Gemser makes a movie out of spare parts.
In Porno Esotic Love Indonesian sexploitation superstar Laura Gemser finds herself in another exotic locale—this time Hong Kong—where she engages in another series of softcore romps with hirsute westerners. She made something like twenty-six movies along these lines, which is why the makers of this one couldn't resist taking shortcuts. They cobbled together a good chunk of the footage from Gemser's previous outings and shoehorned them into a new narrative about a woman seeking revenge for the heroin overdose of her sister. The cynical usage of previously shot footage makes this one of director Joe D'Amato's worst efforts, but also one of his most profitable, we suspect. We can't possibly recommend the movie, but in order to compensate for the aching sense of loss you probably feel, there's a promo shot of Gemser below kicking back on a large rock, or perhaps the world's smallest deserted island, depending on how you want to look at it. Porno Esotic Love premiered in Italy today in 1980.
Dylan—Rab Dylan, that is—plays in Hong Kong.
Above, a nice cover for Azzurro è l'inferno, aka Hell Is Blue, 1968, by Rab Dylan for the Italian publishers Silpe as part of its Giallo 70 line. This was Silpe's first publication of many. The story is espionage set in Hong Kong, with all the James Bond style trappings. The author Dylan was pseudonymous, in this case for Italian writer Gualberto Titta, who we assume was worried people would laugh at his last name. What's notable about this book, at least for us, is that the company was founded by genius illustrator Mario Ferrari, who we've featured several times. And once we knew that, it was suddenly obvious this was also Ferrari's work on the cover. He's top tier, and you can see plenty more from him here, here, and here.
Hah hah, don't worry about my gun. Worry about my mood.
Above, a photo of German actress and dancer Taina Béryl, aka Taina Beryll, aka Tayna Beryll, happily playing with a sidearm, which given a choice is better than her unhappily playing with it. Her name is often spelled "Tania" around the internet but that's incorrect. As a dancer Taina-not-Tania Béryl performed at the Teatro San Carlo in Naples, and in cinema was seen in such productions as Une blonde comme ça, L'inconnue de Hong Kong, and Berlin, cites with los Espias. 1963 on the image.
Jeanne Bell karate chops her way across Hong Kong.
T.N.T. Jackson, for which you see the U.S. promo poster above, is a mid-budget blaxploitation flick built around clumsy martial arts, a flimsy plot, and shoddy acting. But it has Jeanne Bell. Playboy magazine had made Bell a centerfold in 1969. From there she launched a movie career, with T.N.T. Jackson coming ninth in her filmography. She plays Diana “T.N.T.” Jackson, who learns that her brother was killed by Hong Kong drug dealers and seeks payback. While the plot is nothing special, Bell certainly is. She was twenty-five and wore a bouffant hair-do when she first appeared in Playboy; in T.N.T. she was thirty and had blossomed into an unforgettable beauty with a frosted afro, kicking and chopping her way across the movie screen. All the fight scenes are hilarious, with their cut-rate choreography and claw-handed posing, but they're fun to watch, especially the one in which she kicks the shit out of a bunch of guys while wearing only panties. That bit seems to us a clear homage to Reiko Ike's totally nude fight in 1973's Sex & Fury, another movie that surpasses its limitations by piling on style and attitude. Is T.N.T. Jackson actually good? No—but we bet it'll make you smile. It premiered in the U.S. today in 1974.
Xenophobia: Don't leave home without it.
The above poster was made to promote the Japanese run of a West German sexploitation film that originally had the unwieldy title Die jungen Ausreißerinnen - Sex-Abenteuer deutscher Mädchen in aller Welt, which is sometimes shortened to just Die jungen Ausreißerinnen, or “the young runaways.” For distribution in English it was called Innocent Girls Abroad. It has nothing to do with Mark Twain's similarly titled classic, but is of course a softcore romp done anthology style, with Doris Arden headlining as the main innocent. She doesn't appear on the poster, though, save for in the lower lefthand corner. We suspect the Japanese distributors decided she wasn't boobalicious enough, which just goes to show what they know, because Arden is spectacular by any measure.
Anyway, what we have here is a cautionary tale featuring beautiful young travelers and the pitfalls they encounter, slavery among them, with the various misadventures taking place in Hong Kong, London, Beirut, Paris and Rome. Arden gets the Beirut segment and it consists of her telling the local police her story: raped by her stepfather when she was fifteen, a runaway drifting from place to place, ending up in a harem where she becomes a sexual servant, enduring a year of bondage before her escape. Many sexploitation films are joyful or comical or contain messages of female empowerment—Die jungen Ausreißerinnen isn't one of those. You've been warned. After opening in West Germany earlier in the year it played in Japan for the first time today in 1972.
Hong Kong kidnappers have problems mastering possession, and so do the filmmakers.
If Tarantino likes it, it must be tops. At least that's the assumption some would make upon learning that 1976's Ebony, Ivory & Jade has Tarantino's stamp of approval. Well, despite the endorsement and status as a minor classic of the blaxploitation genre, the film isn't great. It has some highlights, including confidently staged action sequences and camerawork that does seem to have influenced Tarantino. But its failings are legion—bad script, wooden acting, and heavy duty crushed black levels that make the actors almost impossible to see in the night sequences. We'll give a pass on that last problem, because it could have happened during the video or DVD transfer.
