Vintage Pulp May 30 2021
FUSSING AND FIGHTING
Oh no! Not his face! I like to sit on that!


The Pulp Intl. girlfriends thought our little subhead was vulgar, but that happens sometimes, because they have far more class than us. Sometimes they ask us why so many of our quips and puns are sexual. We're like, “Have you looked at the covers?” The sexual subtext is nearly always there. We just run with it. Anyway, here we have another issue of Adam magazine, this one published in May 1962, and we've lost count, is it the seventieth we've uploaded? *runs downstairs to consult researchers chained in windowless basement room* Yep, that's right. Seventy. We have probably thirty more unposted, and about a dozen we bought from Australia that may or may not arrive if the person who accidentally ended up with them really relinquishes them. Long story.

What's a short story is “Blood of a Gladiator,” which the above art by Phil Belbin was painted to illustrate. The tale is by Damon Mills and deals with a down-and-out ex-boxer who gets involved in a scheme to manage a hot new fighter and get him a title shot by any means necessary. Naturally there's a femme fatale. There always is. She's the sister of another fighter, and she complicates matters greatly, as femmes fatales always do. “Blood of a Gladiator” isn't the only boxing inside Adam, as the editors also offer readers a detailed story on American welterweight Freddie Dawson, aka the Dark Destroyer, who's remembered in Australia for decimating the ranks of local fighters while touring Down Under between 1950 and 1954. You also get a story on crocs (there's always a story on crocs), some unknown models, and plenty of cartoons. We have twenty-five scans below.
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Vintage Pulp May 26 2021
THREE EVES FOR ADAM
Just slow down. Where I come from it's called polygamy and people say it's bad. I see now they're wrong, but I still need a minute.


We love Adam magazine's South Seas stories. Even the ones that aren't particularly good have the bonus of being exotic to gringos like us. Geoffrey Allen's tale “M'Kutu Island” is a good example. You see an illustration for it on the cover of this May 1978 issue. It deals with a boat journey in the Pacific, a storm, a shipwreck, and a stranding on a tropical isle occupied by Amazonian type beauties. The women on M'Kutu Island have male slaves and use them for mating, but the men are wasting away because the women have enormous sexual appetites. The sailors don't realize that at first, and are like giggling schoolboys when they realize they're going to get all the strange they could ever desire, but when they can't meet the constant sexual demands they get to repairing their boat fast so they can get the hell off the island. Do they make it? Does it matter? Only the fantasy was important to readers, we suspect. Elsewhere in the magazine you get a table-of-contents shot of beloved British glamour model Stephanie Marrian, and a multi-page feature of equally popular British model Jane Warner. Seems as if Adam's Aussie publishers had a hotline direct to the motherland's top nudie photographers. We can think of worse people to have on the other end of the phone. We have thirty-plus scans below.

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Vintage Pulp Apr 17 2021
WAR AND PEACE
I really hope they keep this up. It's only when men are busy fighting over me that they actually leave me alone.


Above is another issue Adam magazine, published April 1970, with the type of cover art that is a trademark of the brand. It's pretty hard to keep thinking of quips for these when every cover features two or three men fighting and a femme fatale standing apart from the action. Somehow we've managed to do it sixty-eight times. Inside you get a signed illustration from Jack Waugh, numerous stories and models, and, just above, a slight variation on the time-honored desert island cartoon, a tradition we commemorated in exhaustive detail last year. Check here for fifty more examples.

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Vintage Pulp Mar 31 2021
PEEKS AND VALLEYS
But Dad, you said we were here to show them what the outside world has to offer!


Today's issue of Adam magazine, the sixty-seventh we've shared, was published this month in 1977, and has an interesting cover illustrating J.W. Anderson's adventure tale, “The Valley of Kaha.” Adam has a unique style of covers, nearly all painted by either Phil Belbin or Jack Waugh, but this example is unusually nice, we think, with its monochrome background meant to capture the look of jungle mists. Those mists are supposed to be in New Guinea, and in Anderson's story a rich, cruel, and aging industrialist catches wind of a legend that makes him think he can find the fountain of youth. Does he find it? We have no worries telling you, since the story is so obscure. He does indeed, and it turns him into a baby. We love a short story that has a punchline. Actually, he goes even further than infancy. Eventually he plain disappears—pop! The story isn't well written, but it amused the hell out of us. Also amusing, on the final pages of the issue are topless archers. You'll probably assume the text explaining why they're topless was omitted by us, but you'll be wrong. Adam offered no explanation. And really, who needs one? Scans below.

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Vintage Pulp Dec 23 2020
EASY TIGER
You two stop fighting. I don't love either of you. I only sleep with you for the body heat.


