Sex Files May 31 2022
CHERRY'S PIE
Everybody wants a piece.


Radley Metzger was the director of perhaps the most stylish films from the golden era of porn, so it's no surprise his output reached Japan. This poster was made for his 1978 film Maraschino Cherry, which in Japan was known as Marasukîno cherî: Musei. Annette Haven, Gloria Leonard, Leslie Bovee, the lovely Constance Money, and Eric Edwards star, and there's an actual plot, as Manhattan brothel madame Maraschino Cherry, played by Leonard, indoctrinates her hick sister Jenny Baxter into the business. Little sis takes to it like a fish to water, so much so that at the end she's left in charge while Leonard heads off to open another cathouse.

Metzer directed this under the pseudonym Henry Paris, which he used because he directed non-xxx features under his own name. So once again we see the blurry line between adult and non-adult entertainment back in the day. Among Metzger's mainstream movies were Camille 2000, Little Mother, aka Woman of the Year, and The Lickerish Quartet, which we talked about several years ago. His most famous xxx effort is probably The Opening of Misty Beethoven, but Maraschino Cherry, with its goofy comedy (“Would you like to be eaten while you wait?” “Oh, no thanks. I'm not hungry.”) also seems well remembered.

Below we have images of the film's female cast, excepting Jenny Baxter, who we couldn't find. Top to bottom you see Leonard, Haven, Money, and Bovee. We've uploaded these for a couple of reasons. First, they're beautiful shots. Second, the Pulp Intl. girlfriends are Stateside and when they're gone we tend to post more nude images, possibly because we get a bit lonely. Without their influence we also come up with ideas like “everybody wants a piece.” If they were here one of them would have said, “Really?” And we'd have rethought it. But it could have been worse. We almost went with the header “Fruit Cock Tale.” So there you are, girls. Hurry back before we bury ourselves under an avalanche of crudeness.

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Sex Files Apr 4 2022
BRINGING IN THE TRASH
Sometimes you want your house to be a little dirty.


The thing about Japanese promos for U.S. adult films—and we've mentioned this before—is that they usually have rare images of the lead actresses. Such is the case with the above item, made for Trashy Lady, featuring x-rated legend Ginger Lynn alluringly wrapped in a silk or satin sheet. In Japan the movie was titled ジンジャー・リンの赤い唇, which means, “Ginger Lynn's red lips.”
 
The plot is simple—Harry Reems, playing a big city crime kingpin, decides to make smalltown Ginger his girlfriend, but since she's too innocent, he needs her to be retrained into the type of woman he prefers—a trashy lady. You know, of course, what sort of activities the makeover involves.

It's cute when porn folks try to make a period movie, and this one, which is set during the Great Depression, comes complete with fancy costumes, a couple of nice sets, and even a high quality opening credit sequence. In the end it's still sort of like low rent community theater with oral sex, but it's all in good fun. As a side note, every website you look at says Reems plays real-life gangster Dutch Schultz, but guess what? We actually watch these flicks, and the character he plays is the fictional Dutch Seigel, not Dutch Schultz. Who cares, right? Well, we do. Originally released in 1985, Trashy Lady opened in Japan today in 1987.
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Modern Pulp Feb 2 2022
HER STRANGE DAYDREAM
It was just her imagination running away with her.


This bondage themed poster for Tetsuji Takechi's Hakujitsumu 2, aka Daydream 2, promotes the third iteration of a film he first made in 1967, then remade in 1981. It's labeled “2” because the first movie was a drama, while the second was x-rated. This version is x-rated too, so it's the second porn outing for the title, hence number 2, though it's really number 3. Hope that makes sense. However you number it, it's similar wine in a different bottle, as director Takechi keeps his remake of a remake highly erotic, while going more hallucinatory. Kyōko Aizome, star of the previous version, is joined by the lithe and beautiful Chizu Kirinami, and she gets the central role as a woman who spirals into a citywide erotic hallucination. We won't bother to detail the plot, because you can get that info at our previous write-ups here and here.

