A Haven for your deepest desires.
We're always on the lookout for GGA style art even when it doesn't occur on vintage book covers, and above you see an example—a promo poster for Annette Haven's adult flick Black Silk Stockings. We have no idea who painted this piece, but it could easily front a detective thriller or sleaze novel. It's also a very good likeness of Haven. We didn't watch the film but we know it's a vignette style story with all five segments involving black stockings. Of course plot is just a fig leaf. Sex is the point. You know what to expect.
Black Silk Stockings premiered in Chicago, Illinois today in 1978 (yes, in an actual cinema, if you can imagine a time when regular people used to be seen going inside to get boners—and even bonettes). John Holmes, John Leslie, and Linda Wong co-starred, along with Pulp Intl. mega femme fatale Desirée West. What do we mean by mega? Look here. And along those lines we searched for a photo of Annette Haven wearing the titular black silk stockings but had no luck. You'll have to make do with the stockingless shot we found.
He's about to become an unneeded accessory after the fact.
Here's a photo we've seen around the internet for a while, a 1948 shot of a man in divorce court in Chicago begging his wife's forgiveness as her lawyer looks on. No other context was provided on any of the web pages we checked, but we have an idea of the details here. The soon-to-be-bachelorized husband is saying, “I made a terrible mistake, honey! It's just that she was young and smokin' hot and I thought you were going to be at your mother's another two days, but now that I've experienced unspeakable perversion and mind-bending sexual variations I didn't even know existed, I realize it's you that I really want!”
Meanwhile the attorney, who's almost smiling over this scene, is like, “Let me tell you why I love being a divorce lawyer. It's because your wife, like so many of my female clients, is hellbent on revenge, and has a hotel room booked on State Street, some bottles of Champagne waiting on ice, and three flavors of edible panties ready to be gnawed directly off her vulva. I'm heading over there with her right now. Call her Monday, and if you still want to reconcile, by then she'll probably be multi-orgasmic. She told me success turns her on, so it's a good bet. Oh, and your divorce agreement stipulates that you have to pay her legal fees, and I'll be billing by the orgasm. Okay, chat soon.”
John Dillinger's body—most of it anyway—to be exhumed in September.
At the request of his family, Great Depression-era gangster John Dillinger will be exhumed from the Indianapolis grave where he was buried in 1934 after being shot down by FBI agents outside the Biograph Theater in Chicago. There's been no official explanation for the request, however the dig should resolve a couple of pieces of Dillinger folklore. The first would be whether it's him in the grave at all—an urban legend that the FBI shot the wrong man has simmered since his death. And the second would be whether there's a cock attached to the corpse—a particularly odd legend suggests that Dillinger had a monster member that was somehow snipped before burial and whisked away by a morbid collector.
The rumor of body part theft is no surprise. Grave robberies had been a problem in the U.S. throughout the 1800s, and while these had waned by 1934, as a precaution Dillinger was buried under scrap iron and slabs of concrete covered by a layer of poured cement. The bit about him being hung like a mule is harder to trace. Some say it was caused by a morgue photo which appeared (if you really used your imagination) to show him with an erection, but being the subject of at least one Tijuana bible certainly didn't hurt either. In the dirty comic “A Hasty Exit,” which we think was published in mid-1934 before his death, Dillinger uses a massive unit to pleasure his girlfriend Evelyn Frechette and her pal Nellie. Of course, everyone in Tijuana bibles had dinosaur dicks, but we're speculating here.
It's possible the public won't find out why Dillinger is being brought back above ground (though DNA testing to prove ancestry seems like a good bet), or whether all the famed gangster's parts are intact. We doubt most people actually care. But for us pulp followers the story is somewhat interesting, because Dillinger is an icon of the pulp era.
As a bonus, the story has also served as a reminder that we have many more filthy Tijuana bibles we need to upload. We'll get to that as soon as we can. In the meantime, while we all wait for that September exhumation to finally settle longstanding urban legends, you can satisfy your historical interest in John Dillinger by exhuming his Tijuana bible here.
You can try to ransom me but my husband really doesn't answer the phone during football season.
In Who Has Wilma Lathrop? a Chicago high school teacher marries the woman of his dreams after a three month courtship, but wakes up one morning to find her missing, and immediately thereafter discovers she has a hidden past as a gangster's mistress and possible jewel thief. Suddenly that whirlwind romance doesn't seem like it was a good idea, but he loves her and has to locate her. He's smart and has some combat training, so he isn't totally helpless, but finds himself in deeper and deeper trouble. This is a recommended yarn from Day Keene set in the middle of a bitter Chicago winter. If you're lucky enough to find the above 1955 Gold Medal edition you'll get great art by Barye Phillips.
An afternoon on the South Side.
The above photos show the Regal Cinema in Chicago one afternoon during the spring of 1941 as locals flock to see The Philadelphia Story, starring Katherine Hepburn, James Stewart, and Cary Grant. The shots were made by Farm Security Administration photographer Edwin Rosskam, who had been tasked with documenting life in Chicago's black belt, which is where racist housing practices forced African Americans to live. Most of Rosskam's photos made abundantly clear that the underclass status forced upon blacks by redlining—the utilization of mortgage and insurance practices to hem them into tightly packed areas—led to less than desirable conditions, but many of his shots showed joyous moments and bustling civic life. These images of people decked out for a matinee are examples. They're part of the Office of War Information Collection maintained by the Library of Congress.
Despite my reputation the odds are very much against you.
Above is a cover for 50-50 Girl by Thomas Stone for Chicago's Merit Books, published in 1952. The title refers not to the odds of getting the lead character in bed, but the fact that she's forced to share her favors with two men. It isn't a consensual agreement, technically, because she gives herself to man number two—a rich playboy—as the price of freeing her sister from her former manager, an amoral hustler named Eddie. The author Thomas Stone was actually none other than Florence Stonebraker, the brain behind more than eighty novels. Which is quite a feat, considering she didn't get published until she was forty-one. We have plenty from her in the website but our favorite is this one.
