I shot the director. But I didn't shoot the D.O.P.
A DOP, for those unfamiliar with the term, is the Director of Photography, the director's creative right hand on a movie set. J. P. Ferrière's Marie-meurtre, which is entry #573 in Editions Fleuve Noir's long-running Spécial Police series, is about a woman whose visiting brother dies in her home of a heart attack, and whose demise is immediately followed by the arrival of a Parisian gangster looking for a cache of stolen jewels. This would normally be a disconcerting development, but Marie has an enemy and the gangster's presence turns into an opportunity for long sought revenge. The book was published in 1967 and it has Michel Gourdon artwork, possibly only tangentially related to the actual content. Since our French is bare bones at best we couldn't pore over the book to find the connection to the cover art. But when you come up with a good caption you just have to run with it.
Well, if that's the way you feel about it, fine—I'll go to the damn grocery store with you.
Here's how food shopping works around here. When we go to the market we buy only enough for a day or two because we want to prevent food from going over, but when the Pulp Intl. girlfriends go they buy more than they can carry. Therefore, when we go alone we never get everything they want, and when they go alone they never have the help they need. We're thinking of buying them a donkey to solve that problem. Paul Kenny's Consigne impitoyable has nothing to do with any of that. It's an espionage thriller featuring the long-running character Francis Coplan, aka FX 18, who works for SDECE (Service de Documentation Extérieure et de Contre-Espionnage). The series, which was credited to Kenny as a pseudonym but written by Belgian authors Gaston Van den Panhuyse and Jean Libert, was immensely popular and sold tens of millions of copies globally. As you can see, Consigne impitoyable had two nearly identical covers, presumably representing two nearly identical occasions when extra persuasion was needed to get Coplan off his ass to help with the shopping. He may need to buy a donkey too. Both editions had Michel Gourdon cover art and appeared in 1958.
She's not out of the woods yet.
This is your regular reminder that Michel Gourdon was a top notch illustrator, though his brother Alain was the one who attained legendary status. Michel was more of a workhorse, though, painting many hundreds of paperback fronts, which probably contributed to him producing the occasional less-than-stellar effort. But this piece for Pierre Courcel's, aka Roger Jean Tribot's La haine qui rôde, aka The Hatred that Lurks, is Michel at his best. The sports car and female figure are nice, but the background of trees and sunlight is particularly beautiful, we think. It's from 1965 for Editions Fleuve Noir, entry #483 in its long-running Collection Spécial-Police.
Traffic mishaps reach an all-time high.
Below, assorted paperback covers pairing mortal danger and automobiles, including many examples from France, where the theme was particularly popular. Thanks to all the original uploaders on these.
Man, he had tiny feet. Suddenly it's hard to remember why I thought he was so dangerous.
Above, a Michel Gourdon cover for Serge LaForest's Les mains propres, aka Clean Hands, for Collection Special Police from French publisher Fleuve Noir. LaForest was a pseudonym used by Serge Arcouet, who wrote 140 novels as LaForest, Russ Rasher, Tony Stewart, and—we love this one—John Lee Silver. Actually, he shared Silver with two other French writers Pierre Aryaud and Léo Malet. Remember those trips to France we took? These Fleuve Noir paperbacks are staples in every secondhand bookstore you find, probably because very close to a billion have been printed and sold from 1949 until today. Les mains propres is from 1960
He might have broken the law, but he had a higher calling.
What’s an illustrator to do when he doesn’t have a model? Borrow a celebrity. And if you’re going to use a celeb you might as well take inspiration from the best. French artist Michel Gourdon decided upon the era’s most celestial sex goddess Raquel Welch for his cover of M.G. Braun’s Sam et Sally—Le sang du ciel, published in 1972 by Editions Fleuve Noir as part of its Collection Spécial Police. This would not be the last time Gourdon used Welch as a model, but it’s probably the best example.
This sort of appropriation was not unique to Gourdon. During this same period Italian artist Mario De Berardinis used Playboy Playmate of the Year Cyndi Wood for his poster promoting the film Giro girotondo... con il sesso è bello il mondo, Sharon Tate was used for at least two late 1960s paperback covers, Lavar Burton was borrowed for the front of an ultraviolent Italian fumetto, Ornella Muti provided the physical basis for the main character of the vampire series Sukia, Beba and Fiona of the Pornostar comics were based on two showgirls from Striscia la notizia, and none other than Iggy Pop appeared on the cover of Elvifrance’s Wallestein.
