Mari Atsumi goes searching for her place in the sun.
Above, two beautiful posters for Taiyo wa mita, aka I Saw the Sun, with Mari Atsumi. We couldn't track this one down but we know it's a drama set in a seaside town and know it premiered in Japan today in 1970. We already shared a really nice promo image for the film here, and if we learn more we'll report back.
The shot heard 'round Japan.
This unusual poster was made to promote a film called Teppôdama no bigaku, known in English by the cool title Aesthetics of a Bullet. The movie came from Art Theatre Guild, or ATG, producers of films in the loose category known as Japanese New Wave, meaning to take a new approach to filmmaking by rejecting traditional ideas and techniques. This one was directed by Sadao Nakajima and stars Tsunehiko Watase as a hot-headed two-bit hustler named Kiyoshi who tries numerous schemes to get ahead, including being a chef, gambling, and breeding rabbits. He fails at all of them, and he's desperate for a break.
When he's given a job by a local yakuza cartel known as Tenyu Group, he quickly learns about the power of a gun. With it he can command others, make them fear and respect him, make them literally kneel. With this gun his sense of self worth is first restored, then inflated. He caresses it, brandishes it, polishes it, treats it better than even the women he lusts for, and the gun confirms that he's superior to others. And once he feels superior he becomes—not to put too fine a point on it—a total asshole. He's actually an abusive chump even before the gun, but the weapon fully unleashes his destructive, hyper-masculine impulses.
The things he does are too ridiculously stupid to get into. Suffice it to say that even for a regular guy these would lead to trouble, but he's Tenyu Group's thug-at-large, which means his erratic behavior and explosive anger offends the other crime bosses. Pretty soon he discovers that he's torn a dangerous rift in the yakuza network. But what Kiyoshi doesn't know—which the audience does from the beginning—is that Tenyu Group hired him in the first place precisely because he's a disruptive fuck-up. Their theory was always that he would spark a gang war. All he has to do is fire that beloved gun once and Tenyu Group will have the excuse it needs.
Aesthetics of a Bullet is obscure, so we knew nothing about it, but we liked it. It's concise, has a strong point of view, and a good supporting cast that includes Miki Sugimoto and Mitsuru Mori. Its only flaw—perhaps unavoidable—is that the lead character is such a misanthropic troublemaker that we could barely tolerate watching him. But we guess that's where the whole rejecting traditional filmmaking comes in. Who needs a likeable or even sympathetic lead? Real life is more complicated than that, and Kiyoshi's fictional life gets plenty complicated too. Even if you can't root for him, at least he won't bore you, and neither will the movie. Aesthetics of a Bullet premiered in Japan today in 1973.
Good weather, excellent visibility, with a 100% chance of Santa.
What says Christmas more than 72 degrees and mostly clear? These photos were made at the 1950 Santa Claus Lane Parade, a decades long Los Angeles tradition, which we bet was never cancelled due to weather. Actually, it was cancelled several times—during World War II due to blackout restrictions. Otherwise, smooth sailing. At some point the name of the event was changed to the Hollywood Christmas Parade, but it still takes place today. The extravaganza's route begins on Hollywood Boulevard and turns onto Sunset. The above shots feature, from top to bottom, show business luminaries Eddie Cantor, Jack Benny, Jimmy Durante, Peggy Lee, Leo Carrillo, Phil Harris, Alice Faye, Red Skelton, and William Bendix.
They could not resist when they saw little Nikki grind.
Back to an actual Japanese poster today, with this promo for the roman porno movie OL nikki: Waisetsuna kankei, aka Office Lady Journal: Indecent Relations, which is about two female co-workers who totally shred company rules against fraternization. Is that even the right word when it's two women? Maybe we should go with consorting. Neither is named Nikki, by the way, though we have to thank Prince for the assist there. They're actually named Mina and Aki. Nikki means “diary” or “journal.” This is yet more output from Nikkatsu Studios, more edgy weirdness from Junko Miyashita and Akemi Nijô, and another plot way too complicated to summarize. But even if we did would it matter? By now you know whether this is your thing. Decide accordingly. OL nikki: Waisetsuna kankei premiered in Japan today in 1975.
