Femmes Fatales Apr 8 2024
PUTTER IN HER PLACE
She's good with it, but she's even better with a 9 wood.

What is it about sports that all of them have so much terminology fit for sexual puns? Someone should do a study on that. Meanwhile, here you see British actress Eunice Gayson, who you remember as Sylvia Trench from the James Bond movies Dr. No (the source of this image) and From Russia with Love. In both films she serves as soft comic relief, as it were, when Sean Connery amusingly abandons her before they can consummate their lust. But that's probably why she survived both films—back then Bond's chance encounters usually were killed. 

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Vintage Pulp Mar 17 2024
COLOMBIAN GOLD
Maybe if we were high we'd have bought it.


We ran across this on mercadolibre.com. It's Ian Fleming's Goldfinger from Ediciones Albon, out of Colombia, published in 1964. The vendor was asking 200 for this. Pesos? No—dollars. That's a lot of plata. We'd rather spend the money on actual Colombian gold, so we took a pass. But we love the cover. 

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Hollywoodland Dec 23 2023
BOND RESTRUCTURING
Diamonds are forever, but Connery wasn’t.

Sean Connery made as many appearances in sixties and seventies tabloids as just about any celeb of his time period, so here he is again in an article promoting his role in Diamonds Are Forever, which would premiere just a couple of weeks after this December 1971 National Police Gazette hit newsstands. we talked a bit about the source novel for the film, and author Ian Fleming's troubles with his publishers. It's interesting, so check here if you wish.

In Gazette, Connery speaks of his futile struggle to portray James Bond as a balding hero, and quips about making his stylist thin his wigs so there was almost no point in wearing them at all. Connery said about Bond’s aging, “No one is immortal—not me, not you, and not James Bond.” It was a commendable sentiment, but naïve. Seems as though Connery didn’t realize United Artists had already branded Bond well beyond the point where the character was tethered to any concept of aging.

The studio proved that when it brought the much younger Roger Moore on the scene for 1973’s Live and Let Die. Moore would later give way to Dalton, who gave way to Brosnan, who gave way to Craig, as Bond himself remained eternally forty-ish through the passing years. Elsewhere in the Gazette you get a report on the hash capital of the world, the world’s greatest racing systems, and the usual assortment of random beauties in bathing suits. All that, plus hashish toasted cheese, below.

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Femmes Fatales Nov 4 2023
A GAME OF SOLITAIRE
She can Seymour in the cards than you can.


Playing the virgin tarot reader Solitaire in 1973's James Bond film Live and Let Die, British actress Jane Seymour wore probably a dozen hairstyles, but we don't remember this one. It's ridiculous, but when you're beautiful you can get away with it. Since shifting her career into top gear with Bond, she's racked up acting credits in something like 170 films and television shows. While she's appeared on the silver screen plenty, she truly made her mark in television, playing everything from an Old West physician in Dr. Quinn, Medicine Woman to Lady Brett Ashley in a mini-series of The Sun Also Rises. There's little doubt she's one of the more enduring small screen stars of her generation. We doubt even Solitaire saw that coming.

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Femmes Fatales Aug 31 2023
LIVE AND LET DIE QUICKLY
We'd probably regret it, but in this situation we'd take a good long look before running.


Yes, it's Gloria Hendry again. We've shown you a couple of her famed Uzi packing promo photos made for the James Bond flick Live and Let Die. In this image, also made for that film, she's ditched the rattling heavy weaponry for something a little more ergonomic. But based on appearances alone, we doubt she needed armaments of any sort to be seriously problematic for anyone who needed their behavior corrected. Her chisled body type was not the norm back in 1971 when the photo was made, but these days, in an era of numerous women action stars, she'd fit right in. See Gloria and her Uzi here.

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Vintage Pulp Jun 27 2023
A MATTER OF LIFE AND DEATH
Live fast, die young, and leave a terribly damaged corpse thanks to James Bond.


As with Shaft a few days ago, we can't add much new to the longtime assessments of 1973's Live and Let Die. We wouldn't discuss the film at all except that the posters were the work of illustration wizard Robert McGinnis. However, in light of our Shaft examination, there's an angle we can take: Live and Let Die was the first Bond movie to be clearly influenced by the diversification of Hollywood, becoming the first to include numerous black cast members in speaking roles. Since most participants in a Bond movie are there to get killed, including, often, all but one of the women he sleeps with, the rules didn't change even with the diversified cast. This leads to head villain Yaphet Kotto suffering perhaps the most brutal death in the franchise, and hottie Gloria Hendry departs for the hereafter too, which is criminal, in our view. But their participation was a landmark and gives Live and Let Die, even today, a different feel and look than the usual Bond fare.

