Hollywoodland Mar 11 2022
A HUNDRED YEARS YOUNG
Early movie magazine celebrates a pantheon of Hollywood stars long gone.


Above and below are the cover and a selection of pages from an issue of Pantomime magazine published exactly one hundred years ago, today in 1922, by New York City based Movie Topics, Inc. We don't share much printed material from the pre-1940 pulp years because it tends to be rare to find, a bit expensive to buy, and not as visually dynamic as what came afterward. Luckily, there's a selection of items like these on Archive.org, and that's where this particular discovery originated, part of a collection of eighteen issues available for free download.

There isn't much information available on Pantomime. The rise of Hollywood fueled a huge satellite industry of movie and celeb mags, and scores of them were short-lived. It's possible this one was in existence only during 1921-22, during the silent era. It's filled with celebrities whose names have faded from popular culture, such as cover star Mae Murray, who was known as “The Girl with the Bee-Stung Lips,” Betty Compson, who we've shown you before, Bebe Daniels, who starred in the first version of The Maltese Falcon, action megastar William Duncan, who appeared in one-hundred fifty movies and short features, and Bryant Washburn, who topped Duncan, accumulating well over three-hundred screen credits.

As you might imagine of a publication from 1922, there's problematic material, in this case an article purportedly written by Pantomime's office boy, Eustace Yodels, but in reality written by the editors in what they imagined was African American vernacular, filled with racist phonetics. Apparently the piece is part of a series, an assumption we make because the subhead says it's “another” discourse by Yodels. We've uploaded a snippet below, but if you ever need to do research on racist tropes in old magazines, pull this one off Archive.org and read the whole shameful thing for yourself.

Pantomime also published fiction—official, aknowledged fiction, unlike the above. This issue has Sign of the Trident, which is two chapters of Herbert Crooker's novelization of the Ruth Roland cinema serial White Eagle. For any visitors unfamiliar with the concept, serials were films shown one chapter per week in cinemas. They came on before the main features, and each chapter ended with a so-called cliffhanger. Pantomime was a weekly, so each week it published a fictionalization of what was showing in the movie house. All that for a cover price of ten cents. Inflation-wise that would be about $1.67 today. Not a bad value.
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Femmes Fatales Jul 2 2017
THE LADY ASTOR
Getting Mary-ed was one of the most important decisions of her life.


Above you see a Paramount Pictures promo image of U.S. actress Mary Astor made around 1930. Astor is remembered by movie fans for her role in 1941's The Maltese Falcon, but she had been in film for more than twenty years by then. We often note show business name changes. Astor's real name was Lucile Langhanke. Would she have been as successful using that name? There's no way to know, but we doubt it. To us, Langhanke sounds like a cut of meat. Like something from the middle ages. Gimme a langhanke and an ale! And a roasted Maltese falcon too! Acting is hungry work! But instead she appropriated the family name of a strain of British royalty and her career took flight, so it seems Mary made the right choice. 

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Femmes Fatales Dec 9 2016
A DIFFICULT BEBE
Explain to me again this theory about sparing the rod.


Above, a really nice shot of Bebe Daniels as the femme fatale Ruth Wonderly from the The Maltese Falcon—the 1931 version with Ricardo Cortez and Thelma Todd. If you haven't seen it you should. It's goofy, but definitely worth a viewing just for the purposes of comparing to the game changing 1941 version. 

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Vintage Pulp Oct 18 2016
HIGH FLYING FALCON
This bird is more impressive every time you see it.

The Maltese Falcon is considered by most scholars to be the first major film noir. It was also one of the best, with legendary talents John Huston, Humphrey Bogart, and Peter Lorre coming together to make magic. Mary Astor was excellent too. This must-see film premiered in the U.S. today in 1941, but the poster above—one you don't see often—was made for its run in Australia. Put this film in the queue if you haven't seen it. And if you have, well, watch it again.

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Vintage Pulp Sep 14 2015
SHOE TO KILL
I hear the falcon is nice and all, but darlin’, these ankle strap pumps of yours are to die for.

Of the many covers for Dashiell Hammett’s classic The Maltese Falcon, this version painted by Stanley Meltzoff is one of our favorites. It’s from 1945 and is a dust sleeve for a paperback, a rarity that explains why it goes for $100 and up, generally. We’ve even seen it listed for $250. Beneath the Meltzoff sleeve is a cover by Leo Manso, the famed collagist and abstract artist, which he first painted for the 1944 paperback edition. You can see an example of that here. The Meltzoff sleeve was supposedly controversial at the time due to the Brigid O’Shaughnessy character removing her bra. We didn’t notice that at first, to tell you the truth—our eyes moved right to that triangle of darkness where we see Sam Spade’s hands as he assesses a pair of red pumps. Lovingly, we think. Almost like he wants to keep them. Or are we reading too much into this one? 

