Remember when politicians were motivated not by money and power, but by a desire to help people? Neither do we.
Below, a small collection of vintage paperbacks all featuring images of the U.S. Capitol. They're reminders that the building has always been a place of intrigue and treachery. Which is exactly why it's perfect for our website.
Cocktails, comedy, and crime make a mix that'll go right to your head.
Above, a fantastic Czech poster for the 1934 romantic comedy-murder mystery The Thin Man, which there was titled Detektiv Nick v New Yorku. This is a photo-illustration, rather than the paintings we love, but it's still, in our book, as good as promo art gets. As far as the film goes, like Casablanca or Chinatown, there's no way to overrate it. Some of the humor is so modern that you'll have trouble believing it was made almost a century ago and wasn't cribbed from an episode of Friends or Seinfeld. Just goes to show that in the infinity of time we don't change as quickly as we think.
We adore the boozing party animals at the center of this tour de force—Nick and Nora Charles, played by William Powell and Myrna Loy—whose drunken interactions could easily be the inspiration for Jim and Jules of the hilarious television show Brockmire. Credit the director, actors, editors, and everyone else for this masterpiece, but give the biggest nod to Dashiell Hammett, who wrote the excellent source novel. There's no release date for Detektiv Nick v New Yorku in Czechoslovakia, but figure spring or early summer of 1935.
Nick and Nora Charles—never shaken, never stirred, and almost never sober.
1934's The Thin Man is what we like to think of of a palate cleanser. After reading a few less accomplished authors you grab a Hammett because you know he's great. It's pure fun following functional alcoholic Nick Charles and his equally hard drinking young wife Nora as they navigate deception and murder. How much do Nick and Nora Charles drink? At one point Nick wakes up feeling terrible and realizes it's because he'd gone to bed sober. Several cocktail sessions a day is about average. Maybe that's why danger doesn't faze them. Even being shot at is reason for a libation and a quip.
This edition of The Thin Man is a rare one. It's the Pocket Books paperback from 1945, with the type of art that was prevalent on paperbacks during the heyday of pulp. We can't tell you much about the book that hasn't already been written, including the fact that it's less a mystery than a comedy of manners, but there is one aspect that's rarely commented upon. Nick Charles is of Greek descent. His full last name is Charalambides. This was the ’30s, when there was open racism in the U.S. against Greeks. James M. Cain delves into this in The Postman Always Rings Twice, in which the Greek character Nick Papadakis is insulted behind his back and set apart as a non-white inferior.
So in The Thin Man Hammett was portraying Nick Charles not as the upper crust dilettante William Powell made famous in the film version, but as a tough guy outsider. People are a bit afraid of him. Filmgoers were definitely not afraid of pencil mustached William Powell. Hammett wanted the written Charles to possess street cred, to be a person who had been places and seen things others had not. Hammett was going for a different type of detective in more ways than merely his drinking habits. Charles' maverick role is just a little extra flavor in an already entertaining novel. The actual mystery is difficult to follow, but even so we highly recommend this if you haven't read it.
The most important safety precaution is to make sure the chamber on this baby is empty, or else disaster can—BANG!
The U.K. imprint Panther Books had some tasty covers during the mid-1950s, including this pretty effort by John Vernon for Dashiell Hammett's Red Harvest. We gave it a read and it involves Hammett's recurring character, a Continental Detective Agency operative, aka the Continental Op, being hired by a newspaper publisher who turns up dead before the two can meet. The subsequent investigation lifts the lid on corruption in a small town called Personville—but which locals call Poisonville. Hammett was a very solid genre author, with a spare, raw style, like this, from chapter seven:
It was half-past five. I walked around a few blocks until I came to an unlighted electric sign that said Hotel Crawford, climbed a flight of steps to the second floor office, registered, left a call for ten o'clock, was shown into a shabby room, moved some of the Scotch from my flask into my stomach, and took old Elihu's ten-thousand dollar check and my gun to bed with me.
After reading dozens of other (still very entertaining) authors since we last hefted a Hammett it was good to be reminded just how efficiently brutal he was. While the story is spiced up by a wisecracking femme fatale named Dinah Brand, the main element in Red Harvest is violence—a storm of it. By the end of the bloody reaping there are more than twenty five killings, as one player after another is knocked off. We rate Red Harvest the most lethal detective novel we've ever read. It was first published in 1929, with the above edition appearing in 1958.
I hear the falcon is nice and all, but darlin’, these ankle strap pumps of yours are to die for.
