I know we just get married this morning but I think we should see other people.
Half angel, half devil? This poster sure turned out to be ironic, considering Diana Dors, star of The Unholy Wife, was a sexual predator who set up her house so she could spy on guests while they were having sex in her spare bedrooms. They just don't make stars like her anymore. Er, we mean, how depraved and utterly terrible. Right, we'll just quit while we're ahead. The Unholy Wife premiered in the U.S. this month in 1957. Read more about it and see the French promo poster here, and read more about Dirty D's private life here.
Dors takes a shot in the dark.
This beautifully composed and photographed image stars British actress Diana Dors and was made for her 1957 drama The Unholy Wife. We wrote about it a few years ago. Long story short, Dors wants to murder her rich husband. The film is in Technicolor but depending on who you ask falls into the category of film noir. That makes it one of the earliest color efforts to do so, as far we know, but all the promos we've ever seen for it are black and white. This one really shows the power of that medium. In fact, looking at it, it's hard to even imagine it's for a color film, isn't it? This image may actually be the best thing about the movie.
And you think America is polarized today.
The iconic polar bear rug. What can you say about them? Well, it's not a good look nowadays, but back then people thought these sorts of decorations were quite chic. When did that end? Possibly shortly after the three-hundredth Playboy model posed on one, or when many people began to see trophy hunting as the obsession of vain and unsavory millionaires. One of those two. Personally, we blame Hefner. In the shot above Jayne Mansfield and Mickey Hargitay take polar bear style to its pinnacle. Just look at that room. Besides the bear they have a copper ceiling, satin curtains, and a white shag rug. It's a pimp's wet dream and all of it must have cost a fortune. We like to imagine what the look on Jayne's face would have been if anyone walked in with a brimming glass of red wine. We bet she'd have turned whiter than the bear.
We have more photos in the same vein below. If you need help identifying the stars, their names are in our keywords in order of appearance. Looking at the entire collection, we tend to wonder if there were three or four bears that ended up in all the photos. You know, like bears owned by certain photography studios or prop departments. Just saying, a couple of them look suspiciously similar. But on the other hand, how different from each other do bears really look? You'll notice that the poor creatures were generally posed to look fierce. But by contrast Inger Stevens' bear, just below, strikes us as a bit reflective and melancholy, which is understandable. Elizabeth Montgomery, meanwhile, gets extra points for wearing her bear. We have twenty-plus images below, including another shot of Mansfield, sans Hargitay.
A Dors of a different color.
Diana Dors is the star of the above Technicolor lithograph, which was tinted pink for fun by the vendors at Corp. A. Fox, an outfit that churned out thousands of similar prints during the mid-century period. They picked up the images wherever they were able, and this one was originally made as a promo for the 1957 film noir The Unholy Wife, without the garish pink tinge. Dors had already been in movies for ten years, so she wasn't actually a new box office figure, as the promo declares, but maybe she was newish to U.S. audiences. The photo was also sold as a horizontally oriented lithograph, again without the overdone blush, also below. You can see a couple dozen more prints featuring various known and unknown models from A. Fox and other litho companies by clicking the keywords at bottom. We also shared a Dors litho from 1964, which you can see here. And you can read about The Unholy Wife here.
Diana Dors stirs things up in stuffy suburbia.
We love this promo for the Diana Dors comedy As Long As They're Happy. We looked everywhere online and off for a copy of this to no avail, which is too bad because it sounds pretty wacky. Basically, Dors tricks a famous singer into visiting the suburban home where she lives with her father. Her two sisters happen to be living there too, with their husbands, but when the singer arrives all the women in the house—Dors, her sisters, and her mom—fall for the singer. Monroesque? Beyond doubt. Well, the poster makes us happy even if we can't see the film. As Long as They're Happy had a London premiere in March 1955, and went into wide release today the same year.
The public adored watching her. And she adored watching quite a few of them too.
Diana Dors was marketed as Britain's answer to Marilyn Monroe. It was probably an unfair comparison, because Monroe was a unique talent. Dors was talented in her own right, but her time in show business was turbulent. There were brawls, a divorce, reporters who broke into her home, the loss of a studio contract due to a morality clause, and eventually the stunning revelation that she hosted parties at which she used two-way mirrors and closed circuit television to watch guests having sex. These wild parties began in the early 1950s and continued for many years. And later, long after her death of ovarian cancer in 1984, came accusations that she was a pedophile. But we judge her artistic output separate from her crimes (see: Polanski). Her movies remain worth watching. This shot of her is circa 1960.
