Vintage Pulp Dec 14 2016
COFFY WITH GRIT
It's strong and bold and might be just the wake-up you need.

Coffy is not a movie we planned to write about, due to the fact that it's been covered by so many websites. But then we came across this French poster made for its release in Paris today in 1973—where it was called Coffy: la panthère noire de Harlem—and we changed our minds. The movie possibly falls into the category of those everyone has heard about but few have seen, so we gave it a run for the first time in some years. The story is straightforward—a teen girl is in the hospital suffering from the effects of an overdose, and her sister, played by Pam Grier, goes looking for revenge. She kills the dealer who sold heroin to her sister, but soon learns there's another dealer behind that one, and so forth. In a world that's corrupt to the core, revenge is a maze where the center is impossibly difficult to find.

Coffy isn't well acted, but those who go in expecting Oscar worthy performances are setting up false standards. Blaxploitation was about telling stories from a new point of view, one lacking in American cinema. Trying to round out a black cast, as well as find compelling black leads, meant taking chances and bringing novice performers into the fold. The message is what mattered in these movies, and the message was that something was seriously wrong in America. Those who paid attention learned one of the most basic lessons anyone can learn—your reality is just one of many. Other people live entirely different lives governed by different, equally valid truths. Mainstream Americans who understood this concept learned plenty from blaxploitation. Those who denied this most simple of life's facts learned nothing—and are the same people who today look at what happens in America's inner cities with bafflement or scathing contempt.

Coffy was really an envelope pushing film. We'll just highlight one scene to make that point. Pam Grier's title character has sex with her boyfriend then heads toward the bathroom. On the way there, but off-camera, we hear her say, “Oops! Oh, you shouldn't have made me laugh.” What do you supposed happened? Here's a hint—it involves spillage, and not from a glass. It may well have been the first movie ever to hint at post-coital drainage. Later it does another off-camera bit with oral sex when Grier pours wine in her boyfriend's lap and proceeds to clean it up. Coffy may not have been well acted, but it had moments of earthy realism that were almost microscopic in focus. You also get plenty of action and a fierce, single-minded heroine you can root for. Coffy opened in France today in 1973. Check out a rare U.S. promo poster for it here.

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Vintage Pulp Dec 14 2016
MOTORCYCLE DIARY
She's unswervingly Faithfull to her desires.

It's Alain Delon again. We just saw him a couple of days ago and here he is in La motocyclette, aka The Girl on a Motorcycle. 1960's counterculture icon Marianne Faithfull stars in this experimental flick based on André Pieyre de Mandiargues' experimental novel as a woman torn between a life of security with her husband and a craving for adventure with her lover, Delon. She leaves her husband, takes a road trip across France to join Delon in Germany, and you get an introspective road movie with Faithfull riding across cheapie rear projection into a series of psychedelic interludes, her voiceover dutifully keeping us updated on her inner turmoil. Is it a pulp style movie? Not so much. Is it good? We wouldn't say that. But it had Delon in it so we thought we'd take a look, and we sure like the posters. La motocyclette opened in Japan today in 1970.

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Vintage Pulp Dec 12 2016
CIRCULAR LOGIC
Which came first—the paroled convict or the escaped criminal?

This Japanese poster was made for Le cercle rouge, a French heist movie starring Alain Delon, André Bourvil, Gian Maria Volontè, and Yves Montand. It's an excellent flick that uses a bizarre plot device—a newly paroled convict who's been talked into a jewel heist finds a criminal who's just escaped from custody hiding in the trunk of his car, and subsequently decides to team up with the guy on the jewel robbery.

There's more involved than just that, of course, but what are the odds of a criminal taking refuge in another criminal's car and turning out to be just the right partner for an upcoming robbery? We'd say it's possible only in writer-director Jean-Pierre Melville's imagination, but he makes this insane coincidence work. A third man completes the heist crew and off they go to make their big score. Or at least try. This is really good, hard-boiled stuff, with that French flair. Le cercle rouge opened in France in October 1970, and made it to Japan today the same year. The French poster above and right, by the way, looks mighty familiar. It's similar to one made for another very good Alain Delon crime movie, also centered around a jewel heist, 1969's Le clan des Siciliens. Well, don't mess with success.

