Vintage Pulp Feb 23 2021
LAY OUT MY LANSING
Horwitz Publications puts a Hollywood starlet to bed.


Above is a cover from Australian imprint Horwitz Publications for Marc Brody's thriller Lay Out My Lady, published in 1956. We've long featured Horwitz covers because they used photo-illustrations of famous or soon-to-be-famous actresses. This time the company chose U.S. actress and beneficiary of lucky genes Joi Lansing, clad in the sort of extravagant bedtime wear that was popular during the era, and whose time-defying beauty we've marveled over here and here. And here too. The face in the background is also an altered photo, though not of Lansing. We can't identify her. If you have any ideas feel free to inform us.

Moving on to Marc Brody, he was both the author and star of these yarns, and claimed to be an intrepid crime reporter. That would be fascinating if it were true, but it wasn't. He was actually author William H. Williams, aka Bill Williams, and he wrote novels while sitting in a shed in his garden, which is about as far from the mean streets as anyone can get. But you have to give him credit—he churned out something like eighty of these books. We'll be revisiting him later. In the meantime you can see a bit more from him—including photo-illustrations of another beautiful actress—at this link.
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Vintage Pulp Jan 27 2020
MARC IMPROVEMENT
American star adds pizzazz to a pair of Aussie thrillers.


Today we have two more paperbacks from Australia's Horwitz Publications, a company that, as we've documented often, opportunistically used numerous Hollywood celebs on its covers. This time it's Jan Sterling, who appears on 1955's Blueprints for Murder and 1956's The Bride Wore Black, both written by the prolific Marc Brody. Sterling was never a top tier actress but she was in a lot of good movies and earned an Oscar nomination for The High and the Mighty. She also posed for some stunning photos, including the two at this link. These book scans float around online, which means we don't know where they originate, but if we had to guess we'd say Flickr, so thanks to the first uploader.

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Vintage Pulp Dec 24 2019
LAFFIN MATTERS
Lee provides the style, Laffin provides the substance.


We're back to Horwitz Publications and its appropriation of Hollywood stars for its covers. If you haven't seen those they're all worth a look because of their usage of rare images. On the above cover from 1957's Hired To Kill, the face belongs to Belinda Lee, and as always the taste of Horwitz editors is impeccable. But Lee wasn't long for this world. She was just establishing herself as one of Britain's best exports when she became a road casualty during an ill-fated 1961 drive from Los Angeles to Las Vegas.

Moving on to John Laffin, he was one of those authors whose brand was being a real-life adventurer. He was supposedly an ex-commando who was an expert with rifles, martial arts, and throwing knives, and who also spoke five languages. He'd visited thirty-two countries at the time of publication of this novel and was busy adding to the number, according to the rear cover text. And apparently he had been published in fourteen countries and five languages, which makes it a bit embarrassing we'd never heard of him.

We checked out his bibliography and sure enough, the guy wrote a pile of books. Many of them were war biographies and political analyses. He mainly focused on the British experience in World War I, but wrote everything from adventure fiction to an “expert”—i.e white guy's—analysis of the Arab mind. He sounds like an interesting fella, so we may look what's out there that we can acquire for a reasonable price and see what his fiction is like. If we do we'll report back.

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Vintage Pulp Mar 16 2019
BERGER RECIPE
She was so good Horwitz had a second helping.


Senta Berger makes a second appearance on a Horwitz Publications paperback cover, this time for Carter Brown's Murder Is My Mistress. We showed you the Horwitz cover for Brown's Swan Song for a Siren a while back. That actually came second of the pair and was numbered 34 in the company's Reprint by Demand series. The above is number 19 and was published in 1960. We found it on the Nick Carter & Carter Brown blog, which is a stop you should make if you want to know everything about Brown. Anyway, we've been discussing these Horwitz paperbacks for a while because of their celebrity covers. In using Berger twice the publisher chose well. 

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Vintage Pulp Jan 21 2019
WINDOW, CLEANER
Horwitz unclutters the view on Chandler's classic.


Above is a nice alternate cover for Raymond Chandler's The High Window from Australia's Horwitz Publications, circa 1961. It's a cleaner, less plot revealing, and less controversial piece than the battered wife cover put out by American publishers Pocket Books in 1955. We found it on Flickr, so thanks to the original uploader. Sadly, the art is uncredited, which is the way Horwitz generally did business, those damn Aussies.

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Vintage Pulp Dec 15 2018
LANE CHANGE
American singer gets booked for special engagement Down Under.


We love documenting the appropriations of celebrities by Horwitz Publications. This time the company snares U.S. nightingale Abbe Lane for its 1955 edition of Carter Brown's Swan Song for a Siren. You see the original photo they worked with below, which also features Lane's husband Xavier Cugat in the left background, erased by Horwitz's graphics guru and replaced by a man with a gun. The company would reprint this title in 1958 with Senta Berger on the cover, because once you get a taste for kidnapping celebrities you never stop. You can see that edition here. And if you want to see more examples of celebrity theft click the Horwitz keywords below.
 
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Vintage Pulp Jul 21 2018
A SLIGHT HOLD UP
I want the cash, the jewelry, and the licensing fees or I'll blow your brains out.