It's clear that Takechi, with a hit on his hands in version two, decided to simply swap Aizome out of the starring role and pass the torch to Kirinami. And why not? She's really lovely. She spends almost the entire movie without a stitch on, even when rappelling over a balcony or wandering the streets of the quasi-reality she's stuck inside. As for you Aizome fans, don't worry—though relegated to a supporting role, she's plenty visible, performs some very carnal scenes, and even wears the assless bondage outfit you see on the poster. Below, because we figured you'd enjoy it, she wears nothing. Kirinami's film career consisted of two movies, which means there isn't much promo imagery out there on her. The monochrome shot will have to do until we turn up something better. Hakujitsumu 2 premiered in Japan today in 1987.

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Vintage Pulp Jan 5 2022
THE AMERICAN WAY
Gemser exercises her right to bare arms—and everything else too.


We try to document the top erotic stars of yesteryear—Lindberg, Forså, Annie Belle, Izumi Shima. Today it's Laura Gemser's turn again, this time starring in Emanuelle in America, which premiered in Italy today in 1977. This entry is third, fourth, or seventh in her Emanuelle series, depending on how you count them, and sees her investigating a multi-national sex trafficking ring that kidnaps women and kills them for the production of underground snuff films. That synopsis and the fact that the movie is helmed by Joe D'Amato are all you need to hear to suspect this is going all sorts of disturbing places, and indeed, your worst fears will be realized, as scenes of documentary-style transgressive violence occur, and there's a scene of a woman stroking off a horse. Fortunately, the snuff sequences are fake. They were staged by Italian special effects experts Giannetto de Rossi and Maurizio Trani. The horse thing? That's real.

*heavy sigh*

Okay, so let's forget those problems for now. What's the thrust of the movie? It's a scathing indictment of the decadent wealthy, people who money has deadened inside and who must buy increasingly depraved thrills to bring stimulation to their lives. During the course of Gemser's investigation she goes undercover as a high priced call girl, jets from the U.S. to Venice to the Caribbean and back to the States, gets naked or topless numerous times, and has her skinny body handled and squeezed by man and woman alike, including her real-life husband Gabriele Tinti. As usual her sexual powers are transformative. For instance a carjacker wants to kill her but has never experienced sex and has his lid flipped by his first blowjob. Later a call girl with no self worth comes to see the world in a brighter light after a slippery steam room session with Gemser. She's like a superhero—with a superpower you really have to marvel at.

We won't tell you how the whole snuff plotline resolves. You'll just have to watch—all the way to the baffling postscript. Should you decide to partake, you'll probably end up with a version of the movie that has hardcore sequences featuring porn actresses Paola Senatore and Marina Lotar inserted, so to speak. Usually such scenes shred continuity, and they do here too, as well as failing to add much to the overall erotic value of the film. We'll admit though, that the bit where a woman sticks daisies in a man's nest of pubes then says, “Your bush is in flower,” was funny. The other high point is Gemser, hitting her stride here as the Emanuelle character, looking her best, making stick-thin more alluring than she has any right to. She does the same in many additional entries. A few of those efforts are better, but many are far worse, so we'll have to call Emanuelle in America above average.

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Femmes Fatales Dec 14 2021
HUNGRY AS A MOOSE
She'll eat you out—of house and home.


Last time we saw French actress Barbara Moose we were worried she might starve, but she seems to have found some food, thank goodness, though she did it by breaking into a random kitchen. Still, it bodes well, even if at the moment she's far below her optimum weight of 1,000 to 1,400 pouunds. Moose, who was also Martine Semo, Martine Semot, Elsa Pime, et al, starred in well over one hundred x-rated and sexploitation movies between 1974 and 1986, including Delires sexuels, Girls USA, RX for Sex, Infernal's Partouze, Big Fuck, and 1977's I porno zombi, aka Naked Lovers, which you can read about here. We'll probably never see Moose again, as she's quite elusive, but it's good to know that with her new housebreaking and jar opening skills she'll be fine.

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Sex Files Nov 3 2021
IT IS WADD IT IS
National Informer guest columnist bares his soul and more.


This issue of National Informer was published today in 1974. In these later editions the editors seem to have discovered the value of a little dick, which is to say they began featuring male frontal nudes. The Pulp Intl. girlfriends used to wonder why we had so few nude men on the site. They actually thought it was up to us. We were like, “Baby, vintage actors didn't do nude promo shots.” Well, except for Fred Williamson, but he's Fred Williamson. Burt Reynolds did it for Cosmopolitan, but we don't have that shot because we don't collect Cosmo. So the best you get is these randos in low rent tabloids.

