Modern Pulp Nov 6 2017
MAXIMUM MEXICO
A Gallur gallery of viciousness and vice.


A while back we began sharing pieces of 1980s comic art from Mexico and intended to make it a regular feature. In our heads we're still featuring Mexican art regularly, but today we realized we haven't posted a piece in two years. Which goes to show you how things work around here. So we're back to Mexican ’80s comic art today, with all its crazy violence and wild stylings.

Above you see a painting entitled Enlatadas, which in Spanish means “canned.” We're guessing that's Mexican slang for getting your ass handed to you in the most brutal possible way. Below you see three more pieces. The first is for a comic series called Frank Kevin, and is the cover art used for #366 in the series. Second you see a piece for the series Sensacionál de Maestros, or “teacher's sensation.” In this case, thief seems to be the answer. And third you see cover art for something called Posesión Demoníaca, no translation needed.

The artists on Mexican comic illustrations are often forgotten, except for a select few. All today's pieces are by the same person—Rafael Gallur—who has had a long and prolific career in newspapers and comics. You can see more from him here. We'll try to pump new life into our Mexican art series going forward, which means you should see the next post in about a year. 
Just kidding. We'll do better. In the meantime check out others in the category here, here, here, and here.

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Vintage Pulp Jul 20 2017
HOMICIDE BLONDE
She's not bad. She's just painted that way.

Peter Driben illustrated relatively few book covers compared to his magazine output. We showed you a rare paperback from him a few years ago, and above you see another—his work on W. T. Ballard's 1943 thriller Say Yes to Murder, for publisher Martin Goodman. The book is part of a series starring Ballard's character William Lennox, who was a detective-like troubleshooter for fictitious General Consolidated Studios. He investigates the murder of an actor found stabbed and lying under the bed of actress Jean Jeffries, who is the granddaughter of one of Lennox’s close friends. As a troubleshooter, Lennox's first duty is to move the body to avoid scandal for the studio (that's the difference between a detective and a troubleshooter) and only then does he try to unravel the mystery. Lennox appeared in three other Ballard novels—1946's Murder Can’t Stop, 1948's Dealing Out Death, and 1960's Lights, Camera, Murder, which he wrote as John Shepherd. Martin Goodman, you probably know already, later went on to create Marvel Comics. You can see that other nice Driben cover we mentioned here, and three brilliant Dutch covers here. We'll keep an eye out for more. 

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Sportswire Mar 30 2017
JE SUIS BATMAN
The Petit Prince was a true original.

Here’s an event you don’t want to miss—the sure-to-be entertaining grudge match between wrestlers Petit Prince Batman and Le Colosse Siki at the Parc de Sports in Paris. The bout was sponsored by Duval Anisette Liqueur sometime during the 1930s, according to the poster's vendor. The years during that decade where Thursday fell on March 30 were 1933 and 1939. The DC Comics character Batman premiered in 1939. But that wasn’t until May, so if this wrestling poster is indeed from the 1930s then Petit Prince Batman beat Batman by a few months, if not a few years. To us it seems unlikely, but must be true. Anyone have better info? E-mail us. 

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Vintage Pulp Jan 11 2017
RESTLESS LEG SYNDROME
That's great. Very sexy. Now why don't we—just for context, you understand—see where the legs actually attach.

Originally published in hardback in 1942, with this Red Circle paperback appearing in 1949, Leg Artist is the story of a model named Lee Martin who rises to the top of her profession only to be targeted by a con man and felled by the tabloid press. The title refers to the photographic arts but is also a double entendre, as a “leg artist” is mid-century slang for a man adept at picking up women. Harvey revisited this theme later with 1950's Leg-Art Virgin. Red Circle was part of a publishing group put together by U.S. publisher Martin Goodman, and some of these companies evolved into Timely Comics, which in turn morphed into Marvel Comics. The art for this cover is by unknown.

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Vintage Pulp Dec 16 2016
HITLER THE HERO
Mercocomic reimagines Adolf Hitler as a force for good.