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Vintage Pulp Dec 9 2016
ABSOLUTELY SWEET MARIE
Flossie regularly is good for your mental health


Yes, Marie Forså is back in another of her popular sexploitation romps. We just checked her out in 1973's Der Fluch der schwarzen Schwestern, saw her a while back in Bibi, and here she is again in 1974's Flossie, aka Swedish Sex Kitten. We could tell you the movie is good, but there's barely any movie to recommend. In the same way a chocolate chip cookie is just a delivery system for sugar, a production like this is just a delivery system for boners. This one takes two passes at that goal, with a softcore version, and a harder iteration with some actual penetration scenes edited in. Despite the audience's most fervent wishes, these aren't Forså's furry nether regions having a grand opening, but some other natural blonde's, woven in cleverly enough that some viewers may not notice. But you know the old rule—if the face isn't in the edit, a body double gets the credit. We've now watched three Forså movies and we think that'll about fill our lifetime quota. They're all the same—sweet, easy to enjoy, and with some gooey parts. Just like chocolate chip cookies. The above poster was made for Flossie's West German premiere, where it began delivering boners today in 1974.
 

Ménage à trois? With that little thing I don't think he can ménage à one of us.
 
 
Oh yeah, baby, this is great. Give it to me. Make me— Hmm, has that crack always been in the ceiling?
 

I forgot to wear sunscreen today. I didn't get too red, did I?
 

Nose all clean? Yes, all clean. And look—no bats in my cave either!

 
Can we stop soon? Doing it on the rug sounded fun but I'm getting a friction burn on my spine.

 
Mwah! That was wonderful. I guess you're right. Who needs men?

 
What do I look like—a waitress? Get your own damn drinks. These are all for me.

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Vintage Pulp Dec 5 2016
DIVINE MADNESS
Why settle for an angel when a devil is so much more fun?

It's amazing the jams men in film noir get themselves into. Imagine you really like a woman but she wants financial security you can't offer. Would you try to satisfy her by marrying a completely different woman—a trusting nice girl type—with the plan of getting into her bank account, getting the marriage annulled, and walking with the cash? Of course not. You'd know a plan like that would come apart at the seams. But men in film noir don't. In Fallen Angel Dana Andrews craves sexpot Linda Darnell, and while we can certainly see a man losing his bearings over a stunner like her, the idea of her being worth destroying another woman's life is farfetched, especially when that woman is pretty and sweet. But in the capable hands of Andrews and Darnell, with Alice Faye and Charles Bickford co-starring and Otto Preminger in the director's chair, the plot actually works. And that's the beauty of film noir—the problems are often so convoluted you can't imagine how someone could get into them, let alone get out, yet often they do. On the other hand, often they don't. Fallen Angel premiered in the U.S. today in 1945.

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Vintage Pulp Dec 2 2016
NIGHT MOVES
Fast talking Bogart wisecracks his way into Nazi trouble.


The Humphrey Bogart vehicle All Through the Night is a wartime thriller and mild propaganda piece dealing with a self-interested NYC gambler who stumbles upon a cabal of Nazis. The movie begins with a lot of snappy repartee before Bogart is drawn into the caper by unlikely means—the murder of the baker who makes his favorite cheesecake—which soon leads to him trying to rescue co-star Kaaren Verne from kidnappers. But has she really been kidnapped?
 
All Through the Night isn't a top effort, but it's funny most of the way through, even verging on slapstick in parts, and the scene where Bogart and his sidekick William Demarest discover the Nazis' secret lair is really entertaining. A later scene with the two trying to pass themselves off as Germans during a Nazi intelligence briefing brings to mind Abbott and Costello. But there's also plenty of fisticuffs and gunplay for action fans.
 
