O'Neill does her famous bump and grind for her New Jersey neighbors.
Above, a little something we found at an auction page, a promo poster for burlesque performer Lynne O'Neill, who according to this appeared for a week at the Hudson Theatre in Union City, New Jersey. O'Neill was known as “The Original Garter Girl,” and at whatever venue she performed would sell branded garters in the lobby the way bands sell t-shirts. She worked mostly around the New York area because she resided most of her life on Long Island. Like many mid-century peelers she was well known, then mostly forgotten, and finally brought back somewhat into popular culture by an internet fueled revival of interest in burlesque. She died in 2010, but her place in the pantheon of burlesque dancers seems assured, thanks to new photos and artifacts that occasionally turn up. This poster is a good example. It's undated but we're sure it's from 1953 or 1954.
Lili St. Cyr and a side of El Rancho undressing.
These three very nice promotional postcards featuring legendary burlesque dancer Lili St. Cyr were put out by the El Rancho Vegas casino-hotel in Las Vegas, an establishment that was one of the city's first, predating iconic places like the Flamingo and the Last Frontier. St. Cyr peeled at El Rancho Vegas beginning in 1951, and these items were issued over the next several years as she returned to showcase there often. The rear of these are basically identical, which is why we've uploaded only one image below. You can see it has impresario Tom Douglas's signature on it, and management offers to shell out a few pennies by mailing it for you. Class acts all the way. And speaking of class acts, you can see plenty more of St. Cyr in the website. Just click her keywords below.
Paul Derval and the pleasure factory.
Is it pulp? Technically no. But then technically most of what we share isn't pulp, if you want to be doctrinaire about it. But this cover for Paul Derval's The Folies Bergère has pin-up style art, so that's good enough for us. This is from Digit Books, 1956, an English version of a book originally published by Methuen & Co. in France, and is a behind-the-scenes rundown of the famed burlesque theater written by the guy who managed the place from 1918 to 1956. It was under Derval that the Folies achieved arguably its greatest fame. In addition to his story, you also get eight photo pages inside, including the one you see below. If that image looks familiar, it may be because we showed it to you back in 2015, but a much sharper version scanned from a glossy photo. She's none other than the talented and beautiful Yvonne Ménard, and you can learn a bit about her, and see more of her, at this link.
There's a major front coming in.
And speaking of repeating ourselves, above you see a poster for the documentary The French Peep Show, which on this promo is called Peep Shows of Paris. Same movie though, and it starred Tempest Storm, a young exotic dancer trying to make it big with her fifty inch bust (see below). We talked about the movie last year and shared a killer poster made for its run in Japan in 1954. We suggest having a look at that. As far as the release date goes, most sources say the film first played in 1952, but IMDB says it was today in 1949 in Oakland, California. Why the discrepancy? We don't know. Meyer shot the footage at the El Rey Theater, which was in in Oakland, so perhaps IMDB knows something about the footage being projected back in ’49 before he packaged it for a wider run.
Desire is easy. It's fulfillment that's hard.
This unusual promo pamphlet was made for the Australian release of May Britt's romantic drama The Blue Angel, which opened Down Under today in 1959. 20th Century Fox's publicity department was calling it “one of the great classic films of all times,” though it had only been out a few months. The lesson here is never believe the publicity department. In the film, which is a remake of Marlene Dietrich's 1930 classic of the same name, Swedish bombshell May Britt plays a burlesque performer named Lola-Lola who dances and sings nightly at a smalltown cabaret called the Blue Angel. She draws the romantic attention of a prudish, perhaps even virginal, high school professor, and all kinds of complications follow, ranging from the good (love and romance) to the bad (scorn and unemployment).
It's been said that Britt was chosen over Marilyn Monroe for this role, but if that's true, we're looking at a remarkably different movie than Monroe would have made. For one thing, while financed by 20th Century Fox, the movie is set in Germany and everyone in it hails from somewhere in Europe. We can't imagine that was the plan if Monroe had starred, but as a remake of a German classic, we suppose it's possible. Anotherbig difference is that Britt is not in any way Monroesque. While both are blonde and beautiful, Britt has a knowing, grown-up, real-woman demeanor, her voice a throaty contralto, while Monroe played wiggly-hipped high-pitched kittenish to the hilt. We can only assume the role was intended as a departure for Monroe, and a major departure it would have been.
