Femmes Fatales May 13 2024
A WATCHFUL EYE
Jacy loves you. And Jody does too.


Posed in front of what appears to be a hay bale is x-rated film star Jacy Allen, also known as Jody Swafford, Jody Preston, et al, who along with Ginger Lynn and others was part of the new wave of porn actresses that came along concurrent with the rise of rental videocassettes. While the adult movie medium always required that women performers be attractive, the early 80s influx that fueled the invasion of porn into American homes contained numerous actresses who were Hollywood-quality beauties. Allen was one of those. This image is from 1984.

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Vintage Pulp May 11 2024
A STATE OF ESTASI
Reaching the highest pleasure.


Time flies. We've always reminded ourselves to get back to the Italian artist who signed his work as Mafé, but seven years passed. Well, we have him today, better late than not at all. Above you see his poster for the French made sex flick Pornoestasi, which starred Erika Cool, Marilyn Guillame, Élisabeth Buré, and Martine Grimaud, and was originally titled Tout est permis, or “everything is allowed.” Mafé created other nice pieces, several of which you can see by clicking his keyword below.

We had a glance at Pornoestasi, and what you get is a typically clumsy xxx production from the era, poorly scripted and shot, in which a couple who run a clothing boutique together are experiencing some doldrums. The man decides he needs time away from the woman, she agrees, and both take the opportunity to experience new partners. The funny part is that “away” means a hotel in the same town. We'd at least go to Antibes or Saint-Tropez. In any case, Pornoestasi is nothing to write home about. It premiered today in 1977. 

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Vintage Pulp Apr 3 2024
MEAN GIRLS
Gloria Grahame is a bad mamma scamma.


We had to watch Mama's Dirty Girls, not because it's a 1970's grindhouse movie (though that helped), but because none other than 1950s femme fatale Gloria Grahame got snared in this low budget affair. Sometimes the bills simply need to be paid. Or maybe she thought the script was dynamite. Either way, she gets top billing in this drive-in quality drama that premiered today in 1974, which tells the story of a scam artist mother and her three daughters who are honeytrap serial killers dispatching men for their money.

When Grahame gets another rich man on the hook, she foolishly poses as a well-to-do widow without realizing that her target is likewise seeking to kill someone for their money. This twist is ironic, and the mutual murder attempts that follow can be read as black comedy if you peer deeply between the lines, but in our opinion Mama's Dirty Girls doesn't have enough brainpower to be satire. Grahame probably wished it were, though—then she'd have had an excuse for starring in it. Sadly, it's just an amusingly bad movie. Everyone is terrible in it—even Grahame. And there isn't near enough eroticism to save it.

But you may want to watch it anyway. The cast is beautiful, particularly Currie, and there's an interesting value-added co-star too. Fifteen minutes into the movie's running time you'll see an actress that'll make you go, “Who is that?” You'll be reacting to the radiant beauty of bit player Annika Di Lorenzo, née Marjorie Lee Thoreson, who was a Penthouse centerfold in 1973 and later carved out a career in b-cinema. Besides Mama's Dirty Girls she appeared in such films as 1974's Act of Vengeance and The Centerfold Girls, 1980's Dressed To Kill, and 1979's big budget porn epic Caligula.

She later sued Penthouse publisher Bob Guccione, claiming that he forced her to have sex with business associates, and tricked her into the infamous Caligula orgy. She won a $4 million punitive judgement, but lost it in an appeal. Guccione took revenge by publishing a lesbian pictorial of Di Lorenzo. Afterward, she stepped away from the limelight, but in 2011 hit newspapers again when she washed up dead on Camp Pendleton Beach in San Diego under baffling circumstances. Police suggested suicide, but her family contended that it was foul play, possibly perpetrated by someone from the military base. In the end, her case was closed as unsolved, and today remains another Hollywood mystery.

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Modern Pulp Feb 7 2024
PARADIS LOST
The lawless of the jungle.


The curious and certainly never-to-reappear style of movies referred today as women-in-prison, or WIP, is a subgenre of sexploitation cinema that came about for one reason: it used settings in which women were helpless. Well, in theory. The dramatic thrust of the plots always derived from attempts to retain dignity and to escape captivity. The protagonist was usually an odd woman out—an unjustly imprisoned victim or an undercover operative—surrounded by a mix of prisoners who were hopeless, cruel, sexually predatory, and complicit, plus the abusive guards, one of whom nearly always was a sadistic woman.

