In this photo made today in 1930, a policeman stands over the body of Louis Riggiona, who had been shot twice in the heart by two gunmen as he and his brother Joe exited a restaurant in New York City's Bowery district. Joe fled and avoided injury, while the gunmen dropped their weapons (one pistol is visible in the foreground) and escaped. Louis Riggiona had become the latest casualty in what was known as the Castellammarese War, a Mafia power struggle whose opposing figureheads were Salvatore Maranzano and Joe Masseria. Maranzano was from Castellammare del Golfo, Sicily, thus the name of the conflict. He won the war, but got to be capo di tutti i capi for only five months before he too was murdered. 

This photo features pre-Code actress Doris Hill in a shot made by photographer Eugene Robert Richee. She looks about to bowl, but we think she's holding balloons, not balls. Anything else would be too heavy. Usually when we say someone is pre-Code we mean they got famous before the Hays Code took effect and continued acting afterward, but in Hill's case everything she did was pre-Code, with her entire career spanning 1926 to 1934. Among her films: Thief in the Dark, The Studio Murder Mystery, and Darkened Rooms. We thought because of the unusual background on this photo that we'd be able to pinpoint what film it was made for, but we had no luck. But we can tell you the date. Most sources say it's from 1929. 

We suspect most Americans know of the St. Valentine's Day Massacre, which occurred today in 1929, but somewhat fewer have seen its actual result. If you're one of them—Happy Valentine's Day!—you can now cross that off your list, as above are pictured six unfortunates who learned that the gangster life often ends bloody. Albert Kachellek, Adam Heyer, Albert Weinshank, Reinhardt Schwimmer, John May, and Frank and Peter Gusenberg were in the SMC Cartage Company warehouse on Chicago's north side when they were corralled by four rival gangsters, two of whom were wearing police uniforms and sporting fake badges, and blasted into oblivion with Thompson submachine guns and shotguns. May, who was probably there only because he was repairing a truck, lost the left side of his skull to a round of buckshot.

The murders stemmed from a turf war between the North Siders, who were headed by Bugs Moran, and the Chicago Outfit, led by Al Capone. It's Moran's men who got ventilated. Capone, in true gangster style, was away in Florida at the time. The photos show only six victims because Frank Gusenberg miraculously survived the shooting and was rushed to a hospital, where a few hours later he died of his fourteen bullet wounds while refusing to identify his killers. Even to this day their identities are not conclusively known, though ballistics evidence later suggested one was veteran hood Fred Burke. The massacre may not have resulted in murder convictions, but it drew the attention of Washington, D.C. authorities, led to broad new efforts to tackle organized crime, and eventually led to Capone's imprisonment for federal tax evasion in 1931. Please enjoy this romantic day.

Above is a colorful cover for Peter Rabe's Le tueur, a book better known as Anatomy of a Killer. It was published as the latter in 1960, with this French translation from Éditions de la Trevisse appearing the next year. Obviously, there was a better known novel—actually a novela—by John. D. Voelker, aka Robert Traver, called Anatomy of a Murder that was published in 1958 and became an acclaimed Jimmy Stewart movie in 1959. Why did Rabe choose such a similar title? No idea. But the title tells the story: detailed examination of a professional hitman, as the narrative follows him from killing to killing. The art on this is by Jacques Blondeau, who painted numerous book covers during the 1960s. Based on this nice effort we'll stay alert for more of his work. 

Above is a cover of the tabloid Whisper from January 1965, with actress Carroll Baker, convicted murderer Winston Moseley, and New York judge J. Irwin Shapiro starring on the front. But before we get into the magazine, we want to share the good news that our longtime scanning problems are fixed. We didn't get a new scanner, though. We got a new computer—a Mac Studio with plenty under the hood. It's quicker than the old Mac, but it also changed the functionality of the scanning interface. The whole process runs differently, and is about three times faster now. So you'll be seeing more magazines in the future.

Turning back to Whisper, Winston Moseley—who editors call William for some reason—was America's villain of the moment for the murder of Catherine Genovese, who he stalked, stabbed with a hunting knife, then found again where she had taken refuge in a building, and finished her off. Additionally, Moseley was a necrophiliac. He raped his victims—of which there were three total—post-mortem. Of the trio of victims Genovese is the one that's remembered today because her murder sparked a national reckoning about the relationship between citizens and the police, as well as life in big cities, because the press reported that thirty-eight people had seen the crime happening but had done nothing.

That's respectful—if not even compassionate—for a 1965 publication considered lowbrow by sophisticated readers. Is it a paradox that the magazine could be so evil toward gay men, yet so civil toward transsexuals? We think so, and we'd love to know the thought process behind it. While we're puzzling that out, you may want to move on to Whisper's slate of celebrity news. Everyone from Romy Schneider to Ernest Borgnine get their due exposure. We've uploaded the magazine's “Behind the Whispers” feature, so you can get the dish on a few Hollywood stars. Please enjoy.

Montreal based Le Rendez-Vous is one of the more interesting mid-century tabloids. It faithfully catalogued celebrity, crime, and nature's misfortunes and atrocities—the classic tabloid formula—but did so with an extra layer of brutality that's amazingly raw for a Canadian publication. Was it that way because Canada was such a safe country and its readers liked to walk on the dark side? We think that could be a factor, though it's true to an extent for all tabloids that their readers seek exotic thrills. But as if to prove our point about Le Rendez-Vous, the crime stories in this issue from today in 1969 all come from outside countries: Mexico, South Africa, and the good ole USA. Canada seemingly wasn't a good source of chaos and killing.

The editors first pump up the sex factor with British actress Margaret Lee on the cover, then, to the right, you see a stack of text about a “fillette de 16 ans.” No, it's not about a dry-aged steak. It says: 16-year-old girl kills her sister... Because she stole her lover father. Lover father? That sounds ominous. And indeed, turns out a Mexico City girl named Amalia Martinez, her sister Cristina, and father Ernesto, were in an incestuous love triangle. Amalia solved this family beef by shooting her sister in the head. “That little silly girl,” she said after being arrested, “got what she deserved.” Clearly she still hadn't quite worked through her anger. Probably she always had to share everything with her sister, and usually got the short end of the stick. It's quite a story from Le Rendez-Vous—100% prime tabloid journalism.

Elsewhere in the issue readers get a feature on circus performers, including a photo of a contortionist that brings to mind the time we saw a woman in Marrakech crawl through a tennis racket (we were searching for a cursed monkey's paw, but seeing that feat was a worthy consolation prize). Also inside is Croatian actress Sylva Koscina on the Côte d'Azur, Italian actress Antonella Dogan in the centerfold, ex-first lady Jaqueline Onassis in Greece, and our old friend, model and actress Donna Marlowe, in a bikini. We have plenty of scans of those items and more below, two other issues of Le Rendez-Vous here and here, and more from this publication to come.