Vintage Pulp Aug 24 2015
A CLAIRE DAY
A new woman for a new era.


This issue of Paris Magazine features a beautiful Louis-Charles Royer cover of Ziegfeld star Claire Luce, one of the most popular celebrities of her time. Her heyday was the 1920s and ’30s, a period during which—though this is little remarked upon today—substantially more women began to have sex before marriage. By the time the first surveys took place in the 1940s about 50% of women admitted to having pre-marital sex. Anecdotally, during the 1920s probably at least one in four women had sex as singles. Claire Luce was a pioneer of the female right to choose. A mere eight-year span of her diary describes sixty lovers.

Luce very much personifies a seismic shift in the values of Western women. Many scholars say it happened because they moved into the university and the workplace around that time, and that was indeed an important factor because it brought women and men into mutual contact outside of family and church situations. But it’s clear the prime mover was the trauma of World War I and the loss of 37 million lives in a conflict that taught those who came of age around then that life could be short and joy could be fleeting. This factor is nearly always downplayed in studies of that time, though we have never understood why. It is too obvious?
 
Even with their numbers increasing, relatively few women were in the university and workplace. But virtually no Western family went untouched by the war. Those 37 million deaths reached deep into every town, every enclave, every social class. Nearly everyone had lost a father, a brother, an uncle, or at least a family friend. And if a loved one actually survived battle, they often returned to preach the futility of war to the generation below them—or by their mere broken presence serve as a warning. Ernest Hemingway captured this in The Sun Also Rises, which focuses on Jake, prevented by a war wound from having sex, and Lady Brett, who loves Jake but must constantly seek lovers elsewhere.

Of course, there are many factors behind any social shift, but rapid change typically derives from chaos. Ask any neo-con or disaster capitalist. The primary effect of war or warlike events upon society is to alter how it views life, death, and personal freedom. In the past, the spectre of death made people want more freedom to live as they saw fit; in our present era, traumatic events have resulted in people agreeing to sacrifice their personal freedom (thanks to powerful suggestions and hard work by opportunistic governments).

Anyway, just an interesting digression concerning Paris Magazine
’s cover star. Like predecessors such as Dorothy Parker, and
peers like Tallulah Bankhead, she was a sexual trendsetter, a new type of woman for a radically reordered Western world. She’s also about as pulp as it gets. We may get back to Claire Luce a bit later, but in the meantime we have a bunch of interior scans from Paris Magazine below, and more issues available at the click of a mouse. This edition, number 34, appeared in 1934. 

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Vintage Pulp Aug 20 2015
NO LAFFING MATTER
They didn’t think it was funny in Oklahoma.

This issue of Laff from this month in 1949 contains a rather amusing story about burlesque queen Lilly Christine being censored from University of Oklahoma campus newspaper Covered Wagon by scandalized administrators. Seems members of the newspaper staff had been in New Orleans the previous year for the Sugar Bowl and had caught Christine in residency at the 500 Club. When later she toured through Oklahoma City the newspaper staff arranged a trip to see her, and that led to the quite logical idea of working up a story about her—which was when administrators stepped in to nix the plan. Christine saw a chance for free publicity and proceeded to appear at the campus health clinic seeking a chest x-ray. You couldn’t make this stuff up. After a bit of runaround she was refused. Meanwhile newspaper staff were seething over their unceremonious shackling—they saw it as a free speech issue, while the greyhairs saw it as a morals issue. The editor declared that there would be no more issues of Covered Wagon, but that’s when one of OU’s frats quickly ran off a scab issue of the paper to prove the point that Covered Wagon staffers were replaceable. Leave it to a bunch of entitled Greeks to side with the establishment, right? Checkmated, the editor and several loyalists quit. Meanwhile, Lilly Christine had long since minced on her merry way, no doubt accustomed to leaving a bit of chaos in her wake. See more Christine at this link (and elsewhere in the site if you search).

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Vintage Pulp Aug 15 2015
WILDCATTIN' AROUND
The adventures of a lifetime.


