|Vintage Pulp||Sep 3 2014|
|Femmes Fatales||Aug 22 2014|
Above, an early 1940s promo image of American actress Betty Grable. Born Elizabeth Ruth Grable in 1916, an iconic bathing suit photo (not this one, this one) would make her the number one pin-up girl of World War II.
|Intl. Notebook||Jun 6 2014|
Today is the 70th anniversary of D-Day—the Allied landings in Northern France—and since most observances take the same form, we thought it would be a good opportunity to look at the event from a different angle by sharing something you might not see anywhere else. So above and below are some front and back covers of Signal, a German propaganda magazine printed from 1940 to 1945 and distributed in neutral, friendly, and occupied countries. These are from Yugoslavia, and their text is Croatian. Glancing at the images is to marvel at the always yawning chasm between propaganda and reality, for though Signal showed Hitler’s soldiers defeating foes while winning hearts and minds, when most of these were printed his army was not only the most hated entity in the Western world, but was already in the process of being fatally smashed in the crucible of a bitter Russian winter against a hardened foe that had always considered ice, snow, wind and frostbite its most important allies.
|Vintage Pulp||Mar 12 2014|
It’s been a few months, so we’re bringing Hitler back on The National Police Gazette. This example from March 1951 is the twenty-first Hitler cover we’ve located, all of them from the 1950s and 1960s, which means he starred for the Gazette at least yearly for two decades. But of course, that’s just an average based on the issues we’ve found so far. We know for certain there were others, and ultimately we’ll probably determine that he was featured closer to twice a year. As you can see yourself, this time Gazette is concerned with Hitler’s fake suicide, which journo Harvey Wilson says was propaganda put out by the Soviets to cover for their failure to capture him as Berlin burned.
Leaving aside the question of who’s really doing the propagandizing here, it’s a clever little pivot by the Gazette, which went from merely claiming Hitler had escaped to blaming the escape on Moscow, resulting in a nifty mash-up of two of post-War America’s biggest boogeymen—Hitler and Khrushchev. Later the Gazette would claim Hitler or his henchmen were tight with other enemies of the American power elite, including Abdel Nasser and Juan Peron. One year after the above issue came out, Gazette turned around and in its May 1952 issue, at right, blamed Hitler’s escape on the Allies. And let's not forget the infamous Hitler-in-Antarctica story, truly one of the all-time creative highlights of mid-century tabloid journalism. Well, wherever Hitler fled, the Gazette’ll straighten it out for us in due time. We just have to keep digging up issues. Meanwhile, a couple of scans below, and more from the Gazette to come.
|Intl. Notebook||Feb 15 2014|
We’re interested in World War II propaganda posters, and this 1942 piece from the U.S. Office of War Information is a fine example. It depicts Hitler, Mussolini and Hirohito being chased down by a snowball representing runaway U.S. industrial production. Every country involved in the war produced propaganda, some more effectively than others, and often it was racist in nature, as you see with the Hirohito image here. For an international collection check out our previous post on this subject here.
|Intl. Notebook||Jan 23 2014|
We’ve run across some unusual World War II memorabilia over the years, but this might be the quirkiest item we’ve seen. Pretty much self-explanatory, it’s morale boosting anti Hitler propaganda in the form of a die-cut effigy. He could be used as a bookmark, or a lamp pull, or—in the case of the lucky duck who sold this trinket online for a serious windfall—not used at all so that it would be in A1 condition for the auction market decades later. It was produced by a company in Cleveland Heights, Ohio, and came complete with a tiny piece of rope to make hanging it easy for the buyer. Morbid but amazing.
|Vintage Pulp||Oct 4 2013|
Above is another Technicolor pin-up for your enjoyment—or five pin-ups, to be precise. Is it just us, or do they sort of make you think of Mount Rushmore, plus one? Probably it’s just us. Some background on this: after World War II the traditional pin-up market of stylized color paintings by talented artists such as Varga and Gil Elvgren had declined, which prompted several calendar companies to try to breathe new life into the format by using actual naked women. They opted for Technicolor because it resembled the classic paintings to which buyers were accustomed, but with the added thrill only real flesh-and-blood could provide. This lithograph is entitled Garden of Charm, and indeed these five anonymous curly-haired models make a charming tableau. They were photographed in 1955.
|Intl. Notebook||Aug 29 2013|
|Vintage Pulp | Politique Diabolique||Aug 19 2013|
This month in 1961 The National Police Gazette put Adolf Hitler on its cover yet again. We don’t know how many times he appeared there, but this makes the twentieth issue we’ve found and posted. When last we left der Führer he was hiding out in either Argentina or Antarctica, but according to Gazette scribe Harvey Wilson, Hitler was directing his minions as they launched a new Nazi empire in Egypt. Wilson tells readers that Egyptian president Gamal Abdel Nasser’s government was populated by ex-SS officers, that the secret police was being run by Joachim Damling, former head of the Gestapo in Düsseldorf, that there were Egyptian versions of the Hitler Youth, that the economy was being reorganized to a Nazi model, and a vast military machine was being built.
In any case, this is an example of what makes tabloids so interesting to us. Some stories—like the one about Hitler living in Antarctica—are patently ridiculous, while others have at least a kernel of truth. The thrust of this story is largely true—Nazis did flee to Egypt, and manywere welcomed by the government. As for the rest of the story—Nasser did indeed reorganize Egypt’s economy and reshape its military sector, but we can’t confirm that it was due to Nazi influence. And we also can’t confirm the claims about Egyptian Hitler Youth and Joachim Damling, but even if parts of the story were wrong, a tabloid doesn’t need many victories to establish credibility in the eyes of its readership—it just needs a few big ones. On that score you have to give the Gazette credit—it said there were Nazis in Egypt and it was right.
|Vintage Pulp||Aug 16 2013|
Above, a Swedish poster for Alfred Hitchcock’s psychological thriller Skuggan av ett tvivel, staring Joseph Cotten and Teresa Wright, and originally released in the U.S. as Shadow of a Doubt. The Swedish premiere of the movie was today in 1943, which might be a surprising fact for some, considering the ongoing calamity that was World War II, but Sweden was neutral during the conflict—or perhaps a better way to phrase it is to say it was occasionally helpful to both the Axis and Allies. Anyway, this is an excellent poster that tells the entire story of the film—an outwardly normal man is really a monster, and in the art casts a misshapen shadow that only one young, intuitive woman can see. The line across the top says, “One of Hitchcock’s best!” Of course, he would rise to even greater heights during the 1950s and 1960s, but some still regard this as top five Hitchcock. Us? Not so much, but see it and judge for yourself.