I'm the only princess that matters in this galaxy. Any objections?
When you think of Princess Leia you rightly imagine a long time ago in galaxy far, far away, but much closer to home and not very long ago there was also Princesa Lea. She was born in Canada as Susan Linda Fair, but rose to fame in Mexico as a vedette, dancer, and actress. Carrie Fisher's Leia was first, but oh how different and amazing Star Wars would have been with Princesa Lea. As a consolation prize she appeared in such films as Muñecas de medianoche, aka Midnight Dolls and Chile picante, aka Spicy Chile. Her movies didn't quite bring her international fame and adoration, but she's beloved in Mexico. And on on Pulp Intl.
Your Honor, I swear I didn't kill them. My wife and her lover were on fire well before I walked into the bedroom.
If you rub two sticks together fast enough you can make fire, so why not two people? But the lovers referred to on this cover of Midnight from August 1964 didn't burst into flames from the sheer intensity of their fucking (though we love that image). They were allegedly doused with gasoline and set ablaze by a Colorado man named Ricardo Anlando, who wasn't a husband, as we suggested in our subhead, but a spurned admirer. He incinerated his unrequited love because she married another man, which goes to show that hell hath no fury like an incel scorned. They say revenge is a dish best served cold, but if there's an opportunity to serve it as flambé, some will take it. There's another fire themed story in this issue about a mother who stuffed her newborn into a furnace. No need to fret, though. The building janitor saved the kid and the mom went to prison. So you get a happy ending to counterbalance the sad one. We bet neither story is true, though. Just a hunch.
Political situation in U.S. critical after radical surgery to transplant corrupt old politics onto fresh new voters.
We wrote a polemical subhead. Heh, sub-head, see what we did there? Because it's a substitute head and— Anyway, this cover of Midnight published today in 1967 touts a medical miracle, but of course in reality it was beyond the capabilities of science then and remains so today. But one day. And when extra-long lifespans arrive, horrible old ideas will be near impossible to change because the same geezers will be in charge for hundreds of years. You think seventy-something is old too old to be president? Just wait. On another note, you may have noticed we haven't posted many tabloids lately. Our scanner has developed the habit of placing a bright blue line on our scans, and during the quarantine the electronics store was closed. We'll wander over that way pretty soon and get to scannin' again. In the meantime, we have 399 tabloid posts in the website, and if you're inclined you can access them here.
Star light, star bright, first star that really, really wants it tonight.
German actress and glamour model Christiane Schmidtmer claims on the cover of this Midnight published today in 1965 that she'll do anything to be a star. Back then, that was music to unscrupulous producers' ears. Today, producers that cross the professional line would run a serious risk of going to jail. Did Schmidtmer ever actually say this? There's no way to know for sure, but with Midnight you can reasonably suspect that its quotes are fabricated to thrill its preponderantly male readership. As we've mentioned numerous times before, this was its m.o.—the provocative cover quote paired with a slinky handout photo, and an interior article bought cheap off a freelance writer who had managed to carve out ten minutes with an actress during a film junket.
So how did Schmidtmer's career go? The quote requires we ask. Well, she appeared in about a dozen motion pictures and about the same number of parts on television, and she played, among other roles, a passenger in 1963's Stop Train 349, a flight attendant in 1965's Boeing, Boeing, a passenger (named Lizzi Spoekenkieker) in 1965's Ship of Fools, and another passenger in Airport ’75—which weirdly came out in 1974. Unlike in astronomy, in cinema you sometimes have to define the term star for yourself, and we judge that she didn't quite make it, though it's an accomplishment of sorts to play roles in or on all the major forms of commercial conveyance—trains, planes and boats. But even if she never attained real stardom, she dazzles below, and we'll probably see her again a little later because: Lizzi Spoekenkieker. How can we resist?
Midnight cover star urges women to bust out.
None of Midnight magazine's quotes were real, we're pretty sure. On this cover from today in 1966 Janet Dane says ban the bra, joining feminists of her day who advocated ditching such restraints. But who's Janet Dane? Well, we had a heck of a time finding out, because there's a famous psychic of the same name, but it turns out she was a glamour model who appeared in Fling, Rogue, Tab and other such publications mostly in 1959 and 1960. This Midnight cover would postdate by years any other images of her we saw, but the editors had no qualms about using old material, so we suspect this shot, while published in ’66, is actually a handout dating from around 1960. Below we have a nice color image of her, a rarity we found years ago, and as you can see she's banned her bra. Thanks to these two shots, the hard-to-find Dane's internet presence has been greatly augmented. If you're out there, Janet, you're welcome. On the other hand, if you wanted your glamour days to be forgotten, we're terribly sorry.
Vickers tells Midnight readers what's what.