Of the many covers for Dashiell Hammett’s classic The Maltese Falcon, this version painted by Stanley Meltzoff is one of our favorites. It’s from 1945 and is a dust sleeve for a paperback, a rarity that explains why it goes for $100 and up, generally. We’ve even seen it listed for $250. Beneath the Meltzoff sleeve is a cover by Leo Manso, the famed collagist and abstract artist, which he first painted for the 1944 paperback edition. You can see an example of that here. The Meltzoff sleeve was supposedly controversial at the time due to the Brigid O’Shaughnessy character removing her bra. We didn’t notice that at first, to tell you the truth—our eyes moved right to that triangle of darkness where we see Sam Spade’s hands as he assesses a pair of red pumps. Lovingly, we think. Almost like he wants to keep them. Or are we reading too much into this one?
It may be the second version but it’s first rate.
Above is French poster art for La Clé de verre, aka The Glass Key, the second Hollywood adaptation of Dashiell Hammet’s 1931 novel. We’ve shared other Glass Key materials, but never talked about the film. Suffice to say this Alan Ladd/Veronica Lake vehicle is excellent—much better than This Gun for Hire, which starred the same beautiful pair (Ladd and Lake appeared together in seven movies). Complicated, engrossing, and liberally spiced with excellent action and Hammett’s wit chanelled through Jonathan Latimer's screenplay—“My first wife was a second cook at a third rate joint on Fourth Street”—The Glass Key is mandatory viewing. It’s also interesting for its cynical look at American politics, portrayed as corrupt, built on lies, and fueled by legalized bribery. That much hasn’t changed. The first Glass Key was made in 1935 with George Raft in the lead, but this remake from 1942 is the one to watch. Its French premiere, delayed for years due to World War II and its aftermath, was today in 1948.
Always digging up trouble.
We really like this 1944 Dell paperback cover for Dashiell Hammett’s A Man Called Spade. The book contains three Sam Spade stories, plus two other tales. The art is by Gerald Gregg, an illustrator who avoided titillation in his work. While some of his pieces don’t catch the eye the way typical good girl art did, certain pieces—like this one—are really good. The map back by Ruth Belew and four-page Introduction “Meet Sam Spade” by Ellery Queen make this edition highly collectible.
Way down Argentine way Bogart fronts the era’s definitive detective novel.
Leoplán was an Argentine magazine published by Ramón Sopena’s eponymous company Editorial Sopena from 1934 to 1965. This issue features a complete Spanish language reprint of Dashiell Hammett’s The Maltese Falcon and is fronted by a nice Manuel Olivas painting of Humphrey Bogart and the bird. It’s from 1949.
Glass Key paperback art is tops thanks to another Italian master.
Brian Donlevy and Veronica Lake’s film noir The Glass Key, which was Hollywood’s second try at Dashiell Hammett’s novel, premiered this month in 1942. To be exact, it opened yesterday in New York City and throughout the U.S. on October 23. The poster most often seen online is the theatrical release version we showed you several years ago, but alternates were produced and two of them appear below. What we really wanted to share, though, is this great paperback cover from UK-based Digit Books. It’s from 1961 and features the art of Italian illustrator Enrico de Seta, who we’ve mentioned before. If you haven’t watched The Glass Key we recommend it, and if you haven’t read the book, just know that it was Hammett’s personal favorite.
The headlines that mattered yesteryear.
1912—International Opium Convention Signed
The International Opium Convention is signed at The Hague, Netherlands, and is the first international drug control treaty. The agreement was signed by Germany, the U.S., China, France, the UK, Italy, Japan, Netherlands, Persia, Portugal, Russia, and Siam.
1946—CIA Forerunner Created
U.S. president Harry S. Truman establishes the Central Intelligence Group or CIG, an interim authority that lasts until the Central Intelligence Agency is established in September of 1947.
1957—George Metesky Is Arrested
The New York City "Mad Bomber," a man named George P. Metesky, is arrested in Waterbury, Connecticut and charged with planting more than 30 bombs. Metesky was angry about events surrounding a workplace injury suffered years earlier. Of the thirty-three known bombs he planted, twenty-two exploded, injuring fifteen people. He was apprehended based on an early use of offender profiling and because of clues given in letters he wrote to a newspaper. At trial he was found legally insane and committed to a state mental hospital.
1950—Alger Hiss Is Convicted of Perjury
American lawyer Alger Hiss is convicted of perjury in connection with an investigation by the House unAmerican Activities Committee (HUAC), at which he was questioned about being a Soviet spy. Hiss served forty-four months in prison. Hiss maintained his innocence and fought his perjury conviction until his death in 1996 at age 92.
1977—Carter Pardons War Fugitives
U.S. President Jimmy Carter pardons nearly all of the country's Vietnam War draft evaders, many of whom had emigrated to Canada. He had made the pardon pledge during his election campaign, and he fulfilled his promise the day after he took office.
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