Hello, ma'am. I'm from the ACME home security company and I'm selling new and improved shorter door chains.
The Fabulous Clipjoint is the 1947 debut novel by Fredric Brown, published originally as Dead Man's Indemnity in Mystery Book Magazine in April 1946. This edition came from Popular Library in 1948. The basic idea here is a hapless alcoholic is murdered in Chicago and his son and brother decide to find the killer or killers. As their investigation unfolds, the son learns his father wasn't hapless at all, but rather had lived a full life that included adventures in Spain and Mexico, winning a duel, romantic entanglements, and more. None of it has to do with why he died. It merely serves to awaken his son to the possibilities of life, and helps convince him to run off to join a carnival. A clipjoint, literally speaking, is a nightclub or strip bar where customers are promised everything, delivered little, and cheated down to their last dime. The clipjoint of The Fabulous Clipjoint is figurative. It's the city of Chicago, perhaps even the entirety of life itself. As a metaphor it's grand, but the novel is less so. It's competent, but Brown would do better later in his career. The cover art here featuring the world's most useless security chain is by Ed Grant, and fits nicely into our collection of women confronting trouble at their doors. See that here.
I could stop coloring it, I guess. But then I'd be a brunette again, and that's worse than dying young.
Above, an uncredited cover for Blondes Die Young by Bill Peters. The author is aka William P. McGivern, and the book is hard boiled action in Chicago's jazz clubs and dope dens, as the sleuth protagonist Bill Canalli tries to track down the culprit who murdered his girlfriend. Who by the way has barely cooled to room temperature before slick Bill beds another woman, but what's a hard boiled guy to do? Anything to get to the bottom—of the case. The hero's treatment of this woman will raise some eyebrows in this day and age, but this is still an involving tale and we like that it doesn't get too moralistic about the drugs angle. And we got it for four bucks, which is an absolute steal. It was written in 1952 originally, with this Popular Library paperback edition appearing in 1953.
This nice pin-up style sticker was painted by legendary illustrator Rolf Armstrong for Kist Soda around 1930. Kist was created in 1922 by Citrus Products Company of Chicago, and was soon being manufactured in orange, ginger ale, lemon, and grape flavors. By the time Armstrong was brought in Kist had been licensed by the Quality Beverage Company, also based in Chicago. There's a bit of conflicting information online concerning the whos and whens, as always, but we just wanted to show you this very rare and pretty piece of Armstrong memorabilia.
Pam Grier was the undisputed ruler of the blaxploitation realm.
The arc of Pam Grier's blaxploitation career is interesting. To us it seems pretty clear that once her studio American International realized they had a true star on their hands the projects they cultivated for her moved toward the cinematic center and became tame and uninspiring. We noted this when we talked about 1975's Friday Foster a while back. Sheba Baby, which was made the same year and premiered in the U.S. today, suffers from the same problem. It's too cute and too palatable, too eager to please in its attempt to draw in mainstream audiences. Grier loses her grit. She plays Sheba Shayne, whose father is harassed by organized crime hoods and needs help to fight their plot to take over his business. Grier leaves her Chicago detective agency and heads down south to Louisville, Kentucky to kick ass and take names. The hoods are black men from around the way, but the real villain is a white guy on a yacht in the river. He's archetypal. He could just as well be a white guy in a mansion on a hill, or in a penthouse uptown. Whoever and wherever he is, he's going down hard and it's going to hurt.
The importance of blaxploitation is that it centered stories on the black experience—family, neighborhood, crime, racism, and the predations of America's two-tiered policing and court systems. This focus on core black issues existed even in films that represented alternate realities, such as horror and martial arts blaxploitation. The eventual sanitization of the genre was due to pressure from two directions at once: from the mainstream to avoid alienating white audiences, and from the black counterculture to avoid caricatured portrayals of blacks. Caught between these two forces, the center of blaxploitation shifted. Meanwhile, inside the subculture, initial euphoria at seeing black stories onscreen evolved into annoyance that the control and profits belonged almost exclusively to white men. It seemed like a plantation system on celluloid, and helped take the bloom off the rose. 1976 and 1977 would remain strong years for the genre, but by 1978 blaxploitation, as it was generally agreed to exist, would all but disappear. Sheba Baby is an important film in the pantheon, but in watching it you also see the genre losing its bite.
The headlines that mattered yesteryear.
1948—Paige Takes Mound in the Majors
Satchel Paige, considered at the time the greatest of Negro League pitchers, makes his Major League debut for the Cleveland Indians at the age of 42. His career in the majors is short because of his age, but even so, as time passes, he is recognized by baseball experts as one of the great pitchers of all time.
1965—Biggs Escapes the Big House
Ronald Biggs, a member of the gang that carried out the Great Train Robbery in 1963, escapes from Wandsworth Prison by scaling a 30-foot wall with three other prisoners, using a ladder thrown in from the outside. Biggs remains at large for nearly forty years.
NBC radio broadcasts the cop drama Dragnet for the first time. It was created by, produced by, and starred Jack Webb as Joe Friday. The show would later go on to become a successful television program, also starring Webb.
1973—Lake Dies Destitute
Veronica Lake, beautiful blonde icon of 1940s Hollywood and one of film noir's most beloved fatales
, dies in Burlington, Vermont of hepatitis and renal failure due to long term alcoholism. After Hollywood, she had drifted between cheap hotels in Brooklyn and New York City and was arrested several times for public drunkenness and disorderly conduct. A New York Post
article briefly revived interest in her, but at the time of her death she was broke and forgotten.
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