This cover of Midnight dated today in 1965 features Laura Vickers, who is touted as an actress, but who had no credited film roles. In fact, for a while we thought she was a made up person, but that wasn't Midnight's style. The magazine had enough cred to get legit celebrities for its covers. So we kept checking and it turns out Vickers was an obscure glamour model who appeared in super low rent magazines like Flirt 'n Skirt and Black Nylons. Midnight was probably the closest she ever came to mainstream recognition—which is to say, not very close. So what's the score? As usual with this tabloid it's about sex. A man who knows the score knows what women want. But we don't need Midnight to know what that is. The Pulp Intl. girlfriends keep us well informed what women want: it all.
Sophia Loren applies personal experience to her ideas about marriage.
Above is a cover of Midnight with a nice photo of Italian superstar Sophia Loren, and a header suggesting trial marriages for couples over twenty-one. Did she say it? Quite possibly. Her marriage to film producer Carlo Ponti was an international scandal thanks to popes and others sticking their noses into her private business. But back then they thought it was their right—actually, their holy duty—because divorce wasn't legal in Italy and Ponti was still married. He and his wife had split and had nothing to do with each other, but the Catholic church assured Loren she'd go to hell if she married Ponti. Well, she did it anyway by proxy in 1957 and officially in 1966. So in August 1970, when this issue of Midnight appeared, we think it quite likely that she had some well formed ideas about marriage. In any case, nice cover.
Rumors of her demise were greatly exaggerated.
We've featured the Canadian tabloid Midnight numerous times. This one appeared on newsstands today in 1968. On the cover readers get a headline referring to Robert F. Kennedy, who had been assassinated the previous month. His name is accompanied by a prediction that his killer, Jordanian nationalist Sirhan Sirhan, would in turn be assassinated. It wasn't an outrageous prediction—during the late 1960s newsworthy figures were being dropped like three foot putts. Sirhan was never murdered, though, and he's still around today, languishing at Richard J. Donovan Correctional Facility in San Diego County, California.
Sirhan is an interesting character, but it's the story on Susan Denberg we're interested in today. Denberg, née Dietlinde Zechner, is a German born beauty who became a Playboy Playmate of the Year and screen actress, was a desired Hollywood party girl who, acording to sources, had relationships with Hugh Hefner and Jim Brown. She was generally regarded as one of the major sex symbols of her time, but she also became a drug addict. After making the 1968 film Frankenstein Created Woman Denberg returned to Europe and shunned the movie business. In fact, she kept such a low profile that for years sources incorrectly reported that she had died.
Midnight journo John Wilson claims to have visited Denberg in a Vienna mental hospital near the beginning of her self-imposed exile, and his article is basically a recounting of his chat with her. He describes her depressing surroundings and portrays her as a sort of broken bird, quoting her as saying, “I was a real party girl, going out every night, dating one man after another, running around doing wild things like getting drunk and dancing nude at parties. And then someone got me started on LSD and it made everything seem so clear. It was wonderful. Only I couldn't keep away from it, and after a while that was all I was doing, staying in my room and dropping LSD.”
In 1971 Denberg had a child, and by 1972 was making her living on the nudie bar circuit, working as a topless server at the adult cinema Rondell in Vienna, and later dancing fully nude at another Vienna nightspot called Renz. She also worked elsewhere in Europe, including Geneva, where in 1974 she tried to commit suicide by swallowing a reported 200 sleeping pills, an amount that surely would have been fatal had she not been quickly found and sped to a hospital. In 1976 she became a mother again and retired from nude dancing. Today she lives quietly in Vienna.
Denberg's story is filled with twists and turns, and yet it isn't unique in a place like Hollywood. As she makes clear, once enough power brokers, modeling agents, and studio types tell a woman she's special she's probably going to believe them, but once she believes them it's hard for her to keep her head on straight. She sums up her journey to Midnight, “They told me I was beautiful enough to go all the way to the top. They told me about all the fun up there, the kicks. They never told me about the booze and the drugs, the long slide down.”
In other news child leave bill passes Congress with broad bi-partisan support.
The saying goes that if guys had to have children humans would go extinct, but what would really happen is we men would immediately confer upon ourselves every possible birth related advantage. We're talking sixteen weeks paternity leave, laws that hold our jobs for us while we're away, Planned Parenthood clinics everywhere like Taco Bells, completely unfettered access to birth control, Father's Day a three-day weekend holiday in the summer, the whole nine. And childbirth would become macho: “Dude, when I gave birth I was like, fuck the epidural. I wanna feel this shit. Seriously, what kind of girly-man uses anesthesia? I had a friend, he did it without painkillers, he said when the contractions got bad he bit down on a bullet. Me, I had my buddies there and they were all screaming, "Crown motherfucker! Crown motherfucker!” I was like, "Yo Doc, am I delivering a baby or a basketball?" But when it really started to hurt I just headlocked the neonatologist and choked him out.
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