It's a tough job but some tabloid has to do it.
Above is the cover of a March 1953 issue of Sir! magazine, and in an example of the ephemeral nature of such items, shortly after we scanned this we spilled a glass of red wine on it. So behold! It's even more rare than it was when we bought it. Above the slash you see boxer Kid Gavilan, he of the famed bolo punch, and on the right is model Joanne Arnold, who we've featured before here, here, and here. She doesn't appear inside. But what you do get is a jaunt through such exotic locales as Melanesia, Tahiti, and Lisbon in search of knowledge and thrills.
We were drawn to the Lisbon story, which the magazine describes as a capital of sin. To us the word “sin” means late nights, good intoxicants, fun women, and excellent entertainment. To Sir! it means being cheated, robbed, framed, and arrested. To-may-to to-mah-to, we guess. We've spent some time in Lisbon and we love it. We don't know what it was like in 1953, but Europe was still coming out of World War II, which means many countries—even non-combatants like Portugal—were wracked by poverty. So we wouldn't be surprised if thieves were out in droves.
Elsewhere inside Sir! you get art from Jon Laurell and Joseph Szokoli, photos of model Jean Williams and Tahitian beauty queen Malie Haulani, a story on the danger of nuclear weapons, anthropological snobbery in exposés about New Caledonia and the Kogi people of Colombia, and fanciful theories about Russian scientists working to keep Josef Stalin alive for 150 years—which didn't work, because he died a mere five days after this issue of Sir! hit the newsstands. Clearly, the magazine is cursed. It certainly cursed our wine glass. We have thirty-five scans below for your enjoyment and other issues of Sir! here and here.
Nobody is who they seem in this crime collection.
Above are some covers from French publishers Éditions Baudelaire, specifically four entries from its collection Le Chat Noir, or Black Cat, written by various authors, and with cover art by Jacques Thibésart, who signed his work as Nik. The authors were pseudonyms too—or at least, Georges Méra and César Valentino were, which makes us pretty sure the others were, as well. Sharp eyed readers will notice that Thibésart was inspired by Hollywood's film noir wave. The first cover is definitely Dick Powell, and the male on the third cover has to be Alan Ladd from This Gun for Hire. Right? Or is that just us? Thibésart seems to have switched out Ladd's co-star Veronica Lake, though, because the female figure doesn't look anything like her. Oh, it's all such a riddle with these pen names and borrowed faces. In any case, nice art. These were all published in 1959.
Humphrey is pitch perfect as always but it's Edward who makes this movie sing.
Above, one of many promo posters for the classic drama Key Largo. This movie, as you doubtless know, is great. It hinges on Edward G. Robinson's bravura performance as a washed up gangster trying to make a comeback, but he gets ample onscreen help from co-stars Humphrey Bogart, Lauren Bacall, Lionel Barrymore, Thomas Gomez, Claire Trevor, Dan Seymour, and others. And John Huston in the director's chair is no slouch bringing the foreground drama and hurricane background to life. Key Largo is often called a film noir. Is it though? Hmm... Bogart certainly fits the bill in terms of characterization, but since the movie lacks most other noir elements we're inclined to call it a straight crime drama. But that's just our opinion. It was first seen by the public at a Hollywood preview in mid-July 1948, and went into full national release today.
Hitchcock says no festival for you this year!
The 73rd edition of the Festival de Cannes, aka the Cannes Film Festival, would have kicked off today in the south of France, but was cancelled a while back. It's just one of a wave of event cancellations that will cascade through the year. Festivals as diverse as Burning Man and San Fermin, aka the Running of the Bulls, have also been shelved. But getting back to Cannes, we thought this would be a good moment to commemorate past fests with some historical photos. Above you see Alfred Hitchcock on a boat with the town in the background, in 1972, and below are about fifty pix from the 1940s through 1970s, documenting various iconic moments, and a few quieter ones. Maybe the Cannes Film Festival will back next year, maybe not. At this point, predicting anything is an exercise in futility. But at least we'll always have the memories.