On other fronts, Live and Let Die seems like the movie in which Bond stuntwork kicked into high gear, beginning a push that would soon extend beyond the bounds of earthly physics. The speedboat chase produced a then-world record aerial leap of 110 feet. On the acting front, newcomer Roger Moore displayed even at the outset of his Bond journey some of the cheeseball tendencies that would eventually take over his later portrayals, but it works fine. He was probably one of the best looking actors in the world in 1973, and while he doesn't have a chiseled physique, he's still everything and a free refill. We consider Live and Let Die to be one of two good Moore outings as Bond, along with The Man with the Golden Gun. It's certainly worth a watch, even if you've already seen it. And if you want to have a really fun night, watch it back-to-back with Shaft.
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Femmes Fatales May 7 2023
PERMISSION GRANTED
It's better to apologize later than to ask now. But she's not going to do either.


This photo shows French actress Nicole Calfan and was made for her 1975 thriller Permission To Kill, also known as The Executioner, a film we've taken notice of because it starred Ava Gardner in one of her later roles, and future Bond boy Timothy Dalton in one of his first. Calfan has made more than seventy movies and is still busy today, having appeared in four in 2022, plus a television series. We'll try to track down Permission To Kill and report back.

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Hollywoodland Apr 3 2023
JOB OPPORTUNITY
Any kind of work is good work.


Probably needing no introduction, above, is Hawaii born actor Toshiyuki Sakata, who performed as Harold Sakata. We ran across this 1964 promo image on an auction site and had to share it. Sakata rose to fame initially as an Olympic weightlifter and professional wrestler, but was coaxed in front of the movie camera to play Oddjob in the film Goldfinger. He was one of Bond's most formidable foes, fighting with brute strength and his deadly top hat, which had a razor sharp steel brim that could take the head off a marble statue. Unfortunately, that same hat led to his character's demise when he was electrocuted inside Fort Knox. After that ugly death Sakata went on to amass more than thirty credits in cinema and television—a successful career by any measure. But he'll probably always be best known as Oddjob.

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Femmes Fatales Mar 28 2023
GOTTA GIVE HER PROPS
*psst* Ever since Claudine got hold of that speargun the look in her eye really worries me.


The James Bond flick Thunderball produced an unusually fertile crop of excellent promo images, owing largely to the three actresses you see above—Claudine Auger, Martine Beswick, and Luciana Paluzzi. It's Auger who's posing with the speargun, and there are other good shots of her wielding it. If Beswick and Paluzzi are worried, it's possibly because they suspect they won't survive the film. In early Bond adventures only one of his many love interests usually survived, and in Thunderball that's Auger. Her reward? A little thunderballing.

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Femmes Fatales Jun 4 2022
DRESSY CASUAL
Whatever the occasion is she's perfectly suited for it.


We actually know exactly what the occasion is. This amazing photo of British actress and model Margaret Nolan, aka Vicky Kennedy, shows her at the 1968 British Film Awards wearing what has to be one of the coolest outfits of all time. Nolan came to mainstream attention in the opening credits for the 1964 James Bond film Goldfinger, and made a quick appearance as Bond's masseuse, but she's also much beloved as a prolific nude model and star of occasional nudie loops. We've featured her photos in two issues of Folies de Paris et de Hollywood, which you can see here and here. Those represent a tiny fraction of her output, but we'll circle back to that later. As an actress she appeared in A Hard Day's Night and more than a dozen other films, but worked mainly on television, including on such shows as Mystery and Imagination, The Newcomers, and Take a Pair of Private Eyes. This shot was originally black and white, but has been colorized by an unknown. It's very nice work. 

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History Rewind
The headlines that mattered yesteryear.
May 28
1937—Chamberlain Becomes Prime Minister
Arthur Neville Chamberlain, who is known today mainly for his signing of the Munich Agreement in 1938 which conceded the Sudetenland region of Czechoslovakia to Nazi Germany and was supposed to appease Adolf Hitler's imperial ambitions, becomes prime minister of Great Britain. At the time Chamberlain is the second oldest man, at age sixty-eight, to ascend to the office. Three years later he would give way to Winston Churchill.
May 27
1930—Chrysler Building Opens
In New York City, after a mere eighteen months of construction, the Chrysler Building opens to the public. At 1,046 feet, 319 meters, it is the tallest building in the world at the time, but more significantly, William Van Alen's design is a landmark in art deco that is celebrated to this day as an example of skyscraper architecture at its most elegant.
1969—Jeffrey Hunter Dies
American actor Jeffrey Hunter dies of a cerebral hemorrhage after falling down a flight of stairs and sustaining a skull fracture, a mishap precipitated by his suffering a stroke seconds earlier. Hunter played many roles, including Jesus in the 1961 film King of Kings, but is perhaps best known for portraying Captain Christopher Pike in the original Star Trek pilot episode "The Cage".
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