 Strange ideas from the minds and lenses of mid-century promo photographers.   A while back we shared a promo photo of Glenn Ford and Gloria Grahame from 1953's The Big Heat that was meant to imply oral sex (it absolutely was, and you can see for yourself here). We commented on its weirdness, and noted that an actress would probably not be asked or made to pose that way today. The shot got us thinking about whether there were other kneeling promo shots from the mid-century era, and above you see two others from The Big Heat. Below we have more such shots, and while none are as jarring as that previous promo, they're all interesting. We assumed there would be few if any featuring kneeling males, but we found a couple. Even so, there are probably scores more kneeling actresses that we missed. While many of shots took the form they did to highlight the criminal/victim themes in their parent films, you still have to wonder what else—consciously or not—was in the various photograhers' minds. Anyway, just some food for thought this lovely Thursday. Ready, set discuss!   Rod Taylor and Luciana Pauluzzi swap subordinate positions for 1967's Chuka.
 Edmund O'Brien goes for the time honored hair grab on Marla English for 1954's Shield for Murder.
 Inger Stevens and Terry Ann Ross for Cry Terror, an adaptation of a novel we talked about a few years ago.
 Kim Hunter soothes an overheated Marlon Brando in a promo for 1951's A Streetcar Named Desire.
 George Raft menaces Marlene Dietrich in the 1941 comedy Manpower.
  As promos go, these actually make sense. They show three unidentified models mesmerized by vampire Christopher Lee for 1970's Taste the Blood of Dracula.
 Glenn Ford is at it again, this time looming over Rita Hayworth for the 1946 classic Gilda.  Aldo Ray and Barbara Nichols for 1958's The Naked and the Dead.
 This one shows less domination and more protectiveness, as Humphrey Bogart prepares to defend Ida Lupino for High Sierra, 1941.
 Humphrey once more. Here he's with Lizabeth Scott for Dead Reckoning, 1947.
 This shot shows Brazilian actress Fiorella Mari with an actor we can't identify in a movie we also can't identify.
 Shelly Winters and Jack Palance climb the highest mountain together for I Died a Thousand Times, 1955.
 As we said, we didn't find as many examples of kneeling men, but we found this gem—Cappucine makes a seat of director Blake Edwards on the set of The Pink Panther in 1963. Does this count, though? While Edwards is subordinate, he isn't kneeling and it really isn’t a legit promo. And lastly, in a curious example, Hugo Haas seems to tell Cleo Moore to stay in a shot made for 1953's One Girl's Confession.
 Subway commuters now running to work after latest round of NYC budget cuts eliminates trains. 
Andrew L. Stone may be unique in the realm of vintage literature. His 1958 thriller Cry Terror is a novelization of the film of the same name, which he wrote, directed, and co-produced. Cry Terror wasn't the first time Stone wore multiple hats. Two years earlier he had written and directed the thriller Julie, and written the novelization too. The screenplay earned him an Academy Award nomination. He racked up thirty-seven directorial credits during his career, and among his output was Stormy Weather, The Hard-Boiled Canary, Highway 301, Confidence Girl, and A Blueprint for Murder. He ended up with a star on the Hollywood Walk of Fame.
Another reason we wanted to highlight Cry Terror today is because of the excellent cover art by Robert Maguire. It was modeled after a promo shot from the film of lead actress Inger Stevens. You see that below. We were thinking about buying the book, but digging up all this info has revealed the entire plot to us, so we won't bother. Also, the copies that are currently out there are going for fifty dollars and up. As we mentioned before, we don't go that high for anything we'd be tempted to swat flies with. Plus we have a ton of books piled up. We may watch the movie, though. Less time, less expense. If we do we'll report back.
 San Fran film fest once again celebrates the best and brightest of mid-century crime cinema. 
Today, once again, the U.S.’s premier film noir festival begins in San Francisco. Well, we aren’t impartial—we used to live in Berkeley, just across the Bay, and San Fran was our nocturnal playground—but we think the Noir City Film Festival is the best, that its locale the Castro Theatre is awesome, and that San Francisco, with its iconic hills, clanking cable cars, and rogue fogs, is the also the best possible host city. This year the art produced for the festival in its thirteenth year references worn pulp paperbacks, which we can appreciate, and we also love the festival line-up.
The extravaganza opens with Woman on the Run, a film we discussed recently. Apparently the last known print burned in a fire, and this year’s showing represents the culmination of years of restoration work. Since the film was in the public domain, we imagine some secondary sources existed and needed to be tracked down and cobbled together. Other classics to be screened include Clash By Night, The Thin Man, Shockproof, Cry Terror!, and twenty others. Hopefully a few of our Bay Area friends will attend the festival and report back. And to Pulp Intl. readers in that part of the world, this is your official reminder—any chance to see film noir on a big screen is an opportunity not to be wasted.
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The headlines that mattered yesteryear.
2003—Hope Dies
Film legend Bob Hope dies of pneumonia two months after celebrating his 100th birthday. 1945—Churchill Given the Sack
In spite of admiring Winston Churchill as a great wartime leader, Britons elect
Clement Attlee the nation's new prime minister in a sweeping victory for the Labour Party over the Conservatives. 1952—Evita Peron Dies
Eva Duarte de Peron, aka Evita, wife of the president of the Argentine Republic, dies from cancer at age 33. Evita had brought the working classes into a position of political power never witnessed before, but was hated by the nation's powerful military class. She is lain to rest in Milan, Italy in a secret grave under a nun's name, but is eventually returned to Argentina for reburial beside her husband in 1974. 1943—Mussolini Calls It Quits
Italian dictator Benito Mussolini steps down as head of the armed forces and the government. It soon becomes clear that Il Duce did not relinquish power voluntarily, but was forced to resign after former Fascist colleagues turned against him. He is later installed by Germany as leader of the Italian Social Republic in the north of the country, but is killed by partisans in 1945.
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Marilyn Monroe swoons as Richard Widmark snarls for Don't Bother To Knock, 1952.