But this is Britt's film and one thing is sure—she has talent. This isn't a surprise. She had already been in thirteen movies by this point. The Blue Angel came out the year before she met and married Sammy Davis, Jr. She made one more movie then was out of show business until after she and Davis divorced eight years later. These would have been her prime moviemaking years, but she chose to be a wife and mother,has said she chose correctly, and more power to her. Yet The Blue Angel gives a strong indication what sort of star she might have been. 20th Century Fox may have jumped the gun calling the film one of the great classics of all times, but now that it's actually an old film, and it's undoubtedly good thanks to May Britt and the very capable Curd Jürgens, maybe that description isn't so far off after all.
What's good for the hair is good for the derrière.
We're sure everyone remembers the folk wisdom that women needed to brush their hair one hundred times each night to make it shine, right? Well, once the prone woman on the punishment themed cover of 1957's Burlesque Jungle gets one hundred brush strokes of a different kind her butt will be shining too, bright red presumably. This is a republication of 1956's hardback Blonde Flames, about a Miami Beach burlesque queen known as Silver Venus and her rivalry with an upstart dancer. Considering Boyer got both a hardback and a republication out of this, we're surprised it's her only output. A sequel where Silver Venus bobby pins her rival's nipples seems like a no-brainer.
Sometimes in show business you need to make sure to cover your ass.
This lovely photo shows Doris Mitchell, a New York City showgirl and singer who was a member of Nils Thor Granlund's NTG Revue, a chorus line that was the first of its kind in Las Vegas, originating in 1943 at the El Rancho Hotel and Casino. The NTG Revue eventually came to New York City, where Mitchell presumably joined. But reviews were mixed, with some critics liking it, but a Variety scribe noting Granlund's habit of slapping the chorus girls on their asses, to which they rolled their eyes and drawled scripted quips like, “Ain't he a card?” Granlund was uncouth, but he was also famous and wealthy, so he got away with it. Sound like anyone you know? As far as Mitchell herself, this photo seems to be the only evidence of her career that exists.
Who needs an entire bouquet when you already have a Lili?
We've talked before about Horwitz Publications' habit of using celebrities on its Carter Brown paperback covers. Previous examples include Elke Sommer, Joan Collins, and Senta Berger. Above you see another borrowed celeb—none other than Lili St. Cyr—fronting Brown's 1965 thriller Homicide Harem in a cone bra outfit that brings to mind the fashion of Jean Paul Gaultier. There's no doubt it's her. We've spent a lot of time on her and recognized her high arching eyebrows and cleft chin immediately. But just to assuage any doubts you may have, we found a photo of her wearing the same outfit (though with different shoes), which you see below. We think Horwitz used unlicensed handout photos of moderately famous stars to create their covers. Lili was pretty famous by 1955, but perhaps not in Australia, since she wasn't really in movies to the extent that anything she'd done would have played there. Possibly 1955's Son of Sinbad made it there, but we have no data on that. Anyway, we're still a bit baffled why Horwitz didn't just use local models. It isn't as if there has ever been a shortage of beautiful women down under. This will remain a mystery, we suspect.
The headlines that mattered yesteryear.
1957—Ginsberg Poem Seized by Customs
On the basis of alleged obscenity, United States Customs officials seize 520 copies of Allen Ginsberg's poem "Howl" that had been shipped from a London printer. The poem contained mention of illegal drugs and explicitly referred to sexual practices. A subsequent obscenity trial was brought against Lawrence Ferlinghetti, who ran City Lights Bookstore, the poem's domestic publisher. Nine literary experts testified on the poem's behalf, and Ferlinghetti won the case when a judge decided that the poem was of redeeming social importance.
1975—King Faisal Is Assassinated
King Faisal of Saudi Arabia dies after his nephew Prince Faisal Ibu Musaed shoots him during a royal audience. As King Faisal bent forward to kiss his nephew the Prince pulled out a pistol and shot him under the chin and through the ear. King Faisal died in the hospital after surgery. The prince is later beheaded in the public square in Riyadh.
1981—Ronnie Biggs Rescued After Kidnapping
Fugitive thief Ronnie Biggs, a British citizen who was a member of the gang that pulled off the Great Train Robbery, is rescued by police in Barbados after being kidnapped. Biggs had been abducted a week earlier from a bar in Rio de Janeiro, Brazil by members of a British security firm. Upon release he was returned to Brazil and continued to be a fugitive from British justice.
2011—Elizabeth Taylor Dies
American actress Elizabeth Taylor, whose career began at age 12 when she starred in National Velvet
, and who would eventually be nominated for five Academy Awards as best actress and win for Butterfield 8
and Who's Afraid of Virginia Woolf?
of congestive heart failure in Los Angeles. During her life she had been hospitalized more than 70 times.
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here
to give us your best shot.