The seventies were an incredibly creative time for popular arts. Comics and graphic novels of the period have a certain caution-to-the-wind quality. Mercocomic's six part series Hitler is a prime example. It's an amazing tale in which Adolf Hitler successfully escapes Berlin at the end of World War II but is wounded by a bomb blast that induces amnesia. With his face drastically altered and his memory totally obliterated, he becomes a Nazi hunter in the service of the KGB. Of course all this digging around is bound to jog the memory of even an amnesiac, and then there will be hell to pay. Yeah. It's crazy—even crazier than Mercocomic's other offerings starring Che Guevara and John F. Kennedy. You can just hear the discussion going back and forth: “We can't do this.” “Of course we can.” “No we can't.” “I tell you we can.” In the end they did do it, because that was then and popular art consumers would give anything a chance. 1977 copyright on these, with covers by Prieto Muriana.

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Modern Pulp Oct 13 2016
CAGE HEAT
Bulletproof black man flips the script in Harlem.

So, we watched the entirety of the new Netflix series Luke Cage. Our love of blaxploitation films made it mandatory. Of course, Luke Cage isn't blaxploitation—it's serious black-oriented drama. But anyway we queued it up. For those who don't know, the series is based on a Marvel Comics character who was a bulletproof, super strong black man who lived in Harlem. The show does away with the comic book Cage's bright yellow costume, but leaves the Harlem setting, political machinations, and dealings of crime kingpins that intertwine as normal people try to get on with their lives.

Most members of the sizable cast are black except for several supporting roles, and the occasional one-off—i.e., a technician here, an office worker there. The series is basically an exact negative of about 10,000 television shows over the years that cast blacks in supporting roles. A vocal percentage of the public is not dealing well with it. Some call the show racist. It made us think of the famous unattributed quote: “When you’re accustomed to privilege, equality feels like oppression.” These racially sensitive critics watched How I Met Your Mother, Arrested Development, True Detective and scores of other lily white television shows in droves, but the existence of a single show like Luke Cage is threatening.

But let's put all that aside for the moment. Is the show any good? There are some of the same failings as other action-oriented series, but on the whole it's entertaining. Just be forewarned—it's akin to The Wire more than any superhero extravaganza. The characters are deeply explored. Serious comic book action fans will be disappointed. And second, the complete immersion into an African American culture will be unfamiliarto many viewers. In the end, you simply have to have an interest in the premise and the characters to enjoy the show. For us, the immersion into a nearly 100% black Harlem is one of the show's strengths. For others, not seeing characters that remind them of themselves will be alienating. And that's absolutely acceptable in terms of deciding how to spend one's hard earned free time selecting television shows. Such people should say they aren't interested in the premise. They shouldn't make phony claims that the show is racist.

We think American broadcast media need more shows that reflect reality. Here's the reality—the U.S. is both diverse and extraordinarily segregated. 75% of white Americans have zero black friends, while around 60% of blacks have zero white friends. 100% white environments and white points of view have been shown on television for decades. Luke Cage airs a black point of view, with complex relationships, romantic entanglements, ambitions, dreams, and dealings with harsh realities. There should be room for that, particularly considering television history. On a completely different note, we really are looking forward, twenty or thirty years from now, to a scholarly examination of all these damned superhero shows and movies. There's a real pathology here.

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Modern Pulp Jun 2 2016
POLICIACO FORCE
Novedades Editores takes readers on a five city tour of street crime and murder.

Mexican pulp art has grown in popularity in recent years, thanks to the efforts of vendors and collectors. It differs from U.S. pulp in that it was produced decades later—during the 1970s and forward. The covers you see here today are prime examples of what is generally classified as Mexican pulp, made for the comic book series El libro policiaco, or "The Police Book," and published by Novedades Editores during the early 2000s. The series was so popular that, like the U.S. television show C.S.I., the books diversified into multiple cities—New Orleans, New York City, Miami, Chicago, and San Francisco. Each city's stories centered around a local police department staffed by a multi-ethnic array of cops and support personnel. And as the banner text proclaims, the interior art was indeed in color, ninety-two pages of it per issue. All the covers here were created by Jorge Aviña, an artist who began his career during the 1970s, and has had his work exhibited in London, Switzerland, Barcelona, and Paris. We'll have more from El libro policiaco a bit later.


