Vintage Pulp Jul 16 2020
NIGHTMARE ON HAMMETT ST.
Dashed hopes and bad dreams fuel classic pulp collection.


Above, a cover for Nightmare Town, which is a collection of four short stories Dashiell Hammett wrote for pulp magazines between 1927 and 1933. You get 1924's, “Nightmare Town,” best of the four tales in our opinion, which deals with a tough guy who fetches up in a lawless desert way station and soon finds himself in the middle of violence and murder. It's similar to Red Harvest, Hammett's novel of another town lashed by a bloody hellstorm, except this novella length tale ends almost apocalyptically. The other tales here are 1925's “The Scorched Face,” 1933's “Albert Pastor at Home,” and 1925's “Corkscrew.” All are good, though we think Hammett is better in longer formats. You get illustrations too. Those are not very good, objectively speaking, but you're buying this purely for the fiction anyway. Also, the 1950 Dell edition you see here is a collectible mapback edition, which is a bonus. But no matter what, Hammett always hits the spot—usually a major organ or artery.

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Vintage Pulp Feb 26 2020
MUST DASH NOW
Sam Spade chases danger in Dashiell Hammett story collection.


Run don't walk to find any Dashiell Hammett book. He's mandatory reading. In A Man Called Spade you get a tale about a boxer and the fight racket, three stories starring Sam Spade, and, “The Assistant Murderer,” in which Hammett introduces readers to detective Alec Rush, whose physical ugliness is surpassed only by his mental acuity. Hammett really liked the idea of crime solvers who came in unlikely packages. His Continental Op character was short and fat, while Rush had a face only a mother could love. Hammett, a former detective himself, was thin, dapper, and handsome, but he clearly identified with these characters and wanted to de-glamorize detectives. In so doing he became one of most popular authors of detective fiction who ever lived. Besides several nice stories, as a bonus this Dell paperback from 1950 with Robert Stanley cover art is also a mapback edition, as you see below. You have to appreciate how Dell included these maps even when the narrative dictated that they be minimal at best. A Man Called Spade is a good example. All the action in the title story takes place in a single house, and largely in a single room. But Dell gave readers a map anyway. Consistency counts. See alternate art for this book here.

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Vintage Pulp Jan 17 2020
CAPITOL PUNISHMENT
Remember when politicians were motivated not by money and power, but by a desire to help people? Neither do we.

Below, a small collection of vintage paperbacks all featuring images of the U.S. Capitol. They're reminders that the building has always been a place of intrigue and treachery. Which is exactly why it's perfect for our website.
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Vintage Pulp Oct 16 2019
DRUNK AND DISORDERLY
Cocktails, comedy, and crime make a mix that'll go right to your head.


Above, a fantastic Czech poster for the 1934 romantic comedy-murder mystery The Thin Man, which there was titled Detektiv Nick v New Yorku. This is a photo-illustration, rather than the paintings we love, but it's still, in our book, as good as promo art gets. As far as the film goes, like Casablanca or Chinatown, there's no way to overrate it. Some of the humor is so modern that you'll have trouble believing it was made almost a century ago and wasn't cribbed from an episode of Friends or Seinfeld. Just goes to show that in the infinity of time we don't change as quickly as we think.
 
We adore the boozing party animals at the center of this tour de force—Nick and Nora Charles, played by William Powell and Myrna Loy—whose drunken interactions could easily be the inspiration for Jim and Jules of the hilarious television show Brockmire. Credit the director, actors, editors, and everyone else for this masterpiece, but give the biggest nod to Dashiell Hammett, who wrote the excellent source novel. There's no release date for Detektiv Nick v New Yorku in Czechoslovakia, but figure spring or early summer of 1935.

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Vintage Pulp Mar 22 2019
THROUGH THICK AND THIN
Nick and Nora Charles—never shaken, never stirred, and almost never sober.


1934's The Thin Man is what we like to think of as a palate cleanser. After reading a few less accomplished authors you grab a Hammett because you know he's great. It's pure fun following functional alcoholic Nick Charles and his equally hard drinking young wife Nora as they navigate deception and murder. How much do Nick and Nora Charles drink? At one point Nick wakes up feeling terrible and realizes it's because he'd gone to bed sober. Several cocktail sessions a day is about average. Maybe that's why danger doesn't faze them. Even being shot at is reason for a libation and a quip.

This edition of The Thin Man is a rare one. It's the Pocket Books paperback from 1945, with the type of art that was prevalent on paperbacks during the heyday of pulp. We can't tell you much about the book that hasn't already been written, including the fact that it's less a mystery than a comedy of manners, but there is one aspect that's rarely commented upon. Nick Charles is of Greek descent. His full last name is Charalambides. This was the ’30s, when there was open racism in the U.S. against Greeks. James M. Cain delves into this in The Postman Always Rings Twice, in which the Greek character Nick Papadakis is insulted behind his back and set apart as a non-white inferior.

So in The Thin Man Hammett was portraying Nick Charles not as the upper crust dilettante William Powell made famous in the film version, but as a tough guy outsider. People are a bit afraid of him. Filmgoers were definitely not afraid of pencil mustached William Powell. Hammett wanted the written Charles to possess street cred, to be a person who had been places and seen things others had not. Hammett was going for a different type of detective in more ways than merely his drinking habits. Charles' maverick role is just a little extra flavor in an already entertaining novel. The actual mystery is difficult to follow, but even so we highly recommend this if you haven't read it.

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Vintage Pulp Dec 19 2017
WARNING SHOT
The most important safety precaution is to make sure the chamber on this baby is empty, or else disaster can—BANG!