We have another issue of Adam magazine today, the sixty-sixth example of this Aussie treasure we've uploaded to our website, with a cover illustrating Ken Welsh's tale, “A Friend in Greed.” Welsh has done well in the past, but not this time. In the story, a couple of thieves who are sent by a mastermind to perform risky robberies, only to receive a minimal slice of the take as payment, decide to cheat their boss, but immediately turn on each other. This happens thanks to the liberally shared sexual favors of a femme fatale, as seen in the cover art. In the story she didn't wear a tiger-striped minidress, but we appreciate the artistic license. Unfortunately, “A Friend in Greed” is short on tension and scant on effort, hardly worth the illustration. We can't believe this is the same Welsh who wrote the excellent “Dirge for Darling.”

The highlight of the issue turned out to be Jules Archer's, “The Wildest Gun in the West.” It's supposed to be a factual story, and tells how two cowboys with a grudge to settle worked together to dig a grave seven feet deep, four feet wide, and eight feet long, then dropped into the hole to have a close-quarters knife fight to the death. The idea was that neither would have to bother burying the other after the fight. Just push some dirt in and leave. Easier said than done, since both are wounded before the matter is settled, but indeed one cowboy is left behind while the other rides back to town, pretty much naked because he had to use his clothes as bandages. Did it really happen? Well the word “fact” is used loosely in these men's adventure magazines, but we guess anything is possible when it comes to the old west. Thirty-plus scans below.
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Vintage Pulp Nov 24 2020
PRE-FLIGHT TURBULENCE
One woman, two men, and a plane that won't fit three add up to the most unavoidable brawl in history.


We stopped scanning our magazines and small treasures a while back because our scanner started putting a bright blue stripe on every scan. With the pandemic on we didn't get around to buying a new one, and it was also more difficult than it needed to be because of operating system issues—i.e. forced obsolescence by Apple, which is the nadir of modern evil. Months went by. Then we decided to move, then we packed, then we we moved. A couple more months were lost there. We were going to leave the old scanner behind but we figured it might come in handy for documents, lease agreements, etc. Well, the change of electricity has done it good, because the blue stripe has gone from intolerable to somewhat faint. So today you get fresh scans from your favorite men's magazine and ours, Australia's Adam. This issue is from November 1977 with a cover that illustrates the story “The Rogue,” a surprisingly good effort by Norman G. Bailey, who would go on to write a couple of war novels in the 1980s. Elsewhere inside you get the usual reliable array of art, photography, and cartoons. More from Adam soon.

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Vintage Pulp Feb 18 2020
MURDER MOST PECULIAR
The key to a successful assassination? Time management.


Just that quickly we have another Adam for you today. This issue is from this month in 1978, with a cover illustrating Norman G. Bailey's story, “The Assassination.” We're still trying to make sense of this take on the classic international hitman motif. If we understood it correctly, a highly skilled killer is hired for a hellishly difficult hit on a head of state in the fictional country of Damahomey. He travels by plane, boat, and train, cases the job, beds the femme fatale, pulls off the job, and returns home carrying a valise bulging with Damahomeen currency. But once back in the U.S., he finds he can't exchange this money for dollars because it went out of usage in 1930. Well, that's weird, considering everyone was using it in Damahomey. He subsequently finds that the man he assassinated was killed in 1930. So, seemingly, unbeknownst to him—or the reader—he traveled back in time and shot a guy. All without a machine or any bells and lights of any sort. We went through the tale again to see if we missed the part where he pushed a big red button marked, “Press Here To Travel Back in Time,” but nope, wasn't there. So the assassin was hired by time travelers, and somehow also time traveled through no agency of his own. Fine, we guess. Give Bailey credit for thinking outside the box. We have thirty-plus scans below, including rarities of Sharon Tate and members of the Manson Family, accompanied by Adam's take on the infamous Tate-LaBianca murders.

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Vintage Pulp Feb 17 2020
GREAT WHITE HUNTED
He promised her a smashing time on safari but this was nothing like she had in mind.


Adam magazine's covers are nearly always the same—two to four people and a pivotal action moment. This front from February 1970 is a typical example. It shows an unfortunate hunter learning that elephants sometimes won't simply stand still and let you shoot them through the heart so you can turn their tusks into paperweights. The nerve, really. The painting is great. It's probably by Jack Waugh, but it's unsigned, so there's no way to know. He did sign a couple of the interior panels, though. The cover was painted for Ken Welsh's story, “Dirge for a Darling,” which deals with a woman on safari who wants her hunting guide to kill her rich, alcoholic husband. Risky, but when you stand to inherit fifty million dollars, what's a little risk?

We try to avoid spoilers, but since you're never going to have a chance to read this obscure story, we'll just tell you what happens. The husband is a terrible guy, and he spends his days shooting badly at wildlife, and his nights drinking himself into a stupor. The fact that he's always insensate by dark is what allows the wife to start bedding the hunter right in camp in the first place. Once the hunter has been convinced to do the job, he realizes he must devise a foolproof yet suspicion free murder. He plans and schemes for days, looking for an angle, and finally tells the wife he has an idea, but the less she knows the better. Her job is to convincingly play the grieving widow when it happens, so for the sake of realism it's better if she's in the dark.

