|Intl. Notebook||Sep 29 2020|
This is the best Laff you'll have all day.
We've posted three issues of Laff magazine over the years, and we return to that publication today with an example from this month in 1946 featuring starlets, showgirls, and burlesque dancers of the highest order. You get Jane Russell, Adele Mara, Vera Ellen, and Myrna Dell, amongst others, but the winner in these pages is Acquanetta, aka the Venezuelan Volcano, who gets a striking tropical themed centerfold photo. In addition, you get a bit of sports coverage—specifically baseball, which is appropriate with the MLB playoffs starting tonight—as well as numerous cartoons.
These cartoons—the laffs in Laff magazine—tend to be sexist by today's standards, but then so is this entire website, really, which is an unavoidable side effect of focusing on vintage fiction, art, and photography. We hope the historical significance of the material overshadows all else. In any case, we included the cartoons despite their mostly lame humor, due to the fact that they're high quality illustrations well worth seeing. All that and more appears here in forty-plus scans and zooms, and you can see the other issues of Laff by clicking its keywords below.
LaffAdele MaraAcquanettaJane RussellMyrna DellVera EllenJoy SkylarHarry DanningDoreen DeMosDoris DeanPat HuttoVirginia Dewmagazine artburlesquebaseball
|Vintage Pulp||Jul 13 2020|
There's no business like showgirl business.
Below, the cover and virtually the entire interior of the bi-monthly U.S. cheesecake magazine Showgirls, featuring burlesque dancers, chorus girls, and semi-famous models of the era, published in July 1947 with a great cover by George Gross.
|Intl. Notebook||May 26 2020|
Continental Film Review ties modern cinema up in a tidy little package.
Above and below, the cover and assorted interior pages from Continental Film Review, with all the rare imagery and erudite commentary from the European cinema scene readers had come to expect. The cover features German actress Brigitte Skay bound with rope, and those of note inside include Anna Gaël, Romy Schneider, Alain Delon, Serge Gainsbourg, Jane Birkin, and Edwige Fenech. Skay and Gaël are featured because of their roles in the 1969 sci-fi film Zeta One, aka The Love Factor, which it happens we discussed way back in 2010. Shorter version: Barbarella it ain't. Continental Film Review had a secondary focus on non-performance visual arts. This issue looks at animation from Sweden and talks about some hot illustrators of the time, including Jan Lenica and Per Ahlin, drawing comparisons between them and famed painters like René Magritte. All of that and more in thirty-plus scans.
SwedenBritainGermanyContinental Film ReviewBrigitte SkayAnna GaëlRomy SchneiderAlain DelonEdwige FenechMichèle MercierSerge GainsbourgJane BirkinJan LenicaPer Ahlinmagazine artcinema
|Intl. Notebook||Apr 9 2020|
After weeks trapped indoors we'd definitely consider trading coronavirus isolation for a 10x10 island.
The ongoing quarantine got us thinking about the psychology of being stuck in one place for weeks or months, which made us realize we'd seen numerous cartoons over the years touching upon that very theme. Desert island cartoons were—and still are—a standard gag for cartoonists. Guys on ledges, prisoners hanging in dungeons, and explorers in cannibals' cauldrons are other common motifs, and we may explore those later, but desert island cartoons are the grandaddy of recylable concepts. Their details vary, but usually there's ocean, a sand hump, a palm tree, a prop (like the sales kiosk in the above example), and one to several castaways.
Many cartoonists tried their hand at these, and the challenge was to be fresh and funny. We had a choice when putting this collection together—we could use confirmed funny examples others had posted online, or use cartoons that had been previously unseen. For the most part we chose the latter course. We did borrow a few to round out the collection, but forty-five of the fifty are from our own magazines. Frequently sexist, while infrequently funny, they prove that it's hard to get a laugh out of a cliché. But several managed it, at least for us, and we give all the cartoonists—Erich Sokol, Irv Hagglund, Cliff Roberts, et al—credit for trying.
|Intl. Notebook||Apr 5 2020|
It's time for a Man to Man discussion.
Man to Man magazine was launched in December 1949 by New York City based Volitant Publishing, the same company behind Sir, Laff, and True. And indeed, sir, the magazine's a laff, true enough, not in the sense that it's terribly funny, but in the sense that it's wonderfully distracting. The issue you see here was published this month in 1952, with cover model Loris Pederson, and interior photos of other models, showgirls, and beauty pageant contestants, all striving for celebrity status, but all pretty much lost in the mists of time. Not that we're denigrating them in any way. With celebrity status usually comes financial independence, and the possibility of achieving that is reason enough to grasp for the brass ring, even if, like all the women here, you don't make it. Besides, we all grasp for that ring, one way or another. It's just that in show business, you do it in public.