We're back to charting Horwitz Publications' unlicensed usage of celebrity images for its paperback covers. We've already talked about Joan Collins, Senta Berger, Elke Sommer, Lili St. Cyr, and others. This time the company borrows Belgian actress Dominique Wilms. The image chosen was originally used as a promo photo and the basis of the promo poster for her 1953 film debut La môme vert de gris, aka Poison Ivy. We're convinced now that Horwitz, which was based in Australia, did this because copyright agreements were lax or nonexistent regarding image licensing across international borders. And even if some rules were on the books, it's very possible Wilms and her management never saw the above cover, and if they did decided it wasn't worth a legal fight. The Horwitz guys were sneaky bastards. But as we've asked before, why bother? Wilms was so obscure at this point that Horwitz gained nothing from using her face. Don't get us wrong—she has a great face (and everything else too). But Horwitz could have simply used local models and produced identical results. That's the part we'll never get. But we've queried an expert about stolen paperback imagery and we'll share his answer soon.
 
Note: Very soon. See here.

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Vintage Pulp Jan 2 2018
KANE IS ABLE
Publisher cooks up hard boiled adventures for Aussie readers.


Above, five covers from the Australian paperback series Kane, by C.J. McKenzie for Webster Publications. All of the covers feature photo-illustrations of actual celebs, but the only one we recognize is Bettie Page, panel three. The main character in these books is columnist Martin Kane, who always seems to get tangled up in murder. C.J. McKenzie had been an editor at Horwitz Publications and wrote some novels as Carter Brown while series author Alan Yates was busy elsewhere during the late 1950s. He wrote Kane afterward, in 1958 and 1959. 

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Vintage Pulp Dec 25 2017
THE FRONT PAGET
Horwitz uses its best known cover star to date.


American actress and dancer Debra Paget appears, quite strikingly, on the front of Carter Brown's Stripper You've Sinned, which was published in 1956. We've been speculating for a while whether Horwitz, headquartered 7,500 miles away from Hollywood in Sydney, Australia, licensed its celebrity covers. Our assumption has always been no. The idea of celebrity covers would be, ostensibly, to generate extra interest in the book. But if that's the case, why such obscure stars? There's really no extra publicity to gain, and a licensing fee to lose. So we've always suspected the celebs were chosen merely because they were beautiful and the shots were available as handout photos.

But now we aren't sure about that, because Paget breaks the pattern—she was pretty well known in 1956, having appeared in more than a dozen films, and in highly billed roles in a few of those productions. So now we're thinking Horwitz actually did license these images. The fees must have been tiny, though, otherwise it wouldn't make any sense fiscally. Horwitz could have put an equally beautiful Aussie model on the book covers and gotten the same result with less hassle. In any case, this is great imagery. If you want to know what the book is actually about, check the review here. And if you click the keywords “Horwitz Publications” below you'll see all our previous posts on this matter. 

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Vintage Pulp Jul 12 2017
DI FAIR LADY
As soon as I hear, “That's a wrap, Diane,” the clothes are coming off and I'm streaking out of this joint.

Yes, it's Diane Webber on the cover of this Horwitz second edition of Carter Brown's No Future Fair Lady, and amazingly, she's fully clothed, a phenomenon we've never seen from the most famous nudist model of her generation. Looking closer, though, the dress could be painted on. Wouldn't surprise us. You don't become a nudist icon in the buttoned down 1950s by letting the Man tell you what to do. At any rate, this is yet another example of Horwitz using unlicensed (we suspect) celeb photos on their Carter Brown paperbacks. Since we feature a lot of tabloids on Pulp Intl., we have to point out that the protagonist in this story works for a tab called Smear. We love that. The copyright here is 1960, and we have several other examples of Horwitz celeb covers you can see by clicking this link.

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Next Page
History Rewind
The headlines that mattered yesteryear.
March 08
1978—Hitchhiker's Guide Debuts
The first radio episode of The Hitchhiker's Guide to the Galaxy, written by British humorist Douglas Adams, is transmitted on BBC Radio 4. The series becomes a huge success, and is adapted into stage shows, a series of books, a 1981 television series, and a 1984 computer game.
1999—The Yankee Clipper Dies
Baseball player Giuseppe Paolo DiMaggio, Jr., who while playing for the New York Yankees would become world famous as Joe DiMaggio, dies at age 84 six months after surgery for lung cancer. He led the Yankees to wins in nine World Series during his thirteen year career and his fifty-six game hitting streak is considered one of baseball's unbreakable records. Yet for all his sports achievements, he is probably as remembered for his stormy one-year marriage to film icon Marilyn Monroe.
March 07
1975—Lesley Whittle Is Found Strangled
In England kidnapped heiress Lesley Whittle, who had been missing for fifty-two days, is found strangled at the bottom of a drain shaft at Kidsgrove in Staffordshire. Her killer was Donald Neilson, aka the Black Panther, a builder from Bradford. He was convicted of the murder and given five life sentences in June 1976.
March 06
1975—Zapruder Film Shown on Television
For the first time, the Zapruder film of President John F. Kennedy's assassination is shown in motion to a national television audience by Robert J. Groden and Dick Gregory on the show Good Night America, which was hosted by Geraldo Rivera. The viewing led to the formation of the United States House of Representatives Select Committee on Assassinations (HSCA), which investigated the killings of both Kennedy and Martin Luther King, Jr.
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