The models, whoever they were, got to experience what women had been experiencing for a long time, which was the shock of realizing their secret nudes had hit daylight on a drugstore newsstand without their knowledge—or financial remuneration. And as with the women, the photos were used in articles that had nothing to do with them. In this case the accompanying feature is about a porn actor who wants to move into legit cinema. It's a silly article filled with nothingness written by J.W.—presumably Johnny Wadd, aka John Holmes. At least that's what readers were supposed to think.

Do we buy it? Not really. For one, it reads like the same house hacks who wrote all Informer's articles (we love the part where he defines the term “persona non grata”), but second, why would a guy who's flashed his gooch to millions need to hide his identity? But it's very specific in terms of the hints the author drops, so maybe it really is him. But with or without Holmes, there's quality schlong on the anonymous model. The Pulp Intl. girlfriends say he could use a circumcision, but whatever, they can't say we never tried to give them some eye candy. More Informer coming later.
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Femmes Fatales Apr 27 2021
NOT LIKE A VIRGIN
And definitely not touched for the very first time.


Porn influences American culture—think VHS winning out over Betamax, body waxing/lasering, live chatting, the widespread acceptance of oral sex, etc—but on rare occasions it's the other way around. Fashion designers had played around with inner wear as outer wear for decades, and Madonna, through her association with the fashion industry, popularized the trend beginning in 1983. In the above photo beautiful porn legend Ginger Lynn channels Madonna and looks mighty good doing it. In fact, she's got Madonna so down you almost expect her to break into “Like a Virgin,” which would be a highly ironic version of the song. The shot was made in 1985 during the filming of her x-rated hit A Coming of Angels. She's no angel, though. There's only one Angel. But being Ginger is just fine—there's only one of her too. See another nice photo of her here.

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Vintage Pulp Jan 10 2021
CIRKUSSE MAXIMUS
Unseasonal heat returns to Japan.


Above, another Japanese poster for the Swedish film Sex-Cirkusse, released today in 1976, and known in English as The Hottest Show in Town. We chopped it in half below so you can see more detail. And speaking of detail, we talked about the, um... interesting content of the movie when we shared the other poster. Check here.

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Modern Pulp Sep 12 2020
HAKUJITSUMU WRESTLING
Tetsuji Takechi comes out swinging hard in round two.


This poster was made for Hakujitsumu, aka Daydream, which premiered in Japan today in 1981. The movie is loosely based on a 1926 novel by Junichir Tanizaki, which director Tetsuji Takechi made into one of the first pinku films in 1964. The same director felt inspired to put together a porno remake and, blazing a trail once again, it was the first hardcore movie to be shown in Japanese cinemas. We wanted to see what Takechi did with his revision so we watched it, and it sets up pretty much the same way as the first movie, with Kyōko Aizome at her dentist's office, the dentist and his assistant administering gas, then both taking liberties once Aizome is helpless. The action is witnessed by another patient, who follows Aizome around town as she has a series of erotic interludes that spiral off into quasi reality designed to sow doubt concerning whether any of it really happened.

We can't say the hardcore action here is highly erotic, but certain non-sex sequences get there, including Aizome's nude hotel escape, and her naked lathering and rinse inside a car wash. Not that we're down on hardcore. It's just that we insist everything be made to look beautiful. In the sex scenes Takechi, seeking to prove that the action was indeed real, went anatomical. It's an understandable choice—if you can finally show it, why not show it, nutsacks, assholes, milky fluids and all? But even though we're from the generation that is supposed to reflexively love explicit hardcore, we're old souls, and particularly appreciate porn where we know it's real but don't see everything (maybe Aizome felt the same way—she directed her own remake in 2009). Regardless of the success or failure of Hakujitsumu, anytime we see the phrase “the first film that...” we're fully on board. Now we can say we saw the first Japanese film that went hardcore. That's something, at least. Below, Aizome inspires daydreams, and you can see more from her here.
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Sex Files Aug 7 2020
CHAMBERS' DOOR
It's nice and warm inside.


