Dors gets caught short of blonde dye.
We always note that one reason mid-century tabloids have historical value is because of their rare shots of significant celebrities, and here's a perfect example. Diana Dors appears on the cover of a National Enquirer published today in 1960, and in this photo we've never seen anywhere else she's sporting deep black Frida Kahlo eyebrows. Dors was one of the most interesting figures of her time, and the blurb on this Enquirer references her marriage to Dennis Hamilton, a union which led to her being lent as a sexual plaything to various producers and leading actors, and which also gave Hamilton the incandescent idea of hiring photographer Horace Roye to make Dors the star attraction of two racy photo collections. One of those was in 3D, and we bet those batwing eyebrows of hers really jumped off the page. For a bit more about Dors' strange and remarkable life, check here.
Another case of he said (they did) she said (they didn't).
Above is a cover of National Enquirer that hit newsstands today in 1960 with a cheery looking Debbie Reynolds on the cover. Editors promise the truth about her romance with Glenn Ford, but the quotes around “romance” tell the story—she there wasn't one. The two starred together in the films It Started with a Kiss and The Gazebo, both released in 1959, and the affair rumors quickly sprang up.
Have you noticed a pattern of actors saying there were sexual relationships but actresses saying there weren't? If we were dealing with regular people we'd side with the men maybe 10% of the time, but in the case of movie stars we aren't sure actors had much to gain by lying. On the other hand, during the sexually unliberated years of the ’50s and ’60s actresses had plenty to gain by appearing to be as close to virginal as possible.
So it's another classic case of Hollywood he said/she said. Ford's biographer, who happens to be his son, said there was a physical relationship. How can he be sure? Several ways, perhaps, but notably, Glenn Ford taped all his calls—which is a story we may get into another time—so maybe there was confirmation from those that he and Reynolds were doing the nasty. In any case, we're really just interested in this cool cover shot. Reynolds does polka dots with style.
Always be careful what you say to a tabloid.
This National Enquirer published today in 1963 features the free-floating head of U.S. actress Shirley Bonne with a quote where she calls herself a “dimwit.” Enquirer often splashed shocking, sexual, or confessional quotes from stars across its covers. We have little doubt Bonne was just joshing around, if she ever said it, which we tend to doubt. She isn't well known today. Though she amassed hundreds of magazine covers, as an actress she had zero credited cinematic roles. All her credits, including movies, were on television, where she appeared on shows such as Bonanza, That Girl, Medical Center, starred in the sitcom My Sister Eileen, and was in the all-time dog of a television horror flick It's Alive. Her zenith, at least in terms being appreciated by a fandom, is having guest starred in one of the best Star Trek episodes ever—1966's “Shore Leave.” That's the one where the Enterprise crew land on a planet that makes anything they think about come true. Kirk thinks about a long lost love and Shirley Bonne appears—head, body, and all. Pretty smart thinking.
First do no harm—to your bank account.
National Enquirer wins the 1968 Obvious Award with this header articulating the entire essence of U.S. healthcare. The quote is attributed to “the nation's leading doctors,” but here's the thing—if this group were actually the nation's leading doctors there would be no problem of people dying due to lack of funds. The reality is that the American Medical Association—the nation's actual leading doctors—for decades consistently opposed national health care programs, so the headline should read: If You're Sick Money Makes the Difference Between Life & Death. Nation's Leading Doctors Are Fine with That.
The primary mandate of unions is to obtain the highest possible compensation for its members, so one can hardly be surprised at the AMA's opposition to changing a profitable system. Still, its history with national healthcare probably isn't widely known enough. The group's lobbying efforts defeated President Harry Truman’s plans for universal healthcare back during the 1940s, and similar un-Hippocratic mobilizations slowed or stopped attempts by later presidents. The AMA is also the group that paid then-actor Ronald Reagan to record that famous 1961 spoken word LP claiming Medicare—aka trying to help seniors live longer—would lead to a socialist dictatorship. You can check that out at this link. Elsewhere on Enquirer's cover, serial bride Zsa Zsa Gabor explains that after she dies she doesn't want to be remembered as “the one with a lot of husbands,” but rather someone who “had the courage to keep on trying to find love.” She didn't get her wish. And the funny part is that in 1968, when she foresaw her future reputation, she wasn't finished marrying. Not even close. Having already walked down the aisle on five happy occasions, she ended up making the trip four more times. We have a lot on Zsa Zsa in the website. This rare pin-up for example. If you want to see more just click her keywords below.
Enquiring minds are pretty twisted.
