| Femmes Fatales | Oct 14 2021 |
You know that fist bump thing? I invented it way back in the ’70s except it was my fist and their faces.
We've commented before about how, generally speaking, actresses from the blaxploitation era don't have much in the way of surviving promotional material. It's possible few promos were ever made. Pam Grier is an exception. She was one of the top performers to come out of blaxploitation, was also an impact presence in the women-in-prison niche, and really, was probably the first woman you could call an action star. We say probably to hedge our bets, but we can't think of a counter example, unless, maybe, we look at Japanese film. In any case, because Grier was an important figure she was reasonably well photographed. Previously unseen shots appear regularly. The two images above, which turned up online earlier this year, are excellent additions to her cinematic legacy. They were shot in 1975, and are part of the series that produced the well known image below that appeared inside an issue of New York magazine.
| Vintage Pulp | Oct 13 2021 |
It's a tough job but somebody's got to do her.
Wright Williams' 1948 novel Hired Husband came in a group of pulp novels we bought, and clearly isn't a crime or adventure novel, but a sleazy romance. And what vintage sleazy romances typically do is get the female protagonist laid, but not entirely due to her own efforts. In this case Laurette and John want to have a child, but can't get married because John's wife is wasting away comatose in a hospital, could continue doing so indefinitely, and divorcing a sick spouse who can't speak for herself isn't legal. So John is stuck. But he and Laurette feel they have no time to waste in pursuit of happiness and family, so they hire Latham to marry Laurette, so that John can impregnate her and the child will be so-called legitimate. After John's wife finishes withering to oblivion, Laurette will divorce her platonic hubby Latham, marry the widowed John after a respectable interval, and presto, instant family. What could possibly go wrong? Hah hah, plenty. Hired Husband is ridiculous, and only marginally well written, but it kept us engaged. Also engaging is the cover art by Bill Wenzel, a guy we've featured before. See more here.
| Vintage Pulp | Oct 12 2021 |
She wasn't really all that nice even before the demon showed up.
The tateken style poster you see above was made for the Japanese actioner Yôen dokufu-den: Han'nya no Ohyaku, aka Ohyaku: The Female Demon, set in Edo era Japan, and starring Junko Miyazono, Tomisaburô Wakayama, and Kunio Murai. Miyazono plays woman who as little girl survived when her prostitute mother jumped with her off a bridge, and as an adult carries a scar on her back from this traumatic suicide. She's grown up to be an acrobat, but is treated shabbily by men just as her mother was.
She flees her circus life and hooks up with a handsome young samurai, only to learn that he plans to steal gold being transported via caravan from a government mint. She begs to help her young lover, as he also takes on a partner who tried to rob the same mint twenty years earlier, losing an arm in the process. His knowledge will hopefully be key, but like any heist, there are hidden dangers. It's a given some will come from the protectors of the coveted goods, but sometimes they come from partners in positions of trust. That's all we'll say about the plot, except that Miyazono is never actually possessed by a demon. What happens is she gets a demon tattoo on her back, which we guess symbolizes her transition from somewhat shady to fully vengeful.
The movie was made by Toei Company and was the first in a trilogy of films that are often cited as precursors to the studio's famed pinky violence cycle. We can certainly see the similarity, though this film is black and white rather than the vivid color you get with pinky violence. But all that really matters is that it's entertaining, starting fast, incorporating nice sword action, and covering a lot of thematic ground. Very enjoyable stuff. It premiered in Japan today in 1968.
JapanToei CompanyYôen dokufu-den: Han'nya no OhyakuOhyaku: The Female DemonJunko MiyazonoTomisaburô WakayamaKunio Muraiposter artcinemamovie review
| Vintage Pulp | Oct 12 2021 |
Qipao! Qipao! The cheongsam killer strikes.
