Mortal man finds himself at the whims of a goddess in 1954's Pushover.
We love this bold yellow poster for Du plomb pour l'inspecteur, which was originally made in the U.S. and known as Pushover. Most important item to note here is that this is Kim Novak's first credited role, when she was aged twenty-one and looked freshly delivered to Earth on a sunbeam. Fred MacMurray plays a cop assigned to get close to her in order to snare her gangster boyfriend. MacMurray is only mortal, unlike Novak, so he immediately falls in love with her and begins seeing her outside his official duties. Not long after that he's plotting to steal her man's cache of $210,000 in bank loot. That would be about two million dollars in today's money, which is no insignificant amount. Any man would compromise his principles for that, but he'd do so even more readily for a chance to nuzzle Novak. There are a lot of old movies out there that hinge on lust as a motivating factor, but in this one it really makes sense. Performance-wise Novak can't act well yet, but like MacMurray, you'll overlook her flaws. After opening in the U.S. in 1954 Pushover premiered in France today in 1955.
We'd to hate to find out what the other thirty-five are like.
Private Hell 36. It doesn't mean anything, but what a great title. And it comes with two great promo posters. These are probably in the first two chambers of hell to lure you in. Made in 1954, this film noir co-stars and was co-written by Ida Lupino, who plays a woman who is convinced to help the police on a stakeout for a counterfeiter. She'd been passed a fake fifty but the police can't identify the crook unless she sees him and fingers him. As the days pass cop Steven Cochran takes a liking to her, and she to him. Star-crossed love in the noirish night. Lupino wants the finer things in life. Cochran wants to give them to her. When counterfeit bills start blowing on the wind, Cochran and his partner split over stealing the cash. You know where this goes—nowhere good.
Cochran is really good in this. As his decisions hurt those around him and his circumstances constrict his possibilities in the worst way, the performance he gives generates tension and empathy. Lupino does her usual great job, and the support from Dorothy Malone and Howard Duff is perfect, so in the end what you have is a solid film noir tinged with affecting interpersonal drama and working class pathos. In real life we don't feel the least bit bad for dirty cops, but that's the beauty of art—it puts you in other people's shoes and for an hour or two you understand. Private Hell 36 is short and to the point. It asks: If $80,000 landed in your lap would you keep it? In film noir, you better not.
Hold on to your hat. This is going to be a helluva ride.
Dorothy Malone and cars go nicely together. We learned this by watching her 1955 b-thriller The Fast and the Furious, in which she's the proud owner of a Jaguar Roadster. Above you see her in another amazing machine, a 1955 Chevrolet Bel-Air convertible. At least that's what we think it is. It doesn't mater, though. Any car with Malone inside is a luxury vehicle.
They say the truth sets you free, but a Jaguar roadster helps quite a bit too.
A great title cannot go unborrowed forever. The Fast and the Furious would be a good name for a film noir, a war movie, or even a romantic melodrama (young and restless, anyone?). So it was a good fit for the action franchise starring Vin Diesel. But it was first used for a little crime drama released today in 1955 starring John Ireland and Dorothy Malone. In the film, Ireland, who's been framed for murder, breaks out of jail, takes Malone hostage in her convertible Jaguar XK 120 roadster, and enters a cross-border road race hoping to get into Mexico. That's a killer concept for an action movie, but this is American International Pictures, which means it's done low budget, with lots of projection efx and stock footage in the action scenes, and minimal work on the script. But while the movie isn't great, it's certainly suitable as a Saturday night popcorn muncher. Invite witty friends, enjoy the cars, laugh at the repartee, and marvel over Dorothy Malone.
Clothes encounters of the Hollywood kind.
We've been gathering rare wardrobe and hairdresser test shots from the golden era of Hollywood, and today seems like a good day to share some of what we've found. It was standard procedure for all the main performers in a movie to pose for such photos, but the negatives that survive tend to belong to the most popular stars, such as Cary Grant, who you see at right. You'll see Marilyn Monroe more than amply represented below. What can we do? She's possibly the most photographed Hollywood figure ever, and she was beautiful in every exposure. But we've also found shots of a few lesser known stars, such as Giorgia Moll and France Nuyen.
