Vintage Pulp Jul 7 2019
FINDING HER SOLEMATE
I love you, tiny shoe. I'm going to draw out the delicious anticipation before I put my foot inside you.


More from France today. Above you see Envoûtement sensuel, by Pierre Sénard for Éditions C.P.E., published in 1958. The title translates to “sensual enchantment,” and enchanting is a perfect word to describe this cover, which has a very romantic feel. The art wraps around onto the book's spine too, which makes it even nicer. We assume the cover figure is contemplating something other than her right shoe, but maybe not—we know a couple of women that get this way about footwear. The artist here is Jacques Leclerc, who signed his work as Jihel, and we think it's among his best.

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Vintage Pulp Jun 21 2019
MADAME'S SPECIAL FRIEND
Who needs a man when you have technology?


Éditions R.R. specialized in beautiful covers, and this one continues the trend. The art is by Jef de Wulf, and it fronts Dit oui, Madame by René Roques. You can't tell, but this is about a woman who falls in love with a robot. And he's a French robot, so he shares his feelings, which is more than you do. Roques actually got racy enough here that the book was banned shortly after publication in 1957. Still, we bet it wasn't as wild as this mechanical lover novel. Or for that matter this one. They say robots are going to take all our jobs. Add sex to the list. 

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Vintage Pulp Jun 12 2019
MISMATCHED PAIR
For you this is just a light, but for me it's the beginning of a toxic sexual obsession and eventual restraining order.


We're going to do one more entry on France before we head to other countries. Once we have time to do some intensive scanning you'll see the bulk of our Paris treasures. Paris, by the way, is a city where strangers often ask you for a light, which is why we thought of the above subhead. If we actually smoked it would be a great way to meet people, but since we never have an actual light all interaction ends there. So while we learn how to smoke, above you see a cover for Elle ne perd pas son temps, by George Maxwell, aka Georges Esposito, for Presses Mondiales and its series Les grands romans dessinés, published in 1953. These were comic books adapted from the series La Môme Double-Shot, specifically 1952's La belle se joue à deux, which you can see here. Elle ne perd pas son temps translates to “She doesn't waste her time,” and neither did the artist Jacques Thibésart, aka Mik, when he painted this nice cover. If you're inclined you can see examples from him here, here, and here, and you can certainly expect more in the future.

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Intl. Notebook Jun 11 2019
BANKING ON IT
Finally a place where the left/right divide isn't a bad thing.


No pulp hunter in Paris can possibly do without a trip to the bouquinistes, the sellers of used and antiquarian books located along the Seine. Actually, you don't even have to look for these guys. If you go into the city center you'll likely run into them without trying, since they're rather widely arrayed along the river's right bank between Pont Marie and Quai du Louvre, and on the left between Quai de la Tournelle and Quai Voltaire. It was rainy both days we popped by, which meant some weren't open. But even operating at less than half capacity, the bouquinistes had hidden treasures. We grabbed a few little things we'll be scanning and uploading imminently. For example, see the following post...

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Modern Pulp Jun 11 2019
IMPECCABLE MANARAS
They're actually a little rude but the French don't seem to mind


Here you see the cover and few scans from Les femmes de Manara, which is a compendium from 1995 featuring published as well as previously unseen women created by the agile hand of Milo Manara, one of the great illustrators of graphic novels. He was born in Italy and was copiously published both there and in France, and remains extremely popular all over Europe. His niche is explicit erotica, and he's done it better than just about anyone, populating his books with lithe, beautiful women who manage to get into the weirdest scrapes. In Il Gioco, aka Click or Le Déclic, for example, the character Claudia Cristiani has an implant placed in her brain to help her with sexual arousal, which is all well and good until the remote control that operates it breaks and she's left in an ongoing nymphomaniacal state. It was made into a movie which we may discuss later, by the way. In Gulliveriana Manara's heroine survives a storm at sea only to find herself stranded naked on an island of tiny people. No movie of that, though we'd love to see one made. Anyway, these panels will certainly give you an idea why Manara became an icon in his field. He's still active, and maintains a nice website, frequently updated. So for more info on this master illustrator look there.

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Intl. Notebook Jun 9 2019
ASSIGNMENT PARIS
Endless sights in the City of Light.


We're back from Paris and it was as expected. We found a lot of great items we'll be uploading in the next days and weeks. And months, probably. Paris has many great sights, in every part of the city, but this time we ended up staying in Montmartre, an area that reminds us a bit of Washington Square, in San Francisco, that same feel of a tourist zone in a big city that has somehow managed to hang onto a neighborhood identity. As we wandered around town we saw scores of bookstores, some of which you see photos of below, and many had the type of material we were searching for. The focus this time ended up being on cinema magazines and comic books. Keep your eyes peeled. We have amazing things to show you.

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Intl. Notebook Jun 2 2019
PARIS IN THE SPRING
Pulp Intl. visits Paris as it springs into summer.


We're going to Paris for a bit. The trip is not due to our initiative. The Pulp Intl. girlfriends plan to intersect with friends passing through there, and we're going along partly to keep them company and partly to buy magazines and books. When the girls go to meet pals we generally stay home and take the opportunity to eat popcorn, hit the bars until sunrise, and churn out website material at an increased rate, but not when Paris is involved. As buying opportunities go, that's a city you can't pass up. So the website will be idle for a few days. Five or six, depending.

