Hollywoodland Jul 28 2017
PAPARAZZI PARLOR
One of Rome's foremost celeb photographers gives On the Q.T. the lowdown on his profession.

We managed to buy this issue of On the Q.T. published in July 1963 for seven dollars, which is about the range we prefer for a tabloid that's often overpriced. Inside we found Shirley MacLaine, Melina Mercouri, Elsa Martinelli, Richard Burton and Liz Taylor. As expected the focus is on Hollywood, but in this issue the piece that jumped out at us was an insider's account of the Italian paparazzi lifestyle written by top paparazzo Vito Canessi. He details his techniques for obtaining photos, his legal obligations, and the lengths some paps go to in getting saleable shots.

One of his examples involves taunting a target into a chase: “When French sexpot Brigitte Bardot and her flame of the moment, actor Sammy Frey, were conducting a sizzling romance which ranged across most of Italy, the paparazzi taunted love-hungry but brave Sammy into chasing them. But unknown to Sammy, his furious foot race was being photographed by other paparazzi behind him. It was a hilarious set of pictures of frail Sam, arms swinging and feet churning, zig-zagging through the streets of Rome...

But sometimes their tactics backfire. Paparazzo Umberto Spragna, a 260-pound giant, tried to shoot photos of the married Burt Lancaster walking in Rome with Italian starlet Beatrice Altariba. “The big photog didn't know it, but Lancaster is quite a man himself. He found himself flying through the air, his camera smashed, and a furious Lancaster punching him liberally. The paparazzo fled the scene. Later he sued the actor for assault. Lancaster simply ignored the action and it was forgotten. That kind of thing gives me cold chills.”

Paparazzi behavior was closely examined—briefly—decades later with the paparazzi-involved death of Princess Diana of Wales. But a look at various celeb videos from recent years reveal the paps to be basically unchanged, as they sometimes taunt celebrities verbally, hoping for photographable retaliation. But one need not feel more than passingly sorry for celebs. Occasional harassment is the price of fame. It may be unpleasant, but it's better than working for a living.

Though paparazzi come under the umbrella of defenders of press rights, with their often malleable ethics they're probably not people you'd have at your dinner table. It often works that way. Rights defenders tend to be either people actually testing the limits of rights, or people negatively affected by forces that would curtail those rights. Either way, they're sometimes outside the social mainstream. But the rights they defend apply to all. Thirty scans below.

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Vintage Pulp Dec 1 2016
HISTORY REPEATS
Perversion never goes out of style.

Years ago we briefly discussed the Marisa Mell thriller Una sull’atra and shared an Angelo Cesselon poster made for its Italian run. Well, we're back to the movie today with a poster made for its Spanish run under the title Una historia perversa. The illustration was painted by Francisco Fernandez Zarza-Pérez, who signed his work as Jano, and was one of Spain's more prolific cinematic illustrators. We put together a small collection of his work a while back and you can check that out here. Una historia perversa made its Spanish premiere in Barcelona today in 1969. 

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Vintage Pulp Jan 18 2016
WUTHERING BITES
Carmilla’s in the mist.


When we shared a poster for Roger Vadim’s Il sangue e la rosa way back in 2009 we didn’t talk about the movie. But since we found this beautiful alternate promo to show you, we thought we’d watch the film again to refresh our memories. It’s an ethereal gothic drama about a woman caught in a love triangle who is subsequently possessed by a vampire after an accidental explosion opens the monster’s centuries buried tomb. It feels like a supernatural version of Emily Brontë, but the source material was actually from Sheridan le Fanu, whose vampire story Carmilla predates Bram Stoker’s Dracula by more than twenty years. Long on lustful gazes, lingering fog, and lilting harp music, short on chills and thrills, Il sangue e la rosa is more of a Vadim art piece than a conventional film, but it has some charms, personified by Elsa Martinelli and Annette Vadim, aka Annette Stroyberg. Il sangue e la rosa premiered in Italy today in 1961. See the other poster here.

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Vintage Pulp Dec 11 2015
WORKING GIRLS
Getting the most out of challenging positions.