Edith Piaf sings on the terrace of the Carlton Hotel on the iconic Boulevard de la Croisette at the first Festival de Cannes to be held under that name, in 1946. Back then the event took place in September and October, but would shift to May a bit later. Diana Dors and Ginger Rogers arrive at the fest the only way anyone should—breezing along the beachfront in a convertible, in 1956, with an unknown driver. Kirk Douglas holds court on the beach in 1953, and Brigitte Bardot soaks up rays in the foreground. Michele Morgan poses at the first Festival in 1946. Photo ops of this sort were essential sources of publicity for stars, and would soon become opportunities for non-stars seeking to be discovered. Case in point. Robert Mitchum poses with actress Simone Sylva in 1954. Sylva was allegedly not supposed to be there, but shucked her top and photo-bombed Douglas in an attempt to raise her profile. It didn't work. She made only a couple of credited movie appearances after her topless stunt. Romy Schneider and Alain Delon at the 1959 fest. An unidentified model or actress poses in the style of Anita Ekberg from La dolce vita in 1960. This looks like it was shot at Plage du Midi, which is a beach located a little ways west of the Cannes town center.
A unidentified partygoer is tossed into a swimming pool after La Dolce Vita won the the 1960 Palme d’Or. The Festival is almost as well known for legendary parties as for legendary film premieres. Another unidentified model or actress poses on the boardwalk in 1979. Generally, you don't have to be known to draw a crowd of photographers—you just have to be nearly bare. She's wearing lingerie, so that explains the interest, though this is modest garb for a Cannes publicity stunt. It's never a surprise to see a headline-seeking film hopeful strip all the way down to a string ficelle féminin, or thong, which is the limit of what is legal in Cannes Sidney Poitier and Jean Seberg have a laugh in 1961. This was the year Poitier's flick Paris Blues was released, so it's possible he had jetted down from the capital for the Festival. Philomène Toulouse relaxes on the sand in 1962 while a boy practices the classic French look of disgust he'll be using the rest of his life.
Actor Bernard Blier, 1975.
An unidentified bikini wearer boldly enjoys a lunch in a café on the Croisette, 1958.
Natalie Wood aboard a sailboat in 1962. Grace Kelly, 1955. Kelly times two—Grace Kelly and Gene Kelly, hanging out, also in 1955. Sammy Davis, Jr. poses in front of a billboard promoting his film A Man Called Adam, 1966.
Joan Scott gets sand between her toes in 1955. Scott is obscure. She isn't even the most famous Joan Scott anymore. The IMDB entry for the only Joan Scott near the appropriate age is for an actress born in 1920 who didn't begin acting until 1967. The Joan Scott above doesn't look thirty-five, though, and we doubt she would have been the subject of this somewhat well-known photo without parlaying it into a film appearance before twelve years had passed. So we don't think this is the Joan Scott referenced on IMDB.
Sharon Tate, with Roman Polanski, and solo, 1968. Marlene Dietrich brings glamour to a tiki themed bar in 1958. Tippi Hedren and Alfred Hitchcock release caged birds as a promo stunt for The Birds in 1963. Sophia Loren sits with husband Carlo Ponti, who was a member of the 1966 Festival jury. Raquel Welch poses on a motorcycle in 1966. Jane Birkin takes aim with one of her cameras in 1975.
Dorothy Dandridge frolics in 1955, when she was promoting her film Carmen Jones. Cinematic icon Catherine Deneuve and her sister Françoise Dorléac in 1965. Dorléac died in an automobile accident a couple of years later.
Robert Redford lounges on the beach in 1972. Based on his outfit you'd think he was in Cannes to promote The Sting, but he was actually there for his western Jeremiah Johnson, which screened May 7 of that year. Sophia Loren waves to well-wishers in 1964. Bogie and Bacall paired up and looking distinguished in 1957. John and Cynthia Lennon in 1965, and John with Yoko Ono in 1971. Every story John told on that second trip probably started with, “When I was here with the first love of my life...” until Yoko smacked him across the mouth. Rock Hudson and bicycle in 1966. Unidentified actresses pose on the beach in 1947. To the rear is the Hotel Carlton, mentioned in the Edith Piaf image, built on the Croisette and finished in 1910. George Baker, Bella Darvi (right—your right, not his), and an unknown acquaintance have a surfside run/photo op in 1956. Jayne Mansfield and Russian actress Tatiana Samoïlova enjoy a toast in 1958. Mansfield probably shared the story of how she once made Sophia Loren stare at her boobs, and Samoïlova said, “Cheers to you—well played, you provocative American minx.” French actor Fernandel, whose real name was Fernand Contandin, on his boat Atomic in 1956. Arlette Patrick figures out a different way to generate publicity—by walking her sheep on the Croisette in 1955. A pair of water skiers show perfect form in 1955, as a battleship floats in the background. Jeanne Moreau, for reasons that are unclear, poses on a banquet table in 1958. Most sources descibe this in such a way as to make it seem spontaneous, but we have our doubts. It's a great shot, though. Two unidentified women take in the scene from the terrace of the Hotel Carlton, 1958. This shot is usually said to portray two tourists, but the woman on the left is the same person as in the bikini lunch shot from earlier, which tells us she's a model or actress, and both photos are staged. Like we said, publicity is everything in Cannes.