Some of the shots are worth special note. You'll see Doris Day as a mermaid for The Glass Bottom Boat, Liz Taylor as a kid for National Velvet and an adult for Cat On a Hot Tin Roof, Farrah Fawcett in lingerie, Sheree North in both front and rear poses, and Yul Brynner looking like an actual man by sporting a body that had to that point seemingly known neither razor nor wax (he ditched the fur for his actual onscreen appearances). Usually the photos feature a chalkboard or card with pertinent information about the production and star, but not always, as in the case of Brynner's photo, and in Audrey Hepburn's and Joan Collins' cases as well. If the names of the subjects don't appear on the chalkboards you can refer to the keywords at bottom, which are listed in order. We may put together another group of these wardrobe shots later.
They’re only being nice because they want to know where he bought his paisley sarong.
Above is the cover of an issue of V published today in 1947. Inside are various celeb and cinema features, a photo-comic written by the famed Maurice Dekobra, a back cover by Jean David, and plenty of photography, including the feature “Don Juan les pins,” or Don Juan of the Pines, whatever the hell that means. Also a bit of a mystery is the baffled looking cover star surrounded by six swooning women and a dog. He’s damnably familiar but we can’t quite place him, and since this is V we’re talking about, the editors have predictably failed to identify him. He’s a Columbia Pictures player, according to the caption, but that’s all we got. Anyone recognize him? Drop us a line. Thanks.
Update: So we have the answer from Nick, who informs us this is Arthur Lake, who played Dagwood in the U.S. television series Blondie, based on the famous comic strip. Thanks a million for that info. This also seems like a good time to thank not just Nick, but all Pulp Intl. readers. Your support and knowledge is essential to making this site work and we always appreciate it.
Update 2: Now it all becomes clear. A reader informs us that "Don Juan les pins" is a play on words. Juan-les-pins is a popular vacation spot in France, located on the Côte d'Azur between Nice and Cannes.
Even cowgirls get the blues you say? Hmmph. Never happened to me.
Whenever a very old actor dies you inevitably read that he or she had been one of the last surviving remnants of Hollywood’s golden age. In reality, there are many actors and actresses still living from that period and above you see a good example in Dorothy Malone, who began her cinema career in 1943 and appeared in films such as Artists and Models, 1955’s The Fast and The Furious, and of course The Big Sleep, in which she played the world’s hottest bookstore clerk. Not sure of the year on the cowgirl shot, but we think 1947 is a very good guess.
The headlines that mattered yesteryear.
1933—Prohibition Ends in United States
Utah becomes the 36th U.S. state to ratify the 21st Amendment to the United States Constitution, thus establishing the required 75% of states needed to overturn the 18th Amendment which had made the sale of alcohol illegal. But the criminal gangs that had gained power during Prohibition are now firmly established, and maintain an influence that continues unabated for decades.
1945—Flight 19 Vanishes without a Trace
During an overwater navigation training flight from Fort Lauderdale, five U.S. Navy TBM Avenger torpedo-bombers lose radio contact with their base and vanish. The disappearance takes place in what is popularly known as the Bermuda Triangle.
1918—Wilson Goes to Europe
U.S. President Woodrow Wilson sails to Europe for the World War I peace talks in Versailles, France, becoming the first U.S. president to travel to Europe while in office.
1921—Arbuckle Manslaughter Trial Ends
In the U.S., a manslaughter trial against actor/director Roscoe 'Fatty' Arbuckle ends with the jury deadlocked as to whether he had killed aspiring actress Virginia Rappe during rape and sodomy. Arbuckle was finally cleared of all wrongdoing after two more trials, but the scandal ruined his career and personal life.
1964—Mass Student Arrests in U.S.
In California, Police arrest over 800 students at the University of California, Berkeley, following their takeover and sit-in at the administration building in protest at the UC Regents' decision to forbid protests on university property.
1968—U.S. Unemployment Hits Low
Unemployment figures are released revealing that the U.S. unemployment rate has fallen to 3.3 percent, the lowest rate for almost fifteen years. Going forward all the way to the current day, the figure never reaches this low level again.
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