Did we not just see Raquel Welch yesterday, as well as earlier this week? Indeed we did, but we assume you don’t mind the return engagement. This Japanese poster with her and Michèle Mercier was made to promote the comedy Le plus vieux métier du monde, aka The Oldest Profession, which played in France in 1967 but didn’t appear in Japan until today in 1971. We watched it last night, and it's a six-part anthology dealing with prostitution through the ages. For example, the first sketch is set during prehistory—that time inhabited by slender Anglo Saxon fashion models—another is set in ancient Rome, and another during the Parisian gay nineties, where Welch makes her appearance wearing corsets and speaking French. The last segment, directed by Jean-Luc Godard, takes place in the future. Or what used to be the future in 1967—the year 2000.
 
While all the skits deal with prostitution, some also deal with money, and the efforts of the female characters to obtain it. For instance Welch finds out her dumpy customer is a banker and the rest of the segment follows her ultimately successful gambit to trick him into marrying her. Besides Welch and Michèle Mercier, the movie features top sixties sex symbols Elsa Martinelli, Jeanne Moreau, Anna Karina, Marilù Tolo, and Nadia Gray. That's a lot of star power in a somewhat low wattage movie, but there are laughs here, as long as you accept going in that comedies about prostitutes are not in any way realistic or politically correct. One great by-product of Le plus vieux métier du monde was a great Welch promo shoot, of which we have photos below. These will probably make you want to watch the film no matter what we think of it.
 

 
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Vintage Pulp Nov 5 2014
EEL FEELINGS
Only in Italian film can hard labor make you better looking.


If you’re thinking this West German poster for Sophia Loren’s 1954 drama Die Frau vom Fluss, aka La donna del fiume, aka The River Girl looks a bit like this promo for Riso Amaro, you're right—and the actual films are quite similar too. During the 1950s Italian filmmakers produced at least a few movies with identical blueprints—i.e. improbably hot peasant girls performing hard labor somewhere in the Po Valley while wearing bodyhugging clothing. Generally, the girls dream of better circumstances but possess little means to achieve such an end—until into their lives tumble dudes with big plans.

Sounds like light fare, but sultry summer settings and sexy attire notwithstanding, these were serious films—usually tragedies. Where the staple food in Riso Amaro (and Elsa Martinelli’s 1956 drama La risaia) was rice, here it’s eels. Loren works in an eel cannery by day, dances a mean mambo during her spare hours and, like Silvana Mangano in Riso Amaro, finds herself torn between a decent bore and a thrilling criminal. The choice she makes opens up a whole different can of eels and she spends the rest of the film having to manage the consequences. That’s about all we’ll say, except that we watched the flick last night and more or less enjoyed it. As for Loren, she’s 100% more and 0% less, a big personality whose stardom was a matter of destiny. The movie is worth seeing just because of her.


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Vintage Pulp Jan 9 2013
CHEER PERFECTION
If you think I’m having a good time now, you should see how much I enjoy it when the water isn’t fuh-reezing.

Above, the cover and some interior scans from the Dutch cinema magazine Cheerio! #117, featuring an eclectic selection of international stars, 1956. 

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Hollywoodland Aug 26 2012
BURNING HEPBURN
The magazine that whispered rape.


Inside Story of August 1957 offers up stories on Elsa Martinelli, Ann Sothern, Clark Gable and others, but the subhead reading “The Night Audrey Hepburn Can’t Forget” is irresistible. So what happened on the night in question? Nothing fun, unfortunately. Fully expecting to read about some wild party or drunken escapade, journo Gwen Ferguson instead tells us that in 1942, when Hepburn was a Dutch teen named Audrey Kathleen Ruston, she was “brutally kidnapped and subjected to terrible indignities” by a Nazi soldier. As is typical for mid-century tabloids, this claim comes not from direct interviews, but rather from a fly-on-the-wall third person account. In this case, the magazine claims she confessed what happened to prospective husband Mel Ferrer, pictured next to her below, because she wanted him to have a chance to rescind his marriage proposal. The implication is clear—“indignities” is a euphemism for rape. Or else why would Ferguson suggest Ferrer might turn tail and run?

