No matter how far she ran dissatisfaction followed close behind.
This gold colored June 1963 cover for Confidential magazine is entirely given over to actress Barbara Payton, whose self-penned hard-luck story appears inside and details her life troubles. The tale is well known and is one we’ve touched upon before—early marriage and early motherhood, followed by stardom, romances, and riches, followed by booze, drugs, divorces and crime. Confidential being Confidential, the editors neglect to mention that the story here is not an exclusive, but rather is excerpted from I Am Not Ashamed, Payton’s painfully revealing autobiography. I Am Not Ashamed did not sell especially well, and was pretty much forgotten a few years after its release. But it reappeared by chance two decades later when Jack Nicholson famously lent a rare copy to Jessica Lange to help her prepare for her femme fatale role in The Postman Always Rings Twice. Today the book is widely available. Just a few seconds reading Payton’s words conjures the suspicion she had a ghostwriter, and indeed, it was the king of lowbrow literature Leo Guild who gave shape to the prose, which reads like gutter level sleaze fiction. For example: “He hated what I had been [but] loved me for what I was. He tortured himself. Every part of my body reminded him of another man.” And this bit: “I had a body when I was a young kid that raisedtemperatures wherever I went. Today I have three long knife wounds on my solid frame. One extends from my buttocks down my thigh and needed I don’t remember how many stitches.” Payton’s anecdotes are cringe worthy, but they read like she’d gotten a grip on her life. No such luck. After four more long years of drugs, drink, and disaster she was found dead on her bathroom floor in 1967. Payton post-mortems usually describe her problems as self-induced, but that’s simplistic. In the 1950s famous men did anything they wished, but women had to be careful not to be seen doing the same. Still do today. That’s the part Payton had problems with. Even so, she had several happy periods during her life. One of those was the stretch she spent in Mexico married to a young fisherman. About this time she says, “We fished and I caught big ones, and we loved and for a couple of years it was beautiful. My big problems were what to cook for dinner. But it was inevitable the ants in my pants would start crawling again.” We like that passage, because nearly all the stories about Payton declare, or at least suggest, that everything that happened after Hollywood stardom was part of a terminal plummet. That’s pretty much the default setting in American journalism—anything other than wealth and fame is by definition failure. It’s an idiotic conceit, even a harmful one, and Payton reveals that in Mexico she landed someplace solid and safe, and got along fine without money or recognition. Two years of happiness is nothing to take lightly. But she just couldn’t sit still—not because of where she was, but because of who she was. And the spiral continued—cheaper and cheaper forms of prostitution, physical confrontations that resulted in her getting some of her teeth knocked out, and more. In all of these tales there’s a recurrent theme of lowly types taking advantage of her, but we can’t help noting that she was paid a mere $1,000 for her autobiography, an absurdly deficient amount for a former top star with a crazy story to tell, which suggests to us that guys in office suites take as much advantage—or more—of a person’s hard luck as guys in alleys. We have some scans below, and Payton will undoubtedly appear here again.
The red brigade to the rescue.
American actress Rhonda Fleming, who was a rarity due to actually being born and raised in the city of Hollywood, became known as “The Queen of Technicolor” because of her flaming red hair. It isn’t evident in this promo shot from the mid 1940s, but it might evident in film titles such as The Redhead and the Cowboy, in which she starred with Glenn Ford, and Those Redheads from Seattle, which paired her with Gene Barry. Fleming is still around, and we'll have more on her a little later.
Sixty-three years ago today Rita Hayworth electrified as the archetypal femme fatale. Gilda is a film that appears on every list of top ten noirs we’ve ever seen, and still it is impossible to overstate how great the movie is. Rita Hayworth had acted in more than a dozen features before this one, but she was a revelation here. Her husband steps into her bedroom saying, “Gilda, are you decent?” And she appears with a hairflip and a wicked smile, saying, “Me?” Right away you know you’re in for a ride. You know this is a woman who is never decent. Something about the blazing eyes seems to promise unimaginable carnal adventures. She stands backlit in a nearly sheer shirt that shows the silhouettes of her breasts. After a song and dance routine she allows a stranger onstage to try and zip her out of her strapless black dress. At one point, about to ride off into the night with a suitor, she says, “Haven’t you heard, Gabe? If I’d been a ranch they’d have named me the Bar Nothing.” All this just to drive poor Glenn Ford mad with jealousy. Yes, Gilda is a femme fatale for the ages, and Gilda is a must-see piece of American cinema.
A classic noir raises the temperature in the icy north. When Swedes heard about The Big Heat, they said “Gud, tack själv,” because they were all freezing their asses off and thought the movie was a documentary about how to stay warm. But no, it was just top-notch film noir, which generated its own warmth, especially if you looked at Gloria Grahame. The movie was directed by film noir black-belt Fritz Lang, and tough guy Lee Marvin had a great supporting role. Oh, and if you’re wondering, yes, Jocelyn Brando is related to Marlon—she was his older sister. She died in 2005 after a lengthy career acting mostly on the telly. The Big Heat opened today in Stockholm, 1953.
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The headlines that mattered yesteryear.
1939—Five-Year Old Girl Gives Birth
In Peru, five-year old Lina Medina becomes the world's youngest confirmed mother at the age of five when she gives birth to a boy via a caesarean section necessitated by her small pelvis. Six weeks earlier, Medina had been brought to the hospital because her parents were concerned about her increasing abdominal size. Doctors originally thought she had a tumor, but soon determined she was in her seventh month of pregnancy. Her son is born underweight but healthy, however the identity of the father and the circumstances of Medina's impregnation never become public. 1987—Rita Hayworth Dies
American film actress and dancer Margarita Carmen Cansino, aka Rita Hayworth, who became her era's greatest sex symbol and appeared in sixty-one films, including the iconic Gilda, dies of Alzheimer's disease in her Manhattan apartment. Naturally shy, Hayworth was the antithesis of the characters she played. She married five times, but none lasted. In the end, she lived alone, cared for by her daughter who lived next door. 1960—Gary Cooper Dies
American film actor Gary Cooper, who harnessed an understated, often stoic style in numerous adventure films and westerns, including Sergeant York, For Whom the Bell Tolls, High Noon, and Alias Jesse James, dies of prostate, intestinal, lung and bone cancer. For his contributions to American cinema Cooper received a plaque on the Hollywood Walk of Fame and is considered one of top movie stars of all time. 1981—The Pope Is Shot
In Rome, Italy, in St. Peter's Square, Pope John Paul II is shot four times by would-be assassin Mehmet Ali Agca. The Pope is rushed to the Agostino Gemelli University Polyclinic to undergo emergency surgery and survives. Agca serves nineteen years in an Italian prison, after which he is deported to his homeland of Turkey, and serves another sentence for the 1979 murder of journalist Abdi Ipekçi. Agca is eventually paroled on January 18, 2010. 1957—Von Stroheim Dies
German film director and actor Erich von Stroheim, who as an actor was noted for his arrogant Teutonic character parts which led him to become a renowned cinematic villain with the nickname "The Man You Love to Hate", dies in Maurepas, France at the age of 71.
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