Along with the many figures in Man to Man, there are also facts. At least, things purported to be facts. For instance, you learn that in 1952 London was the “world's largest paradise of prostitutes.” By definition, that sounds more like an opinion, but whatever. It struck us that only in a men's magazine would you come across the words “paradise” and “prostitutes” in the same sentence about civilization's oldest vice. There's also an article about taxi dancers, women who worked at nightclubs and took payment to dance with men. Apparently the going rate was a dime, and the article asks if the practice was immoral, its insinuation being that the practice groomed women for prostitution. We suspect most customers probably just wanted momentary companionship, but it only takes a minority of bad apples to spawn more vice, and those unpleasant men—like death, elections, and the end of baseball season—always seem to come around no matter what you do.
At least women get their revenge in this issue. An article on supernatural strength features art by Mark Schneider depicting an angry woman slinging a seated guy airborne across a room, chair and all. It's possible she had just learned what's in a typical men's magazine. If the photo had a caption it might be, “For the last time my name's not honey, cutie, baby, or sweetie!” We wouldn't even think of defending men's magazines from accusations of sexism—it's their overriding characteristic. But we will say that they're gold mines for Hollywood anecdotes that have been long forgotten and obscure celeb photos previously unseen online. Since many of our visitors are by now under some sort of quarantine or other, we recommend killing time with a digital stroll through our website, where you'll find many other men's magazine. We'll start you off with this one, this one, and this large group, plus, of course, the forty scans below.
LondonNew York CityMan to ManLoris PedersonMark SchneiderJean GemeyLinda WilliamsJune CornhillHarry MatthewsBob MurphyHarry P. CainJana EcklundEve Bodinemagazine artburlesqueboxing
|Vintage Pulp||Mar 31 2020|
Everyone knows it's impolite to stare. Well, almost everyone.
When you look out your window there may be nobody on the street, but The Girl Watcher has come to the rescue with some time killing imagery to brighten your lockdown. Only two issues of this magazine were ever published, as far as we know, with this one coming this month in 1959. Inside you get plenty of photos by lensman Earl Leaf, including rare shots of Mamie Van Doren, Susan Harrison, June Wilkinson, Danish model Elsa Sorenson (aka Dane Arden), and some unidentifieds. While meant to be humorous, this magazine is textbook mid-century sexism, something scholars could use to fuel semesters of women's studies classes. It speaks of women as prey to be stalked, ambushed, and captured, and while it's not meant to be taken anything close to literal, it still carries a powerful suggestion that male desire trumps female self-determination.
In general this attitude has changed for the better since then, with the result that the American mating game has greatly improved. While in general men still look at women almost anywhere, most understand there are unaccepable and acceptable times and places to do so—bars and parties being good examples of the latter. Men look, and always will. Women look too, and always have, more subtly. And increasingly, both look at digital apps—which is not nearly as much fun as in the flesh, but it certainly confers women more power and safety, even if it's inherently restricting in terms of choice. The Pulp Intl. girlfriends would never have chosen us if we'd had to entice them with online profiles designed to sell us as perfect matches, but when randomly thrust into the same social gathering, the concept of perfect did not apply—it was game over folks! Um, forty-plus scans below.
The Girl WatcherMamie Van DorenElsa SorensonElsa SorensenDane ArdenSusan HarrisonJune WilkinsonEarl LeafRoger Reedmagazine art
|Vintage Pulp||Feb 18 2020|
The key to a successful assassination? Time management.
Just that quickly we have another Adam for you today. This issue is from this month in 1978, with a cover illustrating Norman G. Bailey's story, “The Assassination.” We're still trying to make sense of this take on the classic international hitman motif. If we understood it correctly, a highly skilled killer is hired for a hellishly difficult hit on a head of state in the fictional country of Damahomey. He travels by plane, boat, and train, cases the job, beds the femme fatale, pulls off the job, and returns home carrying a valise bulging with Damahomeen currency. But once back in the U.S., he finds he can't exchange this money for dollars because it went out of usage in 1930. Well, that's weird, considering everyone was using it in Damahomey. He subsequently finds that the man he assassinated was killed in 1930. So, seemingly, unbeknownst to him—or the reader—he traveled back in time and shot a guy. All without a machine or any bells and lights of any sort. We went through the tale again to see if we missed the part where he pushed a big red button marked, “Press Here To Travel Back in Time,” but nope, wasn't there. So the assassin was hired by time travelers, and somehow also time traveled through no agency of his own. Fine, we guess. Give Bailey credit for thinking outside the box. We have thirty-plus scans below, including rarities of Sharon Tate and members of the Manson Family, accompanied by Adam's take on the infamous Tate-LaBianca murders.
AustraliaAdam MagazineSharon TateCharles MansonAbigail FolgerLynette FrommeSqueaky FrommeSusan AtkinsPatricia KrenwinkelLeslie van HoutenDouglas MacArthurNorman G. Baileymagazine artliterature
|Vintage Pulp||Feb 17 2020|
He promised her a smashing time on safari but this was nothing like she had in mind.
