Vintage Pulp Aug 24 2015
A CLAIRE DAY
A new woman for a new era.


This issue of Paris Magazine features a beautiful Louis-Charles Royer cover of Ziegfeld star Claire Luce, one of the most popular celebrities of her time. Her heyday was the 1920s and ’30s, a period during which—though this is little remarked upon today—substantially more women began to have sex before marriage. By the time the first surveys took place in the 1940s about 50% of women admitted to having pre-marital sex. Anecdotally, during the 1920s probably at least one in four women had sex as singles. Claire Luce was a pioneer of the female right to choose. A mere eight-year span of her diary describes sixty lovers.

Luce very much personifies a seismic shift in the values of Western women. Many scholars say it happened because they moved into the university and the workplace around that time, and that was indeed an important factor because it brought women and men into mutual contact outside of family and church situations. But it’s clear the prime mover was the trauma of World War I and the loss of 37 million lives in a conflict that taught those who came of age around then that life could be short and joy could be fleeting. This factor is nearly always downplayed in studies of that time, though we have never understood why. It is too obvious?
 
Even with their numbers increasing, relatively few women were in the university and workplace. But virtually no Western family went untouched by the war. Those 37 million deaths reached deep into every town, every enclave, every social class. Nearly everyone had lost a father, a brother, an uncle, or at least a family friend. And if a loved one actually survived battle, they often returned to preach the futility of war to the generation below them—or by their mere broken presence serve as a warning. Ernest Hemingway captured this in The Sun Also Rises, which focuses on Jake, prevented by a war wound from having sex, and Lady Brett, who loves Jake but must constantly seek lovers elsewhere.

Of course, there are many factors behind any social shift, but rapid change typically derives from chaos. Ask any neo-con or disaster capitalist. The primary effect of war or warlike events upon society is to alter how it views life, death, and personal freedom. In the past, the spectre of death made people want more freedom to live as they saw fit; in our present era, traumatic events have resulted in people agreeing to sacrifice their personal freedom (thanks to powerful suggestions and hard work by opportunistic governments).

Anyway, just an interesting digression concerning Paris Magazine
’s cover star. Like predecessors such as Dorothy Parker, and
peers like Tallulah Bankhead, she was a sexual trendsetter, a new type of woman for a radically reordered Western world. She’s also about as pulp as it gets. We may get back to Claire Luce a bit later, but in the meantime we have a bunch of interior scans from Paris Magazine below, and more issues available at the click of a mouse. This edition, number 34, appeared in 1934. 

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Vintage Pulp Apr 20 2015
FLINGTIME IN PARIS
Timeless moments in a timeless town.

Cover and scans from an April 1933 issue of Paris Magazine, with the usual art photography from Studio Manassé and other sources, plus humor and goings-on around town. The cover star is showgirl Lilian Daugherty. 

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Vintage Pulp Jun 22 2014
MARLENE'S EYES
Paris gives Dietrich first class treatment.

Above are scans from Paris Magazine, one of the more elegant celeb and art publications of the 1930s. Marlene Dietrich popped up quite a bit in its pages (with eyes famously enhanced by Max Factor), and you also get images of Joan Walsh, photography from Rémy Duval, Roger Schall, Jablonowsky, and Fred Wallentin, all from 1934. We have more scans from an issue containing a couple of nice shots of Josephine Baker that we’ll get up soonish. Until then you can see more from Paris Magazine here. 
 
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Vintage Pulp Sep 10 2012
AUTUMN IN PARIS
As the leaves fall from the trees, the clothes fall from the femmes.

Above, French vintage of the best kind—scans from Paris Magazine #27, November 1933, with platinum-coiffed cover star Mary Carlisle, who was born in 1912, received a star on the Hollywood Walk of Fame, and is still alive today. You also get photography from Schall, Zielke, Jean Moral, Studio Manassé, and art from Yves Brayer.

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Vintage Pulp May 27 2011
TOUJOURS SENSATIONNEL
Paris every moment of every year.

We managed to locate another issue of Paris Magazine today, this one from May 1935 with a bright-eyed photo-illustration of American movie star Jean Parker, née Lois Greene, on the cover. Inside, you get art by Julien Tavernier, and photographs of yesteryear’s showgirls, models and society women by Braig, Albin, and others. In the last two panels you get possibly the last photographs ever taken of the German actress and singer Edith Mera, who had died a few months earlier at age thirty of septicemia (a blood infection) caused by poor treatment of an abscess in her mouth. It’s a bittersweet footnote, but then when you’re looking at magazines this old it’s always bittersweet because everyone you’re seeing at the height of beauty and youth is now dead. Or as Shakespeare so eloquently wrote: Golden lads and all girls must, as chimney-sweepers come to dust. Now there’s a cheery thought for Friday! But hopefully it inspires you to really enjoy this spring weekend—you only get so many. Anyway, bittersweet or not, we love Paris Magazine and recently acquired about a dozen, so you’ll be seeing more soon. Check out our other issue, with its excellent Man Ray art here. 

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Vintage Pulp Jan 31 2011
A FREE MAN IN PARIS
Seeing the world in shades of Ray.

Above is the cover and several interior pages from Paris Magazine, an erotic and art publication from France. This one was published in January 1935 and features the work of the legendary photographer Man Ray in panels three, four and five. Man Ray spent most of his adult life in Paris, specifically the Montparnasse district where he had a home, but he was actually American, born Emmanuel Radnitzky in the U.S. in 1890. He moved overseas when he was thirty-one, relocated to L.A. when World War II broke out, but returned to Paris in 1951 and lived there until his death in 1976. 

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History Rewind
The headlines that mattered yesteryear.
October 23
1935—Four Gangsters Gunned Down in New Jersey
In Newark, New Jersey, the organized crime figures Dutch Schultz, Abe Landau, Otto Berman, and Bernard "Lulu" Rosencrantz are fatally shot at the Palace Chophouse restaurant. Schultz, who was the target, lingers in the hospital for about a day before dying. The killings are committed by a group of professional gunmen known as Murder, Inc., and the event becomes known as the Chophouse Massacre.
1950—Al Jolson Dies
Vaudeville and screen performer Al Jolson dies of a heart attack in San Francisco after a trip to Korea to entertain troops causes lung problems. Jolson is best known for his film The Jazz Singer, and for his performances in blackface make-up, which were not considered offensive at the time, but have now come to be seen as a form of racial bigotry.
October 22
1926—Houdini Fatally Punched in Stomach
After a performance in Montreal, Hungarian-born magician and escape artist Harry Houdini is approached by a university student named J. Gordon Whitehead, who asks if it is true that Houdini can endure any blow to the stomach. Before Houdini is ready Whitehead strikes him several times, causing internal injuries that lead to the magician's death.
October 21
1973—Kidnappers Cut Off Getty's Ear
After holding Jean Paul Getty III for more than three months, kidnappers cut off his ear and mail it to a newspaper in Rome. Because of a postal strike it doesn't arrive until November 8. Along with the ear is a lock of hair and ransom note that says: "This is Paul’s ear. If we don’t get some money within 10 days, then the other ear will arrive. In other words, he will arrive in little bits." Getty's grandfather, billionaire oilman Jean Paul Getty, at first refused to pay the 3.2 million dollar ransom, then negotiated it down to 2.8 million, and finally agreed to pay as long as his grandson repaid the sum at 4% interest.
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