Vintage Pulp Aug 16 2019
THE DEAN MARTIN SHOW
With special guests the Slaymates of the year.
 
Today we have some beautiful rarities, a set of door panel posters made for the 1968 Dean Martin spy movie spoof The Wrecking Crew. Martin played the wise-cracking and woman-loving Matt Helm, a character created by novelist Donald Hamilton. There have been a lot of loveable drunks in cinema, but Martin certainly was one of the most popular. Boozy Matt Helm was a perfect role for him, and the first film became the launching point for a series that stretched to four entries.

The Wrecking Crew was the last film, coming after 1966's The Silencers and Murderer's Row, and 1967's The Ambushers. The movies were populated by a group of women known as “Slaymates,” and the actresses on the posters below are posing as members of that deadly cadre. They are, top to bottom, Sharon Tate, Elke Sommer, Nancy Kwan, Tina Louise, and a fifth woman no other website seems able to identify, but who we're pretty sure is Kenya Coburn.

These posters are 51 x 152 centimeters in size, or 20 x 60 for you folks who measure in inches, and they caught our eye mainly because of Tate. There's been renewed interest in her, including portrayals in two 2019 films—The Haunting of Sharon Tate and Quentin Tarantino's new effort Once Upon a Time in Hollywood. Her poster is definitely one of the nicest pieces of Tate memorabilia we've seen.

We glanced at The Silencers a while back and found it just a little too dumb to consider slogging through the series, but maybe we'll have another go at it. We're sort of newly interested in Tate too, and since The Wrecking Crew was her next-to-last screen role, we want to have a look. Allegedly, Dean Martin quit this highly successful franchise because it felt wrong to go on with it after the Tate–LaBianca murders in August 1969. From what we've read about the era, Martin was far from the only person who felt as if that event changed everything. These days Tate's death makes anything she's in seem ironic and portentous, even, we suspect, a piece of fluff like The Wrecking Crew.
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Hollywoodland Jul 5 2019
CINEFUL WOMAN
It was Elke's world. Everyone else just lived in it.


Below, another treasure from our France trip. Cinémonde magazine published today in 1960 with Elke Sommer in a summery cover shot and interior photos of Marie-José Nat, Roger Dumas, Deborah Kerr, Jeanne Moreau, and more.

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Femmes Fatales Jul 31 2018
ENDLESS SOMMER
It's impossible to be on the fence about Elke.


If you watch an Elke Sommer movie you notice immediately how athletic she looks. It was a trademark, and it made her unlike most of her mid-century peers. In fact, in the film Deadlier Than the Male her co-star Richard Johnson specifically disparages her body, opining, “Well, it's not bad. A little bit muscular perhaps, but then you've got to expect that with the violent sort of exercise you undertake.” Sommer was ahead of her time, that's all. Check here and here to see for yourself. This shot of her is from 1959 and appeared in the West German magazine Smart

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Vintage Pulp Jan 11 2016
A SOMMER ESCAPADE
Elke escapes the East and probably wished she could have escaped the movie.


Even after seeing hundreds of photos of German goddess Elke Sommer over the years, ocasionally you see come across some and have to hit pause. She appeared on the cover and inside the American magazine Escapade in January 1968, posing for a set of photos taken from her comedy The Wicked Dreams of Paula Schultz, which had premiered in New York City on January 3rd. Sommer plays an East German decathlete who wants to escape to the west, and does so by pole vaulting over the Berlin Wall, which is what the images below depict. Why is she in her underwear? We've seen the movie but we don't remember. We do know it featured Hogan's Heroes cast members Bob Crane, Werner Klemperer, John Banner, and Leon Askin, and that it uses the Hogan's formula, replacing improbably bumbling Nazis with improbably bumbling communists. But before you add this one to your queue, here's something else we recall—it was terrible.

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Vintage Pulp Sep 13 2015
TEAM SPEAR IT
Making the world a safer place one skewered man at a time.

Above and below you see some Yugoslavian promo cards for Opasnije od muškaraca, aka Deadlier Than the Male, a film we’ve talked about a few times before. The text is in Serbian, and you’ll notice it describes the movie as “Američki." Actually, it was British. But Brits, Americans, who can tell them apart, really? We imagine the Yugoslavian distributors of the film knew quite well it came from Britain-based Greater Films Ltd., but that they labeled it Američki to make it more marketable. As if Elke Sommer and Sylva Koscina aren’t sufficient. See more from the film here.

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Vintage Pulp May 27 2015
A SOMMERY FEEL
Aussie publisher spices up thriller with an image of Elke Sommer.


Last week we shared some images of Elke Sommer from the debut issue of the French magazine Stop. Those were a deliberate preface to today's post, which shows the cover for Carter Brown’s, aka Alan G. Yates’ mystery Death of a Doll from Australia's Transport Publishing, the paperback division of Horwitz Publications.

