Vintage Pulp Jun 25 2024
FLORIDA ORANGE
All you have to do is peel and enjoy.


Above: another brilliant hardcover dust jacket from illustrator Barbara Walton, this time for John D. MacDonald's The Beach Girls, for British publisher Robert Hale, Ltd. The book was originally published in the U.S. in 1959, but the above edition came in 1968. To see more from Walton just click her keywords below, and to learn about the book click here

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Vintage Pulp Jun 4 2024
A RUN FOR IT
I knew I should have bought that condo in South Beach!


We love this cover for Anne Maybury's 1968 novel The Minerva Stone. Maybury is also known as Edith Arundel (her birth name) and Katherine Troy, whereas the cover artist is also known as nobody, because this brilliant piece is unattributed. Sad. Moving on to the ficrtion, we've mentioned how vintage mysteries and sleaze novels can be romance-adjacent, but having never actually read an official romance, we were making an assumption. In the end our hypothesis about the similarity was confirmed. In both cases love and desire are handled explosively, if clumsily, with similar unbridled emotional progressions and interior musings that can make you cringe. The main difference is that vintage romances—this romance at least—doesn't enter the bedroom, while male-oriented vintage fiction always gets through the door, and in many cases between the sheets.

The Minerva Stone is a gothic romance, a popular subset of the whole. On a mossy old castle estate called Guinever Court, in a village called Azurstone, fictively located in Dorset, England, a woman named Sarah Rhodes languishes in a loveless marriage with television star Niall Rhodes, but pines for her adventurous former lover Luke Ashton who's just come back from the Far East. Shortly after she begins to think naughty thoughts about Luke, someone almost runs Sarah down with a car, then someone takes a potshot at her hubby. Niall thinks someone wants to ruin his show business career with bad publicity, but Sarah suspects there's a deeper secret. She's right, of course. And it may all have to do with her husband's past, of which she knows little to nothing.

Sounds fun, right? But the book left us a bit cold. Sarah's marriage to the distant and career-minded Niall never made sense, nor did her gravitation toward her former lover Luke. He's alright, but he ain't all that. In observing Maybury try to sort out this dilemma, we saw a little more clearly why hard-boiled fiction usually ditches deep emotion and relies upon women whose sexual availability is a given. Writing insightfully about love in non-eyerolling ways isn't easy for most authors. So who can fault those who keep it simple? The women always want the hero, and he's always drawn by beauty. Easy as can be. We're glad we read The Minerva Stone, though it'll probably be our last official romance. It may not have been great, but it was atmospheric—plus, just take another look at that cover.
 
Update: the cover is by Harry Barton.
 
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Vintage Pulp Mar 3 2024
SUPERBAD
You're evil. I'm a little lazy. I think our relationship works because we accept each other's flaws.


Looking at the promo poster for the Ray Milland/Ann Todd thriller So Evil My Love, we expected a standard 1940s crime drama, but we didn't look closely enough. The clothes reveal, if we'd used our eyes, that this is a period piece set in the late Victorian era. Milland plays a man sailing from Jamaica to England who picks up a case of malaria and is nursed back to health by recently widowed missionary Todd. Later, in Liverpool, he looks her up and moves into her boarding house. Milland is a painter, but he's more lucratively an art thief and forger. His real crime, and the reason he was leaving Jamaica, is a murder he committed. Trouble is soon to follow.

Once ensconced in Todd's rambling residence, Milland does the romantic full press, manipulating, flattering, and even dominating her until she falls in love with him. From that point it doesn't take much time or effort for Milland to draw poor, lonely Todd into his criminal schemes. Some viewers might become frustrated with her pliability and helplessness, but that's the 1890s for you. She eventually manages to act of her own volition, and her evolution into a woman who embraces power is what the movie is about. We thought it was good, for its type. It premiered in London today in 1948.
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Vintage Pulp Jan 23 2024
BLACK MIRROR
Symons reflects on exactly how bad a man's life can be.