Hotel Paradis stars Anthony Steffen, Ajita Wilson, and the slinky Cristina Lay, sometimes referred to as Cristina Lai. There are numerous posters for it, but we like the above Danish effort featuring a fight to the death. Its text notes: This film is banned in many countries because of its strong scenes.... it's shown in Denmark in uncut version. Indeed. Interracial lesbian sex might be to blame for the banning. There are other possible reasons too. We won't waste our time trying to figure it out. As an aside, the movie was filmed concurrently with the WIP flick Femmine infernali using the same cast, director, and sets. So consider this a write-up of that movie too, since the pair are basically identical.

Plotwise, a group of women are being transported to a jungle hellhole prison where forced labor is used to dig for emeralds. When their guards are ambushed and killed by patriot soldiers seeking to steal the emeralds to fund a nebulous revolt, the women agree to continue posingas prisoners in order to aid the infiltration of the camp. Behind bars is one inmate—Wilson—who has the shining or something, and keeps telling the others that violence, death, and freedom are coming. Also coming are WIP staples such as the evil wardenness, languorous shower scenes, whippings, baroque tortures, and sexual assault. It all ends pro forma with a climactic shootout.

Obviously, you have to go into these types of movies with a sense of humor if you can. When Lay first meets Wilson in the camp, she says, “My name's Maria. I'm frightened.” Why, oh why, didn't Wilson respond, “I'm Ajita. I'm a virgo”? Too bad we didn't write the script. Lay then helps herself to Wilson's pipe—which Wilson just a bit earlier had used to masturbate. If she can obtain a pipe you'd think she could get a dildo, but whatever, in prison you have to find your pleasures where you can. And in women-in-prison movies the same holds true—we thought the scene was hilarious. It was merely one of many.

It should be noted that while Wilson is the female lead, and we've shared a couple of racy images of her and highlighted her importance as a trans trailblazer, Lay is the audience draw here. She's unusually beautiful, and director Edoardo Mulargia and the movie's producers know it quite well. She gets the most loving camera work, the wettest shower scene, a nice interlude with Wilson, and goes through the entire final shootout obviously naked beneath her tattered prison tunic and with the top of it hanging wide open. It's not quite Frauen für Zellenblock 9, in which Karine Gambier and company perform their long escape sequence completely starkers, but it's notable just the same.

Hotel Paradis is obviously sexist and exploitative. As we've said before, in the same way blaxploitation movies usually show a racist power structure before the hero shatters it, sexploitation movies sometimes do the same with sexism. Sometimes. Not here. There are additional flaws. Compared to better WIP efforts it lacks the winking sense of humor, the empowerment undercurrent, and the sense of actors having fun while making something they know is ridiculous. There's a hardcore cut of this film with explicit scenes spliced in. It merely amplifies the aforementioned issues, so we suggest you avoid that version. But really, if you avoid Hotel Paradis entirely you'll probably be a better person for it. It premiered in Italy as Orinoco: Prigioniere del sesso in the autumn of 1980, and in Denmark today in 1983.
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Sex Files Aug 26 2023
HOW MANY LICKS
No matter how many it took Lynn and Donovan would get you there.


Digging into our collection of Japanese promo posters for American porn movies once again, we found this one for 1984's Too Good To Be True, which was headlined by Ginger Lynn and Stacey Donovan. Other performers included... well, all the performers that were usually in such films. The Japanese title—花唇の相続—translates to something along the lines of, “inheritance of flower lips.” Needless to say, we absolutely love that. Japanese distributors were really good with retitles of U.S. adult movies. The final results tended to be poetic, yet there was never any doubt that what was being offered was smut. Of course, it was censored in Japan—no flower lips shown, but even so, what a fun title. As we've mentioned before, because it was the videocassette age movies such as these didn't have official premieres in the U.S., however they apparently did in Japan, and that was today in 1989.

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Modern Pulp | Sex Files Oct 4 2022
HOLEY TRINITY
There's never a cop around to perform a cavity search when you need one.


