of her era. We've already expended a lot of keyboard time on her, so there's little more to say. Read about her films by starting here and following the subsequent links. This image of her in a big pipe of some sort dates from 1979.
A widow gets back into the swing of things and trouble soon follows.
We're still working on that today-is-yesterday theory. Maybe we better explain. We planned to share both this and the ticket from the above post yesterday, but it's summer and our local beach is hopping and Saturday night we were at a party that didn't end until after sunrise, which pretty much wiped out Sunday for us, except for crawling to the aforementioned beach and sitting under a shady spot and oozing toxins until we were human again. But enough about us. Above you see a poster for 1981's roman porno production Mibōjin no shinshitsu, aka Widow's Bedroom, which we meant to share yesterday, on its premiere day. The movie deals with a smalltown inn proprietress whose husband has committed suicide, which is difficult enough to deal with, but whose situation is complicated by the arrival of two guests—a wheelchair bound novelist there to write a new book, and his beautiful nurse. The writer develops an obsession with the widow, the nurse likewise grows interested in a bit of same-sex fun, the widow's brother-in-law is determined to have her for himself, the dead husband reappears as a figment of the widow's imagination, and so on, in reliably complicated roman porno style, very much like the convoluted sentence we just wrote to describe the plot, and all in just about sixty minutes plus change—the movie, not the sentence. Mibōjin no shinshitsu stars Izumi Shima, who makes every one of those sixty-something minutes worthwhile. In order to make our writing worthwhile we've shared a rare promo image from the film below. Shima was one of Japan's top roman porno stars, and possibly the most beautiful, if one were inclined toward rankings. We've written about other movies of hers, which you can learn about by clicking here.
Once you get her heated up there's no cooling her down.
Danchizuma futari dake no yuru, aka Apartment Wife: Night by Ourselves, premiered in Japan today in 1978, and here you see the promo poster. You know the drill with the Apartment Wife series—sex, bondage, and general perversion reiterated in twenty-one films starring various actresses. This one featured the radiant Izumi Shima, who we last saw in Lady Chatterley in Tokyo grinding on some stiff wood. We mean that literally—she dry fucked a tree. It was hilarious. We'd love to tell you what mischief she gets up to in this movie, but we weren't able to locate a copy. We'll keep looking, of course. In the meantime below is a random promo photo.
Do I make you horny, baby?
Morbosità di una orientale, which would translate as something like “morbidity of an easterner,” was originally a 1977 Japanese film called Tokyo Chatterly fujin, and was released in English as Lady Chatterley in Tokyo. Katsuhiko Fujii helmed the production, and Izumi Shima starred, but every other name on these promos is a Western pseudonym for a Japanese performer. Ann Charlton, Janet Glythe, Price Williams, and King Byrbo never existed except as credits created for the art you see here, and are in reality Junko Miyashita, Kyoko Aoyama, Tatsuya Hamaguchi, and Minoru Okochi. What was the point of doing that? We don’t know. Japanese films had played in Italy before without being Westernized in this way, so it’s a mystery we presume we’ll never solve.
The film keeps to the themes—but not the plot—of D.H. Lawrence’s Lady Chatterley’s Lover. When a millionaire’s son is rendered impotent by an accident, his wife succumbs to the charms of the groundskeeper’s willy, the chauffeur’s stickshift, and the construction worker’s retractable ruler. We last saw the amazingly striking Izumi Shima being molested by an invisible man, and here her paramour punches through a windowpane and fondles her through the splintered glass. That’s horny. Not to be outdone, Shima humps a tree. That’s horny. Also, a stallion fucks a mare. Really. So every living creature in this film is incredibly horny. Did it make us horny? Hey, you think we typed this with our fingers? Think again.
What would you do if you had the power of invisibility?
Tômei-ningen: okase! was known in English by two titles—Lusty Transparent Man, which sounds pretty innocuous, and Invisible Man: Rape!, which sounds horrible. We’re really more interested in sharing the poster, but with regard to the film what you get here is a Nikkatsu roman porno production about a college student who invents an invisibility elixir. At that point he clumsily pervs his way like a dirty Jerry Lewis from one voyeuristic entanglement to the next, bumbling his way inside the lady parts of the female leads. How do you shoot love scenes with an invisible man? You have the women writhe around by themselves. They’re all taken by surprise, but all end up enjoying themselves. There’s some doubt whether they even realize their partner is a man, rather than a horny ghost or a figment of their own imaginations, but in any case these encounters aim for laughs, not eroticism. The question is whether you think they’re funny. We didn’t. Tômei-ningen: okase! premiered in Japan today in 1978.
The headlines that mattered yesteryear.
1945—Nuremberg Trials Begin
In Nuremberg, Germany, in the Palace of Justice, the trials of prominent members of the political, military, and economic leadership of Nazi Germany begin. Among the men tried were Martin Bormann (in absentia), Hermann Göring, Rudolph Hess, and Ernst Kaltenbrunner.
1984—SETI Institute Founded
The SETI Institute, a not-for-profit organization dedicated to the search for extra-terrestrial intelligence, the discovery of extrasolar planets, and the habitability of the galaxy, is founded in California by Thomas Pierson and Dr. Jill Tarter.
1916—Goldwyn Pictures Formed
In the U.S.A., Samuel Goldfish and Edgar Selwyn establish Goldwyn Pictures, which becomes one of the most successful independent film studios in Hollywood. Goldfish also takes the opportunity to legally change his last name to Goldwyn.
1916—First Battle of the Somme Ends
In France, British Expeditionary Force commander Douglas Haig calls off a battle against entrenched German troops which had begun on July 1, 1916. Known as the Battle of the Somme, this action resulted in one of the greatest losses of life in modern history—over three-hundred thousand dead for a net gain of about seven miles of land.
1978—Jonestown Cult Commits Mass Suicide
In the South American country of Guyana, Jim Jones leads his Peoples Temple cult in a mass suicide that claims 918 lives, including over 270 children. Congressman Leo J. Ryan, who had been visiting the makeshift cult complex known as Jonestown to investigate claims of abuse, is shot by members of the Peoples Temple as he tries to escape from a nearby airfield with several cult members who asked for his protection.
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