The point of the whole production is really just to show how even the most cynical man can become a soaring patriot under the right circumstances. It's cheesy as hell but it mostly works. Along the way you get Phil Silvers, Peter Lorre, and Jackie Gleason in supporting roles. We've seen better movies, but we've seen far worse. We give it credit for not taking itself too seriously. All Through the Night premiered in the U.S. today in 1941.

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Vintage Pulp Dec 1 2016
HISTORY REPEATS
Perversion never goes out of style.

Years ago we briefly discussed the Marisa Mell thriller Una sull’atra and shared an Angelo Cesselon poster made for its Italian run. Well, we're back to the movie today with a poster made for its Spanish run under the title Una historia perversa. The illustration was painted by Francisco Fernandez Zarza-Pérez, who signed his work as Jano, and was one of Spain's more prolific cinematic illustrators. We put together a small collection of his work a while back and you can check that out here. Una historia perversa made its Spanish premiere in Barcelona today in 1969. 

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Vintage Pulp Dec 1 2016
SUPER STORM
There's a major front coming in.

And speaking of repeating ourselves, above you see a poster for the documentary The French Peep Show, which on this promo is called Peep Shows of Paris. Same movie though, and it starred Tempest Storm, a young exotic dancer trying to make it big with her fifty inch bust (see below). We talked about the movie last year and shared a killer poster made for its run in Japan in 1954. We suggest having a look at that. As far as the release date goes, most sources say the film first played in 1952, but IMDB says it was today in 1949 in Oakland, California. Why the discrepancy? We don't know. Meyer shot the footage at the El Rey Theater, which was in in Oakland, so perhaps IMDB knows something about the footage being projected back in ’49 before he packaged it for a wider run.

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Vintage Pulp Nov 29 2016
STILL KICKING
Rika Aoki has plenty of fight left in her.

This poster was made to promote the pinku film Konketsui Rika, aka Rika the Mixed-Blood Girl, starring Rika Aoki. We showed you another high kicking promo for the same film a while back. See that and our write-up on the movie here. 

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Vintage Pulp Nov 26 2016
ERINA'S PLACE
Miyai's indoor escapades continue in installment eighteen of Nikkatsu's popular series.

This poster was made to promote the roman porno flick Danchizuma: Okasareta hada, known in English as Apartment Wife: Violated Skin, eighteenth entry in the Apartment Wife series launched by Nikkatsu Corporation in 1971. Erina Miyai stars again, and we can't imagine there are many surprises eighteen entries into the series, but we couldn't find a copy so all you get is the poster. And the promo photo below. Danchizuma: Okasareta hada premiered in Japan today in 1977. 

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History Rewind
The headlines that mattered yesteryear.
January 17
1950—The Great Brinks Robbery Occurs
In the U.S., eleven thieves steal more than $2 million from an armored car company's offices in Boston, Massachusetts. The skillful execution of the crime, with only a bare minimum of clues left at the scene, results in the robbery being billed as "the crime of the century." Despite this, all the members of the gang are later arrested.
1977—Gary Gilmore Is Executed
Convicted murderer Gary Gilmore is executed by a firing squad in Utah, ending a ten-year moratorium on Capital punishment in the United States. Gilmore's story is later turned into a 1979 novel entitled The Executioner's Song by Norman Mailer, and the book wins the Pulitzer Prize for literature.
January 16
1942—Carole Lombard Dies in Plane Crash
American actress Carole Lombard, who was the highest paid star in Hollywood during the late 1930s, dies in the crash of TWA Flight 3, on which she was flying from Las Vegas to Los Angeles after headlining a war bond rally in support of America's military efforts. She was thirty-three years old.
January 15
1919—Luxemburg and Liebknecht Are Killed
Rosa Luxemburg and Karl Liebknecht, two of the most prominent socialists in Germany, are tortured and murdered by the Freikorps. Freikorps was a term applied to various paramilitary organizations that sprang up around Germany as soldiers returned in defeat from World War I. Members of these groups would later become prominent members of the SS.
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