Femmes Fatales Jun 3 2018
FIRE DANCE
There's no doubting Thomas.


Burlesque dancer Jeannie Thomas worked mostly in Las Vegas and adopted the persona Princess Little Branch, aka the Goddess of Fire, complete with full Native American regalia, as you see above. There's basically no information out there about her beyond what we've just provided. She claimed to be half Cherokee, but of course Native American ancestry is claimed by many but provable by few. We'll take her at her word, though. Year on the photos? Best guess—1965.

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Sex Files May 5 2018
WHEN THE FIRE GOES OUT
L.A. burlesque dancer sentenced to cool off in jail.


Today in 1952 thirty-six-year-old burlesque dancer Betty Rowland, known as the Ball of Fire because of her red hair and diminutive stature, was convicted of lewd behavior for a dance she performed at the Follies Theatre in downtown Los Angeles. Being arrested was an occupational hazard, but this was an unusual case. Two cops had ventured into the Follies and, as cops are wont to do, demanded special treatment—i.e. free entrance. The ticket girl was not with the program so the cops busted the show and hauled Rowland and her manager into court. Rowland was eventually sentenced to three months in jail for a lewd performance and hit with a $5,000 fine—a tremendous amount back then, about $46,000 in today's money.

Rowland is putting on a brave face in the Los Angeles Examiner photos you see here, but she was stunned by the sentence, and the situation was all the more frustrating because the conviction hinged on the lies of two angry cops. Rowland had been performing her act for years with no hint of problems from the morals squad, and certainly wouldn't have started pushing the envelope after being so well established for so long. But that explanation held no water with Judge Byron J. Walters, who we can assume issued an unusually harsh sentence at the behest of those same crooked cops. Rowland wasn't the first dancer railroaded by the law and she wouldn't be the last.

Several weeks after being hauled off to the cooler, the Ball of Fire's sentence was commuted by Walters, who had been told Rowland planned to quit the burlesque business to open a perfume store in Beverly Hills with her sister. Walters: “The value of incarceration seems to have made its effective marks.” Some time after Rowland's release—we don't know if it was days, months, or years—she claimed it was actually a bribe that secured her freedom, paid out of pocket by her and shunted into the appropriate coffers. We've seen no reports that she opened a perfume store. Instead she danced into the 1960s before retiring. At last count she had reached age 102 in a rest home, and we bet she's still plenty steamed about that jail sentence. The photo below shows a young Rowland, probably around 1945.

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Intl. Notebook Jan 11 2018
PERSONALIZED JERSEY
O'Neill does her famous bump and grind for her New Jersey neighbors.


Above, a little something we found at an auction page, a promo poster for burlesque performer Lynne O'Neill, who according to this appeared for a week at the Hudson Theatre in Union City, New Jersey. O'Neill was known as “The Original Garter Girl,” and at whatever venue she performed would sell branded garters in the lobby the way bands sell t-shirts. She worked mostly around the New York area because she resided most of her life on Long Island. Like many mid-century peelers she was well known, then mostly forgotten, and finally brought back somewhat into popular culture by an internet fueled revival of interest in burlesque. She died in 2010, but her place in the pantheon of burlesque dancers seems assured, thanks to new photos and artifacts that occasionally turn up. This poster is a good example. It's undated but we're sure it's from 1953 or 1954.

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Intl. Notebook Nov 24 2017
WISH WE WERE THERE
Lili St. Cyr and a side of El Rancho undressing.


These three very nice promotional postcards featuring legendary burlesque dancer Lili St. Cyr were put out by the El Rancho Vegas casino-hotel in Las Vegas, an establishment that was one of the city's first, predating iconic places like the Flamingo and the Last Frontier. St. Cyr peeled at El Rancho Vegas beginning in 1951, and these items were issued over the next several years as she returned to showcase there often. The rear of these are basically identical, which is why we've uploaded only one image below. You can see it has impresario Tom Douglas's signature on it, and management offers to shell out a few pennies by mailing it for you. Class acts all the way. And speaking of class acts, you can see plenty more of St. Cyr in the website. Just click her keywords below.

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Vintage Pulp Jun 10 2017
DELUXE BERGERE
Paul Derval and the pleasure factory.


Is it pulp? Technically no. But then technically most of what we share isn't pulp, if you want to be doctrinaire about it. But this cover for Paul Derval's The Folies Bergère has pin-up style art, so that's good enough for us. This is from Digit Books, 1956, an English version of a book originally published by Methuen & Co. in France, and is a behind-the-scenes rundown of the famed burlesque theater written by the guy who managed the place from 1918 to 1956. It was under Derval that the Folies achieved arguably its greatest fame. In addition to his story, you also get eight photo pages inside, including the one you see below. If that image looks familiar, it may be because we showed it to you back in 2015, but a much sharper version scanned from a glossy photo. She's none other than the talented and beautiful Yvonne Ménard, and you can learn a bit about her, and see more of her, at this link.

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Vintage Pulp Apr 12 2017
LIFE IS A CABARET
To dance is to live. To dance the can-can is to live to the fullest.


Above, an entire issue of Cancans de Paris with the usual showgirls and cabaret dancers, along with celebs Uschi Glas, Barbara Osterman, Jill Haworth, Dany Carell, and others. The can-can remains a popular dance in Paris and you can see it performed in such places as Le Lido, Moulin Rouge, and of course Folies Bergères. This issue of Cancan de Paris hit newsstands this month in 1966, and you can see three more issues by clicking here and scrolling down.

