Vintage Pulp Jan 30 2021
MAN'S ON A MISSION
Headquarters, my gas mask has failed! I'm throwing a grenade! How the hell does this thing work? Over!


George Gross art fronts this January 1956 issue of Hanro Corp's bi-monthy magazine Man's Illustrated. It's an interesting image, but here's where we show our age, or lack of industrial background, or something, because we have no idea what the hell Mr. Flinty Eyes on the cover is holding. Hand grenade? Gas mask? Some kind of steampunk style microphone? Combo of all three? Well, not knowing is not a problem. We still like the image.

It's been a while since we featured this magazine, but we're glad to get back to it because inside this issue there's art from Walter Popp and Rudolph Belarski, and a nice feature on Rear Window actress Georgine Darcy, who we've talked about once or twice before. As far as written content, you get plenty of war and hunting action, of course, but we were drawn to, “The Hottest Town North of the Border,” an investigative piece by journo B.W. Von Block. What town is he talking about? Montreal, which apparently back in ’56 was the one of the best places in the world to get your ashes hauled.

These type of stories, which were standard in old men's magazines, always give us a laugh because with their breathless focus on subjects like legal prostitution, nude beaches, and dusk-to-dawn nightclubs they show how repressed the U.S. was compared to so much of the world. It still is, actually. Trust us, we've been around, lived abroad for a long time now, and greatly enjoyed the more permissive societies in which we've resided—including our current one.

The U.S. does have many good points, though, one of which is that no country's inhabitants preserve its popular media so prodigiously—which is why we have so many vintage books and magazines to share on Pulp Intl. in the first place. We've pondered many times why Americans hoard more than other cultures and we've finally come up with an answer: garages. Two thirds of Americans have garages. So here's to American garages. They give millions the joy of being their own museum curators.
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Modern Pulp Sep 19 2018
BACKSTAGE PASS
There's nothing behind the curtain but your worst nightmares.


You can consider this fan art. Extraordinary fan art. It's a GGA style promo poster for David Lynch's freaky neo-noir Blue Velvet, his tale of unspeakable evil behind the tranquil façade of smalltown America. This was painted by Lisa Wood, aka Tula Lotay, an English comic book artist best known for illustrating Supreme: Blue Rose. The film had its global premier in August 1986 at the Montreal World Film Festival, but it opened in the U.S. today the same year. This is a bang-up re-imagining of the promo art from Lotay, and you can see more of her work at her website

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Vintage Pulp May 30 2018
CAN'T BUY ME DOVE
Actually, that's more than enough money, lover. You're under arrest.


The thing about GGA covers is they often mislead in terms of written content. The dove in The Frightened Dove is not the femme fatale on the cover but rather a Mussolini underling named Colombo—Italian for dove—who's hunted by the hero Ricci Bartoli, a retired anti-fascist fighter dragged out of his peaceful life as a tailor in New York City. Colombo is after a trove of gold, and Bartoli is out to stop him, with the crucial action taking place in Montreal. You can always tell there's something French about a book when the cover femme is wearing a beret. And her name is Marie, which seems to be the go-to for French women in genre fiction. The story here fits squarely into the post-war political adventure niche—i.e. cleaning up the loose ends of World War II. And on the subject of pseudonyms, Hardin was actually a Hungarian author named Louis Vaczek. The Frightened Dove was originally published in hardback in 1951, with the above Bantam paperback arriving in 1952 with uncredited cover art.

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Hollywoodland Sep 20 2017
THOROUGHLY MODERN MARIE
St. Cyr tells all for the cheapie tabloid Midnight.


This Midnight published today in 1964 has the usual clickbait on the front cover—I Ripped My Baby To Pieces. Why? Because she hated her husband. Very interesting, but today we're drawn to the banner and Lili St. Cyr's “Torrid Life Story,” in which, for the most part, she talks about her sexual attitudes. The interior header screams that she seduced a 14-year-old boy, and that's again the equivalent of today's internet clickbait. St. Cyr was sixteen herself, which is an age difference we'd hardly call scandalous. The clickbait worked, though. It made us quite eager to read the story. It's written in first person and touted as a Midnight exclusive.

Ordinarily we'd be skeptical a cheapie tabloid could score an exclusive with a world famous celebrity, but in this case we think Midnight is telling the truth. We have a few reasons: Midnight was a Canadian rag, headquartered in Montreal; St. Cyr was from Minnesota, but spent her early years dancing in Montreal; and Midnight was too well known a publication to get away with lying about the source of the story. Thus we can be sure St. Cyr wrote the piece. She eventually authored an autobiography in French, which makes us suspect she wrote this article for the Canadian Midnight—which was called Minuit—and it was translated and printed in the U.S. later. Just a guess. It was apparently part of a series, by the way, but we don't have the other issues of Midnight. Now on to the juicy stuff.