Danielle Darrieux and Sophia Loren at the 11th Cannes Film Festival, 1958. Italian actress Monica Vitti chills on a boat in 1968. Aspiring stars catch some rays on the Croisette beach in 1955. The two large posters behind them are for The Country Girl with Grace Kelly, and Jules Dassin's Du rififi chez les hommes, both below. The renowned opera singer Maria Callas, 1960.
Bogart finds himself stuck on Key Largo when hurricane Edward blows into town.
Above is a West German poster for Hafen des Lasters, which translates as “port of vice,” but is better known as Key Largo. We love this piece of art. It's imitative of earlier posters, particularly a Belgian promo from 1949. But that one is by Wik. This one is signed by a different artist, but illegibly, so we can't tell you who painted it. We'll work on that. We've uploaded the signature in case you have an idea what this scrawl says. This is simply a great film, a crime drama set in a hurricane. Many books using the same idea were written later, such as Theodore Pratt's Tropical Disturbance and Russell Trainer's No Way Back. Whether they were inspired by Key Largo or earlier works like W. Somerset Maugham's Rain we can't say, but any writer will tell you never let a good gimmick go to waste. In any case, Key Largo premiered in the U.S. in 1948 and reached West Germany today in 1950.
Bogart and Bacall mix love and career.
Above, two Luigi Martinati posters for Il grande sonno, aka The Big Sleep, with stars and spouses Humphrey Bogart and Lauren Bacall. These posters are more colorful than the U.S. versions because Warner Brothers had cut back on printing costs due to World War II. But when the film came out in Italy today in 1947 a full palette of color had returned to the mix. See a small collection Martinati's great work here.
Think you can wear an outfit like this? Not a chance.
Above, a beautiful shot of a checkered suit wearing Lauren Bacall made when she was filming To Have and Have Not, which according to legend came about when Howard Hawks told Ernest Hemingway he could make a movie out of Papa's worst book. Worst is relative when you're talking about the most revolutionary author of his era. But yes, as apples to oranges go, in some ways the movie surpasses the book. It's one of our favorite vintage films. 1944 on this image.
If you're not careful you could spend eternity in there.
Two limpid pools? Windows to the soul? Any and all descriptions apply to this photo of U.S. actress Arlene Dahl. It was made during a 1954 make-up test when she was preparing to co-star in Woman's World with June Allyson and Lauren Bacall. We have another interesting image of her on a Technicolor lithograph. Look here.
They say you can't have everything but To Have and Have Not comes close.
This one has been a long time coming to Pulp Intl. To Have and Have Not. We love this flick. We never bothered to highlight it because it's so familiar to so many, but with the Pulp Intl. girlfriends out of town (did we mention that yet?) we decided to revisit a few movies we've seen often. First off, we get it, Hemingway fans. The film mutilated his 1937 novel. But what a shock—Warner Brothers was not going to make a Marxist themed movie in 1944. Hemingway may have, we like to imagine, wanted to keep the book out of Hollywood's hands for that very reason. But when Warners came across with a fat offer he was like, “Well, sure, okay, I suppose that amount of money will take the sting out of you whitewashing my Marxist opus.” You, see everyone has a price.
Howard Hawks directed, and Jules Furthman and William Faulkner wrote a screenplay that changed the location of the novel, its time period, its subtext, and its characters. Basically, Warners wanted a follow-up to Casablanca, and that's exactly what they got, though To Have and Have Not differs from Casablanca by being light-hearted in general, and wickedly comical in parts. But there are also thrills aplenty. The basic idea is Humphrey Bogart plays a diffident charter boat captain in French Martinique who finds himself drawn into World War II thanks to an idealistic anti-Vichy cabal that plans to rescue a French patriot imprisoned on Devil's Island.