Second topic, you remember a technical glitch threw us offline a while back. Every time that happens we lose some functionality or other, and this time it was the ability to navigate to earlier pages using keywords or section headers. Savvy internet users know that it's possible to paste “?next=10” onto the end of the url and navigate backwards by changing the number—i.e. “?next=20,” “?next=30,” etc. So that's an option for those that want to bother.

But it's also a pain, and we know that. We will fix the navigation problem, hopefully soon. But of course, that will be a case of slapping duct tape on the most rickety old website left online. So, as we've been promising for years, a Pulp Intl. 2.0 is coming. It's 95% built, we swear. Whether that final 5% will take a week, a month, or years is not known at this point. We'll get there eventually. But right now we want to get to Paris. We'll be back soon.

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Vintage Pulp Apr 4 2019
TOKYO AFTER DARK
When the lights go down the stars come out.


This beautiful poster with a statuesque dancer front and center was made to promote a documentary on burlesque, a Japan-only release with no western distribution or title, called 日本の夜, which basically would translate as “Japanese Nights.” The central figure is Gypsy Rose Lee, and the movie was filmed in 1962 by Keiji Oono—not in Japan, but rather largely at Le Lido de Paris, home of the legendary Bluebell Girls. Le Lido still exists, though it's moved from its original 1946 location. If it's anything like the poster, with singers and geishas and glittering comet trails, we'll be visiting on our next trip to Paris.

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Intl. Notebook Mar 3 2019
ART LOVERS
There's nothing like the Aslan touch.


Here's something a bit different—a poster advertising an exhibition of work by the great French illustrator Aslan, also known as Alain Gourdon. It began today in 1977 in Paris at Art Concorde, a gallery of the era. There are probably still occasional exhibits of Aslan's work in France, but it's cheaper to see it on Pulp Intl. The better examples are here, here, here, and here, plus we wrote a little post when he died, which you can see here.

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Vintage Pulp Feb 22 2019
GOURMAND OR MONSTER
I'd prefer to eat her with a Château Latour Pauillac and some grilled vegetables, but a werewolf has to make do.


This lycanthrope painted by William Randolph for the cover of Avon's 1951 edition of Guy Endore's The Werewolf of Paris has been caught red-handed eating his entree without a side and a garnish, not to mention the lack of a fine red wine. Being a murderous werewolf is one thing. That can be forgiven. But eating this way could cost him his French citizenship. Endore's take on werewolfery was originally published in 1933, was almost forgotten as recently as a few years ago, but seems to be gaining stature of late. We're happy to do our part. It's a deliberate tale—its setting in late 1800s France first has to be framed by a 1930s snoop doing a retelling from a found court manuscript, then within the account the wolfman character of Bertrand must be conceived, born, and raised, before being set on his bloody path in Paris, a city that offers a perfect hiding place. Endore explains why with this lyrical passage:

Before the greater importance of thousands going to death, before a greater werewolf drinking the blood of regiments, of what importance was a little werewolf like Bertrand?

Which is to say Bertrand has disappeared into the labyrinth of Paris during the chaos of the Franco-Prussian War. His appetites soon grow to include not only the living, but the dead, which he digs from fresh graves in Père Lachaise and Cimetière de Montmartre. Pretty interesting stuff, this novel. Of course, werewolf stories always end tragically, but it's the journey that matters. Endore crafts an atmospheric tale—and one that's sexually frank too, for 1933. Well, vive la différence. The French public was not quite so puritanical as the Americans about sexual explorations in art. Nor about sacrilege, nor children being eaten, nor incest, it seems. But as horrific as all these atrocities are, ultimately Endore asks which is the greater werewolf—Bertrand or war? Since in reality one exists and the other doesn't, we know the answer. The Werewolf of Paris is a fascinating tale, not pulp style, but certainly worth a read for fans of any types of fiction.
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Next Page
History Rewind
The headlines that mattered yesteryear.
August 19
1953—Mohammed Mossadegh Overthrown in Iran
At the instigation of the CIA, Prime Minster of Iran Mohammed Mossadegh is overthrown and the Shah Mohammad Reza Pahlavi is installed as leader of the country.
August 18
1920—U.S. Women Gain Right To Vote
The Nineteenth Amendment to the United States Constitution is ratified despite heavy conservative opposition. It states that no U.S. citizen can be denied the right to vote because of their gender.
1958—Lolita is Published in the U.S.
Vladimir Nabokov's controversial novel Lolita, about a man's sexual obsession with a pre-pubescent girl, is published in the United States. It had been originally published in Paris three years earlier.
August 17
1953—NA Launches Recovery Program
Narcotics Anonymous, a twelve-step program of drug addiction recovery modeled on Alcoholics Anonymous, holds its first meeting in Los Angeles, California.
Featured Pulp
japanese themed aslan cover
cure bootleg by aslan
five aslan fontana sleeves
aslan trio for grand damier
ASLAN Harper Lee cover
ASLAN COVER FOr Dekobra
Four Aslan Covers for Parme

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