On virginity: “When you have it you try like hell to keep it. You lose it with an unconscious sigh of relief, and once you've lost it you wonder why you tried so hard to keep it in the first place.”

On her first: “Right now, as I write these lines, [all I] can recall about him is that he was blonde and his first name began with an R. As a matter of fact, I don't remember any of my first intimate boyfriends.”

On her others: “I've been called a child snatcher dozens of times because that is the way I like my men. I can't help it.

On Hollywood star Victor Mature: “One bad thing about Vic though. Liquor and sex just don't mix for him. If he makes love, he's got to be cold sober or he can't perform.”

On Las Vegas: “There is something dead and decadent about the town. It builds to nowhere. It accomplishes nothing. And the people in it are infected with this live-for-today attitude.”

Those are the highlights. Except that readers also get three photos with the article. We already shared a much better version of one of those way back in 2009. The other two are in this post—the shot of St. Cyr as a child, when she was still Willis Marie Van Schaack, and the one below of her in goddess mode. Midnight was printed on cheap-ass paper, but the scans still look pretty good. Willis Marie's tale is interesting too. She was ahead of her time. What she writes could have been written by a character on Girls. It's impossible for us to not respect her boldness and determination to have exactly the life she wanted, particularly during the age in which she lived. We have plenty on St. Cyr in the website. Just click her keywords below.

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Vintage Pulp Feb 5 2017
LIKE MURDER THIS IS
Actually, the flap on my bikini does slim the hips. It also hides pistols. Now get your hands up, idiot.

William Ard's Like Ice She Was stars his detective creation Lou Largo in a missing persons case. He's looking for a former prostitute who robbed a Montreal casino owner and fled to Miami. He finds her, but the situation escalates to murder and an attempted frame-up. This character was supposed to tentpole a series, and it did, but this was the second and last Largo written by Ard, as he died after writing it. The books thereafter were ghost written by Lawrence Block, and later John Jakes. Like Ice She Was is copyright 1960, and the Monarch Books cover guide has the art as uncredited, which is a shame. 

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Vintage Pulp Feb 8 2016
SADA MASOCHISM
She always had a problem letting go.


This could be a Pulp Intl. first—a Japanese movie where a foreign poster is the nicest version out there. Usually the Japanese whip all competing asses in the poster design department, but just this once the Italian iteration is better, probably because it was painted by Enrico de Seta, one of the best illustrators of the period. The movie is Jitsuroku Abe Sada, which was called in Italian Abesada—L'abisso dei sensi. That means “Abesada—abyss of the senses,” but the English title decided upon was actually A Woman Called Sada Abe. The story tracks real-life murderer Sada Abe, who habitually practiced sexual asphyxiation with her lover Kichizo Ishida, and in 1936 strangled him to death with the sash of her obi. The sensational story grew into an epic folk legend, interpreted by painters, writers, and poets, and when Japan's roman porno film genre came along the incident was a perfect fit.
 
Jitsuroku Abe Sada was one of several films to tackle the subject. In real life, Sada followed up her killing of Ishida by castrating the corpse and fleeing with the severed organ. The movie covers this aspect of the incident too, and eventually ends with Sada's arrest. The real life Sada was convicted of murder and other crimes, but despite begging to be executed was sentenced to prison, released after a few years, and went on to live four more interesting decades. We won't go so far as to recommend Jitsuroku Abe Sada. It has its worthwhile points, among them the reliable Junko Miyahsita in the lead, but if you're going to watch a telling of the Sada Abe incident, maybe try the more famous and more explicit In the Realm of the Senses, which appeared in 1976. Jitsuroku Abe Sada premiered in Japan today in 1975.

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Vintage Pulp Oct 22 2015
HARLEM IMPROV
Harry Bennett channels Himes and Harlem.

Chester Himes’ cycle of Harlem detective fiction spanned eight complete novels, and one unfinished effort, with five of the paperback editions illustrated by Harry Bennett, whose work you see above. Himes is world renowned, Bennett somewhat less so, but he was an award winning artist who illustrated hundreds of paperbacks during his career. We were reminded of him by a recent entry on Killer Covers, and remembered how much we like these pieces. In contrast to his lushly rendered romance covers, or more conventional crime novel art, these have an almost spontaneous quality. Publisher input usually has quite a bit to do with it, but we suspect Bennett was also influenced by Himes’ writing and the Harlem setting, and as a result produced this jazzy art for a jazzy novelist. Excellent stuff. 

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Vintage Pulp Jul 29 2015
RISE OF THE COBRA
Cutting the head off the snake.


Above and below, a July 1956 issue of Real Adventure magazine with uncredited art on the cover and throughout the issue. Inside you get model Peggy Ray, and a self-written feature by boxer Sandy Saddler in which he denies being a dirty fighter. The article includes a photo, which you see in panels three and four below, of Saddler mugging Willie Pep. That’s not the first appearance on Pulp Intl. for that image. Police Gazette featured it on one of its covers in February 1951 with a little photo-illustrative tweak. It’s worth glancing at and you can see it here.

