Vintage Pulp Oct 3 2022
GREEN WITH ANGER
This is nothing. When I get really mad I grow to enormous size and destroy entire city blocks.


There's getting into trouble, getting into serious trouble, and getting into ridiculous trouble. In Gil Brewer's 1959 thriller Wild To Possess, the main character Lew Brookbank finds his wife and her lover murdered, and, thinking he might get blamed, panics and disposes of the bodies. Trouble. Later he overhears two people plotting a kidnapping and murder and decides that if he robs them of the two-hundred-fifty grand they expect to profit he can start a new life. But he's a drunk, so signs don't point to success. Serious trouble. Then a man turns up determined to send Lew to the electric chair for the two murders he never committed. Ridiculous trouble.

In an effort to make this loony plot believable Brewer shuffles the timeline: it opens with Lew overhearing the pair talking about the kidnap/murder, then the narrative backtracks and reveals that his wife's murder is why he became an alcoholic basket case. It actually works, sort of, which is good, because bizarre things keep happening, some of which involve a trapdoor above his bed. We won't even explain it. This is mid-level Brewer, quality-wise. While it has some fun ideas, it could have used extra detailing from a dedicated editor. But it's worth a read, especially this Monarch edition with iconic Robert Maguire cover art of an orange-topped, Hulk green femme fatale. More Gil to come.

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Vintage Pulp Sep 5 2022
WILL BE WILD
Thompson's Town is the craziest patch of real estate west of the Potomac River.


Robert Maguire handled the cover work on this edition of Jim Thompson's Wild Town, which hit book racks in 1957. The pricing on this varies greatly. All we can say is please don't pay $450.00 for it, like one vendor was recently asking. We got ours—the same edition—for $15.

Set in the fictional boomtown of Ragtown, Texas, the tale's hard luck ex-con anti-hero Bugs McKenna lands a job as a hotel detective, but he's been funnelled into the position by the corrupt local deputy, apparently to serve nefarious—though unknown—ends. Is he to spy on the hotel owner? Participate in some shady plot involving a guest? Murder somebody? It could be anything, because the deputy who orchestrated the hiring is none other than Lou Ford, the main character of Thompson's 1952 tour de force The Killer Inside Me. If you haven't read it, long story short, he's a psychopath.

Trouble doubles when Bugs accidentally karate chops the hotel accountant out a window. The death was unwitnessed and is ruled a suicide—for the moment. Ford suspects foul play, but Bugs feels in the clear. Then someone starts to blackmail him, someone who says they were in the closet and saw the killing. Who is the blackmailer? Can Bugs outwit them somehow? He isn't that bright—a type Thompson specialized at writing—so his efforts to manage his difficulties are haphazard at best.

But maybe Bugs is brighter than he seems. He'll need to be, pitted as he is against Thompson's iconic Lou Ford, but in the end a woman may turn out to be his direst foe. That's not a spoiler—the cover text suggests that a femme fatale is pulling the strings, but even Bugs doesn't know who because he spends the book troubled by three. All of this makes for plenty of reading fun. Wild Town is no Pop. 1280—our favorite Thompson so far—but it's diverting enough. Another recommended effort from a deft architect of chaos and criminality. 
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Vintage Pulp Feb 8 2022
PUT THE BLAME ON MAME
She used the oldest game to become the newest player.


Once again art makes the sale, as we bought this copy of The Revolt of Mamie Stover thanks to its Robert Maguire cover. The blonde femme fatale is of course the Mamie of the title, an aspiring actress run out of Hollywood upon threat of death and booked onto a freighter headed for Honolulu, there to descend into the oldest profession and become a famed wartime prostitute known as Flaming Mamie. The story details her efforts to earn a mint, procure for herself a piece of Honolulu, and buy her way to respectability against terrific opposition from Oahu's Anglo bluebloods.

But there was something about the book that we couldn't put a finger on at first. If we'd read it in 1951 when it was originally published, it might have been clearer, we figured, but as it stood we weren't sure what underlying point Huie was trying to make until halfway through, when—aha!—we realized The Revolt of Mamie Stover is an allegory for the liberal assault against old world American values. At least that's the conclusion we reached. Just to be sure we double-checked on the internet and—aha!—allegory, liberal assault, and so forth.