Everything and everybody in the film is great. Lauren Bacall, in her debut, brings just the right tone to her character Marie Browning, Walter Brennan puts on a physical acting clinic as Bogart's alcoholic sidekick, and as the Vichy administrator of Martinique, Dan Seymour channels Major Strasser from Casablanca, adding a touch of torpor meant to disguise his snake-deadly nature. The film also adds great music performances in the down and dirty Bar du Zombie and the café of Hotel Marquis, with Hoagie Carmichael taking on the Sam role from Casablanca. To Have and Have Not is so iconic it has been studied in university courses and written of in modern treatises about race. The latter is a lot to pile onto this lightweight adventure. Set in the Caribbean, it tries to at least portray a high level of racial inclusiveness, though not perfectly.
There's one more reason to watch the movie. We've seen it so much we've developed a drinking game from it. We've developed lots of drinking games from movies, but don't generally play them when the Pulp Intl. girlfriends are around (did we mention they're out of town?). Take a shot every time someone throws something in the water. That's it. Bottles, matches, whatever. If you're really brave, take a shot every time someone litters, whether at sea, on land, or indoors. It's interesting to observe littering behavior from an era when the environment was thought to be boundless and impossible to ruin. As members of a generation trained to get our garbage in a receptacle at all costs, the polluting here is really funny to see. 10 out of 10 for this movie. Watch it. Love it. Watch it again. It premiered in the U.S. today in 1944.
Woman, 20, seeks man any age. Must be open minded. Sex guaranteed. No commitment. Emotional masochist preferred.
Above is a West German poster for the French sexploitation flick Laura, originally titled Laure, starring the sexiest elf in cinema history, Annie Belle, in the tale of a minister's libertine daughter trekking around the Philippines, getting laid with whomever while her boyfriend-later-husband watches and sometimes films. We talked about this one in detail a while back but wanted to share this nice poster. Notice Emmanuelle Arsan is credited as the director? What happened was the actual director Louis-Jacques Rollet-Andriane quit and refused to allow his name to be attached to the film because he didn't get to delve more deeply into his philosophy of freedom and swinging. Which is funny because the movie is almost entirely about freedom and swinging. But give a Frenchman six inches and he'll demand a mile. Read more here. Laura premiered in West Germany today in 1976. |
The headlines that mattered yesteryear.
1986—Otto Preminger Dies
Austro–Hungarian film director Otto Preminger, who directed such eternal classics as Laura, Anatomy of a Murder
, Carmen Jones
, The Man with the Golden Arm
, and Stalag 17
, and for his efforts earned a star on Hollywood's Walk of Fame, dies in New York City, aged 80, from cancer and Alzheimer's disease.
1998—James Earl Ray Dies
The convicted assassin of American civil rights leader Martin Luther King, Jr., petty criminal James Earl Ray, dies in prison of hepatitis aged 70, protesting his innocence as he had for decades. Members of the King family who supported Ray's fight to clear his name believed the U.S. Government had been involved in Dr. King's killing, but with Ray's death such questions became moot.
1912—Pravda Is Founded
The newspaper Pravda, or Truth, known as the voice of the Communist Party of the Soviet Union, begins publication in Saint Petersburg. It is one of the country's leading newspapers until 1991, when it is closed down by decree of then-President Boris Yeltsin. A number of other Pravdas appear afterward, including an internet site and a tabloid.
1983—Hitler's Diaries Found
The German magazine Der Stern claims that Adolf Hitler's diaries had been found in wreckage in East Germany. The magazine had paid 10 million German marks for the sixty small books, plus a volume about Rudolf Hess's flight to the United Kingdom, covering the period from 1932 to 1945. But the diaries are subsequently revealed to be fakes written by Konrad Kujau, a notorious Stuttgart forger. Both he and Stern journalist Gerd Heidemann go to trial in 1985 and are each sentenced to 42 months in prison.
1918—The Red Baron Is Shot Down
German WWI fighter ace Manfred von Richthofen, better known as The Red Baron, sustains a fatal wound while flying over Vaux sur Somme in France. Von Richthofen, shot through the heart, manages a hasty emergency landing before dying in the cockpit of his plane. His last word, according to one witness, is "Kaputt." The Red Baron was the most successful flying ace during the war, having shot down at least 80 enemy airplanes.
1964—Satellite Spreads Radioactivity
An American-made Transit satellite, which had been designed to track submarines, fails to reach orbit after launch and disperses its highly radioactive two pound plutonium power source over a wide area as it breaks up re-entering the atmosphere.
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