In light of all the discussion about rape lately, it’s instructive to go back in time and read such an incendiary insinuation presented so casually in a national magazine, probably by some pseudonymous male editor, if tradition holds true. Looking for corroboration, we found only stories about Hepburn living in constant fear of being kidnapped, but that’s all. In no place we looked did we find any reference to her actually being taken, let alone violated. So we don’t know where Inside Story got its information. That being the case, we have to call bullshit. Inside Story goes on to wrap its dubious claim in the truth by telling readers how Hepburn’s uncle was executed by Nazis—true; how she gave secret ballet performances to generate funds for the Dutch resistance—true; and how she used tulip bulbs to make the flour needed for cakes and biscuits, but went through the war malnourished and underweight—true and true. As for the other claim—if untrue, it’s pretty low, and if true, it’s both low and irresponsible. Even by the standards of mid-century scandal sheets.
 

 
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Vintage Pulp Jun 14 2011
CROWNING ACHIEVEMENT
We’d like to offer our St. Cyr appreciation.

We found this issue of the magazine Paris Frou Frou with cover star Lili St. Cyr, always lovely but wearing a crown this time, which is a fitting accessory for one of the queens of burlesque. The issue was incomplete, but below are a few interior pages, including one with the semi-famous 1950s dancer who billed herself as Miss Kalantan, as well as shots of Kirk Douglas and Elsa Martinelli. Also mixed in were some clippings from a second issue of Paris Frou Frou, and we’ve added those pages too. All the images date from the mid-1950s. 

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Vintage Pulp Jul 12 2010
SOMETHING ELSA

First the Festival of San Fermin, and now Spain’s World Cup victory. To say last night’s celebration was exuberant is an understatement. Nevertheless, we’re back to doing what we do, so here’s a random Spanish-language magazine we ran across, the long-running film publication Ecran, which is not from Spain but rather from Chile. This issue is circa 1965, with Italian actress Elsa Martinelli on the cover. Martinelli starred in a couple of our favorite cheesy flicks from the sixties, which means we’ll be getting back to her in more detail soon. 

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Vintage Pulp Mar 30 2010
YEN FOR SUMMER
Living on Tokyo time.

Assorted frolicsome images from Japanese celeb magazines, with “Sharlon” Tate in panel four and Sylva Koscina in panel eleven.     

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Next Page
History Rewind
The headlines that mattered yesteryear.
September 26
1934—Queen Mary Launched
The RMS Queen Mary, three-and-a-half years in the making, launches from Clydebank, Scotland. The steamship enters passenger service in May 1936 and sails the North Atlantic Ocean until 1967. Today she is a museum and tourist attraction anchored in Long Beach, U.S.A.
1983—Nuclear Holocaust Averted
Soviet military officer Stanislav Petrov, whose job involves detection of enemy missiles, is warned by Soviet computers that the United States has launched a nuclear missile at Russia. Petrov deviates from procedure, and, instead of informing superiors, decides the detection is a glitch. When the computer warns of four more inbound missiles he decides, under much greater pressure this time, that the detections are also false. Soviet doctrine at the time dictates an immediate and full retaliatory strike, so Petrov's decision to leave his superiors out of the loop very possibly prevents humanity's obliteration. Petrov's actions remain a secret until 1988, but ultimately he is honored at the United Nations.
September 25
2002—Mystery Space Object Crashes in Russia
In an occurrence known as the Vitim Event, an object crashes to the Earth in Siberia and explodes with a force estimated at 4 to 5 kilotons by Russian scientists. An expedition to the site finds the landscape leveled and the soil contaminated by high levels of radioactivity. It is thought that the object was a comet nucleus with a diameter of 50 to 100 meters.
September 24
1992—Sci Fi Channel Launches
In the U.S., the cable network USA debuts the Sci Fi Channel, specializing in science fiction, fantasy, horror, and paranormal programming. After a slow start, it built its audience and is now a top ten ranked network for male viewers aged 18–54, and women aged 25–54.
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