 No matter how many it took Lynn and Donovan would get you there. 
Digging into our collection of Japanese promo posters for American porn movies once again, we found this one for 1984's Too Good To Be True, which was headlined by Ginger Lynn and Stacey Donovan. Other performers included... well, all the performers that were usually in such films. The Japanese title—花唇の相続—translates to something along the lines of, “inheritance of flower lips.” Needless to say, we absolutely love that. Japanese distributors were really good with retitles of U.S. adult movies. The final results tended to be poetic, yet there was never any doubt that what was being offered was smut. Of course, it was censored in Japan—no flower lips shown, but even so, what a fun title. As we've mentioned before, because it was the videocassette age movies such as these didn't have official premieres in the U.S., however they apparently did in Japan, and that was today in 1989. 
 This place is so unspoiled. It'd be perfect for an ecolodge with Mayan saunas and an infinity pool. 
Once upon a time, when headshops were the rage, some sold posters for the entertainment and edification of young male customers, as we discussed not long ago. This one was printed in 1972 by Platt Poster Co. of Los Angeles, and is titled “Lady Barbara.” Actually, though, the model is Swedish beauty Annika Salmonsson, who usually posed under the name Anita Hemmings, and appeared in scores of magazines. She's previously appeared in Pulp Intl. too, inside a 1977 issue of the Aussie men's magazine Adam. Though the poster is faded from hanging on some horndog's wall for years, it's not so damaged that Salmonsson's marvelous beauty doesn't shine through. We'll bring her back in a bit. Until then, see her in that Adam here, and on a paperback cover here.
 Sometimes you have to do something to break up the monotony. 
For those who don't know, streaking was the fad of running naked in front of surprised witnesses, whether on a street or in a mall or at a football game, and it was reaching its zenith around the time the above photo was made. So imagine you're sitting around your place bored as hell like the guy at bottom—who you didn't even notice until we just mentioned him—and Reiko Ike streaks across the room. That's the theme of this promo image from a 1972 issue of Heibon Punch, which had accompanying text telling readers Reiko suddenly ran free like an innocent child. We don't know about the “child” or “innocent” parts, but we heartily endorse the rest. She's streaked across our website more times than we can count, so feel free to search around for those images and find out a little more about one of the great action stars of her era.
 Let's have phone sex. First I'll send you a photo to inspire you. It should be in your mailbox in three or four days. 
 Above you see a rare image from Players magazine circa 1974 of cinema legend Pam Grier using a device known as a rotary telephone. It's a great shot of both her and the museum piece. A couple of other frames from her hang-out session exist that were used in the offshoot publication Players Girls Pictorial in 1976.
Grier saw nudity as liberating and empowering. In a Rolling Stone interview she said, about the choice to appear unclothed in films, “I wanted to make people start seeing women of color, because we weren’t the epitome of sexual attraction for the male audience, in movies, magazines, anything. I said, How come we don’t see women of color in Hollywood and see them beautifully, like Fellini and Bertolucci and Bergman see women?”
With her boldness Grier helped change the paradigm of onscreen sexuality a bit, and today her images are among the most coveted out there, with magazines in which she appeared nude often auctioning for more than a hundred dollars. Tall, angular, and lovely, she went from actress to cultural icon and maintains that status today. You can see all kinds of Grier in the website. Just click her keywords below.
 If you let yourself be free what amazing things you'll see. 
Nudism or naturism is yet another staple of mid-century publishing. Numerous magazines were devoted to the practice, and many novels we've read, such as Marriage Can Wait, Murder Doll, High Red for Dead, and of course, the immortal Nudist Camp, feature nudism. It's also featured in some pretty fun movies, such as 1962's Blaze Starr Goes Nudist. So when we saw this poster for Isle of Levant, one of the seminal nudism movies of the 1950s, we decided to have a look. The film was made by Swiss director Werner Kunz and originally titled Lockender Süden. In its English language version it's professorially narrated by E.V.H. Emmett. The story told is about a trio of young Danish women and their dog who take a road trip through Germany, Switzerland, and France to arrive in the Côte d'Azur and get naked on Île de Levant. It's largely a travelogue, but it's also pretty interesting from purely historical and architectural perspectives. Aided by the familiar visual of a crawling line on a map, you see the sights as the trio passes through Hamburg, the Rhine Valley, Rottenberg, Zurich, the Rhône Valley, Avignon, Cannes, Nice, Saint-Tropez, and Le Lavandou, all before the era of modern mass tourism, in a classic Fiat 600 Multipla, with its rear engine and backward front doors.