You can see that the designer used Sommer for his inspiration. Her normally blonde hair was changed to match the hair color of the story’s redheaded femme fatale, but what’s really interesting about this cover is the yawning pose. At least a couple of images from the Stop layout would have worked better, we think, but that’s just our humble opinion.  

At first we thought the designer here was Bernard Blackburn, who made many of Horwitz-Transport’s photo-illustrated covers during the mid-1950s, but then we learned that this “reprint by demand” edition appeared in 1960. So we have no idea who created the cover, but he/she had good taste in models, though we seriously doubt Sommer received any compensation for her starring role. Check out the rest of those rare Stop images here and see if you don’t agree about the designer making a weird choice.

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Intl. Notebook May 20 2015
SOMMER BREEZE
She came along like a breath of fresh air.

The French editors of Stop were pretty smart. How do we know? Because they chose a twenty-year-old German ingénue named Elke Sommer to star on the cover of their debut issue in 1960. She also appeared in issues 6, 27, 31, and others. Very smart. Stop was published throughout the 1960s, and since this issue is N˚1, we’ll assume it’s unrelated to the Stop magazine, also French, that published during the 1940s. We have five more rare-ish Sommer shots below, and you can see an issue devoted to Brigitte Bardot here

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Hollywoodland Feb 24 2015
NIGHT CRUISING
The brightest light in Hollywood.

Elke Sommer speeds through Hollywood during the late hours in this promotional photo from a 1963 issue of the French magazine Stop. She was famous at this point, having appeared in films in Europe, but she wasn’t yet the global icon she would become. In less than a year the hit comedy A Shot in the Dark would make her one of Hollywood’s biggest stars.

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Vintage Pulp Sep 24 2014
RIGHT NUMBER
Sommer isn’t over quite yet.

In June we shared a Japanese poster for Elke Sommer’s 1966 comedy Boy Did I Get a Wrong Number and talked about the movie a bit. Today we have an even better Italian promo for the same film. In Italy it was succinctly retitled Un bikini per Didi, and the art is by yet another Italian talent, this time Tino Avelli, who we haven’t featured before. Another version of the poster appears below, and we’ll have more from Avelli later.

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Vintage Pulp Jun 15 2014
SOAP OPERA
Out of the bath and into the fire.

You can see this poster for the 1966 comedy Boy Did I Get a Wrong Number! around the internet, but we thought we’d share our scan anyway because we like the art and the graphics. Concerning the latter, that isn’t a big 70 in the middle of the poster—those are Japanese characters meaning “flow.” Combined with the rest of the text, the entire title reads “Queen of the Bath.” Maybe Lana Turner would have something to say about that, but in any case the title isn’t as random as you’d think. The movie is about an actress who is famous for her bath scenes but wants to be taken seriously. In a fit of pique she goes AWOL from her latest production and ends up hiding out in Oregon in the cabin of a married real estate agent, who spends the movie trying to keep his wife from finding out. It’s classic, 1960s style romantic slapstick, and the best thing about it is Elke Sommer in the starring role, though Bob Hope is always watchable. We uploaded many production stills below. Why all the imagery? Because Sommer is good for you. Boy Did I Get a Wrong Number! premiered in the U.S. this month in 1966. 

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Next Page
History Rewind
The headlines that mattered yesteryear.
December 06
1989—Anti-Feminist Gunman Kills 14
In Montreal, Canada, at the École Polytechnique, a gunman shoots twenty-eight young women with a semi-automatic rifle, killing fourteen. The gunman claimed to be fighting feminism, which he believed had ruined his life. After the killings he turns the gun on himself and commits suicide.
December 05
1933—Prohibition Ends in United States
Utah becomes the 36th U.S. state to ratify the 21st Amendment to the United States Constitution, thus establishing the required 75% of states needed to overturn the 18th Amendment which had made the sale of alcohol illegal. But the criminal gangs that had gained power during Prohibition are now firmly established, and maintain an influence that continues unabated for decades.
1945—Flight 19 Vanishes without a Trace
During an overwater navigation training flight from Fort Lauderdale, five U.S. Navy TBM Avenger torpedo-bombers lose radio contact with their base and vanish. The disappearance takes place in what is popularly known as the Bermuda Triangle.
December 04
1918—Wilson Goes to Europe
U.S. President Woodrow Wilson sails to Europe for the World War I peace talks in Versailles, France, becoming the first U.S. president to travel to Europe while in office.
1921—Arbuckle Manslaughter Trial Ends
In the U.S., a manslaughter trial against actor/director Roscoe 'Fatty' Arbuckle ends with the jury deadlocked as to whether he had killed aspiring actress Virginia Rappe during rape and sodomy. Arbuckle was finally cleared of all wrongdoing after two more trials, but the scandal ruined his career and personal life.
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