We guarantee this won't be the last Waltz.
This Technicolor lithograph doesn't have the blank advertising banner at top the way our many other examples do, but it's the same idea, manufactured by Copr. C. Moss and titled “Rhapsody in Red.” This was a particularly popular image, and it was picked up by more than one company. While the above version is from C. Moss, we've also seen a version from the mid-1950s manufactured by J.S.J. and titled “Sandra.” But the model is not Sandra—she's Playboy centerfold Margaret Scott, who was also known as Marilyn Waltz, and that fact goes a long way toward explaining why this image became so popular.
Scott/Waltz posed for the C. Moss shot in 1950 when she was nineteen but didn't hit Playboy's pages until 1954, when she was the centerspread for April. The magazine then brought her back as a playmate in April 1955, so obviously Hefner loved her. After either the first or second Playboy appearance, we suspect the enterprising owner of the 1950 negative recognized her and decided to sell her image for a fresh run as a lithograph. J.S.J. stepped up, bought the neg, and called her Sandra. This is an amazing image. Waltz has another litho we haven't shared yet, but we'll get around to that at some point. Bonus shots below. Click her keywords and you'll see our other posts on her.
Funny, when I ordered these I actually thought they'd give me a bit more privacy.
We haven't had Virginia Gordon around these parts since we posted a spectacular record sleeve starring her in 2014, so here she is today on a nice Technicolor lithograph entitled “Baubles and Beads” that dates from 1958. See the earlier image here.
First you need my shirt, now my pants? I believe you when you say we'll go faster. My question is faster at what?
Technicolor lithograph queen and nudist icon Diane Webber, aka Marguerite Empey returns on this print from A Fox. Corp from 1957 entitled “Clear Sailing Ahead.” We've shared three other lithos of hers, which you can see here, here, and here, and we have a couple more in reserve we'll get up later.
They say less is more, but in this case more is less.
Our ongoing exploration of mid-century Technicolor lithographs continues with this nice image from A. Fox featuring an unknown model in lingerie that simultaneously covers nearly her entire body yet is sheer enough to show nearly everything. The image is titled “Naughty Nightie” and it dates from around 1960. If you want to see dozens more of these just click the appropriate keywords below.
You wouldn't know it, but hair once covered this entire part of my face. I owe my modeling career to depilatories.
It's been awhile since we've shared a Technicolor lithograph, and the main impression we have of this one is that in glamour photography some of the poses display the body in a nice way while still looking, objectively speaking, totally ridiculous. Like this one. But that's an important aspect of professional photography—knowing what works and what doesn't. We can just hear the lensman behind this shot telling the model, “No, believe me. It'll look good. Elbows higher. That's it. Now give me a biiiig smile.” And she's thinking, “What the fuck have I gotten myself into?” But the pose works. The image, titled “Just Teasing,” is from Champion Line and the model is unknown—though no doubt very trusting. No date on this, but figure around 1960. You can see about fifty more of these colorful lithos. Just click the keywords below then scroll down.
Hello there, Righty. Don't tell Lefty this, but you're my favorite.
Above is a Colortone Line lithograph entitled “Beautiful Gems,” which we guess is a double entendre, since the model's jewelry isn't really the most noticeable element of the photo. She's unknown to us, but is far too beautiful to have been unknown to the world. She was somebody famous, we're sure. But who? No idea. We also don't have the year on this. So basically, we know nothing. But we had to share it anyway. Recognize her? Let us know.
Nothing can dim the luster of precious things.
Remember the Technicolor lithographs we shared a while back that had acetate overlays? Today we have another. In the top version the model is wearing a cartoon nightie and in the version below that you see her in the altogether. These after-the-fact cover-ups rarely look good, but today they're collectible, which just goes to show how years and scarcity are a sort of temporal alchemy that turn lead into gold. Speaking of precious metals, the print is titled “Platinum Beauty.” As a bonus, below is a version of the litho with an advertising strip at top (where a business of some sort would insert a logo). The date on that one is 1962, but we aren't sure about the overlay versions above. The seller claims 1951 but we're highly doubtful of that. Also, we think acetate versions tended to come later than advertising versions, but we have no evidence to support that theory. It's just a feeling. In any case, you get three versions of a beautiful platinum haired model, so that makes it a good day, right?
