Headquarters, my gas mask has failed! I'm throwing a grenade! How the hell does this thing work? Over!
George Gross art fronts this January 1956 issue of Hanro Corp's bi-monthy magazine Man's Illustrated. It's an interesting image, but here's where we show our age, or lack of industrial background, or something, because we have no idea what the hell Mr. Flinty Eyes on the cover is holding. Hand grenade? Gas mask? Some kind of steampunk style microphone? Combo of all three? Well, not knowing is not a problem. We still like the image.
It's been a while since we featured this magazine, but we're glad to get back to it because inside this issue there's art from Walter Popp and Rudolph Belarski, and a nice feature on Rear Window actress Georgine Darcy, who we've talked about once or twice before. As far as written content, you get plenty of war and hunting action, of course, but we were drawn to, “The Hottest Town North of the Border,” an investigative piece by journo B.W. Von Block. What town is he talking about? Montreal, which apparently back in ’56 was the one of the best places in the world to get your ashes hauled. These type of stories, which were standard in old men's magazines, always give us a laugh because with their breathless focus on subjects like legal prostitution, nude beaches, and dusk-to-dawn nightclubs they show how repressed the U.S. was compared to so much of the world. It still is, actually. Trust us, we've been around, lived abroad for a long time now, and greatly enjoyed the more permissive societies in which we've resided—including our current one. The U.S. does have many good points, though, one of which is that no country's inhabitants preserve its popular media so prodigiously—which is why we have so many vintage books and magazines to share on Pulp Intl. in the first place. We've pondered many times why Americans hoard more than other cultures and we've finally come up with an answer: garages. Two thirds of Americans have garages. So here's to American garages. They give millions the joy of being their own museum curators.
I'm the only princess that matters in this galaxy. Any objections?
When you think of Princess Leia you rightly imagine a long time ago in galaxy far, far away, but much closer to home and not very long ago there was also Princesa Lea. She was born in Canada as Susan Linda Fair, but rose to fame in Mexico as a vedette, dancer, and actress. Carrie Fisher's Leia was first, but oh how different and amazing Star Wars would have been with Princesa Lea. As a consolation prize she appeared in such films as Muñecas de medianoche, aka Midnight Dolls and Chile picante, aka Spicy Chile. Her movies didn't quite bring her international fame and adoration, but she's beloved in Mexico. And on on Pulp Intl.
Don't let her name fool you—she wreaks Havoc all year round.
Above, a very nice promo photo of Vancouver born actress June Havoc from her 1949 drama The Story of Molly X. Also among her long list of films were Gentleman's Agreement, Once a Thief, Lady Possessed, and The Iron Curtain. Though her real name obviously wasn't Havoc, it was close—she was originally Ellen June Hovick. Molly X looks interesting, so we'll see if we can track that down and report back.
All dressed up and ready to conquer the world.
Canadian actress Alexandra Stewart has had a long and varied show business career with too many movie roles to count—at a glance, more than one hundred. She was born in Montreal and spoke French, so her first parts were in French language films such as L'eau à la bouche and Le bel. Most of her English speaking roles were in b-movies such as Emmanuelle 3, The Bride Wore Black, and Tarzan the Magnificent. But there were a few high profile movies too, such as In Praise of Older Women. The above photo didn't come with a date, but 1970 is a good bet.
Some say recycling doesn't make a difference. The Luftwaffe may feel differently about that.
If you search online, World War II posters are typically grouped under the umbrella of "propaganda." Many pieces, such as this one with its Luftwaffe aircraft in flames, also offered public information. It was commissioned by the U.S. Government Printing Office in 1942, and was painted by Canadian artist Steve Broder. There were many posters made at the time that are now collectible classics. We wouldn't go so far as to call this one a classic, but it's a nice painting. We've seen no data on how much of an effect recycling had on the U.S. war effort, and would be surprised if it's even quantifiable. But we imagine at the very least it helped reduce costs for munitions manufacturers. We have quite a bit of World War II memorabilia in the website, much of it pure propaganda, some of it rather unusual. If that sounds interesting, check here, here, here, and here, for starters.
Being a badass is tiring. I've earned this little break.
