![A BIG ESQ.](/images/headline/7523.png) Men's magazines come of age with Esquire. ![](/images/postimg/a_big_esq_01.jpg)
Esquire isn't a pulp magazine, but it's a seminal U.S. publication that goes back to that era, debuting in 1933 and becoming incredibly popular within only a few issues. Today's from this month in 1945 was given to us by a friend. It was an unexpected and generous gift. It's also an unusual one. Dimensionally it's thirteen inches by ten, a size we've only seen a couple of times before. That meant scanning pages in halves and assembling them digitally, and because Esquire was perfect-bound, the scanning meant the destruction of the issue. Inside, there's fiction from Richard Gehman, James Stern, George Wiswell, Maurice Zolotow, and others, accompanied by nice story art. There are also some brilliant portraits of show business celebrities—including Virginia Mayo, Vera Zorina, Dorothy Hart, Ann Miller, Daun Kennedy, and ballerina Milada Mladova.
But it's the ads that catch the eye. Advertising is a trip back in time, a look at what culture considered important, which is why we have a vintage ad feature in our sidebar. Esquire is packed with ads, chiefly for booze, smokes, and suits. Lots of suits. To think that artists sat at easels in studios producing these illustrations is an amazing thought—and bittersweet, considering how little artistic talent goes into advertising today. We picture the cast of Mad Men refreshing their creative reservoirs with an occasional drink, or even better, Darrin Stevens from Bewitched, struggling over his art pad until Samantha gives him a witchy boost. The ads are mostly signed—by the likes of Frederic Fellander, Jay Hyde Barnum, Robert Goodman, and J.N.C. Fenton. Enjoy the scans. We killed the magazine but it was worth it, we think. And thanks to Alex for the donation.
![](/images/postimg/a_big_esq_03.jpg) ![](/images/postimg/a_big_esq_04.jpg) ![](/images/postimg/a_big_esq_12.jpg) ![](/images/postimg/a_big_esq_10.jpg) ![](/images/postimg/a_big_esq_11.jpg) ![](/images/postimg/a_big_esq_05.jpg) ![](/images/postimg/a_big_esq_09.jpg) ![](/images/postimg/a_big_esq_25.jpg) ![](/images/postimg/a_big_esq_06.jpg) ![](/images/postimg/a_big_esq_07.jpg) ![](/images/postimg/a_big_esq_08.jpg) ![](/images/postimg/a_big_esq_13.jpg) ![](/images/postimg/a_big_esq_14.jpg) ![](/images/postimg/a_big_esq_15.jpg) ![](/images/postimg/a_big_esq_16.jpg) ![](/images/postimg/a_big_esq_18.jpg) ![](/images/postimg/a_big_esq_17.jpg) ![](/images/postimg/a_big_esq_19.jpg) ![](/images/postimg/a_big_esq_21.jpg) ![](/images/postimg/a_big_esq_02.jpg) ![](/images/postimg/a_big_esq_20.jpg) ![](/images/postimg/a_big_esq_22.jpg) ![](/images/postimg/a_big_esq_24.jpg) ![](/images/postimg/a_big_esq_23.jpg)
![HART TROUBLE](/images/headline/5151.png) The first symptom will be blood gushing from the center of your chest. ![](/images/postimg/hart_trouble.jpg)
This excellent promo image shows U.S. actress Dorothy Hart in a shot made for the red scare flick I Was a Communist for the F.B.I. Hart made only about fifteen other films, among them The Naked City, Take One False Step, Undertow, Loan Shark, and Outside the Wall. We've seen none, but they all sound like potential winners to us, so we'll report back. This photo is from 1952.
![CROWN JULES](/images/headline/1282.png) There are eight million stories in The Naked City. ![](/images/postimg/crown_jules_01.jpg)
Above: a great French poster for Jules Dassin’s film noir La cité sans voiles, which was originally produced in the U.S. and called The Naked City. Dassin, who apprenticed under Alfred Hitchcock, was one of the quintessential noir directors, also helming 1947’s Brute Force, 1949’s Thieves’ Highway, and 1950’s spectacular Night and the City. His career in the U.S. was ruined when he was named during the anti-communist hysteria of the 1950s, forcing him to live the rest of his life in more tolerant France. It was there that he made the 1955 heist thriller Du rififi chez les hommes, aka Rififi, possibly his best—and best remembered—work. The Naked City, while not perfect, is certainly a significant piece, due to both its style and substance. Its tagline has become part of the American lexicon: "There are eight million stories in the naked city; this has been one of them." In 2007 the U.S. Library of Congress agreed that The Naked City was a special achievement when it selected the film for preservation in the National Film Registry for being “culturally, historically and aesthetically signifitcant.” For Dassin, who'd been persecuted for a political belief, maybe the award was some small consolation. If so he didn't get to enjoy it long—he died the next year. La cité sans voiles premiered in France today in 1949.
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The headlines that mattered yesteryear.
2003—Hope Dies
Film legend Bob Hope dies of pneumonia two months after celebrating his 100th birthday. 1945—Churchill Given the Sack
In spite of admiring Winston Churchill as a great wartime leader, Britons elect
Clement Attlee the nation's new prime minister in a sweeping victory for the Labour Party over the Conservatives. 1952—Evita Peron Dies
Eva Duarte de Peron, aka Evita, wife of the president of the Argentine Republic, dies from cancer at age 33. Evita had brought the working classes into a position of political power never witnessed before, but was hated by the nation's powerful military class. She is lain to rest in Milan, Italy in a secret grave under a nun's name, but is eventually returned to Argentina for reburial beside her husband in 1974. 1943—Mussolini Calls It Quits
Italian dictator Benito Mussolini steps down as head of the armed forces and the government. It soon becomes clear that Il Duce did not relinquish power voluntarily, but was forced to resign after former Fascist colleagues turned against him. He is later installed by Germany as leader of the Italian Social Republic in the north of the country, but is killed by partisans in 1945.
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