She's the pause that refreshes.
This Technicolor lithograph shows Arline Hunter, who was a Playboy centerfold in August 1954 and an actress on television and in movies. Her first brush with show business was in the 1948 erotic reel Apple Knockers and the Coke. Yeah. That's a real title. And a literal one, too—the reel shows a topless Hunter suggestively playing with an apple and drinking a Coke. It's available for the moment on YouTube as an age restricted upload and you can watch it in all its grainy goodness there, or just get the gist from the photos below. If you think she looks a bit like Marilyn Monroe you aren't the only one. The resemblance helped propel Hunter to recognition, and in fact her Playboy appearance was what you might call a revisitation of Monroe's famous centerfold from the previous year, featuring similar poses and a similar red velvet background. The above image comes from Champion Line and dates from 1952.
Bad news: the dye job was expensive. Good news: she has the same hair color today for free.
An unidentified model appears above on two 1965 Technicolor lithographs, the first of which, from A. Fox Corp., is called “How Nice,” and the second of which, from KLM, is called “Silver Siren.” The model sports striking silver hair in both, and we've noticed this trend has gotten pretty big of late, so these serve as a reminder that, once again, your grandmother beat you to it.
So I found these awesome leopardskin drapes on sale. What do you think? Too much?
The incomparable Marilyn Monroe, wearing see-though lingerie, stars on the above Technicolor lithograph titled “Vivacious Marilyn.” The image was originally shot by acclaimed Hungarian lensman Laszlo Willinger in 1947. Most sources say 1949, but we can confirm 1947 because we've seen another frame from this leopard series used on a 1947 Sunoco calendar. However, the above lithograph wasn't printed until 1955, when the negative fell into the hands of the good people at A. Scheer Co. and they said, “She's sheer! We're Scheer! It's a match made in heaven!” A. Scheer made another print of one of Willinger's other famed Monroe images which we'll show you a bit later. In the meantime, we offer the bonus image of Monroe on the phone for no reason at all. You can see more lithos of Hollywood's greatest star wearing assorted bits of almost nothing here. |
The headlines that mattered yesteryear.
1935—Four Gangsters Gunned Down in New Jersey
In Newark, New Jersey, the organized crime figures Dutch Schultz, Abe Landau, Otto Berman, and Bernard "Lulu" Rosencrantz are fatally shot at the Palace Chophouse restaurant. Schultz, who was the target, lingers in the hospital for about a day before dying
. The killings are committed by a group of professional gunmen known as Murder, Inc., and the event becomes known as the Chophouse Massacre.
1950—Al Jolson Dies
Vaudeville and screen performer Al Jolson dies of a heart attack in San Francisco after a trip to Korea to entertain troops causes lung problems. Jolson is best known for his film The Jazz Singer, and for his performances in blackface make-up, which were not considered offensive at the time, but have now come to be seen as a form of racial bigotry.
1926—Houdini Fatally Punched in Stomach
After a performance in Montreal, Hungarian-born magician and escape artist Harry Houdini is approached by a university student named J. Gordon Whitehead, who asks if it is true that Houdini can endure any blow to the stomach. Before Houdini is ready Whitehead strikes him several times, causing internal injuries that lead to the magician's death.
1973—Kidnappers Cut Off Getty's Ear
After holding Jean Paul Getty III for more than three months, kidnappers cut off his ear and mail it to a newspaper in Rome. Because of a postal strike it doesn't arrive until November 8. Along with the ear is a lock of hair and ransom note that says: "This is Paul’s ear. If we don’t get some money within 10 days, then the other ear will arrive. In other words, he will arrive in little bits." Getty's grandfather, billionaire oilman Jean Paul Getty, at first refused to pay the 3.2 million dollar ransom, then negotiated it down to 2.8 million, and finally agreed to pay as long as his grandson repaid the sum at 4% interest.
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