|Vintage Pulp||May 18 2019|
Looks like she forgot to wear something green.
This Champion Line Technicolor lithograph entitled “Sultry Charm” features U.S. model Shirley Kilpatrick getting cuddly with a fur wrap. Kilpatrick was featured in pretty much every men's magazine of her era, in a decade-plus appearing sexily clothed or nude in Caper, Gent, Scamp, Bold, Frolic, Stare, Gala, Tempo... Really, just make up a name and at some point it was probably a magazine and she got naked in it. Or semi-naked. Her heyday was during the pubic-hair-is-obscenity era. In recent years, though, sets of full nudes have been unearthed, and guess what? She doesn't show pubic hair in those either. Ahem. But while the photos are nice, we appreciate Kilpatrick most for playing the she-monster in The Astounding She-Monster, a cheeseball sci-fi b-picture from 1957 that gave us a considerable amount of enjoyment. It's a terrible movie, make no mistake—but in that good terrible way. Kilpatrick, on the other hand, is just good good.
|Vintage Pulp||Mar 25 2019|
All you have to do is lick a finger and lift.
We absolutely love these things. This is a Technicolor lithograph with a cellophane or acetate overlay, which if you lift—and of course anyone would—reveals the same figure undressed on the page beneath. As we've mentioned before, we think—but cannot be sure—that these originated with the French nudie magazine Paris-Hollywood, and we've shown you some examples from that publication. The U.S. innovation was adding a Technicolor printing process that made the final product more vivid than the French versions. As you see below, the shot was also used for a standard Technicolor pin-up without the overlay. The print is titled “Alluring,” from around 1955, and as usual we can't identify the model. Many of these items featured centerfolds and celebrities, but others used more obscure subjects. See more U.S. Technicolor overlay examples here, here, and here, and check out a couple of French ones here and here.
|Vintage Pulp||Jan 5 2019|
Upon close inspection everything looks ship shape.
Model and actress Mara Corday, née Marilyn Watts, captains this nautical 1953 Corp. A. Fox Technicolor lithograph. Corday is one of those vintage actresses who has a cult following today, which in her case mainly derives from starring in three cheesy sci-fi films—Tarantula, The Giant Claw, and The Black Scorpion. She also appeared in some thrillers and noirs, but her stardom was truly cemented when she was Playboy magazine's Playmate of the Month for October 1958. That centerfold may be one of the most demure the magazine ever published, but the issue sold well, owing to Corday's status as an established movie star. She's still with us at age eighty-eight, and these images are nice mementos from a time when legions of fans were willing to sail anywhere with her.
PlayboyTarantulaThe Giant ClawThe Black ScorpionMara CordayMarilyn WattsCorp. A. FoxA. Fox Corp.Technicolor pin-upsci-fi
|Vintage Pulp||Nov 30 2018|
She has your grandma's hair, but the similarities end there.
One of your older relatives definitely sports this look. We mean from the neck up. In 1959, when this Corp. A. Fox Technicolor lithograph was made, short hair was the rage and remains so for women of this era that are now senior citizens. There's nothing senior about the rest of this model, though. We're unable to identify her, but we suspect she was at least semi-famous. A. Fox models often were. If you recognize her drop us a line.
|Vintage Pulp||Sep 16 2018|
Hi! Yes, the gloves fit perfectly but the rest of my order didn't arrive.
Above, a Technicolor lithograph featuring an unknown model—anyone? anyone?—posing with opera gloves and nothing else. Which will certainly make a splash when she actually goes to the opera. The print is titled “Perfection,” and it came from Champion Line around 1955.
Update: This is June 1954 Playboy centerfold Margie Harrison. Thanks, Bob.
|Vintage Pulp||Jun 6 2018|
Great whether they're large or small.
