Males top the endangered species list in 1967 spy thriller.
We've shared a lot of art, including a previous Japanese poster, from the James Bond knockoff Deadlier than the Male without ever actually talking about the movie. Today seems like an opportune time, since we're already on the subject of Bond clones. The film, which premiered in Japan today in 1967 after opening in the the UK earlier in the year, starred Richard Johnson, who actually came close to landing the role of Bond thanks to the interest of Dr. No director Terence Young. It didn't happen, though, and Connery as Bond makes more sense when you see Johnson, who's older, skinnier, shorter, and in less pristine shape. But he has panache, and that may be why Young wanted him. Instead he got Connery, and Johnson got the consolation prize of playing Hugh Drummond, a character that originates in H. C. McNeile novels from the 1920s, but who's updated to the ’60s in order to deal with a Cold War plot to steal rockets and divert them for nefarious means.
Like the Bond films, Deadlier than the Male offers a winning combination of action, quips, exotic scenery, and lightweight sexiness, but the film never quite rises to the upper echelons. Without the Bond budget it's hard to bring a truly thrilling vision to life. At least the filmmakers were smart enough to frontload their assets by opening the proceedings with Elke Sommer, who's second billed, but probably more important than Johnson in terms of increasing the film's watchability. She has a physicality that makes her a nice fit playing an assassin in the employ of the film's ultimate villain. Sylva Koscina co-stars as Sommer's klepto sidekick, which doesn't hurt. The pair's nefarious deeds eventually draw Johnson to their mountaintop stronghold, and there viewers are treated to a final throwdown with the evil mastermind involving a mechanized, life-sized chessboard. While Deadlier than the Male doesn't manage to out-Bond Bond, watch it with friends and beers and you'll maximize its potential.
I took an oath to first do no harm, but you know what? Oath schmoath.
Sylva Koscina prepares to dispense some bitter pills in this still from the 1970 adventure L'Assaut des jeunes loups, aka Hornet's Nest, a World War II flick set in Italy, starring her and Rock Hudson. She plays a German physician, but sometimes you have to stop healing and start unhealing, at least when Hollywood is calling the shots. The movie came during the second stanza of Koscina's career, which was characterized by a lot of minimally successful mid-budget fare. But there's nothing minimal or mid about Koscina. She's one of the most fondly remembered European actresses of her era.
Who'd like to help me perform a little experiment?
We've been seeing a lot of Sylva Koscina lately, haven't we? Well here's one of the biggest sex symbols of the 1960s again, this time on the front of an issue of National Enquirer that hit newsstands today in 1959. She says American men are boobs as lovers. Since she studied physics at university, we can only assume she used the scientific method to come to this conclusion—observation, measurement, experimentation, and repetition. We're sure there was no shortage of volunteers, and she was willing to revisit her conclusions, apparently, since after this cover appeared she hooked up Paul Newman, Kirk Douglas, and—it's rumored—Robert Kennedy. Who says science is boring?
Singer elopes with girlfriend and everything falls apartheid.
We'd never heard of African Story, aka The Manipulator, before seeing this Italian promo poster painted by Renato Casaro. We were hoping for another semi-comical romp in the vein of Black Emmanuelle or The African Deal (i.e. lily white visitors are magically driven to get freaky in the bush with locals), but this film goes in a different direction. A famous singer named Rex Maynard runs away to South Africa with a powerful music producer's daughter, prompting the producer to set up a fake kidnapping to scare the crooner and simultaneously generate publicity for his career. Somehow or other a group of actual kidnappers decide to put the bag on Rexie, and mayhem soon follows. Rex may be a soft jazz kind of singer, but he's hard rock with his fists. He even uses judo to whip ass on several of his assailants. Luckily one of them packs a gun or they'd all have ended up in intensive care. Rex is also slippery as an eel, with his escapability aided by the kidnappers' generally lax security.
We'd file this movie in the terrible-but-fun category, with Stephen Boyd, who played the rugged Messala in Bur Hur, here putting on his evil capitalist pants, beautiful Sylva Koscina playing the femme fatale, and Michael Kirner expending far more physical energy in the role of the pursued singer than you'd think possible for a guy with his body fat. African Story has virtually no Africans of the black variety in it, but then again this is the apartheid era we're talking about. Blacks need not apply—particularly for speaking roles (except for those two fisherman guys who you'll miss if you blink). In fact, you see very few blacks even in the backgrounds of shots. With sequences set in offices, hotels, nightclubs, pools, and at a *ahem* race track, their conspicuous absence reveals the reality of how all good things in South Africa were reserved for whites. And some bad things too, if you count the movie. African Story premiered today in 1971.
Sex Stars System uncovers erotic cinema around the world.
Here's a little treat for Monday, because Mondays are universally acknowledged to suck. Above is the cover and below are a ton of scans from the cutting edge cinema magazine Sex Stars System, which billed itself as “Le Magazine du Cinema Erotique.” It was published out of 55 Passage Jouffroy, in Paris, France, and for a while it was the top magazine with reviews and features on the new, sexually liberated mainstream cinema of the early 1970s, and the new pornography of the same era. Because porn was taken seriously as an art form back then (hard to imagine, we know) certain magazines discussed and critiqued the films and regarded the performers as equal with those in mainstream cinema. We talked about this phenomenon with Cine-Revue a few years ago. Sex Stars System was similar, but much edgier, as you'll see.