As for the nudism, Kunz makes you wait for it. About forty minutes into the sixty-eight minute exercise the girls hit the island and their clothes hit the sand. At first, many people wear g-strings, but later there's nothing. As is typical for such films, the nudists are the best-looking examples from far and wide. Activities range from volleyball to hiking to sketching to snorkeling to boating, but as this is a lifestyle film, there's no sex nor hint of it. Because nudism isn't—and wasn't then—considered sexual by its practitioners, there are a few brief shots of naked children. We live in a country where naked children on beaches are not a strange sight and we pay them little mind, but in terms of filmed reality, this is where things acquire a double layer. Selling films of naked children changes everything. Though these nudism flicks were ostensibly educational, and the nudists themselves agreed to appear as a way demonstrating the advantages of their lifestyle, a large percentage of the actual consumers of the movies—surely—got off on them. And for a small subset, thence, nude children.
In a sense, the nudists of the era, despite the purity of their beliefs, were exploited by filmmakers, who knew—again, surely—that the money that flowed in was from seekers of knowledge about nudism and seekers of boners over naked women and men. As for pedophiles, though they were a segment of society that were basically never thought about by the populace at large back then, we suspect the filmmakers were aware of them. In any case, nobody is unaware today, which is why those shots now stand out in neon. But if you wear your shiny happy 1950s glasses, Isle of Levant is worth a gander. It's a historical curiosity, and one that made us nostalgic for an era in which we never lived. Because they were uncredited, we'll never know who the trio of roadtrippers were, but we had an overwhelming sense of time passed and innocence lost watching them. And we thought: To have made that journey with them from Denmark through the Rhine Valley to the idyllic Côte d'Azur would have been so very fun.
                   
 They're as real as ink printed on paper can be. 
Above is the cover of a fun vintage nudie magazine called Mirage, made in London by an outfit known as Swanedge Publications. We like the name of the magazine. Glamour photography implies the ephemeral. You know what else is ephemeral here? Pubic hair. The muff-munching airbrush monster has struck again, removing the fuzzy bits and vaginal convolutions of a couple of models. Pubic regions as obscenity is something we talk about often here because we share a lot of Japanese nudes in which those areas are banned. The difference is that in Japan the models covered those parts in various clever ways so they still looked human. In the West underpaid guys in pre-press removed nether regions entirely and made the models sexless like Barbie dolls. We'll talk about this more later.
Mirage's cover star, who's typing in the nude very much the same way we write this website, is identified only as Anna. Inside the issue is a tri-panel centerfold of a model the editors call Alicia, and she's bracketed by other models named Wendy, Kismet, Jan, Ella, Sylvia, etc. All of those are professional names, we assume. Meanwhile the photographers work under probable pseudonyms too, we suspect, such as Don Pleasance and Len Humber. There's no copyright on the magazine, therefore only someone who was around at the time could say for sure when it appeared, and that leaves us out. However, the look of it says mid-1960s to us. It's a nice publication. There are more pages, but only so much scanning time in the world. Maybe we'll return here later and do a more thorough job.
           
 Embarrassingly, I've put away my spring wardrobe, but haven't yet taken out my summer wardrobe. 
We scanned this photo of Japanese actress Jun Ogawa eight years back, but sort of lost her in the shuffle until today. We're glad we found the shot, though, because it's pretty nice. Ogawa made eighteen movies between 1971 and 1977, most of them for Roppô Eiga, which is a studio whose output we haven't explored yet. If any of Ogawa's work is available we'll probably do that. We're thinking Makura geisha no kokuhaku: Shinshitsu no technique might be a good choice. The English title of that is Confessions of a Pillow Geisha: Bedroom Techniques. Alternatively there's Dokufu oden kubikiri asa, which was called Samurai Executioner in the West. That sounds good too. We'll go looking. The above image is from a 1974 issue of Heibon Punch.
 When the mood strikes she wastes no time.  
Amazingly, it's been four years since we shared a Technicolor lithograph with a cellophane overlay. It isn't because we don't have any. It's because we have scans of the overlays, but not the underlays. Is that a word? Anyway, for that reason, and because we can't identify the models, we've neglected this rare mid-century art form. But today we have one for you. A lovely but unidentified model poses for a shot titled, “Pensive Mood.” When you lift the cellophane, her underwear is peeled away and she's revealed in all her glory, as you see. The date on this is no later than 1966, which we know because we found the image as a calendar shot from that year. For a look at our other overlay lithos click this link, and follow the links in that post.