However, like certain other mid-century novelists considered to be sociologically incisive at the time, Huie was working from incomplete information. The worth, order, and ever escalating prosperity he suggests industrious white men created out of primitive chaos are ending with a whimper under the assaults of climate change, soil depletion, de-industrialization, species extinction, tax evasion, unregulated financial speculation, and cynical war. Raping nature is simply a counterproductive enterprise. The science on that is settled. Trickle down economics don't trickle. That's settled too. Those industrious men built nothing that wasn't going to collapse anyway due to the laws of physics and corrupt economics.

But as we said, Huie couldn't have known that, so within his allegory America is going to hell in a handbasket due to the aforementioned liberal democratization. Or more to the point—give everyone equal rights, and the ungrateful bastards will actually use them to change things. Mamie Stover, barred from all the nice sectors of Honolulu because of her supposedly shameful profession, revolts against and smashes the prohibitions imprisoning her in second class citizenship—and as a result opens the door for native Hawaiians to burst their confines too and ruin whites-only Waikiki Beach.

Huie presents a choice between an orderly but racially repressive society and a disorderly democratic society, but he gets the reasons for disorder wrong. Disorder derives from deprivation, not democratization. Few people get bothered over what others achieve or possess if they feel themselves to be getting a fair shake. But make them feel they've been cheated and they'll assign blame. This is really what the industrious men figured out: the underclasses normally look upward for reasons their lives aren't improving, but it can be prevented if some of them can be made to feel they've been fucked over by others of them. If a racial element can be injected too, all the better. Once discord is established, even people who know better have to join the fight, if only to defend those unfairly under attack.

But while The Revolt of Mamie Stover is built around a moribund allegory, Mamie's personal story makes it a page turning book. You root for her—though it should noted she's no true protagonist. Huie gives readers a masterclass in racism, expressed repetitively and explicitly. Hawaiians, Japanese, Chinese, and other peoples you'd see around the islands are referred to mainly by slurs—not typical anti-Asian slurs, butrather by that age-old slur for African Americans. Nice, right? It pops up, we'd estimate, fifty times in a short book. And Mamie is even more racist-mouthed than the rest. Once she gains access to the tony districts of town, she plans to punch down on all these undesirables. And she's going to enjoy it, she makes clear. She's prostituted herself to gain status—why should she care about anyone who wasn't willing to sacrifice as she did?

A tale this ideological naturally makes you wonder what the author's personal beliefs were. Huie was complicated. While working as a journalist he involved himself in one of the most infamous racist murders of his era, and not in a good way. But he counted among his acquaintances Zora Neale Hurston and Roy Wilkins. He was probably not a bigot by 1950s standards, but in writing about class and race he was uncompromising, and his foundational assumptions about society were wrong. He could have written The Revolt of Mamie Stover with far less ugliness and it would have worked fine, but that never would have occurred to him. He saw ugly realism and reflected it. In that way he was a true writer. Before you read the book—if indeed you do—you'll have to consider that.

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Vintage Pulp Nov 20 2021
36 DIRTY TRICKS
Ed Spingarn takes readers on a bumpy ride down mammary lane.


Robert Maguire painted the cover for Ed Spingarn's 1957 novel Perfect 36, and came up with something beautiful and colorful that drew our eye. The tagline—A revealing and riotous story of the bosom business—did the rest of the sales job. The book tells the story of nineteen-year-old Rosalie Gershon, who's determined to make something of herself professionally, and, thanks to her outstanding figure, stumbles into the ladies undergarment business. Seems she's a perfect model for the newly created Brooklyn Bridge Bra, designed along architectural principles. Rosalie wants to succeed, but she's also a virgin with insistent hormones, and the high rolling fast talkers of the NYC fashion business are lining up to take her on her first mattress ride.

