I plan to rise from soul crushing poverty into the soul crushing middle class, and if you play your cards right I'll take you with me.
This 1955 Bantam edition of Steve Fisher's 1954 novel Giveaway has a front by James Hill that's at once beautiful and sordid. We've always been drawn to this art, so after seeing the book around for years we finally decided it was time to give it a read. Fisher tells the story of a seventeen-year-old Midwestern runaway named Eddie Shelton who ends up in Los Angeles and meets a mother and daughter who make their living by selling prizes they win for appearing on (fictional) game shows such as Down Melody Street and Cookies or Cash. It's difficult to get on the shows because the producers prefer novices, rather than “pros.” Jane, the daughter in this duo, sees Eddie as her ticket to being booked on a show called Man and Wife that offers huge prizes, including a trip to Hawaii and a year's wardrobe. She's willing to do anything for the chance—even convince Eddie she's in love with him.
The allegory is strong with this book. It reminded us of They Shoot Horses, Don't They?, with its capitalist critique folded within the characters' constant hope that a jackpot will lift them out of their meager circumstances, but it's also indebted to Catcher in the Rye because it features the same sort of youngish character who thinks the entire world is phony bullshit. Like that book, Giveaway is written in first person with copious slang and the feel of trying to make sense of a confusing society. We saw it labeled somewhere as juvenile fiction. It isn't. It stars two teens, but the themes from veteran pulp magazine contributor, crime novelist, and screenwriter Fisher are adult, and overall he crafts a good tale. His screenplays include Dead Reckoning, Lady in the Lake, and Johnny Angel, so a foray into the criminal underworld with him is mandatory. We have one of his crime novels, so that'll be an upcoming read, and we'll report back.
They're not really going anywhere but they look mighty good doing it.
What's a period drama without a fake driving scene? Nearly all such sequences were shot in movie studios using two techniques—rear projection, which was standard for daytime driving, and both rear projection and lighting effects for simulating night driving. Many movie studios made production images of those scenes. For example, above you see Jane Greer and Lizabeth Scott, neither looking happy, going for a fake spin around Los Angeles in 1951's The Company She Keeps. We decided to make a collection of similar shots, so below we have more than twenty other examples (plus a couple of high quality screen grabs) with top stars such as Humphrey Bogart, Ingrid Bergman, Barbara Stanwyck, Robert Mitchum, and Raquel Welch. We've only scratched the surface of this theme, which means you can probably expect a second collection somewhere down the road. Incidentally, if you want to see Bogart at his coolest behind the wheel look here, and just because it's such a wonderful shot, look here for Elke Sommer as a passenger. Enjoy today's rides. Humphrey Bogart tries to fake drive with Ida Lupino in his ear in 1941's High Sierra. Dorothy Malone, Rock Hudson, and a rear projection of Long Beach, in 1956's Written on the Wind. Ann-Margret and John Forsythe in Kitten with a Whip. We think they were parked at this point, but that's fine. Two shots from 1946's The Postman Always Rings Twice with John Garfield and Lana Turner, followed by of shot of them with soon-to-be murdered Cecil Kellaway.
Shelley Winters, looking quite lovely here, fawns over dapper William Powell during a night drive in 1949's Take One False Step. William Talman, James Flavin, and Adele Jergens share a tense ride in 1950's Armored Car Robbery. William Bendix rages in 1949's The Big Steal. Frank Sinatra drives contemplatively in Young at Heart, from 1954. George Sanders drives Ingrid Bergman through Italy, and she returns the favor, in 1954's Viaggio in Italia. Harold Huber, Lyle Talbot, Barbara Stanwyck and her little dog too, from 1933's Ladies They Talk About. Virginia Huston tells Robert Mitchum his profile should be cast in bronze in 1947's Out of the Past. Peggy Cummins and John Dall suddenly realize they're wearing each other's glasses in 1950's Gun Crazy, a film that famously featured a real driving sequence, though not the one above. John Ireland and Mercedes McCambridge in 1951's The Scarf. James Mason drives an unconscious Henry O'Neill in 1949's The Reckless Moment. Hopefully they're headed to an emergency room. Marcello Mastroianni driving Walter Santesso, Mary Janes, and an unknown in 1960's La dolce vita. Tony Curtis thrills Piper Laurie with his convertible in 1954's Johnny Dark. Janet Leigh drives distracted by worries, with no idea she should be thinking less about traffic and cops than cross-dressing psychos in 1960's Psycho. We're not sure who the passengers are in this one (the shot is from 1960's On the Double, and deals with Danny Kaye impersonating Wilfrid Hyde-White) but the driver is Diana Dors. Kirk Douglas scares the bejesus out of Raquel Welch in 1962's Two Weeks in Another Town. We're familiar with her reaction, which is why we're glad the Pulp Intl. girlfriends don't need to drive here in Europe.
Robert Mitchum again, this time in the passenger seat, with Jane Greer driving (and William Bendix tailing them—already seen in panel ten), in 1949's The Big Steal. The film is notable for its many real driving scenes.