This is one of the nicest steins we've ever seen. It may surprise you to know that Germans don't use the word “stein” to refer to a container of beer. To them the word means merely “stone.” The phrase "beer stein" is actually an English invention, a neologism taken from the German word “steinzug, or possibly “steinzeugkrug.” Steins come in many sizes and are generally ornamental, though some bars and taverns may actually use them to serve customers. Now, regarding the top. The idea is to keep it closed and the contents fresh and untouched by anything that can affect its flavor. Keeping the top shut also helps prevent anything spilling out, which is always an embarrassing occurrence. The model in this photo, unfortunately, blocks the view of the stein somewhat, and we'd love it if she weren't there at all. But c'est la vie.
|Vintage Pulp||May 4 2018|
When you toast them the aroma is mouthwatering.
Since we neglected to share any Technicolor lithographs for several months before we got back to them recently, here's another one close on that one's heels entitled “Fair and Warmer,” from A. Fox Corp., circa 1955, with an unidentified model. We've wondered in the past whether a single ass comprised one bun or two buns. For example, should our header be “bun warmer” or “buns warmer”? It's a subject that requires deep exploration, and we've already put substantial thought into it.
|Hollywoodland||Apr 24 2018|
A Dors of a different color.
Diana Dors is the star of the above Technicolor lithograph, which was tinted pink for fun by the vendors at Corp. A. Fox, an outfit that churned out thousands of similar prints during the mid-century period. They picked up the images wherever they were able, and this one was originally made as a promo for the 1957 film noir The Unholy Wife, without the garish pink tinge. Dors had already been in movies for ten years, so she wasn't actually a new box office figure, as the promo declares, but maybe she was newish to U.S. audiences. The photo was also sold as a horizontally oriented lithograph, again without the overdone blush, also below. You can see a couple dozen more prints featuring various known and unknown models from A. Fox and other litho companies by clicking the keywords at bottom. We also shared a Dors litho from 1964, which you can see here. And you can read about The Unholy Wife here.
|Vintage Pulp||Dec 2 2017|
Never say Neva when it comes to tigerskin rugs.
This Technicolor lithograph, which is titled “Tiger Lil” and was printed by Champion Line, shows Neva Gilbert, a Playboy model who was the magazine's July 1954 centerfold. The litho, which also dates from 1954, is generally identified as originating with Playboy, but it actually came from a group of photos first owned by the Baumgarth Calendar Company. Back then Hugh Hefner often paid outside photographers for images. For that reason it's possible the photo is pre-1954, but if so, not by much.
Gilbert herself had forgotten about the shots. She was busy trying to establish an acting career and never saw her own centerfold until 1979. She had no idea Hefner had culled some shots for Playboy. In fact, she had no idea what Playboy was until someone told her she was in it. Speaking of culling, we are not fans of killing rare animals to turn into gaudy home decorations, but we imagine that if you had one of these on your floor back then they greatly increased your odds of a woman doing exactly what Gilbert has done. The Pulp Intl. girlfriends doubt it, but they always do. And of course, we want to prove them wrong. Anyone got an extra tiger rug they want to sell?
|Vintage Pulp||Oct 25 2017|
Sigh. Just pose and get paid. And remember—nobody I know will ever see these photos.
This Technicolor lithograph published by Champion Line features Dolores Del Monte, Playboy magazine's centerfold for March 1954, in a shot entitled “Radiant Beauty.” Del Monte began her modeling career posing for the legendary photographer Bruno Bernard and the acclaimed pin-up painter Zoe Mozert, at times making as much as $50 a day. That was in 1951, when that pay rate was the equivalent of about $500 in today's money. A year later Del Monte quit modeling. In 1954 the above photo was offered to Playboy. Though Bruno Bernard shot it, the centerfold credited the John Baumgarth Company of Melrose Park, Illinois. Such are the entanglements of copyright. When Del Monte received a letter asking permission to use her likeness she assumed Playboy was a standard pin-up magazine, and the images requested were from a shoot she recalled where she wore a leopard pattern bathing suit. Wrong on both counts, and one can only imagine her reaction when the centerfold hit newsstands, since she was not only married but a mother by then. Well, at least she got the $50. And the world? It got something priceless. We have lots more classic Technicolor lithos, and you can see those by clicking here.
Melrose ParkTechnicolor pin-upPlayboyJohn Baumgarth CompanyChampion LineDolores Del MonteZoe MozertBruno Bernardnudity