Two companies, same release date, but we've confirmed it with our Japanese sources, so don't blame us if it's wrong. Onna mekura hana to kiba, aka Blind Woman: Flower and Fangs also premiered today in 1968, starring Koreharu Hisatomi, Isao Yamagata, Ken Sanders, and Chizuko Arai, who you see fronting the poster in a killer silk cheongsam. For the boys out there, that's a traditional dress of Chinese origin also known as a qipao. Hope that enriched your day.
Arai plays a woman who returns to Japan from Hong Kong to find the truth behind the death of the father-figure Yaukza gangster who took her in as an orphan, raised her, taught her to shoot, gamble, and generally be a badass, but went over a cliff when his plan to attack a U.S. military transport along with four henchmen went wrong. Arai finds unexpected assistance in her search for answers, and learns that there was an unknown sixth person on the raid who may have stolen the money and betrayed the others.
As you'd expect, the answers get even more complicated from that point, and danger mounts as someone resolves to stop her investigation in its tracks. In general the movie follows the basic blueprint of numerous other Yakuza crime thrillers, complete to the romantic subplot. We aren't sure if you'd call this entry a classic of the genre, but it's one of the better films of Arai's brief career. It's probably hard to find in the U.S., but if you can locate it we think it's certainly worth a watch, as are her other efforts. Onna mekura hana to kiba premiered in Japan today in 1968.
JapanShochiku Company LimitedOnna mekura hana to kibaBlind Woman: Flower and FangsKoreharu HisatomiIsao YamagataKen SandersChizuko Araiposter artcinemamovie review
| Vintage Pulp | Oct 11 2021 |
Shit, that waiter is fast! The meal sucked and his service was worse, but maybe we should have tipped him anyway.
This cover for the 1965 Ace Edition of Martha Albrand's 1959 novel A Day in Monte Carlo caught our eye for a couple of reasons. One is the nice art by an unknown, but the other is because we're almost finished with David Dodge's 1952 travel book The Poor Man's Guide to Europe, and it encompasses the south of France. Why read a 70 year-old travel book? We knew it would be like a priceless time capsule—and it is. We'll get to it a bit later, but suffice to say it made us see this cover as two vacationers stiffing a waiter who's now chasing them with a scimitar. As you'd expect, however, this is actually an espionage novel, and a well reviewed one.
But sadly, A Day in Monte Carlo, which you might categorize as romantic suspense, is silly. Its main flaw is that the central relationship between American spycatcher Mark and French dancer Fleur is built on the gimmick of love at first sight. They meet, fall in love within minutes, and agree to marry before half a day has passed. After that point one of the main sources of plot tension becomes: how can Mark carry on a love affair and still chase the great and mysterious Timgad, mastermind behind the Algerian rebel movement, who flits from the Sahel to the Riviera with the ease of a migratory hawk? Well, there's an answer to that, though not a good one.
Albrand was something of an expert at this type of fiction, having published other novels in the same vein, but reputations can deceive. A great writer, perhaps, could pull all this off, but Albrand, whose go-to lines are things like, “Oh, Mark, I was so afraid. Is it really worth it to love this much?” is not a great writer. At least not in this book. We've actually seen her compared to the aforementioned David Dodge, who in addition to travel books wrote fiction classics like To Catch a Thief. But while Dodge wrote with wit, panache, and a touch of romance, he also wrote with gravity and grit. A Day in Monte Carlo needs a dose of the latter two qualities. Onward and upward.
| Femmes Fatales | Oct 11 2021 |
Don't believe the folk tale. Crossing my path is the very best luck.
Lee Meriwether poses in costume as Catwoman in this shot made during the filming of the 1966 movie Batman: The Movie, one of the goofiest products of the era. It also produced one of the funniest extended gags in cinematic history, involving Batman trying to dispose of a bomb. We go into more detail on that classic comedy moment here. Meriwether also appeared on the Batman television show, and though known mainly for playing Catwoman, amassed more than one hundred film and television credits during her career, which was still going strong up until 2019. With that kind of résumé it's certainly possible she'll show up here again.
| Vintage Pulp | Oct 11 2021 |
For your own good trust nobody.