So was Saddler a dirty fighter? Consensus seems to be that if he felt victimized himself, he tended to cross the line. According to theboxingmagazine.com, this happened during Saddler’s fourth fight with Pep, which featured, “elbows, butting, heeling with the glove and lacing, they were everything-gos foul-fests from start to finish. While Pep and Saddler wrestled on the inside, Saddler thought nothing of putting Willie in a headlock before throwing him to the floor. Even the referee was knocked to the floor several times in an attempt to separate the two fighters. Needless to say, the boos and jeers shook the joint to the rafters. Saddler said afterward that he felt insulted by those who insisted he was a dirty fighter.”

Saddler won 144 bouts against only 16 losses, which would seem to indicate a considerable amount of talent. He retired in 1956, at the earlyish age of thirty, after he hurt his eye in a traffic accident. Afterward her became a trainer and counted among his clients a young George Foreman. He died in 2001 but was honored by The Ring magazine a couple of years later when editors ranked him as the fifth greatest puncher of all time. We have about twenty scans of Saddler, Pep, and others below.

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Hollywoodland Mar 7 2015
JUST A MINUIT
Midnight twice in the same day.

We mentioned a while back that the cheapie tabloid Midnight was printed in Montreal, which made it more of a Canadian than American publication. Above you see a rare cover of Minuit, which was the Canadian Midnight. This hit newsstands today in 1966, and it’s basically a duplicate of the Nobu McCarthy cover we shared on this day last year. Well, not an exact duplicate. As you can see by looking at the image on the right, the cover text on the U.S. version says: “I’m wild, wicked, and willing,” but on Minuit McCarthy says, “Je dis ‘oui’ aux hommes,” which means, “I say ‘yes’ to men.” The sentiment is the same, but we're reasonably sure both lines were made up by Midnight—and Minuit—editors.

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Vintage Pulp Jan 31 2015
UNEASY STREETS
Take a walk on the wild side.

Above are three cover treatments for Sugar-Puss on Dorchester Street, written by Al Palmer, and first published in 1949 (many sources say 1950, but Palmer’s current day publisher Véhicule Press says 1949). Sugar-Puss was set in Montreal in the debauched red light district centered around Dorchester Street (now René Lévesque Boulevard), and spiced with firsthand observations from Palmer, who was a night-crawling columnist for the Montreal Herald and later the Montreal Gazette. His main character, Gisele Lepine, leaves her small farming town, is swept up in bright lights and big city, and pulled into various dramas involving a newspaper man, a cabaret owner, drug-dealers, and chorus girls. Gisele’s situation soon devolves, bringing her up-close and personal with organized crime, murder, and white slavery (always, in mid-century novels, taken to be somehow worse than mere slavery). The novel was Palmer’s only one, but it has managed to endure among collectors, maybe because it has possibly the best title ever. He also wrote a city expose entitled Montreal Confidential. We like all three of these covers, but even if the first two seem of higher quality, with their splashes of purple and yellow, we think version three manages to capture a feeling of loneliness and alienation. The top piece is by Syd Dyke, the middle one by D. Rickard, and the last is by unknown. 

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Next Page
History Rewind
The headlines that mattered yesteryear.
December 05
1933—Prohibition Ends in United States
Utah becomes the 36th U.S. state to ratify the 21st Amendment to the United States Constitution, thus establishing the required 75% of states needed to overturn the 18th Amendment which had made the sale of alcohol illegal. But the criminal gangs that had gained power during Prohibition are now firmly established, and maintain an influence that continues unabated for decades.
1945—Flight 19 Vanishes without a Trace
During an overwater navigation training flight from Fort Lauderdale, five U.S. Navy TBM Avenger torpedo-bombers lose radio contact with their base and vanish. The disappearance takes place in what is popularly known as the Bermuda Triangle.
December 04
1918—Wilson Goes to Europe
U.S. President Woodrow Wilson sails to Europe for the World War I peace talks in Versailles, France, becoming the first U.S. president to travel to Europe while in office.
1921—Arbuckle Manslaughter Trial Ends
In the U.S., a manslaughter trial against actor/director Roscoe 'Fatty' Arbuckle ends with the jury deadlocked as to whether he had killed aspiring actress Virginia Rappe during rape and sodomy. Arbuckle was finally cleared of all wrongdoing after two more trials, but the scandal ruined his career and personal life.
December 03
1964—Mass Student Arrests in U.S.
In California, Police arrest over 800 students at the University of California, Berkeley, following their takeover and sit-in at the administration building in protest at the UC Regents' decision to forbid protests on university property.
1968—U.S. Unemployment Hits Low
Unemployment figures are released revealing that the U.S. unemployment rate has fallen to 3.3 percent, the lowest rate for almost fifteen years. Going forward all the way to the current day, the figure never reaches this low level again.
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