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Sex Files Jan 4 2016
RECREATIONAL TIJUANA
Crossing the border between art and pornography.

The Tijuana bibles we like best are those dealing with celebrities, like this one about Robert Mitchum and this one spoofing John Dillinger. But many of these dirty little books dealt with famous comic strip characters such as today’s Dixie Dugan send-up. In addition to being absolutely scandalous and often very funny, these eight-panel booklets show that we haven’t really changed that much in the last eighty years or so years when it comes to such variations as oral sex and dirty talk. Yes, your grandparents may well have been sixty-nining like banshees. Read a bit more about Tijuana bibles here.

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Vintage Pulp Oct 13 2015
LIKE A VERGINE
One old west heroine plus one six shooter equals lots of perforated cowboys.

Italy’s SIE, aka Società Iniziative Editoriali, published fifty-six issues of the fumetto La vergine nera, aka The Black Virgin, from 1969 to 1972. Put together by writer Onofrio Bramante and artist Edgardo Dell’acqua, the main character Helena Trucker is a gunslinger and general badass in the American west. As is common in fumetti, she gets into a lot of sexual predicaments, but she also deals with bad guys in hyper violent fashion and is truly not to be messed with. Edgardo Dell’acqua was old school. Born in 1916, his comic output began with Mario e Furio nell'Africa misteriosa in 1936. La vergine nera came at the end of his career. Above you see thirteen examples. 

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Modern Pulp Sep 24 2015
PROFIT MOTIVE
Hookers, sports cars, yachts, serious consideration as a U.S. presidential candidate—I can buy anything now!

Here’s that unidentified Mexican artist from a few weeks ago again and he’s got a theme going with the money and the cruelty. This time the tables are turned. The person with the cash in this piece entitled Matenme por Piedad, is about meet a bad end via strangulation, whereas last time the money guy was winning. We like this one better.

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Next Page
History Rewind
The headlines that mattered yesteryear.
December 12
1968—Tallulah Bankhead Dies
American actress, talk show host, and party girl Tallulah Bankhead, who was fond of turning cartwheels in a dress without underwear and once made an entrance to a party without a stitch of clothing on, dies in St. Luke's Hospital in New York City of double pneumonia complicated by emphysema.
December 11
1962—Canada Has Last Execution
The last executions in Canada occur when Arthur Lucas and Ronald Turpin, both of whom are Americans who had been extradited north after committing separate murders in Canada, are hanged at Don Jail in Toronto. When Turpin is told that he and Lucas will probably be the last people hanged in Canada, he replies, “Some consolation.”
1964—Guevara Speaks at U.N.
Ernesto "Che" Guevara, representing the nation of Cuba, speaks at the 19th General Assembly of the United Nations in New York City. His speech calls for wholesale changes in policies between rich nations and poor ones, as well as five demands of the United States, none of which are met.
2008—Legendary Pin-Up Bettie Page Dies
After suffering a heart attack several days before, erotic model Bettie Page, who in the 1950s became known as the Queen of Pin-ups, dies when she is removed from life support machinery. Thanks to the unique style she displayed in thousands of photos and film loops, Page is considered one of the most influential beauties who ever lived.
December 10
1935—Downtown Athletic Club Awards First Trophy
The Downtown Athletic Club in New York City awards its first trophy for athletic achievement to University of Chicago halfback Jay Berwanger. The prize is later renamed the Heisman Trophy, and becomes the most prestigious award in college athletics.
1968—Japan's Biggest Heist Occurs
300 million yen is stolen from four employees of the Nihon Shintaku Ginko bank in Tokyo when a man dressed as a police officer blocks traffic due to a bomb threat, makes them exit their bank car while he checks it for a bomb, and then drives away in it. Under Japanese statute of limitations laws, the thief could come forward today with no repercussions, but nobody has ever taken credit for the crime.
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