Above: a poster for the thriller The Unsuspected, a movie you apparently can't foresee or forget, starring Claude Rains, Joan Caulfield, Audrey Totter, and Constance Bennett, directed by Michael Curtiz of Casablanca fame. We shared two nice Italian posters for this, and talked about it in detail. Check here, if interested. The Unsuspected premiered in the U.S. today in 1947.
The UnsuspectedClaude RainsJoan CaulfieldAudrey TotterConstance BennettMichael Curtizposter artcinema
| Vintage Pulp | Oct 10 2021 |
Abandon all boats ye who enter here.
This issue of Adam magazine published this month in 1950 was in delicate condition, so we were able to scan only a small selection of pages. The cover illustrates the story, “Swamp Bait,” by Leslie T. White, which deals with a sailor who manages to get his schooner trapped in a South Carolina swamp and is offered help by a ragtag stranger who turns out to be an escaped murderer planning to steal the boat and sail it to Brazil. Swamps have hungry gators, venomous snakes, toxic plants, and deep quicksand, but it's the humans you really need to be careful of. That's true anywhere, though, we guess. The protagonist has about twelve hours to think of a solution or he's fish food.
This is a very early Adam—in fact it may the earliest one we've bought. Hang on a sec. Yep, it's the earliest one, and because of the time period its focus is almost solely on fact and fiction. The cartoons and models had yet to dominate. There are exactly two photos of women, and four cartoons. However, the stories are of consistently better quality than during later decades. We'd love to pretend this magazine has value, but we doubt we could sell it in the condition it's in. Still, it's a nice addition to the collection, which is well beyond a hundred issues now. That means we'll share more Adam soon.
AustraliaAdam MagazineLeslie T. WhiteJaye FitzpatrickMarion LyndeMarian Cowleyliteraturemagazine art
| Intl. Notebook | Oct 9 2021 |
Renoir takes impressionism in a whole new direction.
The above image shows French burlesque dancer Rita Renoir, who gained fame on stage at the Parisian nightclub Le Crazy Horse during the 1950s and danced there through the ’60s. She also performed onscreen, appearing in such films as 1958's Le Sicilien, 1967's Le Désir Attrapé par la Queue, 1970's Cannabis, and Italian legend Michelangelo Antonioni's 1964 drama Il deserto rosso, aka The Red Desert. We have more of this fun series below, and you'll see that Renoir had a real talent for musical progression. We don't think she actually knew how to play the double bass, but we bet she still managed to get her audiences jazzed.
FranceItalyParisLe Crazy HorseIl deserto rossoThe Red DesertLe SicilienCannabisLe Désir Attrapé par la QueueRita RenoirMichelangelo Antonioniburlesquenudity
| Vintage Pulp | Oct 8 2021 |
When commies get their hooks into you it's forever.
The Woman on Pier 13, for which you see a very nice promo poster above, had a pre-release title that tells you everything you need to know about it. That title was I Married a Communist. What you get here is a melodrama about Laraine Day, whirlwind married to successful San Francisco industrialist Robert Ryan, an exemplar of American free enterprise, but who was once a member of the communist party back in New Jersey. Uh oh.Long before meeting and marrying Day, he exited the party without even thanking his hosts for the snacks, moved to Frisco, and changed his name. Married life is going wonderfully until the commies track him down and threaten to expose him if he doesn't give over two fifths of his salary each month and sabotage labor negotiations between San Fran shipping magnates and striking dockworkers. They kill a guy in front of him, just so he knows they mean business. The sneaky, thieving, blackmailing, murdering rats. They're cruel squared. All they needed to be worse were monocles and riding crops. And maybe a handy tray of stainless steel dental hooks. And speaking of hooks, wait until you see what what Ryan can do with one. The Woman on Pier 13 is well made and pretty fun, but it's less useful as cinema than as a time capsule of anti-commie propaganda. It premiered today in 1949.
San FranciscoThe Woman on Pier 13I Married a CommunistRobert RyanLaraine DayJanis CarterThomas Gomezposter artcinemamovie reviewcommunism
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