First you scheme, then you lie, then you seduce.
Usually it was Japanese distributors that made amazing new versions of Western posters, but today it's happened in reverse. L'amaro giardino di Lesbo was originally made in Japan and called Utsukushisa to kanashimi to, which translates as “with beauty and sorrow.” It was based on a 1964 novel by Nobel-winning author Yasunari Kawabata, and stars Kaoru Yachigusa, So Yamamura, and the beautiful Mariko Kaga, whose likeness fronts the promo art. We watched it and the story is basically that two lovers lose their baby via miscarriage and split up because of it. The man, whose name is Toshio, gets over it and moves on with life, but his ex, Otoko, is deeply traumatized.
Years later the two meet again. Toshio is married and has a son. Otoko has a female partner named Keiko, and when Keiko meets the man who is intimately connected to her lover's tragedy, she decides to seduce him, have his baby, and give it to Otoko. Yeah. Pretty out there, but Japanese filmmakers specialize in these kinds of crazy ruminations. Does Keiko succeed in her plan? Well, male resistance is never high, but when a woman says things like, “Don't touch my right breast because that one's not for you,” even the horniest man will get weirded out. We won't tell you more, except that the movie is decently made and effective. It premiered in Japan in 1965 and reached Italy today in 1969.
Forget it, Jake. It's Tinseltown.
We were poking around the architecture forum skyscraperpage.com and ran across this interesting photo of a billboard advertising the film Chinatown. This was located in Los Angeles at the intersection of Sunset Boulevard and Marmont Lane, and as you can see it touts the opening of the film today in 1974. We lived on the west side of L.A. for four years, and used to pass this spot occasionally. Marmont Lane winds to the right toward the famed Chateau Marmont Hotel, where luminaries such as Howard Hughes, Natalie Wood, Elizabeth Taylor, and James Dean once made the scene, and a couple met their ends, including Helmut Newton and John Belushi.
We knew the intersection was one of the city's most important billboard spots and wondered what else had been advertised there. So we had a look. We expected to find an assortment of examples, but it turns out the locale was so coveted a relative few companies monopolized it. The first was the Sahara Hotel in Las Vegas, which erected a sign there in 1957, complete with a rotating showgirl and an illuminated marquee listing the headlining acts.
The sheer novelty of the sign helped establish the heavily trafficked intersection as one of L.A.'s go-to spots for promotion, and the sign itself became a landmark. In fact, in 1961 Jayne Mansfield unveiled a Rocky and Bullwinkle statue across the street that was inspired by the Sahara showgirl. It was commissioned by Jay Ward, producer of the television series Rocky and His Friends, for the opening of his office complex.
After the Sahara moved on in 1966 the location was divided into two-tiered advertising. For almost three decades the iconic Marlboro Man towered above the intersection on the higher billboard, first on a horse, and later sans mount. During the time Chinatown was advertised Mr. Marlboro was standing vigil above. The lower location hosted ads for Stroh's and numerous other products, but was a particularly popular home for movie billboards. We found shots of billboards for Looking for Mr. Goodbar, Black Sunday, and other popular films of the 1970s.
Tens of thousands of billboards dot the Los Angeles landscape, especially around Hollywood. An uptick of political billboards has some Angelenos considering whether these objects are more akin to visual pollution. They're already illegal in entire U.S. states, including Hawaii and Maine. We always thought they further cluttered an already chaotic landscape, but we imagine they will survive in Los Angeles longer than almost anywhere else in the U.S. Tinseltown is a place where you don't get people's attention unless you scream for it. Nothing screams better than a well placed billboard.
Kyoko Izumi goes off the deep end.
Last year we shared two posters for the Kyoko Izumi ama movie Zoku-zoku-Kindan no suna: Akai pantsu, aka Woman Diver's Beach: Red Pants, and today we have a third poster. You can see the others, and learn about the movie, at this link. And if you don't know what an ama is look here. Zoku-zoku-Kindan no suna: Akai pantsu premiered in Japan today in 1959.