We'll admit though, this flick is damned funny in parts—unintentionally so, foremost the character Stacy's beatdown of a bad guy who morphs into a dummy at the moment she hoists him overhead and helicopter spins him through a room divider. The basic idea of the film is also appealing—Hong Kong bad guys kidnap five female track stars for ransom, unaware that two of them happen to be martial arts experts that will cause no end of trouble once they untie themselves. Playboy playmate Rosanne Katon in the lead role is also a plus. But as blaxploitation, even a discernibly elevated budget doesn't lift the film above other entries in the genre.
As a side note, the above promo poster should help put to rest any idea that apostrophe illiteracy has something to do with modern education or the internet or whatever. It has always been a problem, and we see it all the time in vintage material. This particular failure to master the possessive form is pretty egregious, though. Yes, it's attached to a movie shot in the Philippines, but the error made it all the way through a phalanx of American writers, designers, pre-press workers, printers, and producers working in the U.S. of A. at—or at least for—Lawrence Woolner's Dimension Pictures. Pretty bad. Though as we've noted in the past, sometimes apostrophe placement can be legitimately tricky.
Whatever happens don't lose your head.
This weird Japanese poster was made to promote the weird Hong Kong movie Xin Mo, aka The Bedeviled, aka Sam moh, a horror flick starring Taiwanese actor Chun Hsiung Ko and Japanese actress Reiko Ike in a tale of corrupt elites in a rural village who frame a peasant and force his wife into sexual servitude. This is not a pinku film—the story unfolds with restraint and the plot is linear. And the moral is clear: don't use your power to subjugate others. But alas, the one-percenters of this village let their greed run rampant and as a result are haunted by severed heads and eventually wind up dead. Too bad greed isn't punished like that in the real world, right? So many severed heads would be flying around they'd turn the noon sky to midnight. We prefer Ike with her head attached, but this is still a good movie. It premiered in Japan today in 1975.
Being on the Lam doesn't sound so bad after all.
Chinese actress Lam Fung, aka Patricia Lam Fung, came to international notice by starring, beginning at age sixteen, in the films of Hong Kong's legendary Shaw Brothers. Working with them she became known as the “Jewel of Shaw,” and many of the movies she made until her surprise retirement at age twenty-seven were huge hits, including 1960's Lian ai yu zhen cao (Love and Chastity), and 1961's Yuan yang dao shang ji (The Mandarin Swords). Fung died in 1976 from an overdose of sleeping pills, a sad end often speculated to be suicide. No date on this awesome image, but figure around 1965.
Olivia Pascal heads to Hong Kong and cockfighting breaks out all around her.
This nice hand-painted and hand-lettered Belgian poster was made for the movie Vanessa, which starred German actress Olivia Pascal in the time-honored tale of a smokin' hot woman raised in a convent and suddenly loosed upon the world. Pascal is informed that her last relative has died and willed her a fantastic fortune. This relative lived in Hong Kong, so she heads there to check it out and discovers not only that the island is awash in sex, sin, and dark magic, but that her inheritance takes the form of ownership of several wildly successful bordellos. The twist here, if it qualifies, is that even though this is your basic softcore sexual awakening film, the main character never actually gets laid. She gets whipped, though, if you're into that sort of thing. Best dialogue in the movie: “Will you excuse me for a moment? Those are real fighting cocks.” As you might guess, cocks of an entirely different kind fight over Pascal, who was a big bonus in the film Griechische Feigen, aka The Fruit Is Ripe, and here spends substantial portions of the film naked, joined by luminaries like Eva Eden, Uschi Zech, and—wait for it—Astrid Boner. We're not making that last one up. We're also not recommending the movie, but Pascal gets highest marks. |
The headlines that mattered yesteryear.
1952—Chaplin Returns to England
Silent movie star Charlie Chaplin returns to his native England for the first time in twenty-one years. At the time it is said to be for a Royal Society benefit, but in reality Chaplin knows he is about to be banned from the States because of his political views. He would not return to the U.S. for twenty years.
1910—Duke of York's Cinema Opens
The Duke of York's Cinema opens in Brighton, England, on the site of an old brewery. It is still operating today, mainly as a venue for art films, and is the oldest continually operating cinema in Britain.
1975—Gerald Ford Assassination Attempt
Sara Jane Moore, an FBI informant who had been evaluated and deemed harmless by the U.S. Secret Service, tries to assassinate U.S. President Gerald Ford. Moore fires one shot at Ford that misses, then is wrestled to the ground by a bystander named Oliver Sipple.
1937—The Hobbit is Published
J. R. R. Tolkien publishes his seminal fantasy novel The Hobbit, aka The Hobbit: There and Back Again. Marketed as a children's book, it is a hit with adults as well, and sells millions of copies, is translated into multiple languages, and spawns the sequel trilogy The Lord of Rings.
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