Canadian actress Linda Thorson had a career almost exclusively dedicated to television. Of her scores of tube roles she's probably most beloved for her first—as the hard punching, high kicking secret agent Tara King on the British action serial The Avengers. She debuted on the show in March 1968, taking the place of the iconic Diana Rigg, and appeared in thirty-three episodes. The above photo of her relaxing in a rocking chair is from 1969.
Vickers tells Midnight readers what's what.
This cover of Midnight dated today in 1965 features Laura Vickers, who is touted as an actress, but who had no credited film roles. In fact, for a while we thought she was a made up person, but that wasn't Midnight's style. The magazine had enough cred to get legit celebrities for its covers. So we kept checking and it turns out Vickers was an obscure glamour model who appeared in super low rent magazines like Flirt 'n Skirt and Black Nylons. Midnight was probably the closest she ever came to mainstream recognition—which is to say, not very close. So what's the score? As usual with this tabloid it's about sex. A man who knows the score knows what women want. But we don't need Midnight to know what that is. The Pulp Intl. girlfriends keep us well informed what women want: it all.
Have you had a hallucination yet today?
We're really living up to the Intl. part of Pulp Intl. today with this fascinating promo poster from far away Ghana. It was made for Canadian horror filmmaker David Cronenberg's 1983 freakshow Videodrome, starring Debbie Harry and James Woods in a wild story about video-triggered hallucinations that become real. We found this on a website called Deep Fried Movies, and they found it at Deadly Prey Gallery on Instagram. It's signed O.A. Heavy J. Teshie, if we're reading that right. Well, good job, O. Since you worked in the ’80s you may still be out there, and if you are, FYI, dealers in the U.S. are selling your posters for up to $4,000 a pop. If you've got any pieces hanging around, we strongly urge cutting out the middlemen.
We're not on the fence about it—this magazine is a lot of fun.
As macho names for men's magazines go Matclif Publications' Savage Adventure is right at the top of the list. This issue from October 1960 was its debut. We gave it a read and it lived up to its name. Our favorite story was “Lizzie Russel and Her Riverboat Bordello,” by George Peterson, which deals with a floating brothel called The Virgin Queen plying the Yukon River during the 1890s gold rush. Basically, the tale is one of bad decisions and bad luck, and indeed gets pretty savage.
The brothel's owner is warned that her paddlewheeler is too big to make it upriver to White Horse, and sure enough, it runs onto a sandbar in a remote area. Left aground in deadly below freezing temperatures, the boat's two Chinese engine stokers decide to take advantage of the work stoppage with a little opium break, but overdose. Late that night everyone wakes up to a freezing ship. The captain discovers the bodies and simply chucks them overboard. When they thud instead of splash that's how he discovers the river has frozen solid. Pretty savage already, this story, but it gets crazier.
The captain gets the fire going again, but because he doesn't know what he's doing the engine boiler explodes. Fire ravages the boat so quickly that half the women going overboard don't even have clothes. One prostitute jumps but lands head first on the ice. Not good. Another catches on fire. A third runs from her flaming cabin directly into the sub-zero air and the shock stops her heart. Stranded ashore, miles from White Horse, the only heat source is the flaming boat, but once the conflagration dies they're all going to freeze to death, some of them naked.
We'll stop there—remember, no spoilers—but as savage tales go, “ Lizzie Russel and Her Riverboat Bordello” is pretty good. Other wild stories include Carl Williams' “The Grizzly Came for Breakfast,” and Jim Cooley's “I Listened To Them Scream.” We're glad we picked this magazine up. We imagine, since it was the debut issue, the editors really tried hard to get it just right. Mission accomplished, at least in our opinion, but Savage Adventure folded after only four issues. That makes this example exceedingly rare.
The cover is signed, illegibly, but thanks to the internet we were able to learn that the cropped scrawl at the bottom of the art says Norm Eastman. We've featured his work before—here. Aside from the fiction, Savage Adventure offers readers a couple of exposés, some glamour photography, and several rather interesting ads. We scanned our two favorites—one for burlesque dancer Honey Bee, and another telling readers that they can make a mint investigating auto accidents—sexy auto accidents. You'll see what we mean below.
Water levels and more rise in Belle/Grier sexploitation romp.