 I've decided to start a nudist colony. What do you think? Any chance of success? 
Monica Gayle was a b-movie actress extraordinaire, appearing in more than thirty mostly low budget films, including Switchblade Sisters, The Harem Bunch, The Erotic Adventures of Pinocchio, and, quite memorably, The Stewardesses, in which she's onscreen for only a few minutes but performs the lotus position in a way you've probably never seen. We also just saw her in Southern Comforts, which is why we're featuring her today—we figured after all those fuzzy screenshots we needed to give you a clearer look. Posing nude was no rarity for her. She appeared in probably a dozen men's magazines, often quite explicitly. This more modest shot of her comes from an issue of the nudist publication Sun Buffs and is from 1970.
 You can think about it, but first you have to know what “it” is. 
Stop us if you already know this. Back during the ’60s and ’70s stores that sold items related to tobacco and weed consumption were known as headshops. The hippest sectors of town—your Haight-Ashburys, Capitol Hills, and Greenwich Villages—were home to these establishments, and among the many products on offer counterculture posters were big sellers. These would be Che Guevara posters, naked-woman-smoking-a-bong posters, fluorescent black light posters, etc., genrally aimed at young male customers. Above is an example of that collectible art form. The shot was made by Dozier Mobley, who you see here.  He was a photojournalist for the Atlanta Journal, the Associated Press, and United Press International, and later went on to work extensively with NASCAR.
The message of the poster may seem self-explanatory (most websites say it calls for revolution), but we aren't sure. While that's an understandable interpretation, we actually think, because the model is nude, this is more likely a sex-not-war, anti-Vietnam type thing aimed specifically at black buyers, who had been sent overseas in disproportionate numbers (particularly early in the war, and particularly when compared to earlier wars). The “Think About It!” tag suggests an anti-war message, we feel, as in, “Think about what you'll lose.” But we'll never know the exact meaning. It's a headshop poster. The message is up to each buyer to determine. Mobley would probably know, but he died in 2009. The model might know too, but she's unidentified, sadly. Unidentified—but unforgettable.
 
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The headlines that mattered yesteryear.
1945—Hitler Marries Braun
During the last days of the Third Reich, as Russia's Red Army closes in from the east, Adolf Hitler marries his long-time partner Eva Braun in a Berlin bunker during a brief civil ceremony witnessed by Joseph Goebbels and Martin Bormann. Both Hitler and Braun commit suicide the next day, and their corpses are burned in the Reich Chancellery garden. 1967—Ali Is Stripped of His Title
After refusing induction into the United States Army the day before due to religious reasons, Muhammad Ali is stripped of his heavyweight boxing title. He is found guilty of a felony in refusing to be drafted for service in Vietnam, but he does not serve prison time, and on June 28, 1971, the U.S. Supreme Court reverses his conviction. His stand against the war had made him a hated figure in mainstream America, but in the black community and the rest of the world he had become an icon. 1947—Heyerdahl Embarks on Kon-Tiki
Norwegian ethnographer and adventurer Thor Heyerdahl and his five man crew set out from Peru on a giant balsa wood raft called the Kon-Tiki in order to prove that Peruvian natives could have settled Polynesia. After a 101 day, 4,300 mile (8,000 km) journey, Kon-Tiki smashes into the reef at Raroia in the Tuamotu Islands on August 7, 1947, thus demonstrating that it is possible for a primitive craft to survive a Pacific crossing. 1989—Soviets Acknowledge Chernobyl Accident
After two days of rumors and denials the Soviet Union admits there was an accident at the Chernobyl nuclear power plant in Ukraine. Reactor number four had suffered a meltdown, sending a plume of radioactive fallout into the atmosphere and over an extensive geographical area. Today the abandoned radioactive area surrounding Chernobyl is rife with local wildlife and has been converted into a wildlife sanctuary, one of the largest in Europe. 1945—Mussolini Is Arrested
Italian dictator Benito Mussolini, his mistress Clara Petacci, and fifteen supporters are arrested by Italian partisans in Dongo, Italy while attempting to escape the region in the wake of the collapse of Mussolini's fascist government. The next day, Mussolini and his mistress are both executed, along with most of the members of their group. Their bodies are then trucked to Milan where they are hung upside down on meathooks from the roof of a gas station, then spat upon and stoned until they are unrecognizable.
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