National Enquirer conjures up another sensational celebrity quote on the cover of this issue published today in 1960 featuring Tunisian born Italian actress Sandra Milo. Enquirer's modus operandi for years was to publish statements of this sort. Did Milo really say men—and by extension her paramour Roberto Rossellini—should belt women? We seriously doubt it, but you know what's still frightening? The quote probably represents Enquirer editors playing to a customer base we can picture nodding their heads and saying, “Fuckin'-a right.” The real value in these items, and the reason we share them, is because of the rare photos, which generally have never been seen online. This is another example. And you can see many more at our tabloid index here.
Sabrina covers her biggest assets.
Every once in a while we run across stories about Hollywood stars insuring their body parts. A couple of examples: Bette Davis was famous for her small waist and insured it against weight gain for the equivalent of $400,000; and 1920s comedian Ben Turpin, who was famously cross-eyed, took out a policy of similar value should his eyes ever straighten. National Enquirer insists on this cover from today in 1960 that British star Sabrina, aka Norma Ann Sykes, insured her breasts. The tabloid is in fact correct—she allowed her manager Joe Matthews to insure her endowment with Lloyd's of London for £UK100,000. In today's cash that would be about £2.4 million, or $3.2 million. You may think that's excessive, but when's the last time your boobs caused a riot? Unfortunately the weight she carried on her torso led to chronic back pain and a failed attempt at a surgical fix that left her in a wheelchair for the rest of her life. She died in obscurity last year. It was a sad ending for the former sex symbol. But once upon a time she was a one-name star—just Sabrina—and a global obsession.
And if you're not careful he's likely to Walker all over you.
National Enquirer hits pause on its usual cheesecake, and on this cover from today in 1960 opts for some hairy hunkery in the form of U.S. actor Clint Walker. Walker was one of the early cowboy stars on television, headlining the hit series Cheyenne—named not for the city in Wyoming but for the character Cheyenne Bodie. There was a double entendre there, because the character was raised by Cheyenne Indians. In any case Walker manages to strike a nice penile pose with a lumberjack's crosscut saw. But as studly as he may appear, within the ranks of phallic cowboys he doesn't even come close to first place.
She was a material girl living in a material world.
Above is a 1960 National Enquirer with Barbara Nichols on the cover, and editors claiming she said “men, money, and me” make a perfect triangle. Nichols was never a top star, mainly guest starring on dozens of television shows, but she was a staple in tabloids because she dated many rich and famous men but never married, which is why we suspect Enquirer editors came up with their cover quote. Some of her escorts included Jack Carter, Steve Cochran, Cesar Romero, and Elvis Presley. Nichols died in 1976 aged forty-seven due to liver dysfunction. It had initially been torn in an auto accident a decade earlier and gave her problem the rest of her life. We have a pair of nice femme fatale photos of her and you can see those here, and well as an awesome album sleeve here.
National Enquirer—creepy as hell at 39 years.
Hard to believe National Enquirer launched in 1926, but it did. This issue hit newsstands today in 1965, and simultaneously hit a new low. While many questions arise, the main one for us is: Did these tabloids copy each other? Just a few months later Midnight published a story about a four-year-old giving birth, a tale we determined to be false. As always when it comes to these old tabloids we suggest that just because you can write a story doesn't mean you should. In terms of collective nouns, a group of dogs is called a pack, a group of whales is called a pod, and a group of senators is called a prostitute. What's the name for a group of tabloid editors? We suggest “perv.” We'll have more from National Enquirer and its perv of editors a bit later.
Rosanna Schiaffino gets a kick out of Venice.
According to Italian actress Rosanna Schiaffino it's easy to tame a wolf. And it probably is—for her—because she looks part wolf herself, based on the expression she's wearing on the cover of this National Enquirer published today in 1962. The photo, which we'd say doesn't capture her true appearance, was made in Venice in 1960, right when her career got very busy. Venice was the site of her cinematic breakthrough in 1958 when La Sfida won two prizes at that year's Venice Film Festival and was nominated for The Golden Lion. During the next two years Schiaffino would make ten films. She continued to be busy until 1977, when she left show business to focus on marriage and children. We have another shot from the Venice session below, and a trio of nice images of her we uploaded of her from Triunfo magazine several years ago here. |
It's easy. We have an uploader that makes it a snap. Use it to submit your art, text, header, and subhead. Your post can be funny, serious, or anything in between, as long as it's vintage pulp. You'll get a byline and experience the fleeting pride of free authorship. We'll edit your post for typos, but the rest is up to you. Click here
to give us your best shot.