Cheesecake postcards were widespread during the mid-century era, featuring many famous and semi-famous models, but Bettie Page appeared on so many that she's now her own industry of vintage collectible mailers. We've run across many interesting examples, so we thought we'd share a few for your enjoyment today. Above and below we present a group culled from auction sites showing the revered model in her usual mode of dress—not much. The same shots were used on multiple cards. In the last she's posed with regular collaborator, Florida based photographer Bunny Yeager, who appears with Page and a couple of exotic cats on the last card. Most if not all of the shots were made in Florida, despite an allusion to Hawaii and a reference to Washington. As always, Page will return.

This promo image of Dominican actress Maria Montez in costume for her starring role in 1944's The Cobra Woman sells the movie for us. We'll definitely watch it—and hope it's better than the similarly named 1972 b-horror flick Night of the Cobra Woman. For that matter, we hope it's better than 1955's Cult of the Cobra. Our fingers are crossed. Montez was one of the top actresses in exotic escapist films, appearing in such fare as Ali Baba and the Forty Thieves, South of Tahiti, Moonlight in Hawaii, Sudan, Tangier, White Savage, Pirates of Monterrey, The Thief of Venice... you get the idea. She was still at the top of her globetrotting game when she was found dead in her bathtub in 1951 at age thirty-nine, but her legacy as a film star is assured—even if her movies were shot on Hollywood sound stages, she helped audiences travel the world. 

Probably needing no introduction, above, is Hawaii born actor Toshiyuki Sakata, who performed as Harold Sakata. We ran across this 1964 promo image on an auction site and had to share it. Sakata rose to fame initially as an Olympic weightlifter and professional wrestler, but was coaxed in front of the movie camera to play Oddjob in the film Goldfinger. He was one of Bond's most formidable foes, fighting with brute strength and his deadly top hat, which had a razor sharp steel brim that could take the head off a marble statue. Unfortunately, that same hat led to his character's demise when he was electrocuted inside Fort Knox. After that ugly death Sakata went on to amass more than thirty credits in cinema and television—a successful career by any measure. But he'll probably always be best known as Oddjob.

The first thing to know about Naked Paradise is that it's an early Roger Corman movie, made by Sunset Production and distributed through American International Pictures, companies he helped establish. Corman also directed, so it's safe to say he had near-total control of the movie on and off the set. While he's made some real stinkers over the years, by his standards Naked Paradise isn't terrible. That doesn't mean its good. It's still laughably dopey in parts, the type of movie you can riff on from start to finish, but narratively it hangs together reasonably well and a couple of the actors practice their craft with competence.

Plotwise, three criminals led by Leslie Bradley travel to Oahu disguised as pleasure cruisers to try lifting a massive pineapple and sugar cane plantation's payroll. Their escape is via the same method as their arrival, unbeknownst to their boatmates, who at first are too busy sunning themselves and romancing to realize there are three dangerous criminals in their midst. Tensions between the boat's captain Richard Denning and the crooks soon come to a frothing head when the lead heister and his arm candy Beverly Garland acrimoniously split from each other.

The group are then stuck together during a tropical storm, a plot turn which brings to mind Key Largo. In fact we can hear screenwriter Robert Wright Campbell's pitch to Corman: “You see, it's Key Largo, sandwiched on one side by deep backstory showing the audience why Johnny Rocco and his henchmen are on the run, and on the other by an extended aquatic climax.” That's exactly the movie Corman made, though doubtless done far more cheaply than Campbell ever envisioned.

Corman has a genius for conjuring final results that are better than their shoestring budgets should allow, and he certainly is an unparalleled wrangler of nascent talent. He's given opportunities to directors such as Coppola, Demme, Scorsese, and Ron Howard, and performers like Jane Fonda and William Shatner. If there's such as thing as a pulp filmmaker he's the guy. His stories nearly always aim for the gut by focusing on action with a hint of innuendo, and rely upon the most standard of cinematic tropes. Naked Paradise is quintessential Corman. Is it good? Not really. But it's certainly watchable. It premiered this month in 1957.