Below are ten covers for Wildcat Adventures, a men’s magazine that existed from 1959 to 1964. Its rarity makes it expensive, which is why we haven’t bought any yet, but we’ll keep our eyes open. Cover art is by John Duillo, Basil Gogos, and others. Thanks to menspulpmags.com for a few of these images, and you can see more there. 


 
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Vintage Pulp Jul 29 2015
RISE OF THE COBRA
Cutting the head off the snake.


Above and below, a July 1956 issue of Real Adventure magazine with uncredited art on the cover and throughout the issue. Inside you get model Peggy Ray, and a self-written feature by boxer Sandy Saddler in which he denies being a dirty fighter. The article includes a photo, which you see in panels three and four below, of Saddler mugging Willie Pep. That’s not the first appearance on Pulp Intl. for that image. Police Gazette featured it on one of its covers in February 1951 with a little photo-illustrative tweak. It’s worth glancing at and you can see it here.

So was Saddler a dirty fighter? Consensus seems to be that if he felt victimized himself, he tended to cross the line. According to theboxingmagazine.com, this happened during Saddler’s fourth fight with Pep, which featured, “elbows, butting, heeling with the glove and lacing, they were everything-gos foul-fests from start to finish. While Pep and Saddler wrestled on the inside, Saddler thought nothing of putting Willie in a headlock before throwing him to the floor. Even the referee was knocked to the floor several times in an attempt to separate the two fighters. Needless to say, the boos and jeers shook the joint to the rafters. Saddler said afterward that he felt insulted by those who insisted he was a dirty fighter.”

Saddler won 144 bouts against only 16 losses, which would seem to indicate a considerable amount of talent. He retired in 1956, at the earlyish age of thirty, after he hurt his eye in a traffic accident. Afterward her became a trainer and counted among his clients a young George Foreman. He died in 2001 but was honored by The Ring magazine a couple of years later when editors ranked him as the fifth greatest puncher of all time. We have about twenty scans of Saddler, Pep, and others below.

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Vintage Pulp Jul 26 2015
ROUGH AND RUGGED
Screw you and the horse you rode in on.


We recently scored a stack of thirty vintage men’s magazines, and here’s the first of that group we’re posting—Rugged Men from this month in 1958. Inside is art from Walter Popp, Ed Franklin, Russ Huban, and Irv Doktor, and the cover of a man taking a tumble after his unfortunate mount gets shot is by Ted Lewin. Probably the most notable aspect of the issue is a story on how members of the Croatan tribe broke up a Ku Klux Klan rally and sent its hooded denizens scattering in terror. The incident is written of with admiration for the tribe’s efforts, and this during an era when Klan rallies were common and open racism was not only acceptable, but actually encoded in federal law. But then, deep admiration for a people that were virtually wiped out by violence is one of many quirks of the American psyche. We're sure a sociologist would have something illuminating to say about it. Seventeen scans below. 


 
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Politique Diabolique Jul 9 2015
WITCHES OF WASHINGTON, D.C.
Collier’s goes looking for the commies but finds something else entirely.

Collier’s isn’t the most visually striking of magazines, but this issue that hit newsstands today in 1954 caught our eye because it contains several nice photos of Marilyn Monroe. There’s also a bit of interesting graphic art, specifically a colorful baseball illustration by Willard Mullin. The other item that attracted us was a story called “What Price Security?” about U.S. government overreach in its search for communists. No art to speak of, but the content gives a window onto the Red Scare period of American life. Author Charlotte Knight tells readers that government efforts against communism have been “so irresponsibly administered that it may have done more harm to the United States than to its enemies.” Sound familiar?

Knight slams witch hunting Senator Joseph McCarthy, and characterizes the fervor around alleged subversives in Washington, D.C. as creating a ripe environment for paranoiacs and liars to ruin innocent people. But of course, as well written as Knight’s article is, she should not have been surprised by anything she discovered. Witch hunts always become vehicles for revenge, personal advancement, and profiteering, because society and politics become warped in such a way as to clear a path for these pursuits. History invariably judges such periods as human tragedies and political failures, though sadly, too late for the ruined and the dead. Scans below.

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Vintage Pulp Jun 30 2015
THE ILLUSTRATED MAN'S
All you need is love dolls.

