Vintage Pulp Apr 21 2024
STOPPING POWER
This is what's called in the realm of answers a hard no. Don't let the door hit you in the dick on the way out.

To say that Adam magazine is an interest of ours is an understatement, but we haven't shared an issue for eight months. That's been a result of our drawn out and complicated move, which we initiated last summer, thought we'd have finished by November, but actually just completed to the point of unpacking our scanner last month. Lesson: buying a house in the south of Spain takes three times longer than you anticipate. Rest assured, though, we're still collecting Adam, and today we're sharing our eighty-fourth issue, which takes us down to fifty-four more we need to upload.

This particular example, which was published this month in 1965, was tightly bound, so we have only a handful of scans because we didn't want to destroy the magazine by flattening it. Apparently there's such a thing as a triangle scanner meant for such situations, but we never heard of one until this week. Anyway, the cover here of a woman holding off a prospective assailant was painted to illustrate Walter S. Bratu's story, “Ice That Burns,” in which a random everyman runs afoul of a Nordic femme fatale, and gets snared in a blackmail and bribery plot. In a twist he eventually uses his car to bash hers off a cliff, but it didn't surprise us. In vintage men's magazines women who are sexually unavailable to the hero usually come to bad ends.

There's also a story from Carl Ruhen that wins the award for best title of the issue, if not all of 1965: “So Ineffably Sad.” It's about a man named Jacky Ryan who accidentally kills a woman and must somehow cover up the crime. This issue also has signed work from Jack Waugh (he'd give up on signatures as the years progressed), and of course a couple of pictorials, both with unidentified models. As we said, we can't show you everything because of our desire to preserve the magazine, but if we ever get a triangle scanner we'll add to this post. For now, we have a mere fifteen panels below.

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Vintage Pulp Aug 8 2023
GONE OVERBOARD
I see a tiny island! If we make it there we can recite captions from classic castaway cartoons until we're rescued!

We have another issue of Adam today, with a fun cover illustrating Ron Rawcliffe's story, “The Nine Strippers.” Obviously, with a title like that we had to read it, and it deals with a charter boat captain hired to take nine exotic entertainers upriver into the wilderness under mysterious circumstances, and it turns out they've been hired by an organized crime cabal. When the gathering is raided by federal police the captain must escape intact with bullets flying, strippers fleeing, and mafiosi trying to hijack his boat. Also in this issue of Adam you get fiction by Leonard Calhoun and John P. Gilders, plus a bit of boxing and a lot of models, including German born Israeli actress Helena Ronée just below, and French actress Catherine Rouvel in the feature "She Wins Them All." And circling back to the cover and its two potential castaways, look forward to this: we have another set of castaway cartoons coming up.

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Vintage Pulp Jul 24 2023
A COLORFUL MAN
Interesting, full of stories, and very well read.

As much as we love K.G. Murray Publishing's men's magazine Adam, especially during its early 1970s period, we have to admit that the succinctly titled Man is probably the prettiest magazine ever produced by the Aussie company. Today's issue from this month in 1964 is an example. The colors explode from the pages. The art, some of which is by Jack Waugh and the single-monikered Humph, is detailed and lovingly rendered. The format is large (so much so that we had to scan every page you see here in two parts and assemble them in GIMP). And the stories are pure male wish fulfillment.

The magazine was such a popular offering that K.G. Murray even published a pocket edition, which we've already shown you. In today's full-sized edition, as always you get several beautiful models, including one supposedly named Van Leman posing on a sea turtle like it's a coin-operated ride outside a Kwik-E-Mart. We imagine the turtle wasn't happy about it, but how can you tell? It's a turtle. They never look happy. Man also provides a few celebrity shots, including of British actress Gloria Paul, and Danish flash-in-the pan Heidi Hansen. All that and more in many scans down under.
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Vintage Pulp Apr 22 2023
CLIFF HANGERS
The story's on the verge of ending badly for all of them.


The above issue of Adam once again features two men about to fall to their deaths while fighting. The magazine used this idea often, including on our last example. The art, which is probably by Jack Waugh, illustrates Eric. J. Drysdale's tale, “Ransom Double-Cross,” about a rich man whose wife is kidnapped for $200,000 ransom. He later learns that she's in on the scheme and wants to have him murdered so she can inherit everything. But you can't keep a good man down. His wife goes over a cliff, as do her two accomplices. The inside front cover of this issue is graced by Italian actress and occasional space femme Ornella Muti, while the rear cover model, just above, is familiar, but unidentified for now. We'll have more from Adam later.

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Vintage Pulp Jan 30 2023
FALLING FOR HER
Some men go head over heels for a woman.


We have another of issue of Adam magazine for you to feast your eyes upon. This one was published in January 1973, and the cover illustrates the story, “Death Rail,” in which author Jack Ritchie asks the eternal philosophical question, “What do men think about when they are falling?” The answer is probably: how to land on the other guy. And what does a woman think about? In the story she congratulates herself for having inherited everything that belongs to her falling husband, and all just by making him erroneously believe she was screwing his business partner, and luring the two into a balcony fight. And the twist, unrevealed until the last sentence, is that it was all a misdirection play. She actually had been cheating, but with the chauffeur, not the business partner. Pretty good work from Ritchie, and another excellent effort from Adam.