James Mason keeps cool as Jack Elam threatens him as Märta Torén watches from the passenger seat in 1950's One Way Street. And finally, to take a new perspective on the subject, here's Bogart and Lizabeth Scott in 1947's Dead Reckoning.
By any Reckoning this poster is a top quality piece.
This promo poster for Dead Reckoning is deliberately garish and highly effective at drawing the eye. They don't make 'em like this anymore, nor movies like this either. It had a special premiere today in 1947 in San Francisco, and went into wide release across the U.S. a month later. We shared a piece of Japanese promo art years ago and talked about the film, so if you want to know more, check here.
Just a girl and her thoughts.
Above, Lizabeth Scott is smoking in more ways than one in this promo image shot for her 1948 film noir Pitfall. She was born Emma Matzo, if you can believe that, which makes her real name maybe the second worst in Hollywood history. But her career has to rank as one of the best in the sense that unlike most actresses she began with starring roles, debuting in 1945’s You Came Along, and later appearing in such classics as The Strange Love of Martha Ivers, Dead Reckoning and I Walk Alone. She last acted in 1972’s Pulp with Michael Caine, and today, aged 90, is retired and living in Southern California.
The sins of the past always lead to a Reckoning.
A while back we made fun of some English-language websites for uploading a Japanese poster backwards. Well, now it’s Japan’s turn. Play it again Boggy? Seriously guys? Is that supposed to be phonetic? We think not. Well, it just goes to show you that whatever your language is, written down it’s just a bunch of chicken scratching to billions of other people. In any case, what you’re looking at is a poster for the film noir Dead Reckoning, starring Bogie, not Boggy. In Japan the movie was titled Great Split. At least that’s what the big red writing at bottom says. Platinum-haired Lizabeth Scott co-stars with Bogart, and we think she fares better in this than in Pitfall, which we discussed last week. She’s more alluring here, and has a meatier role to play as a woman with a complicated past.
The film is narrated by Bogart, and his tale is peppered with combat and gambling metaphors as various gambits come up “snake eyes,” or he’s “dealt a joker.” Of course, the real wild card is Scott—is she or isn’t she in with the villains? Bogart’s rational side says yes, but his gut—and groin—are seduced by Scott’s siren song. We mean that literally. Mid-century filmmakers often snuck in vocal numbers for their female starsto perform. Sometimes they fit seamlessly into the plot. In this case—not so much. Scott’s routine occurs at dinner while she’s sitting at the table with Bogie. You can see the thoughts playing on his face, above, and, “This is one freeeaky chick,” eventually loses out to, “I wonder if she dyes her muff?”
In the end, the whole conspiracy—the lies, the murders, the blackmail—is all about money. No shock there. And the head villain is the one with the best suit. Of course. So Dead Reckoning isn’t special, and in fact it borrows from a few other film noirs, but how can we resist it when Bogart sneers lines like: “I haven’t had a good laugh since before Johnny was murdered.”? It’s those hardboiled moments that make Dead Reckoning worth watching. As for the mandatory love angle, strings swell and eyes well, but despite best efforts from Bogart and Scott, their chemistry is a bit, er, boggy. So maybe the Japanese were right after all.
The headlines that mattered yesteryear.
2011—Elizabeth Taylor Dies
American actress Elizabeth Taylor, whose career began at age 12 when she starred in National Velvet
, and who would eventually be nominated for five Academy Awards as best actress and win for Butterfield 8
and Who's Afraid of Virginia Woolf?
of congestive heart failure in Los Angeles. During her life she had been hospitalized more than 70 times.
1963—Profumo Denies Affair
In England, the Secretary of State for War, John Profumo, denies any impropriety with showgirl Christine Keeler and threatens to sue anyone repeating the allegations. The accusations involve not just infidelity, but the possibility acquaintances of Keeler might be trying to ply Profumo for nuclear secrets. In June, Profumo finally resigns from the government after confessing his sexual involvement with Keeler
and admitting he lied to parliament.
1978—Karl Wallenda Falls to His Death
World famous German daredevil and high-wire walker Karl Wallenda, founder of the acrobatic troupe The Flying Wallendas, falls to his death attempting to walk on a cable strung between the two towers of the Condado Plaza Hotel in San Juan, Puerto Rico. Wallenda is seventy-three years old at the time, but it is a 30 mph wind, rather than age, that is generally blamed for sending him from the wire.
2006—Swedish Spy Stig Wennerstrom Dies
Swedish air force colonel Stig Wennerström, who had been convicted in the 1970s of passing Swedish, U.S. and NATO secrets to the Soviet Union over the course of fifteen years, dies in an old age home at the age of ninety-nine. The Wennerström affair, as some called it, was at the time one of the biggest scandals
of the Cold War.
The federal penitentiary located on Alcatraz Island in San Francisco Bay closes. The island had been home to a lighthouse, a military fortification, and a military prison over the years. In 1972, it would become a national recreation area open to tourists, and it would receive national landmark designations in 1976 and 1986.
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here
to give us your best shot.