We've had a lot of Pam Grier on this site, and here she is yet again, co-starring with Annie Belle and Anthony Steel in La notte dell'alta marea, aka Twilight of Love, aka Night of the High Tide, an Italo-Canadian sexploitation flick, and probably her most obscure role. An advertising exec played by Steel is looking for the perfect ass for a blue jeans campaign, spots Annie Belle in a sauna, and decides she fits the bill. The funny part of this is he sees her from behind initially and thinks she's male, which tells you quite a bit about Belle's elfish body type. But male or female, her ass will do just fine, and for more than only the ad campaign. She's amenable to Steel's advances, but she has a boyfriend who isn't quite as sharing.
In the midst of this man-against-man for woman's affections melodrama there's still an advertisment to finish, so Steel takes Belle, her boyfriend, a photographer, and a second model played by Grier to Martinique for a photo shoot. This is a pretty sweet spot for location work, and Grier sports a killer afro that looks mighty good with the Caribbean wind blowing through it. Belle, never to be upstaged, has virtually no hair for the wind to play with but wears what must be one of the earliest thong bikinis to appear in cinema, and soon doffs the shoestrings for even less. Strangely, the jeans this entire excursion are supposed to be about never make an appearance.
From Martinique the group ventures to a smaller, uncharted island and promptly get stuck there. With no hope of rescue and tensions rising—like the tide—problems soon occur. Boy problems. Possessiveness problems. Aggression problems. Don't fear though—rescue comes beforeanyone gets seriously hurt, and Belle gets the customary sexploitation send-off, jetting away backed by synth music and a torch singer as a man stares wistfully into the middle distance, wishing he could hold onto her but knowing in his heart he can't. Because she's a free spirit, you see. And free spirits must soar.
Cheesy? Certainly. But this is sexploitation, so we knew the script would be bad. We accepted that, but we wish the beach sequences hadn't been shot through a layer of gauze—though on the whole the film looks great. We also wish Grier's distinctive voice hadn't been dubbed, but as she speaks no Italian, this was unavoidable. Preferences aside, if you like romantic island erotica this one will please you, though we can't go so far as to call it a good film. But with Belle and Grier sharing the same screen and the same beach it's hard to fail completely. La notte dell'alta marea premiered in Italy today in 1977.
The headlines that mattered yesteryear.
1912—Pravda Is Founded
The newspaper Pravda, or Truth, known as the voice of the Communist Party of the Soviet Union, begins publication in Saint Petersburg. It is one of the country's leading newspapers until 1991, when it is closed down by decree of then-President Boris Yeltsin. A number of other Pravdas appear afterward, including an internet site and a tabloid.
1983—Hitler's Diaries Found
The German magazine Der Stern claims that Adolf Hitler's diaries had been found in wreckage in East Germany. The magazine had paid 10 million German marks for the sixty small books, plus a volume about Rudolf Hess's flight to the United Kingdom, covering the period from 1932 to 1945. But the diaries are subsequently revealed to be fakes written by Konrad Kujau, a notorious Stuttgart forger. Both he and Stern journalist Gerd Heidemann go to trial in 1985 and are each sentenced to 42 months in prison.
1918—The Red Baron Is Shot Down
German WWI fighter ace Manfred von Richthofen, better known as The Red Baron, sustains a fatal wound while flying over Vaux sur Somme in France. Von Richthofen, shot through the heart, manages a hasty emergency landing before dying in the cockpit of his plane. His last word, according to one witness, is "Kaputt." The Red Baron was the most successful flying ace during the war, having shot down at least 80 enemy airplanes.
1964—Satellite Spreads Radioactivity
An American-made Transit satellite, which had been designed to track submarines, fails to reach orbit after launch and disperses its highly radioactive two pound plutonium power source over a wide area as it breaks up re-entering the atmosphere.
1939—Holiday Records Strange Fruit
American blues and jazz singer Billie Holiday
records "Strange Fruit", which is considered to be the first civil rights song. It began as a poem written by Abel Meeropol, which he later set to music and performed live with his wife Laura Duncan. The song became a Holiday standard immediately after she recorded it, and it remains one of the most highly regarded pieces of music in American history.
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