In other words, what you have here is a virtue-in-danger novel, but one that's better than most. Will Rosalie give in, and if so to whom? The poor but sincere co-worker? The business mogul's slick son? The rich man who offers her mink coats? Everybody wants her and they'll play dirty to get her. Only in fiction is it so difficult being gorgeous. As the plot develops, Rosalie's virginity—actually her possible lack of it—becomes worth potentially $100,000. It's an unlikely twist, and Rosalie's an unlikely character, but Spingarn manages to make her sympathetic, and he does it by using high quality literary skills and (we suspect) inside knowledge of the fashion industry. We'd read him again, for sure, but unfortunately Perfect 36 seems to be the only novel he ever wrote.
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Vintage Pulp Jul 24 2021
ON THE WRONG TRACK
Subway commuters now running to work after latest round of NYC budget cuts eliminates trains.


Andrew L. Stone may be unique in the realm of vintage literature. His 1958 thriller Cry Terror is a novelization of the film of the same name, which he wrote, directed, and co-produced. Cry Terror wasn't the first time Stone wore multiple hats. Two years earlier he had written and directed the thriller Julie, and written the novelization too. The screenplay earned him an Academy Award nomination. He racked up thirty-seven directorial credits during his career, and among his output was Stormy Weather, The Hard-Boiled Canary, Highway 301, Confidence Girl, and A Blueprint for Murder. He ended up with a star on the Hollywood Walk of Fame.

Another reason we wanted to highlight Cry Terror today is because of the excellent cover art by Robert Maguire. It was modeled after a promo shot from the film of lead actress Inger Stevens. You see that below. We were thinking about buying the book, but digging up all this info has revealed the entire plot to us, so we won't bother. Also, the copies that are currently out there are going for fifty dollars and up. As we mentioned before, we don't go that high for anything we'd be tempted to swat flies with. Plus we have a ton of books piled up. We may watch the movie, though. Less time, less expense. If we do we'll report back.
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Vintage Pulp Mar 19 2021
CALAMITY JANE
Don't look at me that way. He was like this when I got here. I swear.


Above, a beautiful cover painted by Robert Maguire for Edgar Wallace's mystery Four Square Jane, originally published in 1929, with this Digit Books edition appearing in 1962. This one is short and fun. Someone known as Four Square Jane is executing clever heists against the rich all around London, and Chief Superintendent Peter Dawes is put on her trail. The only clues are a card Jane leaves at the crime scenes, each bearing her personal sigil. Dawes soon realizes that one person in particular seems to be financially damaged by the thefts, and when murder enters the mix, the stakes mount. This is an excellent classical style mystery from Wallace with a proto-feminist angle. The art here is a re-usage of Maguire's cover for Henry Kane's 1960 novel Private Eyeful, which you can see at the top of this collection of women standing over dead or dying men. 

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Vintage Pulp Oct 25 2020
A ROUGH DAY AHEAD
*sigh* And to think I used to drink coffee in the morning.


Above, a Robert Maguire cover for Robert W. Taylor's The Glitter and the Greed, 1955, from Gold Medal Books. Thankfully, we've had few mornings like this, but if we go into another quarantine, it might become routine. 

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Vintage Pulp Sep 13 2019
MAKING THE GRADE
While part of me believes your claim that you're an A+ in bed, another part of me is skeptical because you're a consistent D in class.

It's sleaze so nice they published it twice. The 1960s was the heyday of student/teacher sleaze novel, but even in that receptive era Babette Hall's The Professor and the Co-Ed must have sold especially well to warrant a new run. Hall really deserves credit because, amazingly, this was even published a third time—way back in 1946 as Last Night When We Were Young. 1946 books weren't terribly daring on the whole, so it's safe to assume this isn't sleaze at all, but a deliberately misleading rebranding, greatly helped by art from Robert Maguire at top, and an unknown on book two. The copyright is 1963 and 1967 on these.

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Vintage Pulp Aug 26 2019
PRE-MARITAL X
If I'd known being a virgin would lead to this I'd have considered that proposition from my dad's fishing buddy.


Do people still make chastity pledges? Well, if the pledge is to a cruel Aztec jaguar god that wants you to serve as his bodily vessel, don't do it. The Living Idol, which explores that precise possibility, is a novelization of a 1957 movie of the same name starring Liliane Montevecchi. We discussed it a while back. The novel came from Signet with Robert Maguire on the cover chores, and we've seen copyrights of 1956 on this, so it may have preceded the film as a means of generating interest. You can find out everything you need to know about the book by reading our bit on the movie here

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Vintage Pulp Sep 17 2018
SWING LESSONS
A Harlem detective learns the rules of engagement in pre-civil rights America.