Looking for a bit more depth in your murder mysteries? 1957's The Color of Murder by British author Julian Symons takes a literary approach to the genre, examining the torturous existence of sad sack office drone John Wilkins, who hates his wife, covets the neighborhood librarian, and suffers from blackouts at times of stress (uh oh). Symons divides the novel roughly in half. In the first, Wilkins explains in first person to a psychologist how he came to be mired in a terrible life and loveless marriage, his account stopping before the murder (which if he actually committed, he'd presumably have blacked out anyway). The second half follows in third person the course of Wilkins' trial, with assorted twists, and there's an epilogue providing final focus. Whether or not Wilkins is a killer, he's a pitiable human. If you think you have an unsatisfactory life, read The Color of Murder to learn how well-off you really are. The cover art on this Dell edition is by Robert Maguire.

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Femmes Fatales Nov 4 2023
A GAME OF SOLITAIRE
She can Seymour in the cards than you can.


Playing the virgin tarot reader Solitaire in 1973's James Bond film Live and Let Die, British actress Jane Seymour wore probably a dozen hairstyles, but we don't remember this one. It's ridiculous, but when you're beautiful you can get away with it. Since shifting her career into top gear with Bond, she's racked up acting credits in something like 170 films and television shows. While she's appeared on the silver screen plenty, she truly made her mark in television, playing everything from an Old West physician in Dr. Quinn, Medicine Woman to Lady Brett Ashley in a mini-series of The Sun Also Rises. There's little doubt she's one of the more enduring small screen stars of her generation. We doubt even Solitaire saw that coming.

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Vintage Pulp Oct 17 2023
CORPO DELECTABLE
There are no limits to what Diana Dors can convince men to do.


After all these years working on this website it remains a surprise when promotional posters of extremely high quality are uncredited, but such is the case with these two Italian beauties made for Nel tuo corpo l'inferno, a movie originally produced in England as Tread Softly, Stranger. The Italian title translates as “hell in the body,” which we rather like. It fits the plot, which revolves around George Baker avoiding a gambling debt by fleeing London to the small town where he was raised, only to find that his brother who lives there is also in debt, having stolen money from his employer. He's spent it on femme fatale Diana Dors, who's way out of his league, money-hungry, and willing to pit the brothers against each other if it improves her station in life.

Baker, being of sound mind and body, wants Dors badly. With just a little nudge, he and his brother are convinced by Dors to stage a heist. The phrase “corpus delecti” in legal terms means that a crime has to be proved to have actually occurred before anyone can be convicted of it, but in vintage cinema nobody has to prove anything because the scales of justice tend to be cosmic. As viewers, then, you know the brothers could be convicted by karma for just attempting the crime. They get the loot, but they certainly won't get to keep it—though how they lose it will come as a surprise. And if one of the brothers gets Dors, they probably won't get to keep her either. In mid-century crime movies thems the breaks. Tread Softly, Stranger premiered in Britain in 1958, and in Italy today in 1960.
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Vintage Pulp Sep 28 2023
HONOR KILLING
Love her and leave her coming after you for revenge.

We didn't know La ragazza con la pistola, aka The Girl with a Pistol, was a comedy. Based on this beautiful poster painted by Giorgio Olivetti we never considered the possibility that it was anything other than a crime thriller. But mere seconds into our screening we realized it was a sort of screwball adventure. Sometimes you get fooled. Basically, Monica Vitti plays a Sicilian woman who is devirginized and abandoned by Carlo Giuffrè, is therefore labeled “dishonored” by her family and everyone in her village, and thus feels compelled to chase Giuffrè all the way to Edinburgh to kill him. Giuffrè manages to evade her, forcing her to follow him to Sheffield, Bath, and beyond (as she's tormented by a Sicilian chorus of wailing villagers during interstitial segments). So what you get here is a sort of wacky fish-out-of-water comedy.

The movie is also a satire of traditional Italian social values. Though Vitti's character was a virgin, because she gave in to Giuffrè he automatically considers her a whore—that old paradox. Other explorations of outdated gender roles occur, including the idea of aggression versus resistance in romance. And it's eyebrow raising how men in this era—or at least in this movie—don't consider women to have possession of their own bodies. Vitti is pawed, harassed, and kidnapped—for comedic purposes, but still. The idea of using violence to retain honor pops up more than once too. All in all, La ragazza con la pistola is fascinating cultural exploration, legitimately funny in parts, headlined by one of Europe's great vintage stars. It's worth a look—even though it isn't a crime thriller. It premiered in Italy today in 1968.
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Femmes Fatales Aug 6 2023
DESPERATELY SHOOTING SUSAN
Susan George demonstrates the Fright or fight reflex.