New tabloid explodes onto the gossip scene.
When we describe Dynamite as a new tabloid, it's only partly true. It was a new imprint. But its publisher, the Modern Living Council of Connecticut, Inc., was headquartered at the Charlton Building in Derby, Connecticut, which is where Top Secret and Hush-Hush based operations. When you see that Dynamite carried the same cover font as Top Secret and Hush-Hush, and that those two magazines advertised in Dynamite, it seems clear that all three had the same provenance. But unlike Top Secret and Hush-Hush, it doesn't seem as if Dynamite lasted long. The issue above, which appeared this month in 1956, is the second. We are unable to confirm whether there was a third. But if Dynamite was short-lived it wasn't because of any deficiencies in the publication. It's identical in style to other tabloids, and its stories are equally interesting.
One of those deals with Henry von Thyssen, the Dutch born, German descended heir to an industrial fortune, and his wife, Nina Dyer, heiress to a tea plantation in Sri Lanka, back then called Ceylon. The von Thyssen family manufactured steel in Germany, including for Hitler's Third Reich, and came out of World War II unscathed, as big companies that profit from war always do. Dyer was a dilettante famed for making bikinis popular on the French Riveria. According to Dynamite, von Thyssen was so desperate to marry Dyer that he allowed her to keep her boyfriend, the French actor Christian Marquand. Society gossips whispered,but both spouses were fine with the set-up until von Thyssen accidentally ran into Dyer and Marquand in Carrol's nightclub in Paris and was forced to save face by starting a fight. The couple soon divorced, but not because of infidelity, as many accounts claim. What finally broke the couple up was that Dyer dropped Marquand. Dynamite tells readers: “[von Thyssen] has ditched his sloe-eyed Baroness because now she's decided she loves him.”
Interesting, but there are many similar stories about open high society marriages. What interested us, really, was the portrayal of Dyer. Apparently she had at some point been strongly influenced by Asian women. Her husband described her as “soft and feminine and oriental looking.” Dynamite painted this word picture: “She walks as though she has a water pot balanced on her head, her dark, slanting eyes are inscrutable, and her movements are so languorous and cat-like that von Thyssen gave her a baby panther as a companion.” Dyer eventually had two panthers, and was often seen walking them on the Croisette in Cannes. After her marriage to von Thyssen ended she quickly married Prince Sadruddin Aga Khan, but that marriage ended in divorce. Over the years she had been given many gifts. Besides the panthers there were cars, jewels, and a Caribbean island. But the one thing money never bought for her was happiness. She committed suicide at age thirty-five.
There's a lot more to learn about Nina Dyer—her modeling career, her adventures in the south of France, her free-spirited ways in the Caribbean, her 1962 E-Type Jaguar Roadster that was found in Jamaica in 2015 and restored for a November 2016 auction, and more. So we'll be getting back to her a little later. We still have about fifty tabloids from the mid-1950s and we're betting she appears in more than a few. Meanwhile, elsewhere in Dynamite is a story tracking Marilyn Monroe's movements around Fire Island during a summer 1955 vacation, a report about Frank Sinatra being barred from the Milroy Club in London, an exposé on prostitution in Rome, a breakdown of the breakdown of Gene Tierney's engagement to Aly Khan (Sadruddin Aga Khan's brother), and a couple of beautiful photos of Diana Dors. We have about thirty scans below for your enjoyment. Odds are we'll never find another issue of Dynamite, but we're happy to own even one. It's great reading.
There's nothing up my sleeve except more of me.
Above, Paris-Hollywood magazine published in 1949, with a bare-shouldered Jane Russell on the front cover and Anne Baxter (spelled Ann by editors) gracing the rear. Baxter is pointing out Alaska on a wall map, probably explaining that she'd need a parka and snow shoes if she ever went there, rather than the undies and heels she's wearing. Inside the issue you get showgirls, models in lingerie, and celebs dressed as bunnies. Was it Easter? No idea, because Paris-Hollywood came without publication dates during these years. However, the front cover noted that Russell was starring as Calamity Jane in the film Pale Face, aka The Paleface. Since that appeared in France in mid-February and promotional efforts usually occur in advance of a film's premier, or at least around its opening date, we suspect the issue was published in February or March of 1949.