One morning the hunter comes to fetch the husband for a foray into the bush. Elephants are near. Today is the day the husband will finally get a big tusker. But the husband is hung over like never before. He wants a trophy, but can't possibly go shooting. He asks the hunter to bag an elephant for him. As the cover depicts, the hunter gets trampled to death. When the news comes to camp, the husband smiles evilly. The hangover had been an act. He'd discovered his wife's affair and, while she and her lover were otherwise occupied, had filed down the firing pin on the hunter's rifle. The gun didn't work when needed, resulting in a squashing.

The husband has a celebratory drink and forces his wife—who hates liquor—to join him. The husband cramps, convulses, and dies in excruciating pain. The wife realizes the hunter's foolproof murder method was to poison her husband's beloved liquor in such a way as to make authorities think it had been a bad batch. Then she cramps, convulses, and dies in excruciating pain too. The story ends: “It was all very sad when you considered the talent of those involved, but there it was. The principals, no doubt, went to hell. The $50,000,000 went to charity.” We've read a lot of Adam stories, and this was one of the more entertaining efforts. We have numerous scans below, with Claudine Auger in the second panel, and more Adam coming soon.
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Vintage Pulp Dec 30 2019
BRING UP THE REAR
Let's split up here! And in case I get killed, nice ass! Forgive the objectification, but I couldn't leave it unsaid!


Above are thirty-five scans from a December 1976 issue of Adam magazine, with a cover illustrating Mike Rader's story “Die As the Romans Do.” We made contact with Rader a while back, and he updated us on his career, and told us some fun stories about working with Adam editors back in the day. The tale he weaves in this issue concerns an Australian tourist in Rome who helps a damsel in distress, and for his kindness gets ensnared in a murder plot. The scene in the painting occurs when he and the damsel, named Claudia, flee the Roman catacombs during a Mafia-on-Mafia shootout—but only after Claudia has had her dress ripped off by the villains.
 
Rader's fiction is always interesting, but the highlight of this issue is a photo feature of Daisy Duke herself—Catherine Bach, three years before she became world famous on The Dukes of Hazzard—who you see just above. Since she isn't identified in the shots, it isn't like Adam knew who they had on their hands. To them, they simply had some nice handout photos of a minor actress. But that stroke of luck gives this issue extra value, at least as far as we're concerned. Believe it or not, after posting sixty-two issues of Adam we still have forty more we haven't scanned yet. Will we get to them all? We'll certainly try.

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Vintage Pulp Dec 13 2019
SHARK BAIT
Just when you thought it was safe to go back in the water.


We thought the 1952 issue of Adam we scanned a little while back was fragile. It has been surpassed by the above pastry crust-like issue from this month in 1955, which we barely got back into a plastic sleeve (reasonably) intact. In case you ever wondered why we stick with ’70s issues, that's the answer. But the older mags often come bundled in lots with the newer ones. Anyway, it's nice, with a brilliant cover illustration of a scuba diver and a shark, not the first time Adam has gone with this shark theme. The art is meant to reference one of the tales inside, Jonathan Edwards' aquatic adventure “Deep Water Hero,” about a trio of fortune hunters that go diving on a shipwreck and run into shark trouble. There are lots of shark tales in these magazines, one every few issues. This one is probably the best we've read. In addition you get rare photos of Abbe Lane and various unknown models. We have eighteen scans below, sixty other issues in the website, and more from Adam to come.

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Next Page
History Rewind
The headlines that mattered yesteryear.
July 27
2003—Hope Dies
Film legend Bob Hope dies of pneumonia two months after celebrating his 100th birthday.
July 26
1945—Churchill Given the Sack
In spite of admiring Winston Churchill as a great wartime leader, Britons elect Clement Attlee the nation's new prime minister in a sweeping victory for the Labour Party over the Conservatives.
1952—Evita Peron Dies
Eva Duarte de Peron, aka Evita, wife of the president of the Argentine Republic, dies from cancer at age 33. Evita had brought the working classes into a position of political power never witnessed before, but was hated by the nation's powerful military class. She is lain to rest in Milan, Italy in a secret grave under a nun's name, but is eventually returned to Argentina for reburial beside her husband in 1974.
July 25
1943—Mussolini Calls It Quits
Italian dictator Benito Mussolini steps down as head of the armed forces and the government. It soon becomes clear that Il Duce did not relinquish power voluntarily, but was forced to resign after former Fascist colleagues turned against him. He is later installed by Germany as leader of the Italian Social Republic in the north of the country, but is killed by partisans in 1945.
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