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Vintage Pulp Jan 15 2023
RESCUE AT SEA
Don't worry! I'm going to get the three of you out of there!


Our girlfriends—affectionately PI-1 and PI-2—rolled their eyes at this one, and why wouldn't they? We did too, but we work with what we're given, and we certainly couldn't ignore the fact that this January 1969 Adam magazine features a cover of a woman whose gravity defying breasts are directly in the center of the art. Men's magazines, those concoctions of macho fantasy set to print, are inherently sexist, but we are mere documentarians of mid-century art, literature, and film—and crime, and weirdness, and sex—in the various forms they take. This one is a particularly eye-catching example.

While literary magazines published prestige fiction, men's mags like Adam carried on the pulp tradition, giving authors without highbrow leanings opportunities to expose their work to wide audiences. Without the efforts of such publications, modern literature might look very different. Stephen King, for example, published many of his early stories in Gallery, a middle-tier smut monthly nobody would have mistaken for Playboy. Speaking of which, Playboy published early works from Ian Fleming, Ursula K. Le Guin, and even serialized the entirety of Ray Bradbury's Fahrenheit 451 in 1954, a year after its initial publication landed with a thud.

As far as we know Adam didn't produce any major writers except James Lee, aka Jim Aitchison, whose Mr. Midnight books were recently made into a series now streaming on Netflix. But failing to graduate lots of future bestselling authors doesn't change what Adam was—a publication that aimed for mass male appeal by merging all the elements of what was once known as pulp. Those elements included mystery, crime, war, exotic adventure, risqué humor, and a dose of relatively tame sexual content. We have all that and more below in thirty-plus scans, and something like seventy-eight issues of Adam embedded in our website.
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Vintage Pulp May 7 2022
YOU NEED ONLY AXE
Bad news, I lost the key. But before I was a kidnapper I was an orthopedic surgeon, so foot reattachment is no problem.


Above is another vibrant cover for Adam magazine, this one from May 1968, uncredited as always but painted by Phil Belbin or Jack Waugh. The pair did the bulk of the illustrations for the magazine, but it's not possible—for us, at least—to determine who was responsible for which pieces, because they worked in a similar style. On the occasions Belbin bothered signed something it wasn't only as himself—sometimes he signed as Duke, Pittsburgh, Humph, or Fillini. Waugh, as far as we know, was always Waugh. We've now uploaded more than seventy issues of Adam (we haven't done an actual count for a couple of years) and we'd say signatures appear on maybe one of every ten illustrations. Waugh's scrawl pops up here in the art for the H.M. Tolcher story, “Prize Sucker.”

The cover illustrates the Joachim Heinrich Woos story, “The Danger Behind,” which is is about a man walking through the woods at the exact moment some rural cops and a heavily armed posse are looking for men who robbed a bank. The robbers shot the guards and several police. Blinded by a lust for revenge, the mob mistakes the innocent hiker for one of the killers and chases him over hill and dale with the intent to end his life. He escapes by rowboat only to drift downriver and run into one of the real crooks, who's chained up a hostage and has bad ideas as well as an evil temperament. It's a decent story from Woos, who also wrote for Pocket Man, Argosy, Off Beat Detective Stories, Adventure, and Manhunt. We have thirty-three scans below.
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Vintage Pulp Nov 23 2021
JUNIOR LEAGUE
What it lacks in maturity it makes up for in exuberance.


Above you see a cover of the Australian magazine Man Junior, which hit newsstands Down Under this month in 1963. An offshoot of Man magazine, it came from K.G. Murray Publishing, along with Adam, Pocket Man, Eves from Adam, Cavalcade, Man's Epic, et al. The Murray empire, run by Kenneth G. Murray, came into being in 1936, and the company's various imprints lasted until 1978—though the entire catalog was bought by Consolidated Press in the early 1970s. We've seen nothing from K.G. Murray that we don't love, so we'll keep adding to our stocks indefinitely. Or until the Pulp Intl. girlfriends finally revolt, which should take a few more years. Speaking of which, it's been a few years since our last Man Junior, but its positives and negatives are still intimately familiar to us. On the plus side, the fiction and true life tales are exotic and often good, and on the negative side the humor doesn't usually hold up, though the color cartoons are aesthetically beautiful.

Of all the stories, the one that screamed loudest to be read was, “The Hair-Raisers,” by Neville Dasey, which comes with an illustration of a bearded woman. It's an absurd, legitimately funny story about a con man who accidentally invents a hair growing tonic, which he then unintentionally splashes on his date's face. By the next morning she has a beard, which proves the tonic works, but the con man lost the magic liquid when he stilled it, and he ends up losing the formula to create it. But everyone ends up happy—the con man earns a contract that pays him regardless of whether he can recreate the formula, and his date ends up marrying the owner of the hair restoration company. We weren't clear on whether the formula wore off, or she had to shave regularly. Either way, the story is meant to be silly and it certainly achieves that goal. Twenty-eight panels below, and more from Man Junior herehere, and here.