She was Japan's best sailing actress.
This fantastic sea-themed Daiei Film Co. promo image shows Japanese pinku actress Mari Atsumi, who by now probably needs no introduction. But in case she does, click here to see and read everything we've posted on her. The image comes from her 1970 film Taiyo wa mita, aka I Saw the Sun.
Nikktasu's revitalized roman porno screens for NYC audiences.
Today in New York City at the New York Asian Film Festival, two productions from Nikkatsu Studios' ballyhooed Roman Porno Reboot Project will screen for audiences. The Reboot Project was announced last year, and includes major directors such as Hideo Nakata of Ringu fame, Sion Sono of Cold Fish and Tokyo Tribe, and Kazuya Shiraishi, who made The Devil’s Path. Three films will be included in the New York fest, which began several days ago—Kazuya Shiraishi's Mesunekotachi, aka Dawn of the Felines, and Akihiko Shiota's Kaze ni nureta onna, aka Wet Woman in the Wind, will screen today. Isao Yukisada's Gymnopedies ni Midareru, aka Aroused by Gymnopédies premieres on July 14.
Will these be as edgy as Nikkatsu's vintage roman porno offerings? We have our doubts—some of those movies indugle in excesses so extreme we're amazed they're even available on DVD. We expect the new roman porno to be milder but perhaps contain a modern feminist twist, a shift in point-of-view that would be welcome, at least to us. All three of the movies playing in NYC have already seen release in Japan and gotten decent reviews, which means festival audiences should find something enjoyable in them. If you're in the Big Apple area you now have a potential plan for the next ten days. As for us folks who live far across the ocean, hopefully we'll get a chance to see some of the films soon as well, and if we do we'll certainly report back.
Kyoko Izumi drifts into dangerous waters.
Yes, it's another movie from the Underwater Series. We already shared posters for installments two and three, which premiered in June 1958 and June 1959 respectively. The makers of these films really liked June premiere dates, because Ama bune yori: Kindan no suna premiered today in 1957. This is the film, based on a novel by Keitaro Konda, that launched the series. It tells the story of man who returns to his home fishing village after five years away and rekindles his relationship with a local ama, played by series star Kyoko Izumi. Problem is he isn't the one interested in Izumi, and the resulting love triangle eventually leads to tragedy, as is common in these movies. Incidentally, we can't be sure what the western title was for this, or whether there was one. Many of these obscure Japanese flicks never played outside Asia, and this may be one. In fact, there's so much conflicting information on this we can't be 100% we got everything right. We may have to make correction later, but the main thing is to enjoy the striking poster art. Actually, we're feeling pretty good about uploading all these ama posters, because some of them weren't available online. There are still more films from the genre for which we have art to share, so keep an eye out for that down the line. |
The headlines that mattered yesteryear.
1939—Journey of the St. Louis
The German passenger liner MS St. Louis, carrying 963 Jewish refugees, is denied permission to land in Florida, United States, after already being turned away from Cuba. Forced to return to Europe, many of its passengers later die in Nazi concentration camps. The event becomes the subject of a 1974 book, Voyage of the Damned, by Gordon Thomas and Max Morgan-Witts, and is later adapted into a film with the same title, released in 1976.
1968—Andy Warhol Is Shot
Valerie Solanas, feminist author of an anti-male tract she called the S.C.U.M. Manifesto (Society for Cutting Up Men), attempts to assassinate artist Andy Warhol by shooting him with a handgun. Warhol survives but suffers health problems for the rest of his life. Solanas serves three years in prison and eventually dies of emphysema at San Francisco's Bristol Hotel in 1988.
1941—Lou Gehrig Dies
New York Yankees baseball player Henry Louis Gehrig, aka The Iron Horse, who set a record for playing in 2,130 consecutive games over the course of fourteen seasons, dies of amyotrophic lateral sclerosis, or Lou Gehrig's disease, two years after the onset of the illness ended his consecutive games streak.
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