Adam magazine's covers are nearly always the same—two to four people and a pivotal action moment. This front from February 1970 is a typical example. It shows an unfortunate hunter learning that elephants sometimes won't simply stand still and let you shoot them through the heart so you can turn their tusks into paperweights. The nerve, really. The painting is great. It's probably by Jack Waugh, but it's unsigned, so there's no way to know. He did sign a couple of the interior panels, though. The cover was painted for Ken Welsh's story, “Dirge for a Darling,” which deals with a woman on safari who wants her hunting guide to kill her rich, alcoholic husband. Risky, but when you stand to inherit fifty million dollars, what's a little risk?
We try to avoid spoilers, but since you're never going to have a chance to read this obscure story, we'll just tell you what happens. The husband is a terrible guy, and he spends his days shooting badly at wildlife, and his nights drinking himself into a stupor. The fact that he's always insensate by dark is what allows the wife to start bedding the hunter right in camp in the first place. Once the hunter has been convinced to do the job, he realizes he must devise a foolproof yet suspicion free murder. He plans and schemes for days, looking for an angle, and finally tells the wife he has an idea, but the less she knows the better. Her job is to convincingly play the grieving widow when it happens, so for the sake of realism it's better if she's in the dark.
One morning the hunter comes to fetch the husband for a foray into the bush. Elephants are near. Today is the day the husband will finally get a big tusker. But the husband is hung over like never before. He wants a trophy, but can't possibly go shooting. He asks the hunter to bag an elephant for him. As the cover depicts, the hunter gets trampled to death. When the news comes to camp, the husband smiles evilly. The hangover had been an act. He'd discovered his wife's affair and, while she and her lover were otherwise occupied, had filed down the firing pin on the hunter's rifle. The gun didn't work when needed, resulting in a squashing.
The husband has a celebratory drink and forces his wife—who hates liquor—to join him. The husband cramps, convulses, and dies in excruciating pain. The wife realizes the hunter's foolproof murder method was to poison her husband's beloved liquor in such a way as to make authorities think it had been a bad batch. Then she cramps, convulses, and dies in excruciating pain too. The story ends: “It was all very sad when you considered the talent of those involved, but there it was. The principals, no doubt, went to hell. The $50,000,000 went to charity.” We've read a lot of Adam stories, and this was one of the more entertaining efforts. We have numerous scans below, with Claudine Auger in the second panel, and more Adam coming soon.
|Vintage Pulp||Jan 16 2020|
It was a different flavor of men's magazine.
Zest magazine, with its bold graphics and cover portraits, looks like a classic mid-century tabloid, but its banner tells you it's really a men's magazine. It lives up to its billing in this issue from January 1956—issue number one, actually—with short stories from Michael Avallone and H.P. Lovecraft, real life adventure tales, scare stories (“Is Your Daughter a Sex-Film Star?), glamour photography, and humor.
The Lovecraft tale, “Rats in the Walls,” is called “the greatest horror story ever written.” We wouldn't go that far, but it's freaktacular, like everything Lovecraft wrote. It had originally been published in Weird Tales in 1924, and we imagine that its bizarro mutant/cannibalism themes were pretty shocking back then. The Avallone story, “The Glass Eye,” is novella length. He had already published three novels and was building a reputation as a reliable author of thrillers, which makes his inclusion a nice coup for a new magazine.
The photography in Zest is just as impressive as the fiction. Readers get to see rare shots of major celebs such as Sophia Loren, Sabrina, and Delores del Rio. All in all Zest was a high budget effort, but it lasted only two issues. Why did it fold? No idea on that. Competition in the market was plenty stiff at the time. On the other hand, maybe two issues are all that were planned. We're thrilled to show you one of them, comprising thirty-plus scans below for your Thursday enjoyment.
Zest MagazineWeird TalesMichael AvalloneH.P. LovecraftRagnhild OllaussonSophia LorenSabrinaNorma Ann SykesDelores del RioJayne Mansfieldmagazine artliterature
|Vintage Pulp||Dec 30 2019|
Let's split up here! And in case I get killed, nice ass! Forgive the objectification, but I couldn't leave it unsaid!
Above are thirty-five scans from a December 1976 issue of Adam magazine, with a cover illustrating Mike Rader's story “Die As the Romans Do.” We made contact with Rader a while back, and he updated us on his career, and told us some fun stories about working with Adam editors back in the day. The tale he weaves in this issue concerns an Australian tourist in Rome who helps a damsel in distress, and for his kindness gets ensnared in a murder plot. The scene in the painting occurs when he and the damsel, named Claudia, flee the Roman catacombs during a Mafia-on-Mafia shootout—but only after Claudia has had her dress ripped off by the villains.
Rader's fiction is always interesting, but the highlight of this issue is a photo feature of Daisy Duke herself—Catherine Bach, three years before she became world famous on The Dukes of Hazzard—who you see just above. Since she isn't identified in the shots, it isn't like Adam knew who they had on their hands. To them, they simply had some nice handout photos of a minor actress. But that stroke of luck gives this issue extra value, at least as far as we're concerned. Believe it or not, after posting sixty-two issues of Adam we still have forty more we haven't scanned yet. Will we get to them all? We'll certainly try.
AustraliaRomeAdam MagazineThe Dukes of HazzardCatherine BachMike Radermagazine artliteraturetelevision