All of these examples using celebrity images for profit would be violations of intellectual property laws today, we’re fairly certain, but we could be wrong about that. Were they illegal in the past? Not in Italy, apparently—Ornella Muti must have known her image was being borrowed, since she worked primarily in Italy and Sukia was published there. Same goes for the Striscia la notizia showgirls. Maybe they were flattered. If so, they should have looked inside the comics, where their characters were ripping throats out and shanking dudes in the groin. In any case, we love curiosities like these, and we’ll doubtless run across more later.
Faced with this position surrender is the only option.
Here you see a pose that appears over and over in vintage paperback art—one figure looming menacingly in the foreground as a second cowers in the triangular negative space created by the first’s spread legs. This pose is so common it should have a name. We’re thinking “the alpha,” because it signifies male dominance and because of the a-shape the pose makes. True, on occasion the dominator isn’t male, sometimes the unfortunate sprawled figure is depicted outside the a-shaped space, and sometimes the art expresses something other than dominance, but basically the alpha (see, that just sounds right, doesn’t it?) has been used scores of times with only minor variation. You’ll notice several of these come from subsidiaries of the sleaze publisher Greenleaf Classics. It was a go-to cover style for them. We have twenty examples in all, with art by Bob Abbett, Robert Bonfils, Michel Gourdon, and others.
When vacation meets pulp we’re happy.
Must do this quickly. The Pulp Intl. girlfriends are away only for minutes. We’re basically cut off from civilization on some forgotten coastline, but in a nearby townlet we found an internet place that had some books, and amidst all the dreck and dross, presto!—uncovered an entire stack of Fleuve Noir thrillers with cover illustrations by Michel Gourdon. The Pulp Intl. girlfriends are always trying to get us to unplug, but we simply—*tented fingers*—can’t… be… stopped.
Okay, I’ll put it in neutral and you push. On one, two, and—whoops, had it in reverse. You alright back there?
Here’s an interesting cover for Mario Ropp’s Celle des deux qui vivait, which means “which of the two lived.” If we had to guess, we’d say it was the driver. Following standard practice for French crime authors, Ropp was actually a pseudonym for someone named Marie-Anne Devillers who wrote for twenty-seven years under various names, including Dominique Dorn, Maia Walbert, Maia de Villers, and Michèle Vaudois. The art here is by Michel Gourdon and it certainly qualifies as one of his quirkier efforts. See more Gourdon here and here.
The headlines that mattered yesteryear.
1944—Velez Commits Suicide
Mexican actress Lupe Velez, who was considered one of the great beauties
of her day, commits suicide by taking an overdose of sleeping pills. In her note, Velez says she did it to avoid bringing shame on her unborn child by giving birth to him out of wedlock, but many Hollywood historians believe bipolar disorder was the actual cause. The event inspired a 1965 Andy Warhol film entitled Lupe
1958—Gordo the Monkey Lost After Space Flight
After a fifteen minute flight into space on a Jupiter AM-13 rocket, a monkey named Gordo splashes down in the South Pacific but is lost after his capsule sinks. The incident sparks angry protests from the American Society for Prevention of Cruelty to Animals, but NASA says animals are needed for such tests.
1968—Tallulah Bankhead Dies
American actress, talk show host, and party girl
Tallulah Bankhead, who was fond of turning cartwheels in a dress without underwear and once made an entrance to a party without a stitch of clothing on, dies in St. Luke's Hospital in New York City of double pneumonia complicated by emphysema.
1962—Canada Has Last Execution
The last executions in Canada occur when Arthur Lucas and Ronald Turpin, both of whom are Americans who had been extradited north after committing separate murders in Canada, are hanged at Don Jail in Toronto. When Turpin is told that he and Lucas will probably be the last people hanged in Canada, he replies, “Some consolation.”
1964—Guevara Speaks at U.N.
Ernesto "Che" Guevara, representing the nation of Cuba, speaks at the 19th General Assembly of the United Nations in New York City. His speech calls for wholesale changes in policies between rich nations and poor ones, as well as five demands of the United States, none of which are met.
2008—Legendary Pin-Up Bettie Page Dies
After suffering a heart attack several days before, erotic model Bettie Page, who in the 1950s became known as the Queen of Pin-ups, dies when she is removed from life support machinery. Thanks to the unique style she displayed in thousands of photos
and film loops, Page is considered one of the most influential beauties who ever lived.
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