This is obviously Marilyn Chambers fronting a poster for her x-rated extravaganza Behind the Green Door, which opened in the U.S. this month in 1972. We shared a Japanese poster for this a long while ago, as well as a another Japanese promo advertising this as a double bill with The Resurrection of Eve. Today we figured we might as well show you the original American promo too.
 
Why do we coming back to Chambers? Probably her connection to horror films via the David Cronenberg classic Rabid has something to do with it. Not many actors have straddled porn and maintream cinema. Chambers is top of the heap on that score. And she died young at age fifty-six, so that always brings about examinations of a star's legacy. And finally, it's always interesting to see what path porn stars take when they move on. Chambers' path took her to Southern California, where she died in a mobile home in Santa Clarita, a long way from the bright lights of New York City where she first became a star.

We had never watched Behind the Green Door, but we remedied that a few days ago, and for those who don't already know we can tell you the movie is a sexual awakening story, with Chambers the star of a live sex show about “the ravishment of a woman who has been abducted,a woman whose initial fear and anxiety has mellowed into curious expectation.” She appears in two vignettes of escalating explicitness, as masked onlookers observe à la Eyes Wide Shut. That's the entire plot.

Chambers looks very good in this movie. We can imagine what it must have been like for cinemagoers to see a woman in this raunchy role who was fully beautiful enough to be a Hollywood star. The party lifestyle she lived began to make almost immediate physical changes, but for a moment, here in the summer of 1972, she was really a goddess. We have a nice image of her below as evidence of that assertion.

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History Rewind
The headlines that mattered yesteryear.
July 03
1931—Schmeling Retains Heavyweight Title
German boxer Max Schmeling TKOs his U.S. opponent Young Stribling in the fifteenth round to retain the world heavyweight boxing title he had won in 1930. Schmeling eventually tallies fifty-six wins, forty by knockout, along with ten losses and four draws before retiring in 1948.
1969—Stones Guitarist Is Found Dead
Brian Jones, a founding member of British rock group Rolling Stones, is found at the bottom of his swimming pool at Crotchford Farm, East Sussex, England. The official cause of his death is recorded as misadventure from ingesting various drugs.
July 02
1937—Amelia Earhart Disappears
Amelia Earhart fails to arrive at Howland Island during her around the world flight, prompting a search for her and navigator Fred Noonan in the South Pacific Ocean. No wreckage and no bodies are ever found.
1964—Civil Rights Bill Becomes Law
U.S. President Lyndon Johnson signs the Civil Rights Bill into law, which makes the exclusion of African-Americans from elections, schools, unions, restaurants, hotels, bars, cinemas and other public institutions and facilities illegal. A side effect of the Bill is the immediate reversal of American political allegiance, as most southern voters abandon the Democratic Party for the Republican Party.
1997—Jimmy Stewart Dies
Beloved actor Jimmy Stewart, who starred in such films as Rear Window and Vertigo, dies at age eighty-nine at his home in Beverly Hills, California of a blood clot in his lung.
July 01
1941—NBC Airs First Official TV Commercial
NBC broadcasts the first TV commercial to be sanctioned by the Federal Communications Commission. The FCC began licensing commercial television stations in May 1941, granting the first license to NBC. During a Dodgers-Phillies game broadcast July 1, NBC ran its first commercial, from Bulova, who paid $9 to advertise its watches.
1963—Kim Philby Named as Spy
The British Government admits that former high-ranking intelligence diplomat Kim Philby had worked as a Soviet agent. Philby was a member of the spy ring now known as the Cambridge Five, along with Donald Maclean, Guy Burgess, Anthony Blunt and John Cairncross. Of the five, Philby is believed to have been most successful in providing classified information to the Soviet Union. He defected to Russia, was feted as a hero and even given his commemorative stamp, before dying in 1988 at the age of seventy-six.
1997—Robert Mitchum Dies
American actor Robert Mitchum dies in his home in Santa Barbara, California. He had starred in films such as Out of the Past, Blood on the Moon, and Night of the Hunter, was called "the soul of film noir," and had a reputation for coolness that would go unmatched until Frank Sinatra arrived on the scene.
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