Ed Lacy is credited by many as having created the first African American detective, Harlem gumshoe Toussaint Marcus Moore. Room to Swing is the novel in which this uniquely named character debuted. The set-up for the plot is also unique. The producer of an unsolved crimes television show called You—Detective! has located a fugitive she wants to arrest on air. She hires Toussaint to keep an eye on this ratings goldmine and make sure he's still around when she and her film crew are ready to spring their trap. Sounds simple, but in 1958 a black detective following a white man 24/7 will run into problems, considering he can't safely go to all the same places. Hell, he couldn't comfortably go to all the same places even today.

And if being a cop magnet isn't bad enough for Toussaint, having a white woman as a client is even more problematic, since they can barely be seen in public together. This is true even in New York and Ohio, where the action takes place. Although the northern U.S. was not part of the Jim Crow system, outside of large cities apartheid generally reigned. Small town Ohio is no different from Alabama for Toussaint. Even getting lunch or using a pay phone is often difficult. Speaking to a white man without calling him “Sir” generally leads to trouble, and being referred to as “boy” in return is standard practice. All of which raises the question: Why did this deep-pocketed producer hire a black detective at all? She has her reasons.

Room to Swing won Lacy the coveted Edgar Award, though we wouldn't say the book is brilliantly written. But it takes readers into fresh territory for a detective novel, and Toussaint is portrayed humanistically and empathetically. The book exemplifies the idea that it's possible for anybody to write about anybody else, regardless of race. Unfortunately, it wasn't a luxury that was often afforded to any but white writers back then, but it certainly should have been. All sorts of insights might have been possible. Room to Swing has plenty of those, and if you can find this Pyramid paperback edition with Robert Maguire cover art, all the better.

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History Rewind
The headlines that mattered yesteryear.
October 03
1908—Pravda Founded
The newspaper Pravda is founded by Leon Trotsky, Adolph Joffe, Matvey Skobelev and other Russian exiles living in Vienna. The name means "truth" and the paper serves as an official organ of the Central Committee of the Communist Party between 1912 and 1991.
1957—Ferlinghetti Wins Obscenity Case
An obscenity trial brought against Lawrence Ferlinghetti, owner of the counterculture City Lights Bookstore in San Francisco, reaches its conclusion when Judge Clayton Horn rules that Allen Ginsberg's poetry collection Howl is not obscene.
1995—Simpson Acquitted
After a long trial watched by millions of people worldwide, former football star O.J. Simpson is acquitted of the murders of ex-wife Nicole Brown Simpson and her friend Ronald Goldman. Simpson subsequently loses a civil suit and is ordered to pay millions in damages.
October 02
1919—Wilson Suffers Stroke
U.S. President Woodrow Wilson suffers a massive stroke, leaving him partially paralyzed. He is confined to bed for weeks, but eventually resumes his duties, though his participation is little more than perfunctory. Wilson remains disabled throughout the remainder of his term in office, and the rest of his life.
1968—Massacre in Mexico
Ten days before the opening of the 1968 Summer Olympics in Mexico City, a peaceful student demonstration ends in the Tlatelolco Massacre. 200 to 300 students are gunned down, and to this day there is no consensus about how or why the shooting began.
October 01
1910—Los Angeles Times Bombed
A massive dynamite bomb destroys the Los Angeles Times building in downtown Los Angeles, California, killing 21 people. Police arrest James B. McNamara and his brother John J. McNamara. Though the brothers are represented by the era's most famous lawyer, Clarence Darrow, of Scopes Monkey Trial fame, they eventually plead guilty. James is convicted and sentenced to fifteen years in prison. His brother John is convicted of a separate bombing of the Llewellyn Iron Works and also sent to prison.
1975—Ali Defeats Frazier in Manila
In the Philippines, an epic heavyweight boxing match known as the Thrilla in Manila takes place between Muhammad Ali and Joe Frazier. It is the third, final and most brutal match between the two, and Ali wins by TKO in the fourteenth round.
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