You probably suspect at a glance that this is a Japanese poster for an x-rated movie, and you'd be right. It was made for Trinity Brown, starring Sharon Kelly, aka Colleen Brennan, who's backed by a supporting cast of stalwart porn studs and b-level starlets. This is the fourth movie of Kelly's we've looked at, after Love, Lust and Violence, Gosh!, Scream in the Streets, and Ilsa, Harem Keeper of the Oil Sheiks. Do we have a special affinity for her? Not really. But the Japanese did, apparently. We've found Japanese posters for many of her flicks. They've retitled this one 弾を握る, which means “woman holding a bullet.” Or possibly they've retitled it SEXリボルバー, which means “sex revolver.” The rest says, “Right now, a miraculous comeback, Sharon Kelly. A trap of terrifying passion, the scent of lavender drifting in the cloudy darkness. A man never forgets the smell of Sharon.” Indeed.

You can always expect a plotline with vintage porn, and in this case Kelly plays a tough L.A. cop partnered with John Leslie, who she also happens to be banging off-duty. The two are assigned a murder case in which a strip club owner is thought to have shot a local gangster. Brennan and Leslie delve into the world of exotic dancers and show business to unravel the mystery. It isn't much of a mystery—psst the gangster's girl set him up—but getting to the end is reasonably fun.

Generally vintage porn features realistic sexual performances, without a lot of asinine screaming and backbreaking positions. It was made before the medium became festishistic performance art, and takes itself seriously as erotica for normal people. This particular flick was made without any of the most inspiring porn beauties from the era (Ginger Lynn, Angel, Shauna Grant, Jody Swafford, Annette Haven, et al), so it's possible some viewers might be aesthetically nonplussed by Kelly and company, but everything is real, rather than silicone, and that's worth something. We'll discuss some of those top stars again, and Kelly will be back too, on yet another Japanese poster we have. Trinity Brown premiered in the U.S. in 1984 and reached Japan today in 1986.

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Femmes Fatales Sep 17 2022
PURE SEX ON THE BEACH
Go in the water? That's the freaking North Sea you're talking about.


It's been a few years, so we're returning to subject of German actress Karin Schubert today with this brilliant shot that first appeared as a centerfold in the West German magazine Sexy, a publication that did this sort of thing often. Schubert is a unique figure. She was born in Hamburg during wartime in 1944, debuted in cinema during the late ’60s, then, after establishing herself as a mainstream actress, went into porn. We talked about that in detail here, and we also mused on the relationship between mainstream erotic films and xxx movies, with her as an example, at this post. The latter link contains some of our ponderings concerning nudity on our website, so you may be interested in that, and if so, we go into more detail on that subject here, and talk about the entire purpose behind the site here. The above shot dates from 1971. And by the way, Germany does have some nice beaches—when they aren't covered by snow.

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Sex Files Jul 28 2022
HIPS AND LIPS
Notable show business encounters: the Pelvis meets the Throat.


Issues of National Informer on back-to-back days? Sure, why not? The above example, published today in 1974, is five years older than yesterday's, and in the intervening timeframe the editors seem to have stopped woman bashing. They're still treating them as complete sex objects, but that's what Informer was all about. They've also replaced the (not so) Great Criswell with new psychic Mark Travis. We're still curious who actually bought these mags (we do it for scientific purposes, so we don't count), and exactly how seriously they took it. Our guess is not very.

The main attraction in this issue is the story on swivel-hipped musical star Elvis Presley and Linda Lovelace, centerpiece of the xxx smash Deep Throat. Lovelace, who was purportedly involved—at least for a few hours at a time—with such aging stars as Richard Burton, Rex Harrison, Bob Hope, Dean Martin, and (of course) Frank Sinatra, as well as young Hollywood rebels Paul Newman, Marlon Brando, and Dennis Hopper, is alleged to have met up with Presley in Las Vegas. You could be forgiven for assuming that nature took its course, but it didn't. At least, according to reports.

What on Earth could have stopped these two sex elementals from joining forces? Presley allegedly told Lovelace he was temporarily hors de combat because he had hurt himself having sex with Natalie Wood the previous week. Hey, we just relay this stuff. We make no claim that any of it is true. And we thought Natalie was so sweet. Well, you should never judge a book by its cover. Tabloids, on the other hand, you can safely evaluate at a glance. Informer is just as down and dirty as it looks. 
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Sex Files May 31 2022
CHERRY'S PIE
Everybody wants a piece.


