Vintage Pulp Jan 30 2021
MAN'S ON A MISSION
Headquarters, my gas mask has failed! I'm throwing a grenade! How the hell does this thing work? Over!


George Gross art fronts this January 1956 issue of Hanro Corp's bi-monthy magazine Man's Illustrated. It's an interesting image, but here's where we show our age, or lack of industrial background, or something, because we have no idea what the hell Mr. Flinty Eyes on the cover is holding. Hand grenade? Gas mask? Some kind of steampunk style microphone? Combo of all three? Well, not knowing is not a problem. We still like the image.

It's been a while since we featured this magazine, but we're glad to get back to it because inside this issue there's art from Walter Popp and Rudolph Belarski, and a nice feature on Rear Window actress Georgine Darcy, who we've talked about once or twice before. As far as written content, you get plenty of war and hunting action, of course, but we were drawn to, “The Hottest Town North of the Border,” an investigative piece by journo B.W. Von Block. What town is he talking about? Montreal, which apparently back in ’56 was the one of the best places in the world to get your ashes hauled.

These type of stories, which were standard in old men's magazines, always give us a laugh because with their breathless focus on subjects like legal prostitution, nude beaches, and dusk-to-dawn nightclubs they show how repressed the U.S. was compared to so much of the world. It still is, actually. Trust us, we've been around, lived abroad for a long time now, and greatly enjoyed the more permissive societies in which we've resided—including our current one.

The U.S. does have many good points, though, one of which is that no country's inhabitants preserve its popular media so prodigiously—which is why we have so many vintage books and magazines to share on Pulp Intl. in the first place. We've pondered many times why Americans hoard more than other cultures and we've finally come up with an answer: garages. Two thirds of Americans have garages. So here's to American garages. They give millions the joy of being their own museum curators.
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Vintage Pulp May 10 2020
GRAVE DECISION
Our recommendation: Take the Fifth.


We read Jonathan Latimer's The Fifth Grave in its retitled incarnation Solomon's Vineyard and talked about the book a few years ago. That edition was from Great Pan and appeared in 1961. The Popular Library version you see above came in 1950 with art by the great Rudolph Belarski. We think back to this strange and dark novel often. At the time we thought it was very good but not a classic. Years later, considering how much it sticks in the head, maybe we'd better bump it up to the top tier, and once again recommend that you read this unusual tale. After digging around we finally got ahold of a couple of other Latimers and we're really looking forward to those. Can he possibly equal The Fifth Grave/Solomon's Vineyard? We'll report back. 

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Vintage Pulp Nov 26 2017
HER CUP RUNNETH OVER
Sure, you can get a hot coffee—right in your lap if you don't get your meathooks off me


Rudolph Belarski once again shows his unique painterly skill on this cover for Mamie Brandon by Jack Sheridan. The book, which first appeared in 1949 in England, deals with Mamie Thomas, who runs a roadhouse in desolate central California. She becomes Mamie Brandon when she marries an older man for security, but quickly finds when an old flame reappears in town that money doesn't satisfy all her needs. You know the drill—attraction, infidelity, death. This Popular Library edition has two copyrights. The first date is listed as 1950 “by arrangement with the author,” but a second date specifies January, 1951. Since the book is slightly abridged, according to the editors, maybe the two copyrights make sense somehow.

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Vintage Pulp Aug 29 2017
CAREFUL WHAT YOU WISH FOR
It wasn't me! I swear! You want the goth chick in 4D!


Rudolph Belarski has some of the most recognizable artistic output of the mid-century period. This is his work on the front of the 1949 Popular Library edition of Elisabeth Sanxay Holding's The Death Wish, which first appeared in hardback in 1935. In the plot, it's actually two men wishing to be free of their marriages that starts all the trouble. The women are potential victims, though not wholly sympathetic ones. Do you wish you could read something convoluted and at times verging on the ridiculous? Congrats—this may be it. Still, it's a good book. Holding's rep as one of the top suspense writers of her period was deserved. 

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Vintage Pulp Mar 26 2017
CENTER OF ATTENTION
Who's the hottest? I'm the hottest. Who's the coolest? I'm the coolest.


David Westheimer's Day into Night is a more serious novel than its cover would lead you to believe. It was originally published in 1950 as The Magic Fallacy, and the fallacy is the one harbored by youth that everything in life is beautiful. Westheimer promptly proves otherwise by telling the tale of a sixteen-year-old boy named Pershing who is stricken when his mother leaves his father, and later absorbs another blow when his father's remarries to a twenty-year-old femme fatale. You know where this leads—the new bride homes in on Pershing's missile. Westheimer went on to publish the hit thriller Von Ryan's Express, source for the movie of the same name. The top notch cover on this Popular Library paperback is by Rudolph Belarski, from 1952. 

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Vintage Pulp Sep 11 2016
POLE POSITION
These are people who definitely pay attention to the poles.


When you look at lots of paperbacks sometimes a common thread suddenly jumps out at you that went unnoticed before. Such was the case a few weeks ago when we noticed the large number of characters on mid-century covers leaning against poles—light poles, telephone poles, sign poles, etc. We suggested someone should put together a collection, but of course we really meant us, so today you see above and below various characters deftly using these features of the urban streetscape as accessories. Art is from Benedetto Caroselli, Harry Schaare, George Gross, Rudolph Belarski, James Avati, et al. You can see a couple more examples here and here.

