Bad news, I lost the key. But before I was a kidnapper I was an orthopedic surgeon, so foot reattachment is no problem.
Above is another vibrant cover for Adam magazine, this one from May 1968, uncredited as always but painted by Phil Belbin or Jack Waugh. The pair did the bulk of the illustrations for the magazine, but it's not possible—for us, at least—to determine who was responsible for which pieces, because they worked in a similar style. On the occasions Belbin bothered signed something it wasn't only as himself—sometimes he signed as Duke, Pittsburgh, Humph, or Fillini. Waugh, as far as we know, was always Waugh. We've now uploaded more than seventy issues of Adam (we haven't done an actual count for a couple of years) and we'd say signatures appear on maybe one of every ten illustrations. Waugh's scrawl pops up here in the art for the H.M. Tolcher story, “Prize Sucker.”
The cover illustrates the Joachim Heinrich Woos story, “The Danger Behind,” which is is about a man walking through the woods at the exact moment some rural cops and a heavily armed posse are looking for men who robbed a bank. The robbers shot the guards and several police. Blinded by a lust for revenge, the mob mistakes the innocent hiker for one of the killers and chases him over hill and dale with the intent to end his life. He escapes by rowboat only to drift downriver and run into one of the real crooks, who's chained up a hostage and has bad ideas as well as an evil temperament. It's a decent story from Woos, who also wrote for Pocket Man, Argosy, Off Beat Detective Stories, Adventure, and Manhunt. We have thirty-three scans below.
What it lacks in maturity it makes up for in exuberance.
Above you see a cover of the Australian magazine Man Junior, which hit newsstands Down Under this month in 1963. An offshoot of Man magazine, it came from K.G. Murray Publishing, along with Adam, Pocket Man, Eves from Adam, Cavalcade, Man's Epic, et al. The Murray empire, run by Kenneth G. Murray, came into being in 1936, and the company's various imprints lasted until 1978—though the entire catalog was bought by Consolidated Press in the early 1970s. We've seen nothing from K.G. Murray that we don't love, so we'll keep adding to our stocks indefinitely. Or until the Pulp Intl. girlfriends finally revolt, which should take a few more years. Speaking of which, it's been a few years since our last Man Junior, but its positives and negatives are still intimately familiar to us. On the plus side, the fiction and true life tales are exotic and often good, and on the negative side the humor doesn't usually hold up, though the color cartoons are aesthetically beautiful.
Of all the stories, the one that screamed loudest to be read was, “The Hair-Raisers,” by Neville Dasey, which comes with an illustration of a bearded woman. It's an absurd, legitimately funny story about a con man who accidentally invents a hair growing tonic, which he then unintentionally splashes on his date's face. By the next morning she has a beard, which proves the tonic works, but the con man lost the magic liquid when he stilled it, and he ends up losing the formula to create it. But everyone ends up happy—the con man earns a contract that pays him regardless of whether he can recreate the formula, and his date ends up marrying the owner of the hair restoration company. We weren't clear on whether the formula wore off, or she had to shave regularly. Either way, the story is meant to be silly and it certainly achieves that goal. Twenty-eight panels below, and more from Man Junior here, here, and here.
The search for alien life is over. Just look in the back.
Adam magazine's cover illustrations usually deal with criminals, ranchers, wild animals, runaway vehicles and the like, so what is this unusual thing on the front of this issue published this month in 1968? It's a shlunk, and it comes from Tod Kennedy's science fiction story, “To Catch a Shlunk,” about a bloodsucking alien—named for the sound it makes—that terrorizes a hunter. In form this alien is like a squid, but with four thick tentacles. “It moved with a glutinous rhythm [and had] a band of flickering lights around its domed head that blinked off and on like radar stations seeking contact. With one quick motion its body shot upward and the four legs distended like chewing gum.”
That's pretty scary. As the hunter watches in silent horror, the creature, which seems part organic and part machine, grabs a wallaby, crushes it, and sucks its insides out. Needless to say, the hunter flees at the first opportunity, and thinks he's dodged this creature, but misses the part where it jumps in the back of his truck and rides home with him. Whoops. From that point Kennedy's tale deals with the hunter's defeat of the creature, which is accomplished via unlikely means. In the end, “To Catch a Shlunk” is merely a ripe concept that goes rotten due to poor execution.
But Adam on the whole is as rich as always, filled as it is with more fiction, fun cartoons, exotic factual stories, and great illustrations. Primary artist Jack Waugh even signed a couple of his pieces, which later, during the 1970s, he mostly stopped doing. Will we ever stop buying these? Well, since we've bought more than one hundred, it seems not. They are, however, becoming more difficult to obtain without buying issues we already have, though most vendors are understanding about separating issues from a group. Still though, it may be time to find another magazine to obsess over. We have a few candidates. Meanwhile, thirty-plus scans below.
But Dad, you said we were here to show them what the outside world has to offer!
Today's issue of Adam magazine, the sixty-seventh we've shared, was published this month in 1977, and has an interesting cover illustrating J.W. Anderson's adventure tale, “The Valley of Kaha.” Adam has a unique style of covers, nearly all painted by either Phil Belbin or Jack Waugh, but this example is unusually nice, we think, with its monochrome background meant to capture the look of jungle mists. Those mists are supposed to be in New Guinea, and in Anderson's story a rich, cruel, and aging industrialist catches wind of a legend that makes him think he can find the fountain of youth. Does he find it? We have no worries telling you, since the story is so obscure. He does indeed, and it turns him into a baby. We love a short story that has a punchline. Actually, he goes even further than infancy. Eventually he plain disappears—pop! The story isn't well written, but it amused the hell out of us. Also amusing, on the final pages of the issue are topless archers. You'll probably assume the text explaining why they're topless was omitted by us, but you'll be wrong. Adam offered no explanation. And really, who needs one? Scans below.