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Vintage Pulp Dec 1 2016
SUPER STORM
There's a major front coming in.

And speaking of repeating ourselves, above you see a poster for the documentary The French Peep Show, which on this promo is called Peep Shows of Paris. Same movie though, and it starred Tempest Storm, a young exotic dancer trying to make it big with her fifty inch bust (see below). We talked about the movie last year and shared a killer poster made for its run in Japan in 1954. We suggest having a look at that. As far as the release date goes, most sources say the film first played in 1952, but IMDB says it was today in 1949 in Oakland, California. Why the discrepancy? We don't know. Meyer shot the footage at the El Rey Theater, which was in in Oakland, so perhaps IMDB knows something about the footage being projected back in ’49 before he packaged it for a wider run.

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Vintage Pulp Oct 29 2016
TOUCHED BY AN ANGEL
Desire is easy. It's fulfillment that's hard.


This unusual promo pamphlet was made for the Australian release of May Britt's romantic drama The Blue Angel, which opened Down Under today in 1959. 20th Century Fox's publicity department was calling it “one of the great classic films of all times,” though it had only been out a few months. The lesson here is never believe the publicity department. In the film, which is a remake of Marlene Dietrich's 1930 classic of the same name, Swedish bombshell May Britt plays a burlesque performer named Lola-Lola who dances and sings nightly at a smalltown cabaret called the Blue Angel. She draws the romantic attention of a prudish, perhaps even virginal, high school professor, and all kinds of complications follow, ranging from the good (love and romance) to the bad (scorn and unemployment).

It's been said that Britt was chosen over Marilyn Monroe for this role, but if that's true, we're looking at a remarkably different movie than Monroe would have made. For one thing, while financed by 20th Century Fox, the movie is set in Germany and everyone in it hails from somewhere in Europe. We can't imagine that was the plan if Monroe had starred, but as a remake of a German classic, we suppose it's possible. Anotherbig difference is that Britt is not in any way Monroesque. While both are blonde and beautiful, Britt has a knowing, grown-up, real-woman demeanor, her voice a throaty contralto, while Monroe played wiggly-hipped high-pitched kittenish to the hilt. We can only assume the role was intended as a departure for Monroe, and a major departure it would have been.

But this is Britt's film and one thing is sure—she has talent. This isn't a surprise. She had already been in thirteen movies by this point. The Blue Angel came out the year before she met and married Sammy Davis, Jr. She made one more movie then was out of show business until after she and Davis divorced eight years later. These would have been her prime moviemaking years, but she chose to be a wife and mother,and has commented of that period that she chose correctly. Yet The Blue Angel gives a strong indication what sort of star she might have been. 20th Century Fox may have jumped the gun calling the film one of the great classics of all times, but now that it's actually an old film, and it's undoubtedly good thanks to May Britt and the very capable Curd Jürgens, maybe that description isn't so far off after all.

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Vintage Pulp Oct 13 2016
UTMOST FOLIES
It may be autumn outside, but inside Folies de Paris et de Hollywood it's always summer.

Above, the cover and some scans from Folies de Paris et de Hollywood issue 269, which hit newsstands this month in 1963. Showgirls, showgirls and more showgirls. We still have about a dozen of these and we'll do a more complete job of scanning and uploading the next issue. We're still having scanner difficulties, and still need a copy of Photoshop. In any case, you can see plenty more issues—just click the keywords below and scroll down the page that appears. 

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Vintage Pulp Oct 11 2016
BRUSH STROKES
What's good for the hair is good for the derrière.

We're sure everyone remembers the folk wisdom that women needed to brush their hair one hundred times each night to make it shine, right? Well, once the prone woman on the punishment themed cover of 1957's Burlesque Jungle gets one hundred brush strokes of a different kind her butt will be shining too, bright red presumably. This is a republication of 1956's hardback Blonde Flames, about a Miami Beach burlesque queen known as Silver Venus and her rivalry with an upstart dancer. Considering Boyer got both a hardback and a republication out of this, we're surprised it's her only output. A sequel where Silver Venus bobby pins her rival's nipples seems like a no-brainer. 

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Next Page
History Rewind
The headlines that mattered yesteryear.
July 20
1944—Hitler Survives Third Assassination Attempt
Adolf Hitler escapes death after a bomb explodes at his headquarters in Rastenberg, East Prussia. A senior officer, Colonel Claus Schenk von Stauffenberg, is blamed for planting the device at a meeting between Hitler and other senior staff members. Hitler sustains minor burns and a concussion but manages to keep an appointment later in the day with Italian leader Benito Mussolini.
July 19
1966—Sinatra Marries Farrow
Superstar singer and actor Frank Sinatra marries 21-year-old actress Mia Farrow, who is 30 years younger than him. The marriage lasts two years.
July 18
1925—Mein Kampf Published
While serving time in prison for his role in a failed coup, Adolf Hitler dictaes and publishes volume 1 of his manifesto Mein Kampf (in English My Struggle or My Battle), the book that outlines his theories of racial purity, his belief in a Jewish conspiracy to control the world, and his plans to lead Germany to militarily acquire more land at the expense of Russia via eastward expansion.
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