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Femmes Fatales Dec 12 2014
WORRY DOLL
Photo sessions make me nervous and then I look uneasy or stressed, so please wait until I’m smiling before you—

Actually, American actress Gladys George did tend to look worried in many of her photos. Not her fault—it’s just the way her face was built. But she coincidentally suffered from numerous worrisome ailments during her life, including throat cancer, heart disease, and cirrhosis. You may remember her as Iva Archer in the classic noir The Maltese Falcon, but she also appeared in Madame X, They Gave Him a Gun, and The House that Jazz Built, among more than forty other films. She eventually died early from a cerebral hemorrhage. 
 
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Vintage Pulp Nov 3 2014
THE BIRDMAN OF ARGENTINA
Way down Argentine way Bogart fronts the era’s definitive detective novel.

Leoplán was an Argentine magazine published by Ramón Sopena’s eponymous company Editorial Sopena from 1934 to 1965. This issue features a complete Spanish language reprint of Dashiell Hammett’s The Maltese Falcon and is fronted by a nice Manuel Olivas painting of Humphrey Bogart and the bird. It’s from 1949.

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Vintage Pulp Sep 21 2012
A BIRD IN THE HAND
Is worth a fortune in the pocket.

Above, a rare copy of Dashiell Hammett’s classic 1930 detective story The Maltese Falcon, the Panther Books edition, 1957, with cover art by John Vernon.

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Vintage Pulp Mar 16 2012
A RARE BIRD
Ever seen a $75,000 book? This is what it looks like.

You really can’t discuss pulp and San Francisco without mentioning The Maltese Falcon. Written by San Fran resident Dashiell Hammet and published by Knopf in 1930, the book’s protagonist San Spade became the archetypal private eye as he haunted the Bay area trying to solve his partner’s murder. The first edition has since become one of the Holy Grails of book collectors, which probably explains why the international auction house Sotheby’s sold a copy of the novel’s first pressing for $75,000. Before you say, “You’re shitting me,” we’ll add that 75K was actually lower than their upper end estimate of $90,000. The 1941 film version of The Maltese Falcon starring Humphrey Bogart and directed by John Huston is considered by most cinema experts to be the first real film noir, and Bogart said it best when asked in the movie exactly what the falcon was. His answer: “The stuff that dreams are made of.”

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Vintage Pulp Feb 8 2012
BLUSHING BEAUTE
Twilight of the flapper age.

The French erotic magazine Beauté may look familiar to you because we shared another copy of it a while back. That one was from 1937 and was called Beautés. This one, with a stylized twilight time photo-illustration, was published in 1933, when the Depression was in full swing. Perhaps that’s why the cover subject, who has a flapper/party-girl aspect, looks so weary and jaded. If her face rings a bell, that’s because she isn’t just any flapper—she’s Mary Astor, whose forty-four year screen career included turns in Dodsworth, The Maltese Falcon, The Hurricane, Across the Pacific, and The Great Lie. We have no idea why Beautés dropped the “s” from its name. Nothing was dropped from inside, though—it’s erotica as only the French were able to do it. Nine scans below, including a great shot of Muriel Evans, star of numerous films between 1928 and 1940. 

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Next Page
History Rewind
The headlines that mattered yesteryear.
May 25
1938—Alicante Is Bombed
During the Spanish Civil War, a squadron of Italian bombers sent by fascist dictator Benito Mussolini to support the insurgent Spanish Nationalists, bombs the town of Alicante, killing more than three-hundred people. Although less remembered internationally than the infamous Nazi bombing of Guernica the previous year, the death toll in Alicante is similar, if not higher.
1977—Star Wars Opens
George Lucas's sci-fi epic Star Wars premiers in the Unites States to rave reviews and packed movie houses. Produced on a budget of $11 million, the film goes on to earn $460 million in the U.S. and $337 million overseas, while spawning a franchise that would eventually earn billions and make Lucas a Hollywood icon.
May 24
1930—Amy Johnson Flies from England to Australia
English aviatrix Amy Johnson lands in Darwin, Northern Territory, becoming the first woman to fly from England to Australia. She had departed from Croydon on May 5 and flown 11,000 miles to complete the feat. Her storied career ends in January 1941 when, while flying a secret mission for Britain, she either bails out into the Thames estuary and drowns, or is mistakenly shot down by British fighter planes. The facts of her death remain clouded today.
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