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Vintage Pulp Nov 7 2021
SHLUNK IN THE TRUNK
The search for alien life is over. Just look in the back.


Adam magazine's cover illustrations usually deal with criminals, ranchers, wild animals, runaway vehicles and the like, so what is this unusual thing on the front of this issue published this month in 1968? It's a shlunk, and it comes from Tod Kennedy's science fiction story, “To Catch a Shlunk,” about a bloodsucking alien—named for the sound it makes—that terrorizes a hunter. In form this alien is like a squid, but with four thick tentacles. “It moved with a glutinous rhythm [and had] a band of flickering lights around its domed head that blinked off and on like radar stations seeking contact. With one quick motion its body shot upward and the four legs distended like chewing gum.”

That's pretty scary. As the hunter watches in silent horror, the creature, which seems part organic and part machine, grabs a wallaby, crushes it, and sucks its insides out. Needless to say, the hunter flees at the first opportunity, and thinks he's dodged this creature, but misses the part where it jumps in the back of his truck and rides home with him. Whoops. From that point Kennedy's tale deals with the hunter's defeat of the creature, which is accomplished via unlikely means. In the end, “To Catch a Shlunk” is merely a ripe concept that goes rotten due to poor execution.

But Adam on the whole is as rich as always, filled as it is with more fiction, fun cartoons, exotic factual stories, and great illustrations. Primary artist Jack Waugh even signed a couple of his pieces, which later, during the 1970s, he mostly stopped doing. Will we ever stop buying these? Well, since we've bought more than one hundred, it seems not. They are, however, becoming more difficult to obtain without buying issues we already have, though most vendors are understanding about separating issues from a group. Still though, it may be time to find another magazine to obsess over. We have a few candidates. Meanwhile, thirty-plus scans below.

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Vintage Pulp Apr 17 2021
WAR AND PEACE
I really hope they keep this up. It's only when men are busy fighting over me that they leave me alone.


Above is another issue Adam magazine, published April 1970, with the type of cover art that is a trademark of the brand. It's pretty hard to keep thinking of quips for these when every cover features two or three men fighting and a femme fatale standing apart from the action. Somehow we've managed to do it sixty-eight times. Inside you get a signed illustration from Jack Waugh, numerous stories and models, and, just above, a slight variation on the time-honored desert island cartoon, a tradition we commemorated in exhaustive detail last year. Check here for fifty more examples.

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Next Page
History Rewind
The headlines that mattered yesteryear.
April 23
1986—Otto Preminger Dies
Austro–Hungarian film director Otto Preminger, who directed such eternal classics as Laura, Anatomy of a Murder, Carmen Jones, The Man with the Golden Arm, and Stalag 17, and for his efforts earned a star on Hollywood's Walk of Fame, dies in New York City, aged 80, from cancer and Alzheimer's disease.
1998—James Earl Ray Dies
The convicted assassin of American civil rights leader Martin Luther King, Jr., petty criminal James Earl Ray, dies in prison of hepatitis aged 70, protesting his innocence as he had for decades. Members of the King family who supported Ray's fight to clear his name believed the U.S. Government had been involved in Dr. King's killing, but with Ray's death such questions became moot.
April 22
1912—Pravda Is Founded
The newspaper Pravda, or Truth, known as the voice of the Communist Party of the Soviet Union, begins publication in Saint Petersburg. It is one of the country's leading newspapers until 1991, when it is closed down by decree of then-President Boris Yeltsin. A number of other Pravdas appear afterward, including an internet site and a tabloid.
1983—Hitler's Diaries Found
The German magazine Der Stern claims that Adolf Hitler's diaries had been found in wreckage in East Germany. The magazine had paid 10 million German marks for the sixty small books, plus a volume about Rudolf Hess's flight to the United Kingdom, covering the period from 1932 to 1945. But the diaries are subsequently revealed to be fakes written by Konrad Kujau, a notorious Stuttgart forger. Both he and Stern journalist Gerd Heidemann go to trial in 1985 and are each sentenced to 42 months in prison.
April 21
1918—The Red Baron Is Shot Down
German WWI fighter ace Manfred von Richthofen, better known as The Red Baron, sustains a fatal wound while flying over Vaux sur Somme in France. Von Richthofen, shot through the heart, manages a hasty emergency landing before dying in the cockpit of his plane. His last word, according to one witness, is "Kaputt." The Red Baron was the most successful flying ace during the war, having shot down at least 80 enemy airplanes.
1964—Satellite Spreads Radioactivity
An American-made Transit satellite, which had been designed to track submarines, fails to reach orbit after launch and disperses its highly radioactive two pound plutonium power source over a wide area as it breaks up re-entering the atmosphere.
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