Hollywoodland Sep 9 2023
FACE TIME
Movie stars were always willing to give each other a hand.


Once again we've been struck, so to speak, by the sheer number of cinema promo images featuring actors and actresses pretending to slap each other. They just keep turning up. The above shot is more about the neck than the face, but it still counts, as Gloria Swanson slaps William Holden in 1950's Sunset Boulevard. Below we have a bunch more, and you can see our previous collection at this link. Since we already discussed this phenomenon we won't get into it again, except briefly as follows: pretend slaps, film is not reality, and everyone should try to remember the difference. Many slaps below for your interest and wonder.
Diana Dors smacks Patrick Allen blurry in 1957's The Long Haul.

Mob boss George Raft menaces Anne Francis in a promo image made for 1954's Rogue Cop.

Bud Abbott gets aggressive with Lou Costello in 1945's Here Come the Co-Eds.

Jo Morrow takes one from black hat Jack Hogan in 1959's The Legend of Tom Dooley.

Chris Robinson and Anita Sands get a couple of things straight about who's on the yearbook committee in Diary of High School Bride.

Paul Newman and Ann Blyth agree to disagree in 1957's The Helen Morgan Story.

Verna Lisi shows Umberto Orsini who gives the orders in the 1967 film La ragazza e il generale, aka The Girl and the General.

What the fuck did you just call me? Marki Bey slaps Betty Anne Rees loopy in the 1974 horror flick Sugar Hill.

Claudia Cardinale slaps (or maybe punches—we can't remember) Brigitte Bardot in the 1971 western Les pétroleuses, known in English for some reason as The Legend of Frenchie King.

Audrey Totter reels under the attentions of Richard Basehart in 1949 Tension. We're thinking it was probably even more tense after this moment.

Anne Baxter tries to no avail to avoid a slap from heel Steve Cochran in 1954's Carnival Story.

Though Alan Ladd was a little guy who Gail Russell probably could have roughed up if she wanted, the script called for him to slap her, and he obeyed in the 1946 adventure Calcutta.

Peter Alexander guards his right cheek, therefore Hannelore Auer crosses him up and attacks his left in 1964's Schwejk's Flegeljahre, aka Schweik's Years of Indiscretion.

Elizabeth Ashley gives Roddy McDowall a facial in in 1965's The Third Day.

Tony Anthony slaps Lucretia Love in 1972's Piazza pulita, aka Pete, Pearl and the Pole.
 
André Oumansky goes backhand on Lola Albright in 1964's Joy House.

Frank Ferguson catches one from Barbara Bel Geddes in the 1949 drama Caught.

This looks like a real slap, so you have to credit the actresses for their commitment. It's from 1961's Raisin in the Sun and shows Claudia McNeil rearranging the face of Diana Sands.

Gloria Grahame finds herself cornered by Broderick Crawford in 1954's Human Desire.

Bette Davis, an experienced slapper and slappee, gets a little assistance from an unidentified third party as she goes Old West on Amanda Blake in a 1966 episode of Gunsmoke called “The Jailer.”

There are a few slaps in 1939's Gone with the Wind, so we had our pick. We went with Vivien Leigh and Leslie Howard.

Virginia Field takes one on the chin from Marshall Thompson in Dial 1119.

Clint Eastwood absorbs a right cross from nun Shirley MacLaine in 1970's Two Mules for Sister Sara.

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Femmes Fatales May 9 2015
BEY WATCH
The only word that applies is re-marki-ble.

This promo photo of American actress Marki Bey was made for the urban gentrification drama The Landlord, a highbrow film that was her Hollywood debut, and doubtless her hope for launching an acclaimed mainstream film career. No such luck—today she’s remembered for the exceedingly lowbrow blaxploitation horrorfest Sugar Hill. But that particular movie is not the worst way a person can be remembered, because as time goes by its standing in the blaxploitation pantheon only grows. It’s often cited by modern critics as a top twenty example of the genre. We have to agree—it was very entertaining. The above photo dates from 1970.

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Vintage Pulp Oct 13 2009
HAUNTED HILL
1974 zombie blaxploitation flick has lessons to impart about fashion and life.

Last night we filled one of the holes in our blaxploitation résumé by watching the 1974 horror film Sugar Hill, and we came away with mixed feelings. The luscious Marki Bey plays the lead role of Diana “Sugar” Hill, and she’s extremely pale—so pale you wouldn’t really think she was African-American unless you were told she was. And therein lies the lesson imparted by the film.

The most basic fact about race is that, at its core, it’s simply a social construct in which people behave towards others the way they are commanded to, though scientists have said over and over that race doesn't actually exist in any empirical sense. And so watching the milky-skinned Bey—who could easily be Italian, or French, or Greek—get N-bombs dropped on her at various points throughout the movie began to turn Sugar Hill from a typical blaxploitation exercise into a statement on the utter ludicrousness of racism. We’re pretty sure the filmmakers did not have so lofty a goal in mind.

Their actual intent—to make a good horror flick—was not fully achieved. Sugar Hill is visually interesting but not scary, and it’s watchable because of the radiant Ms. Bey, but not fully engaging. The film does sometimes skirt the edge of unintentional humor—not because it’s so poorly made or acted (though both could be argued), but because it’s a shining example of ’70s fashion gone wild. We marveled at the afros, especially the one Bey suddenly appeared with halfway through the film. Her blowout seemed to symbolize the revenge spree she had decided to embark upon (assisted by a shuffling gang of cobweb-covered zombies). She massacres her white enemies, dropping a few H-bombs along the way (that’s honky, in case you don’t know). When will we all learn to just get along? If you like blaxploitation, you’ll like this film. For the uninitiated, well, maybe start with a Pam Grier movie or two before working your way up to this one.

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History Rewind
The headlines that mattered yesteryear.
June 21
1940—Smedley Butler Dies
American general Smedley Butler dies. Butler had served in the Philippines, China, Central America, the Caribbean and France, and earned sixteen medals, five of which were for heroism. In 1934 he was approached by a group of wealthy industrialists wanting his help with a coup against President Franklin D. Roosevelt, and in 1935 he wrote the book War Is a Racket, explaining that, based upon his many firsthand observations, warfare is always wholly about greed and profit, and all other ascribed motives are simply fiction designed to deceive the public.
June 20
1967—Muhammad Ali Sentenced for Draft Evasion
Heavyweight boxing champion Muhammad Ali, who was known as Cassius Clay before his conversion to Islam, is sentenced to five years in prison for refusing to serve in the military during the Vietnam War. In elucidating his opposition to serving, he uttered the now-famous phrase, “I ain’t got no quarrel with them Viet Cong.”
June 19
1953—The Rosenbergs Are Executed
Julius and Ethel Rosenberg, who were convicted for conspiracy to commit espionage related to passing information about the atomic bomb to the Soviet spies, are executed at Sing Sing prison, in New York.
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