Radley Metzger was the director of perhaps the most stylish films from the golden era of porn, so it's no surprise his output reached Japan. This poster was made for his 1978 film Maraschino Cherry, which in Japan was known as Marasukîno cherî: Musei. Annette Haven, Gloria Leonard, Leslie Bovee, the lovely Constance Money, and Eric Edwards star, and there's an actual plot, as Manhattan brothel madame Maraschino Cherry, played by Leonard, indoctrinates her hick sister Jenny Baxter into the business. Little sis takes to it like a fish to water, so much so that at the end she's left in charge while Leonard heads off to open another cathouse.

Metzer directed this under the pseudonym Henry Paris, which he used because he directed non-xxx features under his own name. So once again we see the blurry line between adult and non-adult entertainment back in the day. Among Metzger's mainstream movies were Camille 2000, Little Mother, aka Woman of the Year, and The Lickerish Quartet, which we talked about several years ago. His most famous xxx effort is probably The Opening of Misty Beethoven, but Maraschino Cherry, with its goofy comedy (“Would you like to be eaten while you wait?” “Oh, no thanks. I'm not hungry.”) also seems well remembered.

Below we have images of the film's female cast, excepting Jenny Baxter, who we couldn't find. Top to bottom you see Leonard, Haven, Money, and Bovee. We've uploaded these for a couple of reasons. First, they're beautiful shots. Second, the Pulp Intl. girlfriends are Stateside and when they're gone we tend to post more nude images, possibly because we get a bit lonely. Without their influence we also come up with ideas like “everybody wants a piece.” If they were here one of them would have said, “Really?” And we'd have rethought it. But it could have been worse. We almost went with the header “Fruit Cock Tale.” So there you are, girls. Hurry back before we bury ourselves under an avalanche of crudeness.

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Sex Files Apr 4 2022
BRINGING IN THE TRASH
Sometimes you want your house to be a little dirty.


The thing about Japanese promos for U.S. adult films—and we've mentioned this before—is that they usually have rare images of the lead actresses. Such is the case with the above item, made for Trashy Lady, featuring x-rated legend Ginger Lynn alluringly wrapped in a silk or satin sheet. In Japan the movie was titled ジンジャー・リンの赤い唇, which means, “Ginger Lynn's red lips.”
 
The plot is simple—Harry Reems, playing a big city crime kingpin, decides to make smalltown Ginger his girlfriend, but since she's too innocent, he needs her to be retrained into the type of woman he prefers—a trashy lady. You know, of course, what sort of activities the makeover involves.

It's cute when porn folks try to make a period movie, and this one, which is set during the Great Depression, comes complete with fancy costumes, a couple of nice sets, and even a high quality opening credit sequence. In the end it's still sort of like low rent community theater with oral sex, but it's all in good fun. As a side note, every website you look at says Reems plays real-life gangster Dutch Schultz, but guess what? We actually watch these flicks, and the character he plays is the fictional Dutch Seigel, not Dutch Schultz. Who cares, right? Well, we do. Originally released in 1985, Trashy Lady opened in Japan today in 1987.
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History Rewind
The headlines that mattered yesteryear.
June 20
1967—Muhammad Ali Sentenced for Draft Evasion
Heavyweight boxing champion Muhammad Ali, who was known as Cassius Clay before his conversion to Islam, is sentenced to five years in prison for refusing to serve in the military during the Vietnam War. In elucidating his opposition to serving, he uttered the now-famous phrase, “I ain’t got no quarrel with them Viet Cong.”
June 19
1953—The Rosenbergs Are Executed
Julius and Ethel Rosenberg, who were convicted for conspiracy to commit espionage related to passing information about the atomic bomb to the Soviet spies, are executed at Sing Sing prison, in New York.
June 18
1928—Earhart Crosses Atlantic Ocean
American aviator Amelia Earhart becomes the first woman to fly in an aircraft across the Atlantic Ocean, riding as a passenger in a plane piloted by Wilmer Stutz and maintained by Lou Gordon. Earhart would four years later go on to complete a trans-Atlantic flight as a pilot, leaving from Newfoundland and landing in Ireland, accomplishing the feat solo without a co-pilot or mechanic.
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