On the cover and in the centerfold you see Croatian born star Sylva Koscina (a mainstream actress), and elsewhere you get Emmanuelle Parèze (porn), Dany Carrel (mainstream), Valérie Bosigel (mainstream), Karin Schubert (both), Catherine Spaak (mainstream), Ornella Muti (mainstream), Chesty Morgan (porn, obviously), Marilyn Monroe (mainstream, though some scam artists claim she was the other too), et al. They don't make magazines like this anymore, because they don't make cinema like this anymore. Sex in U.S. movies is strictly taboo, unless, generally speaking, the actors keep their clothes on. You do see it on cable television, however, though such shows generate reams of online criticism about how terribly wrong it is (we agree, however, that more sex and nude scenes need to be filmed from the vantage point of the female gaze). In Europe, as always, things are a bit more liberated.
We aren't sure how long Sex Stars System published. It debuted in 1975. Also in 1975, or possibly 1976, a magazine called simply Stars System appeared. Stars System had a softer editorial approach and featured solidly mainstream cover celebs such as Jane Fonda and Romy Schneider. At some point it changed its name slightly to Star System and, thus rebranded, published at least as late as 1982, which seems to be longer than Sex Stars System was on the scene. The information online about these magazines is, as you can probably guess, a jumble, but we'll keep looking into it and maybe have something more concrete to report later. There's also a Star System celeb magazine around today, but it's Canadian and presumably unrelated. Many scans below, and we have a few more issues we'll post later.
It’s always best to let sleeping corpses lie.
It’s a Dino de Laurentiis production, so you know it’s going to be bad. Filmed in black and white, Cadavere per signora, aka Corpse for a Lady deals with a wealthy woman, played by the transcendent Sylva Koscina, who is blackmailed and calls her three childhood friends for help. The four of them arrange a deal with the blackmailer, but he ends up dead and they’re stuck with the body. Hilarity ensues as they try to get rid of it. Not recommendable, but we love the poster. Cadavere per signora premiered in Italy today in 1964.
The year’s longest day in a season that’s always too short.
In some places the weather is warm every day, pretty much, but in others, warmth is a fleeting gift. Regardless of where you are, we are officially at the beginning of summer, with the solstice arriving today or tomorrow, depending on your time zone. So we’ve decided to pull together some summery promo pix. These are from Japanese magazines and feature stars who were most famous during the 1950s and 1960s, including Raquel Welch, Ursula Andress, Yvette Mimieux, and others. You can similar summer collections from previous years here and here.
Sommer and Koscina emphasize their points.
Above, a nice Japanese poster for the 1967 crime thriller Deadlier Than the Male, with Elke Sommer and Sylva Koscina. We uploaded a couple of promo shots from this production a long while ago, and you can see them here and here.
More precious than gold.
This cool image features American actress Pamela Tiffin, who appeared in films such as Harper with Paul Newman, Kill Me My Love with Farley Granger, and the Italian production I protagonisti with Pulp Intl. fave Sylva Koscina. This photo session, from 1968, also produced the image below, which you see on the cover of the Japanese cinema magazine Movie Information/Movie Pictorial. See another Tiffin shot at the bottom of this post.
The headlines that mattered yesteryear.
1935—Four Gangsters Gunned Down in New Jersey
In Newark, New Jersey, the organized crime figures Dutch Schultz, Abe Landau, Otto Berman, and Bernard "Lulu" Rosencrantz are fatally shot at the Palace Chophouse restaurant. Schultz, who was the target, lingers in the hospital for about a day before dying
. The killings are committed by a group of professional gunmen known as Murder, Inc., and the event becomes known as the Chophouse Massacre.
1950—Al Jolson Dies
Vaudeville and screen performer Al Jolson dies of a heart attack in San Francisco after a trip to Korea to entertain troops causes lung problems. Jolson is best known for his film The Jazz Singer, and for his performances in blackface make-up, which were not considered offensive at the time, but have now come to be seen as a form of racial bigotry.
1926—Houdini Fatally Punched in Stomach
After a performance in Montreal, Hungarian-born magician and escape artist Harry Houdini is approached by a university student named J. Gordon Whitehead, who asks if it is true that Houdini can endure any blow to the stomach. Before Houdini is ready Whitehead strikes him several times, causing internal injuries that lead to the magician's death.
1973—Kidnappers Cut Off Getty's Ear
After holding Jean Paul Getty III for more than three months, kidnappers cut off his ear and mail it to a newspaper in Rome. Because of a postal strike it doesn't arrive until November 8. Along with the ear is a lock of hair and ransom note that says: "This is Paul’s ear. If we don’t get some money within 10 days, then the other ear will arrive. In other words, he will arrive in little bits." Getty's grandfather, billionaire oilman Jean Paul Getty, at first refused to pay the 3.2 million dollar ransom, then negotiated it down to 2.8 million, and finally agreed to pay as long as his grandson repaid the sum at 4% interest.
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