Vintage Pulp Nov 25 2022
LINGERING TENSION
At this point she has no idea which way to turn.


Above is an alternate promo poster for Tension, with cool upside down imagery of a figure representing star Audrey Totter. We say “representing” because it doesn't really look like Totter, but it's her alright. It was modeled after a promo photo. The movie also starred Richard Basehart and the incandescent Cyd Charisse. We talked about this last year, so if you want to know more, click here. And if you want to see more of Totter click here, or Charisse (a must), click here and here. Tension premiered today in 1949.

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Vintage Pulp Nov 25 2021
PAST TENSE
Anyone can be calm until the cops start poking around.


Tension, for which you see an excellent promo poster above and two more below, is an unlikely but interesting film noir about a mild mannered pharmacist played by Richard Basehart, who's married to hot-to-trot Audrey Totter and discovers she's cheating on him. When she finally leaves him for an apelike creature played by Lloyd Gough, and the ape issues Basehart a solid beating, he decides he's been pushed too far. You'd think that pharmacists would be among that select group of people you really don't want to anger, but this particular pharmacist has a much more elaborate scheme in mind than just a dose of chemicals, and his determination to commit an untraceable murder leads to him building a very traceable double life. In that second life things get complicated when he meets lovely Cyd Charisse, who he wants to make a permanent addition to his future.

Basehart's plot will not go as intended, of course, but the way in which it fails is a surprise, and the complications keep piling up. Tension has flaws, to be sure. The detective played by Barry Sullivan does things that, as far as we know, would get any murder case tossed out of court, but you have to go with it, since he tells you from the jump he'll do anything to solve a case. The plusses of the movie outweigh any weird bits, and with Totter on board, it's probably a must-see. The sinuous clarinet melody she gets every time she appears onscreen is over-the-top, but she's a major scenery chewer anyway, so it actually fits. We didn't like her in Lady in the Lake, but she's delivered in everything else we've seen—this flick, particularly. And Charisse, by the way, gets one of the better entrances we've seen in vintage cinema, straddling two high railings with a camera in hand. She's as hot as a human being can get. Tension premiered today in 1949.
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Vintage Pulp Mar 1 2021
HOURS IS NOT TO REASON WHY
To be a sidewalk pancake or not to be a sidewalk pancake. That is the question.


We have a friend who once said that everyone's problems can be boiled down to, “Mommy and daddy didn't love me enough.” We don't agree, but 14 Hours, aka Fourteen Hours, takes that idea and runs with it as far and fast as it can, as Richard Basehart climbs onto a New York City hotel ledge and engages in the eternal existential wrestling match: To be or not to be? Most of the movie takes place on that ledge, as a beat cop played by Paul Douglas tries to talk Basehart out of splattering himself all over 55th Street.

The performances in this film were acclaimed at the time, and it also has an interesting collection of young, soon-to-be stars, including Debra Paget, pretty boy Jeffery Hunter, Barbara Bel Geddes, and the legendary Grace Kelly, who's twenty-two yet plays a mother of two about to be divorced. Yes, there are twenty-two-year-old mothers of two facing divorce, but it feels like a case of shoehorning her into the movie when her role was clearly written for an older actress. But hey, shoehorn away—she's Grace Kelly. She can play King Kong as far as we're concerned.

14 Hours is, on the whole, an involving and speedy flick. It is not a film noir, and we wish IMDB and Wikipedia didn't let their users label every vintage black and white drama a noir. This one is not even close to noir. It has almost none of that genre's standard iconography, and also lacks its required thematic underpinning. The American Film Institute officially calls it a suspense drama. Whatever its category, 14 Hours' ninety-two minutes are entertaining and technically proficient. To watch or not to watch? We say yes. It premiered in the U.S. today in 1951.

If you'd had sex with me I wouldn't be out here with the pigeons right now.

Headquarters? Do not—I repeat do not—eat all the donuts. We'll get this nutjob off the ledge and be back there as quick as we can.

I certainly don't want you to get desperate enough to climb onto a ledge. Let's go to your place and I'll show you what life is all about.

Don't jump, son! Without you there'll be nobody around to listen to me complain about what a loser your father is!

Hello, headquarters? Status check on those donuts.

Just cooperate, mister! There are a lot of hungry cops up here!

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Vintage Pulp Jan 19 2016
TO HILL AND BACK
Reaching the top isn’t easy. Staying on top is even harder.


Above is a Spanish poster by Josep Soligó Tena for La casa de la colina, which was originally released in the U.S. as The House on Telegraph Hill. The movie tells the story of a Polish concentration camp survivor—played by Valentina Cortese—who upon release takes the identity of her dead friend, and later insinuates herself into the lives of the dead woman’s San Francisco relatives. This identity swap is the classic Hitchcockian MacGuffin, which is to say it initially seems to be the plot driver, but later isn’t important at all. While Cortese’s labyrinthine lie is always a worrisome background element, the movie is really about how she finds herself embroiled in an inheritance mess and a love triangle. We thought this movie was quite good, but you do have to ignore bits like the improbable placement of a child’s playhouse above a sheer drop (in a sense, another MacGuffin, as the threat of falling has no bearing at all on later developments). Highly recommended movie, and it has nice San Fran exteriors as a bonus. The House on Telegraph Hill premiered in the U.S. in 1951, and as La casa de la colina in Spain today in 1952. See more work from Tena here.

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History Rewind
The headlines that mattered yesteryear.
November 27
1934—Baby Face Nelson Killed
In the U.S., killer and bank robber Baby Face Nelson, aka Lester Joseph Gillis, dies in a shoot-out with the FBI in Barrington, Illinois. Nelson is shot nine times, but by walking directly into a barrage of gunfire manages to kill both of his FBI pursuers before dying himself.
November 26
1922—Egyptologists Enter Tut's Tomb
British Egyptologists Howard Carter and Lord Carnarvon become the first people to enter the tomb of Pharaoh Tutankhamun in over 3000 years. Though sometimes characterized as scholars, Carter and Carnarvon were primarily interested in riches, and cut up Tut's mummy to more easily obtain the jewels and gold affixed to him.
November 25
1947—Hollywood Blacklist Instituted
The day after ten Hollywood writers and directors are cited for contempt of Congress for refusing to give testimony to the House Committee on Un-American Activities, the group, known as the "Hollywood Ten," are blacklisted by Hollywood movie studios.
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