Tabloid dunks readers in a pool of vice.
Exposé for Men is a new tabloid for us, which is saying something, since we've posted about 350 inside Pulp Intl. You can pick your way through those at our tabloid index. Exposé was originally launched as Sensation by Skye Publishing of New York City. The rebranding came sometime in 1959. This issue, which was published this month in 1960, flogs similar themes as other tabloids, including the blaming of women for rape in an article by criminal specialist Robert Mines where he proclaims that “frequently it's not the perpetrator but the victim of a [sex] crime who is most responsible for it.”
You'd think one article of this type would be sufficient, but Exposé offers up another piece called “The Weird Love-Hatred That Binds a Prostitute to Her Pimp.” This time the male expert on female minds is Joseph Le Baron, but at least his reasoning makes sense—i.e. prostitutes feel they need pimps around to protect them from “house dicks, bartenders, [and] vice cops out to shake them down and get tricks for free.” We'll buy that part, but we don't buy that the choice is voluntary, which is how Le Baron makes it sound.
Elsewhere readers learn that women have a natural propensity to lie, Mexico is wonderful because every man can afford a mistress, and insomniacs can't sleep because they're thinking about sex all night. Exposé also has celebrity gossip, including the claim—first we've heard of it—that Diana Dors' 1956 fall into a swimming pool was actually a publicity stunt. Considering the fact that the subsequent brawl generated terrible press we doubt the veracity of this one, but you never know. We do like the photo of Dors wet. Scans below, and more tabloids to come.
Mid-century tabloid hits all the familiar tabloid notes.
Lowdown makes the rounds in this issue published in May 1965. Inside, Ann-Margret claims she doesn't want to be a tease (fail), editors ask if women are more immoral than men (which they really are, once you take war, genocide, faithlessness, and generally violent tendencies off the table), and June Wilkinson's photo is among those used in a story about women supposedly receiving insurance covered breast implants from Britain's National Health Service.
Probably the most interesting story concerns Swedish actress Inger Stevens disappearing for a week. Lowdown hints at an alcohol binge, which is nothing special (hell, we do those) but while there are plenty of sources citing a 1960 suicide attempt, we found no other mention anywhere of Lowdown's missing week. The story is notable because Stevens would die at age thirty-five of a drug overdose.
Elsewhere you get nude skiing in Austria, Richard Chamberlain and his hit television show Dr. Kildare, the sex powers of mandrake root, and Belgian born actress and dancer Monique Van Vooren endorsing regular exercise. Scans below—oh, and sorry about the quality. Lowdown's printing process caused scanner problems. It's never happened before, so hopefully we won't encounter the issue again.
The headlines that mattered yesteryear.
1916—First Battle of the Somme Ends
In France, British Expeditionary Force commander Douglas Haig calls off a battle against entrenched German troops which had begun on July 1, 1916. Known as the Battle of the Somme, this action resulted in one of the greatest losses of life in modern history—over three-hundred thousand dead for a net gain of about seven miles of land.
1978—Jonestown Cult Commits Mass Suicide
In the South American country of Guyana, Jim Jones leads his Peoples Temple cult in a mass suicide that claims 918 lives, including over 270 children. Congressman Leo J. Ryan, who had been visiting the makeshift cult complex known as Jonestown to investigate claims of abuse, is shot by members of the Peoples Temple as he tries to escape from a nearby airfield with several cult members who asked for his protection.
1973—Nixon Proclaims His Innocence
While in Orlando, Florida, U.S. President Richard Nixon tells four-hundred Associated Press managing editors, "I am not a crook." The false statement comes to symbolize Nixon's presidency when facts are uncovered that prove he is, indeed, a crook.
1938—Lysergic Acid Diethylamide Created
In Basel, Switzerland, at the Sandoz Laboratories, chemist Albert Hofmann creates the psychedelic compound Lysergic acid diethylamide, aka LSD, from a grain fungus.
1945—German Scientists Secretly Brought to U.S.
In a secret program codenamed Operation Paperclip, the United States Army admits 88 German scientists and engineers into the U.S. to help with the development of rocket technology. President Harry Truman ordered that Paperclip exclude members of the Nazi party, but in practice many Nazis who had been officially classified as dangerous were also brought to the U.S. after their backgrounds were whitewashed by Army officials.
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