Harper Lee’s 1960 Pulitzer Prize winner To Kill a Mockingbird happens to be one of our favorite books. Actually, strike that. We think it’s one of the ten best American books ever written. So imagine our excitement when we found that the French hardback had been illustrated by Aslan, aka Alain Gourdon, one of the top artists of the pulp era. Interestingly, the title of the novel is slightly different in France. A rossignol is a nightingale, rather than a mockingbird. In French a mockingbird is a moquer, but that also means simply “to mock,” so that word would have given the title a slightly different meaning to the French. In any case, we love this cover.     

When we saw the above book in a Paris flea market stall, we wanted it for the Aslan art. But once we looked up author Maurice Dekobra, aka Maurice Tessier, we discovered to our surprise that he was one of the most famous French writers who ever lived. Dekobra started as a subversive author in the 1920s, and pioneered a style of writing called documentary fiction, which is to say, fiction based upon factual investigation of the subject matter. Dekobra used his new techniques as he shifted into whodunits after World War II, and perfected what is now a standard operational model for mystery and thriller writers. In 1951 Dekobra, whose signature style resulted in “dekobrisme” coming into use as a French adjective, was rewarded for his extensive output with the Prix du Quai des Orfèvres literary award. It’s rather embarrassing not to have known about someone who has his own adjective, but we’ll make up for it by getting all dekobrisme and finding out more. We’ll report back later.     

Four pulp novels from the French imprint Parma, with covers painted by Alain Gourdon, who achieved considerable artistic fame under the pseudonym Aslan.