The U.K. imprint Panther Books had some tasty covers during the mid-1950s, including this pretty effort by John Vernon for Dashiell Hammett's Red Harvest. We gave it a read and it involves Hammett's recurring character, a Continental Detective Agency operative, aka the Continental Op, being hired by a newspaper publisher who turns up dead before the two can meet. The subsequent investigation lifts the lid on corruption in a small town called Personville—but which locals call Poisonville. Hammett was a very solid genre author, with a spare, raw style, like this, from chapter seven:

It was half-past five. I walked around a few blocks until I came to an unlighted electric sign that said Hotel Crawford, climbed a flight of steps to the second floor office, registered, left a call for ten o'clock, was shown into a shabby room, moved some of the Scotch from my flask into my stomach, and took old Elihu's ten-thousand dollar check and my gun to bed with me.

After reading dozens of other (still very entertaining) authors since we last hefted a Hammett it was good to be reminded just how efficiently brutal he was. While the story is spiced up by a wisecracking femme fatale named Dinah Brand, the main element in Red Harvest is violence—a storm of it. By the end of the bloody reaping there are more than twenty five killings, as one player after another is knocked off. We rate Red Harvest the most lethal detective novel we've ever read. It was first published in 1929, with the above edition appearing in 1958.

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Vintage Pulp Sep 14 2015
SHOE TO KILL
I hear the falcon is nice and all, but darlin’, these ankle strap pumps of yours are to die for.

Of the many covers for Dashiell Hammett’s classic The Maltese Falcon, this version painted by Stanley Meltzoff is one of our favorites. It’s from 1945 and is a dust sleeve for a paperback, a rarity that explains why it goes for $100 and up, generally. We’ve even seen it listed for $250. Beneath the Meltzoff sleeve is a cover by Leo Manso, the famed collagist and abstract artist, which he first painted for the 1944 paperback edition. You can see an example of that here. The Meltzoff sleeve was supposedly controversial at the time due to the Brigid O’Shaughnessy character removing her bra. We didn’t notice that at first, to tell you the truth—our eyes moved right to that triangle of darkness where we see Sam Spade’s hands as he assesses a pair of red pumps. Lovingly, we think. Almost like he wants to keep them. Or are we reading too much into this one? 

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Vintage Pulp May 7 2015
SECOND GLASS
It may be the second version but it’s first rate.

Above is French poster art for La Clé de verre, aka The Glass Key, the second Hollywood adaptation of Dashiell Hammet’s 1931 novel. We’ve shared other Glass Key materials, but never talked about the film. Suffice to say this Alan Ladd/Veronica Lake vehicle is excellent—much better than This Gun for Hire, which starred the same beautiful pair (Ladd and Lake appeared together in seven movies). Complicated, engrossing, and liberally spiced with excellent action and Hammett’s wit chanelled through Jonathan Latimer's screenplay—“My first wife was a second cook at a third rate joint on Fourth Street”—The Glass Key is mandatory viewing. It’s also interesting for its cynical look at American politics, portrayed as corrupt, built on lies, and fueled by legalized bribery. That much hasn’t changed. The first Glass Key was made in 1935 with George Raft in the lead, but this remake from 1942 is the one to watch. Its French premiere, delayed for years due to World War II and its aftermath, was today in 1948.

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Vintage Pulp Feb 27 2015
SPADE WORK
Always digging up trouble.

We really like this 1944 Dell paperback cover for Dashiell Hammett’s A Man Called Spade. The book contains three Sam Spade stories, plus two other tales. The art is by Gerald Gregg, an illustrator who avoided titillation in his work. While some of his pieces don’t catch the eye the way typical good girl art did, certain pieces—like this one—are really good. The map back by Ruth Belew and four-page Introduction, “Meet Sam Spade,” by Ellery Queen make this edition highly collectible.

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Modern Pulp Dec 22 2014
NEW YORK VISIONS
Owen Smith’s pulp influenced creations are modern masterpieces.

We don’t spend as much time as we should on what we like to call modern pulp, but we very much like contemporary artist Owen Smith and mentioned how his work fronts two of our favorite crime novels of recent years—Daniel Chavarría’s Adios Muchachos and Tango for a Torturer. Smith also created two brilliant Dashiell Hammett posters that we shared back in 2009. We wanted to get back to him, so above and below are some of his unique, pulp-style covers for The New Yorker magazine. You can see more art on his website.

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Next Page
History Rewind
The headlines that mattered yesteryear.
October 26
1951—Churchill Becomes Prime Minster Again
The Conservative Party wins the British general election, making Winston Churchill prime minister for the second time. Churchill is nearly 76 at the time, making him the second oldest prime minister in history after William Gladstone. Churchill remains PM until 1955, when he steps down at 81 due to ill health.
1964—The Night Caller Is Executed
In Australia, Eric Edgar Cooke, who had earned the nickname Night Caller, is hanged after being convicted of murder. He had terrorized Perth for four years, committing 22 violent crimes, eight of which resulted in deaths. He becomes the last person to be executed in Western Australia.
October 25
1938—Archbishop Denounces Dance Music
The Archbishop of Dubuque, Francis J. L. Beckman, makes headlines in the U.S. when he attacks swing music as a degenerated musical system destined to gnaw away at the moral fiber of young people. His denouncement follows on the heels of the music being banned in Germany due to its African and Jewish origins.
1993—Vincent Price Dies
American actor Vincent Price, who had achieved the height of his fame acting in low budget horror movies, and became famous again as the macabre voice in Michael Jackson's song "Thriller," dies at age 82 of complications from emphysema and Pariknson's disease.
October 24
1929—Stock Market Crashes
Black Thursday, a catastrophic crash on the New York Stock Exchange, occurs when the value of stocks suddenly declines and continues to decline for a month. The event leads to a subsequent crash in world stock prices and precipitates the Great Depression. This after famous economist Irving Fisher had declared that stock prices had reached a permanently high plateau.
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