This fraught photo features British actress Susan George, who's not discussed today as much as she should be. She was a bold performer who appeared in movies too envelope pushing for at least 90% of actresses of this day and age. Several of her films are routinely described as controversial. The efforts we're thinking of are Straw Dogs, Dirty Mary Crazy Larry, Mandingo, and A Small Town in Texas. Not all of those were top notch, but they were all uncompromising. The above photo comes from her also intense 1971 fight-or-flight thriller Fright. We'll get back to George soon. 

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Vintage Pulp Aug 4 2023
SURPRISE PENDING
She could tell them the secret but it would be a bad Korea move.

Holly Roth, who also wrote as P.J. Merrill and K.G. Ballard, originally published The Shocking Secret as The Content Assignment in 1954. This Dell edition came in 1955 with William Rose cover art. The story, set beginning in 1948, deals with John Terrant, a British reporter in Berlin whose American love Ellen Content is a CIA agent who disappears during a mission. Nearly two years later her name turns up in a newspaper story that says she's a dancer in New York City. So Terrant crosses the pond to track her down but ends up in the middle of the Cold War, with bad commies and the whole nine.

Roth infuses her tale with an Englishman in New York fish-out-of-water quality, which is occasionally amusing and adds interest, but in the end the entire enterprise comes across lightweight—which is to say it lacks menace and the proper amount of intellectual heft needed for a book about the political/ideological clash of the era. And another issue, though an admittedly nit-picky one, is that the surprise of the title, which we mostly gave away in our subhead, isn't all that shocking. Dell never should have renamed the book.

Moving on to Roth herself, she's one of those writers whose life had an eerie parallel with her fiction. Her 1962 novel Too Many Doctors is about a woman who falls off a ship and loses her memory. In 1964 Roth disappeared from her husband's yacht one stormy night off the coast of Morocco and was never seen again. Officially, her death was an accident. If we get ambitious maybe we'll read Too Many Doctors. While we can't recommend The Shocking Secret, we wouldn't be surprised if several of her other books are better. Her reputation would seem to suggest it.
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Femmes Fatales | Musiquarium Jun 20 2023
BLATANT HARRISMENT
You're intimidated by this little thing? It's just a fully loaded .38 Special that I look for any excuse to use.


Even a dangerous weapon can't make doe-eyed British actress and singer Anita Harris look anything other than harmless. But ask the Pulp Intl. girlfriends and they say she looks completely mad. They say she has crazy eyes. Well, as far as we know she never harmed anyone unless you count a few bad acting performances. Harris appeared in such films as Love Is a Woman and Carry On Doctor, as well on numerous television shows, and as a singer charted several hits during the 1960s. Actually, one or two of those so-called hits are pretty hurtful too. Another frame from this photo session was used for the cover of her 1966 album Somebody's in My Orchard. Somebody she then blew away, we suppose.
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Next Page
History Rewind
The headlines that mattered yesteryear.
July 27
2003—Hope Dies
Film legend Bob Hope dies of pneumonia two months after celebrating his 100th birthday.
July 26
1945—Churchill Given the Sack
In spite of admiring Winston Churchill as a great wartime leader, Britons elect Clement Attlee the nation's new prime minister in a sweeping victory for the Labour Party over the Conservatives.
1952—Evita Peron Dies
Eva Duarte de Peron, aka Evita, wife of the president of the Argentine Republic, dies from cancer at age 33. Evita had brought the working classes into a position of political power never witnessed before, but was hated by the nation's powerful military class. She is lain to rest in Milan, Italy in a secret grave under a nun's name, but is eventually returned to Argentina for reburial beside her husband in 1974.
July 25
1943—Mussolini Calls It Quits
Italian dictator Benito Mussolini steps down as head of the armed forces and the government. It soon becomes clear that Il Duce did not relinquish power voluntarily, but was forced to resign after former Fascist colleagues turned against him. He is later installed by Germany as leader of the Italian Social Republic in the north of the country, but is killed by partisans in 1945.
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