Cover and interior scans from NYC-based Man’s Illustrated magazine, an issue dominated by rah-rah war stories and love doll ads. The issue appeared this month in 1974, which was the tail end of the Vietnam War, and the front end of the love doll era. It’s in the history books—look it up. All the art is uncredited. 

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The Naked City Jun 11 2015
ARMCHAIR SLEUTHS
So you think you can be a detective, do you?


This issue of True Detective from June 1952 has cover art from Ozni Brown, along with all the standard crime magazine elements inside, but today we’re interested in its unusual solve-it-yourself murder feature. This is the first of these we’ve seen. A fictitious crime scene photo is published along with a short written scenario, and readers are invited to determine how the killing was committed and by which suspect. This particular puzzle is a television tie-in written by Darren McGavin, who at the time was starring in a CBS series called Crime Photographer. The show revolved around a world-weary crime tabloid photog narrating his latest adventures to his local bartender. The series lasted only forty-seven episodes, but McGavin would go on to star in other shows, including the beloved but also short-lived Nightstalker. If you want to take a crack at solving True Detective’s murder we’ve enlarged the relevant bits at the bottom of this post.

 

In order to make the whodunnit photo detailed enough we had to split it in half. It appears below along with the enlarged text.

 

And below is the solution.

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Vintage Pulp Jun 4 2015
TOUGH AT THE TOP
So, before I pull you up, remember in college I had a crush on that girl and you went and had sex with her?

How does that Marvin Gaye/Tammi Terrell song go? We think it’s, “Ain’t no mountain high enough to keep me from getting even with you.” Or at least it should be. The above cover of Male is from June 1954 and it has art by Mel Bolden, who got his start working with Norman Rockwell and was probably the most prominent black illustrator of his era. We’ll put together a collection of his excellent stuff a bit later. 
 
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Vintage Pulp May 21 2015
HOLDING THE LINE
Aslan shows his soft side.

Are these pulp? Sort of. They’re Aslan, and that’s close enough. We’re referring, of course, to French master Alain Gourdon, aka Aslan, and we’ve featured rare pieces of his that you can’t see anywhere else (so far) here and here. What you’re looking at above are covers for the magazine Line, billed as “le journal des chics filles.” These are Aslan in cutesy mode, which he always did quite well, and which presents a nice counterpoint to him in raunchy mode, at which he also excelled. We’ll do more on him in the latter incarnation in a bit. Late 1960s on all these. 

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History Rewind
The headlines that mattered yesteryear.
May 20
1916—Rockwell's First Post Cover Appears
The Saturday Evening Post publishes Norman Rockwell's painting "Boy with Baby Carriage", marking the first time his work appears on the cover of that magazine. Rockwell would go to paint many covers for the Post, becoming indelibly linked with the publication. During his long career Rockwell would eventually paint more than four thousand pieces, the vast majority of which are not on public display due to private ownership and destruction by fire.
May 19
1962—Marilyn Monroe Sings to John F. Kennedy
A birthday salute to U.S. President John F. Kennedy takes place at Madison Square Garden, in New York City. The highlight is Marilyn Monroe's breathy rendition of "Happy Birthday," which does more to fuel speculation that the two were sexually involved than any actual evidence.
May 18
1926—Aimee Semple McPherson Disappears
In the U.S., Canadian born evangelist Aimee Semple McPherson disappears from Venice Beach, California in the middle of the afternoon. She is initially thought to have drowned, but on June 23, McPherson stumbles out of the desert in Agua Prieta, a Mexican town across the border from Douglas, Arizona, claiming to have been kidnapped, drugged, tortured and held for ransom in a shack by two people named Steve and Mexicali Rose. However, it soon becomes clear that McPherson's tale is fabricated, though to this day the reasons behind it remain unknown.
1964—Mods and Rockers Jailed After Riots
In Britain, scores of youths are jailed following a weekend of violent clashes between gangs of Mods and Rockers in Brighton and other south coast resorts. Mods listened to ska music and The Who, wore suits and rode Italian scooters, while Rockers listened to Elvis and Gene Vincent, and rode motorcycles. These differences triggered the violence.
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