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Vintage Pulp Jun 3 2016
LEFT FOR DEAD
Whew. I think I finally lost him. What a moron he is. What a klutz. What a big stupid fat balding jerk.

Like they teach you in driving class, look left, then right, then left again. Or is it the other way around? Whichever direction, you want to look a lot to avoid a potential fatality. More Beautiful than Murder tells the story of a man on trial for murder whose alibi is the testimony of his girlfriend, who was with him the night of the killing. Only one problem—he doesn't have a girlfriend and has never seen the woman on the witness stand before. But it all starts to make sense after he's acquitted and sucked into even more danger, including a few more killings. The main character is a guy named Steve Blake but the book is part of a series featuring author Octavus Roy Cohen's creation Lieutenant Marty Walsh. Originally serialized in Collier's magazine and published in 1948, this Popular Library paperback appeared in ’52, and the cover art, with its amazingly garbed Jane Russellian femme fatale, was painted by Rudolph Belarski.

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Vintage Pulp Sep 26 2015
NATIVE UPRISING
In your culture girls kill after mating? Hmmph. How strange. What do you kill?

Whit Harrison’s Native Girl was first published in 1952 as Savage Love, received a name change later that year, then was reissued four years later in 1956 under the author’s real name Harry Whittington. The book is set on the island of Maui and opens, first sentence, with lead character Coles Cameron seeing his best friend’s Hawaiian wife Lani completely nude. From there it’s just matter of time before he gets himself a little jungle love—and of course only a matter of a little more time before he’s boiled in a pot and eaten. Well, not really, but things go almost that badly. Steamy stuff, if a bit overwrought.

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Vintage Pulp Sep 19 2015
THE ONLY WAY
The magazine that cried wolf.


For Men Only was launched in New York City by Canam Publishers Sales Corp., but changed ownership several times over the years, and was even acquired at one point by pulp kingpin Martin Goodman. This particular issue is from September 1956 and contains art from Rudolph Belarski, Frank Cozzarrelli, Elliot Means, Ben Thomas, Victor Olson, and Ken Crook. Actually, it’s a miracle all the art is credited. It doesn’t happen as often as it should in these magazines. The stories accompanying those art pieces range from espionage to wilderness adventure, including non-fiction from Jim Thompson about “America’s first murderer,” a man named John Billington who came to the New World on the Mayflower. After making trouble for years in Plymouth Colony, he was finally hanged for the slaying of John Newcomen. We checked, and Billington did in fact exist. His execution in September 1630 was the first of a colonist—but certainly not the last.

And another story caught our eye. It discusses an incident on the set of an Italian movie in which a wolf got loose and tried to attack actress Silvana Mangano. According to For Men Only, co-star Guido Celano rushed the wolf, grabbed it and threw it into the air, whereupon a rifle-toting crew member nailed it like he was skeet shooting. We’re calling bullshit on that one. A while back we wrote an article about guaranteed hunt farms and were able to see some rescued gray wolves up close. They’re big—about three feet high. European wolves are even bigger. No movie production would use one. Also, we don’t picture fifty-two-year-old, five foot three Guido Celano heaving a wolf into the air like a sack of laundry. No, it was just a dog—a German Shepherd, looks like. But it’s a good story, appropriate publicity for a movie—Uomini e lupi, aka Men and Wolves—that was still months from its premiere. We have about twenty scans below and an inexhaustible supply of magazines still to share.

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Vintage Pulp Aug 3 2015
DESIGNATED DRIVER
Hah hah, it always cracks me up when you ask me that, baby. No, you can’t drive my convertible.

Passion Is a Woman is a Hollywood melodrama by Kate Nickerson, née Lulla Adler, focusing on aspiring but untalented actress Linda March, who hooks up with a series of men, including a director, an optometrist, and others. She eventually steals the actor husband of a fading but still powerful starlet, and has to contend with the spurned woman’s wrath. The art is from Rudolph Belarski, and the flipside of the book, posed by two models, is rather interesting too.

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Next Page
History Rewind
The headlines that mattered yesteryear.
July 26
1945—Churchill Given the Sack
In spite of admiring Winston Churchill as a great wartime leader, Britons elect Clement Attlee the nation's new prime minister in a sweeping victory for the Labour Party over the Conservatives.
1952—Evita Peron Dies
Eva Duarte de Peron, aka Evita, wife of the president of the Argentine Republic, dies from cancer at age 33. Evita had brought the working classes into a position of political power never witnessed before, but was hated by the nation's powerful military class. She is lain to rest in Milan, Italy in a secret grave under a nun's name, but is eventually returned to Argentina for reburial beside her husband in 1974.
July 25
1943—Mussolini Calls It Quits
Italian dictator Benito Mussolini steps down as head of the armed forces and the government. It soon becomes clear that Il Duce did not relinquish power voluntarily, but was forced to resign after former Fascist colleagues turned against him. He is later installed by Germany as leader of the Italian Social Republic in the north of the country, but is killed by partisans in 1945.
July 24
1915—Ship Capsizes on Lake Michigan
During an outing arranged by Western Electric Co. for its employees and their families, the passenger ship Eastland capsizes in Lake Michigan due to unequal weight distribution. 844 people die, including all the members of 22 different families.
1980—Peter Sellers Dies
British movie star Peter Sellers, whose roles in Dr. Strangelove, Being There and the Pink Panther films established him as the greatest comedic actor of his generation, dies of a heart attack at age fifty-four.
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