 She can Rigg a solution to any problem. 
British actress Diana Rigg stars on this Flickr sourced cover of 1968's Lijken in Actie, which was a Dutch translation of John Garforth's The Laugh was on Lazarus, a novel derived from Rigg's hit television show The Avengers. She played the indomitable Emma Peel, who kicked ass with great counterculture style while partnered with the older and more conservative Patrick Macnee. The lettering that says De Wrekers, is not the title. That translates literally as “the avengers,” so it's just letting book buyers know they're looking at an adaptation of the show. The title is at the bottom. This was the second of four Avengers novels by Garforth. As befits a show that had grown more fantastical each year, the story here deals with people being raised from the dead for nefarious purposes. You'll notice that the cover is signed. Dick Bruna is attributed with its creation, because by 1968 we've entered the age where graphic design is occasionally being considered creditable art. The most artful part of this is actually his signature, but okay, nice work. It's hard to go wrong when you start with an unbeatable photo of one of the most popular television spies of the era.
 
 It isn't the wind making that howling noise.  
Above you see two colorful Japanese posters for The Howling, Joe Dante's 1981 werewolf thriller starring Dee Stone, Patrick Macnee, and Invasion of the Body Snatchers hero Kevin McCarthy. As werewolf movies go, The Howling was a bit of a gamechanger simply because the principle werewolf was more terrifying than any that had been put on screen to that point. It looks more than anything like a ten-foot tall Wile E. Coyote, with a long crooked snout, and devilish ears that stick out from its head like horns. Covered with wiry hair and perched upon long canine legs like a walking dog, the brute physicality of this beast is cringe inducing. On the other hand, the ancillary werewolves might make you laugh. The filmmakers obviously wanted to genderize the creatures, which led to the idea of making the female wolves somehow cute. Instead they end up looking like Ewoks. The giallo-styled soundtrack might also be jarring for modern audiences. We love it, even though it's right in your face like doggie breath. But the film is definitely worth watching these thirty-six years later. The plot involves a television reporter whose investigation into serial killings in New York City result in her—seemingly in random fashion—spending time in a rural retreat to recover from emotional trauma. There she realizes a coven of werewolves rules the woods. Dante went for a slow build-up to the big reveal, and when that first encounter came it forever recalibrated the werewolf genre. Today some of the balloon effects may look quaint, but objectively they're more visceral than anything computer graphics have managed thus far. Other effects, including a brief animation, aren't as convincing, but no movie is perfect. The Howling is a landmark, and our only regret is we were never able to see it in a cinema (though that may change if ever our local horror festival screens it). The film premiered in the U.S. in March 1981, and first howled across Japan today the same year.
 In retrospect, maybe this solo hiking trip wasn't the best idea. Oh well, I'll be fine. But next year: Burning Man.  Hmm. So she disappeared down there in that bizarre nimbus of light? I think it's about time for my donut break.  Okay, okay! Let me just find the leash and we'll go. Geez—sometimes I can't tell who's the owner and who's the pet.  Arooooooo! Bacon! Bacon! Bacon! Baaaaacooooon!
 So, you loaded this with the silver bullets, right? Right? Baby, did you hear me?
 Well, the thing is, werewolfing helps me relax. Fronting my speedmetal band is really stressful.
 I think the night went bad after the third Jäger shot. Could be worse, though. Garth got a tribal tattoo on his calf.
 Man, these beasts are seriously horr— Whoa. Single white werewolf at twelve o'clock. Bitch got some fucked up teeth but I can work with that.
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The headlines that mattered yesteryear.
1920—Negro National Baseball League Debuts
The first game of Negro National League baseball is played in Indianapolis, Indiana. The league, one of several that would be formed, was composed of The Chicago American Giants, The Detroit Stars, The Kansas City Monarchs, The Indianapolis ABCs, The St. Louis Giants, The Cuban Stars, The Dayton Marcos, and The Chicago Giants. 1955—Williams Wins Pulitzer
American playwright Tennessee Williams wins the Pulitzer Prize for Drama for his controversial play Cat on a Hot Tin Roof, which tells the story of a southern family in crisis, explicitly deals with alcoholism, and contains a veiled subtext concerning homosexuality in southern society. In 1958 the play becomes a motion picture starring Elizabeth Taylor and Paul Newman. 1945—Germany Announces Hitler's Death
German radio in Hamburg announces that Adolf Hitler was killed in Berlin, stating specifically that he had fallen at his command post in the Reich Chancery fighting to the last breath against Bolshevism and for Germany. But in truth Hitler had committed suicide along with his mistress Eva Braun, and both bodies were immediately thereafter burned. 1960—Powers Is Shot Down over U.S.S.R.
Francis Gary Powers, flying in a Lockheed U-2 spy plane, is shot down over the Soviet Union. The U.S. denies the plane's purpose and mission, but is later forced to admit its role as a covert surveillance aircraft when the Soviet government produces its remains and reveals Powers, who had survived the shoot down. The incident triggers a major diplomatic crisis between the U.S. and U.S.S.R. 1927—First Prints Are Left at Grauman's
Hollywood power couple Douglas Fairbanks and Mary Pickford, who co-founded the movie studio United Artists with Charlie Chaplin and D.W. Griffith, become the first celebrities to leave their impressions in concrete at Grauman's Chinese Theater in Hollywood, located along the stretch where the historic Hollywood Walk of Fame would later be established.
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