He promised her a smashing time on safari but this was nothing like she had in mind.
Adam magazine's covers are nearly always the same—two to four people and a pivotal action moment. This front from February 1970 is a typical example. It shows an unfortunate hunter learning that elephants sometimes won't simply stand still and let you shoot them through the heart so you can turn their tusks into paperweights. The nerve, really. The painting is great. It's by Jack Waugh or Phil Belbin, but it's unsigned, so there's no way to know. Waugh did sign a couple of the interior panels, though. The cover was painted for Ken Welsh's story, “Dirge for a Darling,” which deals with a woman on safari who wants her hunting guide to kill her rich, alcoholic husband. Risky, but when you stand to inherit fifty million dollars, what's a little risk?
We try to avoid spoilers, but since you're never going to have a chance to read this obscure story, we'll just tell you what happens. The husband is a terrible guy, and he spends his days shooting badly at wildlife, and his nights drinking himself into a stupor. The fact that he's always insensate by dark is what allows the wife to start bedding the hunter right in camp in the first place. Once the hunter has been convinced to do the job, he realizes he must devise a foolproof yet suspicion free murder. He plans and schemes for days, looking for an angle, and finally tells the wife he has an idea, but the less she knows the better. Her job is to convincingly play the grieving widow when it happens, so for the sake of realism it's better if she's in the dark.
One morning the hunter comes to fetch the husband for a foray into the bush. Elephants are near. Today is the day the husband will finally get a big tusker. But the husband is hung over like never before. He wants a trophy, but can't possibly go shooting. He asks the hunter to bag an elephant for him. As the cover depicts, the hunter gets trampled to death. When the news comes to camp, the husband smiles evilly. The hangover had been an act. He'd discovered his wife's affair and, while she and her lover were otherwise occupied, had filed down the firing pin on the hunter's rifle. The gun didn't work when needed, resulting in a squashing.
The husband has a celebratory drink and forces his wife—who hates liquor—to join him. The husband cramps, convulses, and dies in excruciating pain. The wife realizes the hunter's foolproof murder method was to poison her husband's beloved liquor in such a way as to make authorities think it had been a bad batch. Then she cramps, convulses, and dies in excruciating pain too. The story ends: “It was all very sad when you considered the talent of those involved, but there it was. The principals, no doubt, went to hell. The $50,000,000 went to charity.” We've read a lot of Adam stories, and this was one of the more entertaining efforts. We have numerous scans below, with Claudine Auger in the second panel, and more Adam coming soon.
See you later alliga— Whoa... whoops...
We have another issue of Adam magazine today, just because we love it so much and have dozens we haven't shared yet. Inside this one, which appeared this month in 1973, is an interesting article about the practice of scalping. Writer Paul Brock notes that English puritans scalped foes in Europe and brought the idea to North America. He says enraged Native Americans promptly retaliated by doing the same. He doesn't get this quite right, though. Scalping is not something that can be said to have been invented by anyone, because evidence of the practice goes back millennia in various parts of the world. But European colonists industrialized and monetized scalping in North America, incentivizing the mass murder of Native Americans by offering bounties, including on children. And of course, as often happens with atrocities, propagandists vilified the other side for doing it. Even during colonial times Indians were labeled as vicious savages who scalped whites, and to this day most people still don't realize that it was whites who expanded and normalized the practice. So there's a little holiday cheer for you. Elsewhere in the issue you get the usual assortment of fiction, glamour photography, and cartoons. Including today's upload we have fifty four—yes 54—issues of Adam in our website. Why? Because we think it's the coolest men's adventure magazine ever published.
Junior is every bit as grown up as its father.
From K.G. Murray Publishing Co., the group that would later produce Adam magazine, comes this October 1948 issue of Man Junior, which you may already know was the offspring of Murray’s flagship publication Man. We showed you one of those here. Both magazines featured art, fiction, cartoons, and glamour photography, but Man Junior was of smaller dimensions—in fact pocket sized. It launched in 1937 and was an immediate success. The cover art above, signed Val, is uncredited, but inside you get illustrations from Arthur Nichol, Jack Waugh, and others, plus an adventure from the immensely popular comic character Devil Doone, who was created by R. Carson Gold, first appeared in Man Junior in 1945, and was drawn during this period by Hart Amos. You also get a pretty cool photo of American actress Janet Blair, who we shared a portrait of just a couple of weeks ago, and of special note are two nude studies from famed British photographer John Everard. We’ll have more samples form Kenneth Murray’s publishing empire soon.
The headlines that mattered yesteryear.
1937—Chamberlain Becomes Prime Minister
Arthur Neville Chamberlain, who is known today mainly for his signing of the Munich Agreement in 1938 which conceded the Sudetenland region of Czechoslovakia to Nazi Germany and was supposed to appease Adolf Hitler's imperial ambitions, becomes prime minister of Great Britain. At the time Chamberlain is the second oldest man, at age sixty-eight, to ascend to the office. Three years later he would give way to Winston Churchill.
1930—Chrysler Building Opens
In New York City, after a mere eighteen months of construction, the Chrysler Building opens to the public. At 1,046 feet, 319 meters, it is the tallest building in the world at the time, but more significantly, William Van Alen's design is a landmark in art deco that is celebrated to this day as an example of skyscraper architecture at its most elegant.
1969—Jeffrey Hunter Dies
American actor Jeffrey Hunter dies of a cerebral hemorrhage after falling down a flight of stairs and sustaining a skull fracture, a mishap precipitated by his suffering a stroke seconds earlier. Hunter played many roles, including Jesus in the 1961 film King of Kings, but is perhaps best known for portraying Captain Christopher Pike in the original Star Trek pilot episode "The Cage".
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here
to give us your best shot.