Hookers, sports cars, yachts, serious consideration as a U.S. presidential candidate—I can buy anything now!
Here’s that unidentified Mexican artist from a few weeks ago again and he’s got a theme going with the money and the cruelty. This time the tables are turned. The person with the cash in this piece entitled Matenme por Piedad, is about meet a bad end via strangulation, whereas last time the money guy was winning. We like this one better.
What do I look like? A guy with a heart or something? Don’t let the door hit you in the culo on the way out.
This piece of Mexican pulp-style art depicting a woman being evicted by an evil landlord was made during the early 1980s, but it’s appropriate for today’s era of millions of evictions a year, which goes to show that the more shit changes the more it stays the same. The piece is entitled El pez grande... roba al chico, or “the big fish robs the small one,” a phrase that pretty much sums up the last few decades. The painting was made for a Mexican graphic novel series entitled Jungla de asfalto, or Asphalt Jungle, and it’s probably the most technically accomplished piece of Mexican cover art we’ve come across. It’s initialed, but, as you can see, in such baroque style that it’s impossible to discern the letters. What do you think? Is that “FE”? “TE”? We have no idea. Thus the piece is unidentified, at least for now. See more Mexican pulp-style art beginning here.
Aw, somebody’s made a little mess again, hasn’t he?
It’s been a while, so here’s another… erm, interesting piece of Mexican neo-pulp. This painting featuring a fanged baby only a mother could love is entitled Mi mamá me mima, which means “my mother spoils me,” and it was made during the 1980s for Mexico’s popular comic book/graphic novel market. Honestly, we like these Mexican pieces. There’s something a bit high-school art class about the execution of them, but they manage to work in the part of brain that generates bad dreams. This particular nightmare is unsigned.
Once upon a time in old Mexico.
Mexico’s old west mythology is as strong as the U.S.’s, probably owing to the fact that most of the old west actually was Mexico at one point. That love of western stories comes across strongly in these cover paintings made for Mexico’s 1970s and 1980s comic book market. Many of them were made for the series Sensacional de Vaquero, or Sensational Cowboy, published by Mexico City-based Editorial EJEA, which was founded by Everardo Flores. The scenes depicted are incredibly chaotic and violent—everybody that can be killed, seemingly, is killed, including horses and innocent bystanders. The backgrounds of some of the scenes are interesting, and are worth taking a close look at. The creators here have names such as Beton, Nique, and Jaime S., while others we cannot identify because their signatures, while stylish, are illegible. The art is perhaps not of the quality seen on pulp novels, but it’s certainly effective. Twenty total scans for your enjoyment, and you can see a few examples here, here, and here.
Think you have trouble getting laid? Try dealing with this guy’s problem.
Above are assorted covers of the Italian fumetto Pig, which first appeared in 1983 from Ediperiodici. Pig was reprinted in both French and Spanish, though the French editions ran into trouble from authorities that saw the content as promoting bestiality. You’d have to be a real prude to see it that way, because this is pretty funny stuff. An experiment gone awry has given the protagonist a pig’s head, and if he doesn’t have sex regularly he’ll transform past the point of no return. Since he has a pig’s head, the sex thing is a bit tricky, but through sheer animal charm he manages. So what’s your excuse for not scoring? We bet you have a human head, so quit your bellyaching.
As a side note, this comic brings to mind the time we worked for a production company in L.A., which at some point began scouring the country for graphic novels with cinema potential. Once word got out in the comic community we began receiving dozens of submissions a week, all of which had to be evaluated for merit. There was one guy who sent in something called Pork, and the idea was that a pig was elected to the U.S. Senate. We loved that one and gave it highest marks, but others in the company just didn't get it. Disagreement over the concept contributed to us getting fired. Which just goes to show how stupidly literal some people are.
Anyway, we have some interior scans from issue number 63 of Pig below. In those pages the hero calls himself Dick Saroyan and seemingly is a writer or journalist. However, we’ve seen online that the pig is actually named Mark, so maybe in this issue he’s involved in some sort of undercover caper. Regardless, he ends up getting laid and that's all that really matters for him, lest he transform into 100% swine. Have a look below. The art, which is by Averardo Ciriello, is pretty graphic, but that's why it's per adulti.
Why thank you. I’ll put this right into my secret account at HSBC.
It’s been a while since we shared any Mexican pulp art, so here’s a nice example—it’s entitled “Líderes aprovechado,” which means “exploited leaders,” and it depicts the buying off of a politician. How unsophisticated—don’t they know if they follow certain procedures this becomes a perfectly legal campaign donation? They need to look north for inspiration. Anyway, this painting and others we’ve shared were made for Mexico’s cheapie paperback market during the seventies and eighties. You can see a few other examples here, here, and here.
Hasta siempre, Comandante.
Since we mentioned in our Kennedy post that Mercocomic had serials about other historical figures, we decided we’d go ahead and share these Spanish Che covers from 1978. The complete run was three issues in the order seen, and the art is once again from the excellent Prieto Muriana, who even worked in a Pietà on cover three. “Hasta siempre, Comandante,” by the way, is a very famous Carlos Puebla song recorded by everyone from Joan Baez to Nathalie Cardone.
Mercocomic re-imagines one of the darkest periods in American history.
A long while back we shared a Spanish cover of the Mercocomic publication Kennedy and mentioned that a series of six appeared in 1977. The same comics were also published in French, so today, inappropriately, we’re sharing those six covers from France with their excellent if unsettling art by Prieto Muriana. Mercocomic published serials of other well known figures, among them Che, Hitler, Mussolini, Don Juan Tenorio Garcia, and Quijote 78. None are strictly factual accounts, but rather re-imaginings of the circumstances and motivations that drove important historical episodes.
Kennedy, as you can probably guess from JFK’s exit on cover one and Lee Harvey Oswald’s dispatching on cover two, deals with events leading all the way up to RFK’s assassination, with the proceedings generously sprinkled with the sex, drugs, betrayal, and hyperviolence you’d expect in an adult comic. Years ago when we first ran across Kennedy you could download all six. Not anymore. But they’re still available for purchase online at reasonable prices and then friends can question your taste for buying them. Luckily that isn’t a problem for us—most everything we own is tasteless.
, Édiciones Mercocomic
, Prieto Muriana
, John F. Kennedy
, Robert F. Kennedy
, lee Harvey Oswald
, Che Guevara
, Adolf Hitler
, Benito Mussolini
, comic art
The headlines that mattered yesteryear.
1959—Dark Side of Moon Revealed
The Soviet space probe Luna 3 transmits the first photographs of the far side of the moon. The photos generate great interest, and scientists are surprised to see mountainous terrain, very different from the near side, and only two seas, which the Soviets name Mare Moscovrae (Sea of Moscow) and Mare Desiderii (Sea of Desire).
1966—LSD Declared Illegal in U.S.
LSD, which was originally synthesized by a Swiss doctor and was later secretly used by the CIA on military personnel, prostitutes, the mentally ill, and members of the general public in a project code named MKULTRA, is designated a controlled substance in the United States.
1945—Hollywood Black Friday
A six month strike by Hollywood set decorators becomes a riot at the gates of Warner Brothers Studios when strikers and replacement workers clash. The event helps bring about the passage of the Taft-Hartley Act, which, among other things, prohibits unions from contributing to political campaigns and requires union leaders to affirm they are not supporters of the Communist Party.
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